Best 189 quotes in «on writing quotes» category

One of the few things I know about writing is this:spend it all, shoot it, play it, lose it, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is a signal to spend it now. Something more will arise later, something better. These things fill from behind, from beneath, like well water.

On Writing About Nora Hawks I write about a female character to try, in vain, to understand two things: the purpose of life, and women.

Plot is, I think, the good writer's last resort and the dullard's first choice.

Pay attention, and use your imagination.

Quiet the noise around you; soften its pitch. Our deepest stories are our best teachers. Let the weapons of the weak — the poison, the nagging, the gossip — burn themselves to ash. Cast them to the wind. Take back the permission to succeed. Make it yours.

Read widely and with discrimination. Bad writing is contagious." [Ten rules for writing fiction, The Guardian, 20 February 2010 (with Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, and AL Kennedy)]

Prose should be a direct intimacy between strangers with no appeal to what both may have known.

Remember The Poem ...

Publishing a book is like planting a vegetable seed. The first day your book is out there is the same as seeing the first sprout from the ground. Is it ready for harvest? Obviously not. The fruit of your labor is still to come so long as you continue to nurture the soil by being persistent in letting readers know your book exists. If you give up on this process too early, your seed will dry up and be consumed by a most merciless sun.

Running a close second [as a writing lesson] was the realization that stopping a piece of work just because it's hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don't feel like it, and sometimes you're doing good work when it feels like all you're managing is to shovel shit from a sitting position.

Some days you have to write..... other days you have to write, write..... and every once in awhile you have to write, write, write.....

Some writers don't believe they're ready to begin writing the story until they've finished all the research they can think of to do — until they're sure of everything. That's a logical approach, of course. The more factual knowledge, the less likelihood you'll have to throw out a lot of glorious prose when you find out that something you assumed to be true wasn't. But one problem with delaying your start until the research is all done is that the research is never all done.

Stories. Character. Dialouge. Entire worlds created on the page. Worlds that could sweep you away or frighten you, make you laugh or cry. Worlds that allowed you to escape to another country or time. Worlds built piece by piece of ink and punctuation.

Sejak kecil dekat dengan Allah, saat dewasa jangan pernah sedetik pun kita bergantung pada selain Allah! Ketika menulis, pena dan jemari kita gerakkan karena Allah, untuk Allah. Maka tulisan kita tak hanya jadi manfaat dan rahmat di bumi, tapi insya Allah menjelma cahaya akhirat kita.

Stories are about secrets. We all have them. Secret dreams, fantasies, hopes and sometimes even desires. Occasionally a dream becomes reality and then maybe there are a million reasons for not telling anybody about it.

Tell a story in fewer and simpler words.

The enemy is noise. By noise I mean not simply the noise of technology, the noise of money or advertising and promotion, the noise of the media, the noise of miseducation, but the terrible excitement and distraction generated by the crises of modern life. Mind, I don't say that philistinism is gone. It is not. It has found many disguises, some highly artistic and peculiarly insidious. But the noise of life is the great threat. Contributing to it are real and unreal issues, ideologies, rationalizations, errors, delusions, nonsituations that look real, nonquestions demanding consideration, opinions, analyses in the press, on the air, expertise, inside dope, factional disagreement, official rhetoric, information—in short, the sounds of the public sphere, the din of politics, the turbulence and agitation that set in about 1914 and have now reached an intolerable volume.

The final advantage is the same that applies in every other competitive venture. If you would like to write better than everyone else, you have to want to write better than everyone else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen--editors, agents, and publishers--whose sights may be different from yours, whose standards are not as high. Too many writers are browbeaten into settling for less than their best.

The first draft of your book is not something you are going to want to show anyone. Sorry! As much as you have sweated and toiled over it… it is most likely a crude assembly of scenes with a bit of a mishmash plot at best.

The free-lance writer is one who is paid per piece or per word or perhaps.

The main thing is to WRITE. Some days it might be 2000 words. Some days you might tinker with two sentences until you get them just right. Both days belong in the writing life. Some days you may watch a ‘Doctor Who’ marathon or become immersed in a book that is so good you can’t stop reading. Some days you may be in love or in mourning. Those days belong in the writing life, too. Live them without guilt.

