Best 233 quotes in «biography quotes» category

The writer has to die to give birth to the intellectual in the service of the wretched of the earth.

They all laughed when I said I'd become a comedian. Well, they're not laughing now.

This marriage had resulted from impulse: he had seen her on a high-flying swing at Tsarkoe Selo and her skirt, flared by the breeze, had exposed her ankles; he had proposed the following day.

This is your first and final chance, your one and only biography.

Today I'm aware of all the times I have said no to opportunities God has placed before me because I think I'm not rich enough, equipped enough, talented enough, strong enough, or crazy enough to say yes. All the times I have mistaken good things for bad. All the times I have allowed the opinions of an ignorant majority to guide my thinking instead of looking to Jesus and his heart in the matter. I wonder how many times we, his children, choose a comfortable no over a terrifying yes - the kind of yes that will lead us to the only place we should ever long to be: in the arms of Jesus.

War is a lie

We aren't either afraid or brave, we’re usually both.

WE ARE the PULSE of the TIMES!

What drove us crazy wasn't necessarily the sexual freedom his critic claimed he was unleashing, but freedom, period. Freedom to be yourself, to express yourself, to wear what you wanted to wear, to look the way you wanted to look, to have your own style, your own talk.

Tolkien came to regard the tale of Beren and Tinuviel as 'the first example of the motive (to become dominant in Hobbits) that the great policies of world history, "the wheels of the world", are often turned not by the Lords and Governors, even gods, but by the seemingly unknown and weak'. Such a worldview is inherent in the fairy-tale (and Christian) idea of the happy ending in which the dispossessed are restored to joy; but perhaps Tolkien was also struck by the way it had been borne out in the Great War, when ordinary people stepped out of ordinary lives to carry the fate of nations.

To me, that's the ultimate isolation - to be separated from my own mind.

Up to four chauffeurs, two secretaries, two personal maids, and a masseur traveled with her to each home

View other authors as your allies rather than your competition

Was he a good father?" To their surprise, I shake my head and smile. "No," I reply candidly. "He wasn't a good father, but he was a good man." Where Dad came from, that meant a great deal more.

We all have the innate capacity to feel free.

We often build our lives in a way that shuts out freedom.

We thought speaking in English meant you were more intelligent. We were wrong of course. It does not matter what language you choose, the important thing is the words you use to express yourself.

Whatever our official pieties, deep down we all believe in lives. The sternest formalists are the loudest gossips, and if you ask a cultural-studies maven who believes in nothing but collective forces and class determinisms how she came to believe in this doctrine, she will begin to tell you, eagerly, the story of her life.

Whatever you believe, and however, each of us deals with these events in our lives, one thing is for certain the truism, time is a great healer, is of no consolation at that moment of intense, all-consuming grief. From GLASS HALF FULL

After moving his family from Yakima to Paradise, California, in 1958, he enrolled at Chico State College. There, he began an apprenticeship under the soon-to-be-famous John Gardner, the first "real writer" he had ever met. "He offered me the key to his office," Carver recalled in his preface to Gardner’s On Becoming a Novelist (1983). "I see that gift now as a turning point." In addition, Gardner gave his student "close, line-by-line criticism" and taught him a set of values that was "not negotiable." Among these values were convictions that Carver held until his death. Like Gardner, whose On Moral Fiction (1978) decried the "nihilism" of postmodern formalism, Carver maintained that great literature is life-connected, life-affirming, and life-changing. "In the best fiction," he wrote "the central character, the hero or heroine, is also the ‘moved’ character, the one to whom something happens in the story that makes a difference. Something happens that changes the way that character looks at himself and hence the world." Through the 1960s and 1970s he steered wide of the metafictional "funhouse" erected by Barth, Barthelme and Company, concentrating instead on what he called "those basics of old-fashioned storytelling: plot, character, and action." Like Gardner and Chekhov, Carver declared himself a humanist. "Art is not self-expression," he insisted, "it’s communication.

When will the human race choose wisely? All know it is just as eventful, if not more so, when the young seek adventure, purpose, and dreams; instead of blaming everyone but themselves if they choose otherwise.

Writing a biography is a delicate—not a reckless—process, where the end result, if done properly, is simply the truth revealed. This delicate and intricate research process has never before been done for Bob Crane, a man with a story worth telling.

You can’t observe historical events; you can’t question historical actors; you can’t even know most of what has not been written about. What has been written about therefore takes on an importance that may be spurious. A few lines in a memoir, a snatch of recorded conversation, a letter fortuitously preserved, an event noted in a diary: all become luminous with significance—even though they are merely the bits that have floated to the surface. The historian clings to them, while, somewhere below, the huge submerged wreck of the past sinks silently out of sight.

You must be clever, Tracey to do these forgeries." "She's not clever. I did them," yelled Frieda. "You'll get five years." "She did them." From Halfpennies and Blue Vinyl

After earning a degree in Marketing at Auburn University, I spent the next five years in the business world, which is a polite way of saying that I had eleven jobs in a five-year period, including door to door sales, skip tracing people who didn’t want to be found, repossessing cars and collecting on defaulted student loans. During this five-year period, I did an in-depth study of abnormal psychology and sociopathic behavior – and then I divorced him.

A garden with a variety of flowers beats a garden with one hundred flowers of the same type. Differences in society present an opportunity to learn and grow. How boring would it be if everyone believed and did the same thing?

Alexander Berkman was a self-declared atheist attempting to lift the stultifying fog of the gods from the mind of humankind.

Bentham was an atheist and in no sense of the word could he be described as a theologian.

