Best 12 quotes of Steven Sherrill on MyQuotes

A life as long as the Minotaur's - that half-man half-bull, and fully scapegoat - a life that long doubles back on itself from time to time. Caves in. The minuscule tectonics of being alive, among the wholly human, always unsettling. The world shifts continuously beneath his feet. The Minotaur came from misspent want, from the planked birth canal, came from blood-drenched stone walls, from yellow thread. Belayed by desire, the beast pulled himself along. Pulled himself through centuries, through zeitgeists and kitchens, through paradigms and junkyards. Pulls still. Home.

As the Minotaur walks to his car Buddy charges the fence, snorting, slobbering and barking maniacally. The Minotaur is no longer afraid of Buddy, and he knows the dog means no real harm. But they have an unspoken understanding. Each of them has a history; each clings to an image, however diminished, of himself and his place in the world.

Cecie keeps telling him she’d like to take him home some night, husband or no. The Minotaur waits hopefully. Husband or no.

For as long as the Minotaur can remember - no, for much longer than he can remember - he has risen every day aware of the possibility of change. Some would call him gullible. The truth is, there are days on end when he would gladly barter some of his hope for the arrogant cynicism of people like Shane and Mike. In the backseat the Minotaur's wristwatch pounds incessantly at the thin bones of his arm, resonates up through the joints, rides roughshod over his ribs and battles with the rhythms of his heart.

If asked the Minotaur might say that he thinks gravity pulls harder at night. That the whole earth, on its wobbly axis, whips quicker through a sunless sky. It sure feels that way. But nobody is going to ask.

It is Tuesday, near dusk. Night creeps in and strips colors from the scene. Everything is purplish. There have been many Tuesdays in the Minotaur‘s life. He wonders how this one will end.

Standing at the window, reading the menu of Obediah's services, the Minotaur wishes he could believe in what she has to offer: a promise woven into deep lines of his palm, some turn of fate told by a card. But faith is a nebulous thing and charlatans a dime a dozen; it's always been that way. The Minotaur both envies and pities the devout.

The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.

The Minotaur comes and goes. He has for centuries. And there have been many bridges. The Minotaur pauses, as he walks, midway through the covered bridge that serves, in more ways than one, as the entrance to Old Scald Village. He rests his heavy snout against one of the wooden trusses. The Minotaur likes this portal, both ingress and egress, a breach in the terribly human construct of time.

The Minotaur lacks confidence in his penmanship. Over time the Minotaur has learned to read, has even been able to make the slow laborious transition from one language to another as cultures die off and fade away as he moves from place to place. But the Minotaur has never been able to rise above rudimentary skills. Most books seem ridiculously small, and the physical act of finding a comfortable sight line over his massive snout frustrates him. Nevertheless the Minotaur is haunted by the idea that books and reading might make those vast stretches of time that loom before him more bearable.

The sign says that the Scald Mt. Rod & Gun Club has adopted the highway, but the Minotaur knows an orphan when he sees it.

Unngh,' the Minotaur says. What he means is that every past is littered and scarred. What he means is that the present moment is the only moment that pulses, that breathes. What he means is that he himself is capable of great tenderness but has also done great harm. The Minotaur knows that sometimes mercy requires expedience. Haste. Sometimes it can't be about how much a thing hurts.