Best 10290 quotes in «past quotes» category

My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth.

My grandmother always used to say, "If you know your past and you know where you have to go, why do you rehearse?" I always remember this and it's true. You have to start each day again-you can't repeat what you did.

My grandfather was a most gifted person, and amongst his many qualities, one of them had always particularly impressed me. While the past was a book he had read and re-read may times, the future was just one more literary work of art into which he used to pour himself with deep thought and concentration. Innumerable people since his death have told me how he used to read in the future, and this certainly was one of his very great strengths.

My grandmother was overwhelmed by what was happening to us. She ahd moved back into the past because the here and the now was too terrible.

My hunch is that pop culture began to stagnate the moment Americans started to love the past more than they did the future.

My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.

My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.

My husband regarded my prison past as a dirty secret and never asked me one single question about it. But what I had experienced and witnessed was eating at me and I needed to "tell somebody.

My idea in terms of managing a narrative, or in thinking in my creative life, is that you could easily argue that the past, the present and the future all occur simultaneously, and if you can postulate that, then you're not strictly bound to a linear narrative.

My husband is the only guy I've ever dated where I've never been drunk around him. I couldn't handle dating without drinking in the past.

My issue in the past with nudity was that these scenes had been written solely for box office draw.

My intention with The Soup was to hopefully follow in the footsteps of past hosts, like Greg Kinnear. The pedigree of that show was really good and if it could just get me into some of those audition rooms I've always wanted to get into that I could not get into, then I would be very happy.

My life can be so arranged that I can live on whatever I have. If I cannot live as I have lived in the past, I shall live differently, and living differently does not mean living with less attention to the things that make life gracious and pleasant or with less enjoyment of things of the mind.

My kitchen is a mystical place, a kind of temple for me. It is a place where the surfaces seem to have significance, where the sounds and odors carry meaning that transfers from the past and bridges to the future.

My life is a pitiful, mechanical thing without a past, like a little wind-up car, ready to run in any direction someone points me.

My Lord, I find thy face apelike and thy form misshapen. Thy beard, moreover, is an offense against decency, resembling more closely the scabrous fir which doth decorate the hinder portion of a mongrel dog than a proper adornement for a human face. Is it possible that thy mother, seized by some wild lechery, did dally at some time past with a randy goat? -Mandorallen

My life in the past 20 years has changed. I don't count days anymore, I count the hours, the minutes, the seconds.

My life is what it is, and I can't change it. I can change the future, but I can't do anything about the past.

My lungs taste the air of Time,Blown past falling sands.

My message to the serious programmer is this: spend a part of your working day examining and refining your own methods. Even though programmers are always struggling to meet some future or past deadline, methodological abstraction is a wise long term investment.

My main concern is the political dimension of European integration. This is one of the most important issues of all, as far as I'm concerned. It has to do with our past, with our sensitivity, perhaps even our hypersensitivity in this regard.

My maturity level is rising. I think there are certain situations that I'm handling better than in the past.

My mother helped me to get past that. She was always there for me, until she dies. I remember she told me once, about big hearts and small hearts, and that not everyone could be blessed with a big one that had room to care for a lot of people. She promised me that mine was big, and that I was the lucky one for it.

My mother is my last point of security in relation to my past, and if that breaks, I will not ever have that type of pure love or pure attachment.

My mouth opened. It happened. Yes, with my head thrown into the sky, I started howling. Arms stretched out next to me, I howled, and everything came out of me. Visions pored up my throat and past voices surrounded me. The sky listened. The city didn't. I didn't care. All I cared about was that I was howling so that I could hear my voice and so I would remember that the boy had intensity and something to offer. I howled, oh, so loud and desperate, telling a world that I was here and I wouldn't lie down.

My now-wife - we got together in '81, we married a few years after - she's been very good in the past about going in the theater with me to see actresses I had known. But then, she's not an actress.

My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool.

My own literary interest is more about excavating the past, or sensing the past inside the present. This requires all kinds of exclusions and sleights of hand. There's an admittedly antiquarian flavor to it, even though there's enough of the present included to lull the reader.

My one challenge with the support group that I'd become involved with on campus is that the people seem to spend as much time talking about their ill-begotten pasts as their promising futures. It's as if people are drawn to looking back. They can't move on until it all makes sense. Humbly submitted: It never does.

My only general rule was to steer away from things I played with the band over the past couple of tours. I was interested in re-shaping the Rising material for live shows, so people could hear the bare bones of that.

My own sense is that if David Friedman chooses to live in Jerusalem, and quietly conduct diplomatic business from the now existing US consulate in the city, it will not be noticed very much. It will not be treated as a rupture with the past unless it is accompanied by other American encouragements of Israeli extremism undertaken with the clear backing of the White House.

My parents ... are more like cats. They accidentally had a litter of kittens, and then emotionally moved on to whatever ball of yarn rolled past their line of sight.

My own terror of appearing sentimental is so strong that I’ve decided to fight against it, some; but the terror is still there. . . . Do you identify with a distaste/fear about sentimentality? Do you agree that, past a certain line, such distaste can turn everything arch and sneering and too ironic? Or do you have your own set of abstract questions to drive yourself nuts with?

My particular interest for the past couple of years has been to really think deeply about the big impendence mismatch we have between programming languages, C# in particular, and the database world, like SQL or, for that matter, the XML world, like XQuery and those languages that exist.

My past is no secret to anyone. I'm a blackguard and a sinner, and everyone knows it. These days, that's almost an asset to being a politician.

My personality and nothing from my past would have ever predicted that I would be at the center of a controversy.

My past is not pleasant; I grew up in a very tough town, Waterbury, Connecticut. I grew up in New York, too, but Waterbury was tougher.

My past is very interesting, and I treasure it, but to write about it, it's just not on my radar.

My philosophy, one of the biggest enemies of future success is past success, because you become complacent, you become risk averse, and that's one of the things we try to drive here, and this is fundamental to this philosophy, and that's in this component change, and also in value creation. That we need to drive creative destruction, not just incremental innovations, but innovations that will change the whole nature of the business.

My photos are my diary. Every photo is no more than the representation of a single day. And each day contains the past and the projection into the future. That's why I feel compelled to indicate the date on every picture I take.

My past is my shadow, it follows me everywhere I go. Well, all those things come from when I had no other choice. They put my back against the wall. I do what I gotta do.

My past was a private obstacle, not a public excuse.

My philosophy is never start talking about 'if,' 'and,' 'but' or the past, because 90 percent of what follows will be negative.

My philosophy on life is that we're here to love and to learn. And I've learned a lot, so I can't say "I wish this didn't happen or I didn't make that movie." And I take responsibility for being open [about relationships] in the past. I have to, and now I'm doing what I can to make it different.

My past behaviour makes me cringe.

My past is a bit checkered.

My past life is abundantly full of God's mercy, and, above all sin, stands the forgiving love of the Crucified.

My priority is inclusion and justice. We need a system of justice that is applied across the board. That is what this country is striving for. We've suffered from a variety of exclusions. In the past, I compared our situation to a person with scissors who first cut the sleeve, then the fingers, then our body politic to pieces. My job is to stitch the wounds together. We need an agenda of inclusion: the youth, the women, the poor feel an enormous sense of exclusion.

My remembrance of the past is a novel I am constantly recomposing; and it would not be a historical novel, but sheer fiction, if the material events which mark and ballast my career had not their public dates and characters scientifically discoverable.

My policy is to learn from the past, focus on the present, and dream about the future. I'm a firm believer in learning from adversity. Often the worst of times can turn to your advantage - my life is a study of that.