Best 54 quotes of Ted Alexandro on MyQuotes

A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.

After twenty plus years of performing hundreds of shows a year, I prefer to try things out on stage rather than for friends. I don't see the benefit in that, really.

A person riding a unicycle on a tightrope doesn't worry about being likeable; they're doing something amazing that very few people can do.

Certainly, you want to be liked, but as you gain confidence and experience you're more concerned with expressing yourself and what matters to you.

Chris Rock went from a guy whose name you knew from SNL to a legendary comedian by working his ass off.

Comedians are thinkers. The best ones are akin to philosophers, in my opinion.

Comedians act every night on stage, so they have great performing chops. They especially know how to play themselves, which is how we set 'Teachers Lounge' up.

Comedians can articulate some important and profound ideas that address a lot of the hypocrisy we're inundated with (in the media).

Comedy clubs are arguably one of the last bastions of uncensored, public free speech.

Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.

Comics definitely embody the importance of practicing free speech.

Dave Chappelle is about as gifted as it gets, as a performer and comedian. [...] It's always great to watch him work. He started around fourteen and he's in his forties now, so he's probably been doing it for close to thirty years. He's brilliant.

Hard work is a muscle that you develop, as is taking risks.

I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.

I don't know that I have a single comedy philosophy. But talking about things that matter to you is a good place to start. Listening is a big part of it, too.

I don't really worry about a crowd liking me.

I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.

If you're funny, you can find a stage to get on. If you're good, you'll start to get work and eventually get paid.

I have a lot of friends who are getting married. I try to avoid talking to them about their sex lives now 'cause it's so depressing. One guy told me it had been six months since he had gotten to second base with his wife. Yeah, I don't know which one was more pathetic: that he used the phrase 'second base' or that he hadn't been there in six months?

I learned so many things from Louis C.K., but the most impactful thing was witnessing his work ethic. He works harder than anyone I've ever been around in comedy. And he takes risks and doesn't dwell on what might be perceived as failures.

I'll sit down for an hour or two a few days a week in a quiet place and brainstorm. The earlier in the day, the better, before the parade of distractions starts.

I'm just looking for a little mystery in life... like things you can't explain. Like, you go to Mexico, they tell you don't drink the water. You go to any diner here, who brings you the water? It's a mystery.

I'm keeping in shape, you know, gotta look good for the ladies - and certain guys. Hey, I can't control who's looking. I just gotta bring the heat.

Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.

In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.

I often think about my future wife and how lax she's been about getting in touch with me.

It always comes down to what the crowd buys coming out of your mouth, which differs from one comic to the next.

I think comedy is no different now than it was at other points. It takes a long time to get good and know how to distill what makes you funny beyond the realm of standup, which is what I'm trying to do with 'Teachers Lounge.'

I think the more you hone your voice, take risks and talk about things that matter, the better chance you have of getting into the realm of the philosophers of stand up. But you have to be funny.

I think there comes a time in any comedian's career where they can either coast or keep growing and evolving.

It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.

It's harder to reveal sides of yourself that make you vulnerable but it's another muscle that can be developed and one that I think is worthwhile. That said, everyone finds their style. It's personal.

I've seen people who are not very likeable but hilarious. I think comedians get to a point where they know they're funny, so they don't care - in the sense that they know what they're doing. They have a skill.

I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.

Laughing at something is a form of accepting it or at list making peace with it.

Like once we picked Jim Norton as the head of security, the writing flows pretty easily.

Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.

Louis CK went from a writer/comedian to winning Emmys for his own show because he works his ass off.

Not that that's the goal, but sometimes these funny insights can also be deeply profound.

Opening for Louis C.K. during his "Hilarious" tour was a great experience for me. He is the generation just ahead of me, because he started so young. So it's like he's sort of a senior and I'm a junior, in terms of the business. He's done so much - from writing on Conan and Chris Rock to writing and directing movies, having his own HBO show, "Lucky Louie," and now having "Louie" on FX.

Opening for Louis C.K. during his "Hilarious" tour was a great experience for me. He is the generation just ahead of me, because he started so young.

People don't come to a comedy club simply to hear someone's thoughts, no matter how profound.

Some comedians are silly or goofy or straight joke writers who avoid anything subversive or political. Others are drawn to it. The beauty of standup is there is room for everyone, and years of performing in front of crowds will dictate what you can or can't do.

Some people say homosexuality is a sin. It’s not. God is perfectly cool with it, God feels the exact same way about homosexuality that God feels about heterosexuality. Now you might say, ‘Whoa, slow down. You move too fast. How could you have the audacity, the temerity, to speak on behalf of God?’ Exactly, that’s an excellent point and I pray that you remember it.

Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.

Sometimes it's fun to explore ideas that might make people uncomfortable. If you let it, there's a lot of self-censoring that can go on in the name of remaining likeable, but I don't find that an artistically interesting path to take.

That heightened dynamic can produce interesting, funny ideas that are phrased in ways that surprise even you, as the performer.

The blues is a hopeful music. It helps you process something rather than avoid it. It's like mourning, in essence.

The more you perform, the more adept you get at the nuances of navigating that communal conversation.

TV is a different animal. It's not a club set. As you said, you do short sets on TV - about five minutes. So you have to get that rhythm down and also be aware of the camera so you're connecting with the viewers at home as well as the studio audience. It's a different muscle to develop.