—a knowledgeable man is a free man, or at least a man who longs for freedom.

When you are trapped in a cage with broken wings, freedom can seem like a faraway deeply buried treasure. But it is always within reach.

Wherever he went he left footprints so firm that nobody could later efface or blur them, not even he himself, when on rare occasions he was tempted to do so.

While you cannot always change your situation, you can always change the way you respond to it.

Who makes things up? Who tells the real story? We all turn our lives into stories. It is a defining characteristic of our species. We retell our experiences. We quickly learn what parts are interesting to our listeners and what parts lag, and we shape our narratives accordingly. It doesn't mean we aren't telling the truth; we've simply learned which parts to leave out. Every time we tell the story again, we don't go back to the original event and start from scratch, we go back to the last time we told the story. It's the story we shape and improve on, we don't change what happened. This is also a way we have of protecting ourselves. It would be too painful to relive a childhood illness or the death of your best friend every time you had to speak of it. By telling the story from the story, instead of from the actual events, we are able to distance ourselves from our suffering. It also gives us the chance to make the story something people can hear.

Writing is...creating tattoos which are invisible, under your skin

You are not alone. There are Freedom Seekers everywhere.

You don't have to drink this," I said, handing him the champagne. "But Sandy might like it". "No,no. Come on, let's have some," he grinned, popping the cork, taking a swig from the bottle and passing it back. He [HST] rarely failed to show his appreciation of someone appreciating him, which is an admirable trait.

You have a life; make a success of it.

You know...give peace a chance, not shoot people for peace. All we need is love. I believe it. it's damned hard but I absolutely believe it. We're not the first to say 'Imagine no countries' or 'Give peace a chance' but we're carrying that torch, like the Olympic torch, passing it from hand to hand, to each other, to each country, to each generation. That's our job...I've never claimed divinity. I've never claimed purity of soul. I've never claimed to have the answer to life. I can only put out songs and answer questions as honestly as I can, but only as honestly as I can, no more, no less. "I used to think that the world was doing it to me and that the world owed me something, and that either the conservatives or the socialists or the fascists or the communists or the Christians or the Jews were doing something to me, and when you're a teenybopper that's what you think. I'm 40 now. I don't think that anymore, 'cause I found out it doesn't fucking work. The thing goes on anyway and all you're doing is jacking off and screaming about what your mommy or daddy or society did...I have found out personally...that I am responsible for it as well as them. I am part of them.

Your heart knows there is a greater version of your life available to you.

Bethune was a communist and an atheist with a healthy contempt for his evangelical father.

Almost nothing is known about Homer, which explains why so much has been written about him.

Always do what you're afraid to do"-Robert F. Kennedy

And I *know* I wrote in the above that I hate biographies and reviews that focus on the psychological, surface detail, especially when they pertain to women writers, because I think it’s really about the cult of the personality, which is essentially problematic, and I think simplistically psychologizing which biographies are so wont to do is really problematic, and dangerous, especially when dealing with complicated women who just by being writers at a certain time and age were labelled as nonconformist, or worse, hysterical or ill or crazy, and I think branding these women as femme fatales is all so often done. And I know in a way I’m contributing to this by posting their bad-ass photos, except hopefully I am humanizing them and thinking of them as complicated selves and intellects AND CELEBRATING THEM AS WRITERS as opposed to straight-up objectifying. One particular review long ago in Poetry that really got my goat was when Brian Phillips used Gertrude Stein’s line about Djuna Barnes having nice ankles as an opener in a review of her poetry, and to my mind it was meant to be entirely dismissive, as of course, Stein was being as well. Stein was many important revolutionary things to literature, but a champion of her fellow women writers she was not. They published my letter, but then let the guy write a reply and scurry to the library and actually read Nightwood, one of my all-time, all-times, and Francis Bacon’s too, there’s another anecdote. And it’s burned in my brain his response, which was as dismissive and bourgeois as the review. I don’t remember the exact wordage, but he concluded by summing up that Djuna Barnes was a minor writer. Well, fuck a duck, as Henry Miller would say. And that is how the canon gets made.

And Grace Fryer was never forgotten. She is still remembered now - you are still remembering her now. As a dial-painter, she glowed gloriously from the radium powder; but as a woman, she shines through history with an even brighter glory: stronger than the bones that broke inside her body; more powerful than the radium that killed her or the company that shamelessly lied through its teeth; living longer than she ever did on earth, because she now lives on in the hearts and memories of those who know her only from her story.

Anyone who has lived a full life has something fascinating to share with the world.

Anyone who likes or hates Dana White should take a look at this.

A popular Harvard business professor urged his students to read the obituaries in the New York Times before they read anything else, in order to learn from the lives of great men.

Apesar de eu não saber ler, distinguia bem entre as letras hebraicas, impressas no lado esquerdo do devocionário, e as alemãs, no lado direito. As hebraicas agradavam-me mais: vistosas, arredondadas, levavam, por cima e por baixo, pontinhos e tracinhos, dançavam, por assim dizer, livremente no espaço, enquanto as alemãs, impressas a duas colunas, eram magrinhas, hirtas, bem comportadas. O lado das letras hebraicas fazia pensar uma cabeça endiabrada, cheia de caracóis; o outro, das letras alemãs, na cabeça bem penteada duma senhora idosa, com monótona risca ao meio.

A regime that can suspend or abrogate the constitution and run the country on its whims and caprice should be ashamed of bringing on its lips the word "law". It is like prescribing a punishment for adultery after raping the country. It is like saying that Holy Quran is suspended nobody can escape from the Hadees.

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless -- as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it . . . The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house.