The man is in his work,read it if you want to know about him.

The most important things are the hardest things to say. They are the things you get ashamed of because words diminish your feelings - words shrink things that seem timeless when they are in your head to no more than living size when they are brought out.

The pen to a writer is like a cigarette to a smoker; they need it to take the edge off.

The reason a writer writes a book is to forget a book and the reason a reader reads one is to remember it.

There is no perfect time to write. There is only now.

There may be a Nurse Ratched-like listing of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at the desk.

There's only one absolute rule in writing: None of us gets it right the first time. Revise, reverse, reinvent, re-vision.

The writer seems constrained, not by his own free will but by some powerful and unscrupulous tyrant who has him in thrall, to provide a plot, to provide comedy, tragedy, love interest, and an air of probability embalming the whole so impeccable that if all his figures were to come to life would find themselves dressed down to the last button of their coats in the fashion of the hour. The tyrant is obeyed; the novel is done to a turn. But sometimes, more and more often as time goes by, we suspect a momentary doubt, a spasm of rebellion, as pages fill themselves in the customary way. Is life like this? Must novels be like this?

This is a short book because most books about writing are filled with bullshit. Fiction writers, present company included, don't understand very much about what they do -- not why it works when it's good, not why it doesn't when it's bad. I figured the shorter the book, the less bullshit." Stephen King, On Writing

Those who write clearly have readers, those who write obscurely have commentators.

Turn those deep feelings and obsessions of your heart into captivating pieces of literature.

V.S. Pritchett's definition of a short story is 'something glimpsed from the corner of the eye, in passing.' Notice the 'glimpse' part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we're lucky -- that word again -- have even further ranging consequences and meaning. The short story writer's task is to invest the glimpse with all that is in his power. He'll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things -- like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes.

Waiting rooms were made for books—of course!

We see her go through dangerous mood-swings, but I tried never to come right out and say "Annie was depressed and possibly suicidal that day" or "Annie seemed particularly happy that day."If I have to tell you, I lose. If, on the other hand, I can show you a silent, dirty-haired woman who compulsively gobbles cake and candy, then have you draw the conclusion that Annie is in the depressive part of a manic-depressive cycle, I win.

What then is the theme? Life is not that complicated. Really. We've lost sight of what we already know. Hold hands and stick together. Life is simple.

When I'm writing, really writing, everything but breathing is an ignorable distraction.

When you write a story you're telling yourself the story. When you rewrite your main job is taking out all the things that are NOT the story.

While I was in the research field in 1929, the idea of Jonah's Gourd Vine came to me. I had written a few short stories, but the idea of attempting a book seemed so big that I gazed at it in the quiet of the night, but hid it away from even myself in daylight.

Why one goes on writing when one sees what writing can be - and what one's own writing is not. Aldous Huxley

Words are powerful. Words make a difference. They can create and destroy. They can open doors and close doors. Words can create illusion or magic, love or destruction. … All those things.

Words are funny things - They are free until you use them.

Words writers choose are like a glimmering reflection into our souls.

Working with the morning pages, we begin to sort through the differences between our real feelings, which are often secret, and our official feelings, those on the record for public display.

Sometimes you have to go on when you don't feel like it, and sometimes you're doing good work when it feels like all you're managing is to shovel shit from a sitting position.

The most essential gift for a good writer is a built-in, shockproof, shit detector.

The most important things to remember about backstory are that (a) everyone has a history and (b) most of it isn't very interesting. Stick to the parts that are, and don't get carried away with the rest. Life stories are best received in bars, and only then an hour or so before closing time, and if you are buying.

The outright propagandist sets up in me such a fury of opposition I am not apt to care much whether he has got his facts straight or not. He is like someone standing on your toes between you and an open window, describing the view to you. All I ask of him to do is to open the window, stand out of the way, and let me look at the view for myself.

The pain in my hip was just short of apocalyptic. And the first five hundred words were uniquely terrifying—it was as if I’d never written anything before them in my life. All my old tricks seemed to have deserted me. I stepped from one word to the next like a very old man finding his way across a stream on a zigzag line of wet stones. There was no inspiration that first afternoon, only a kind of stubborn determination and the hope that things would get better if I kept at it.

There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written -- it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.