Best 48 quotes of David Gerrold on MyQuotes

Adolescence is that time in your life when you discover your ability to be depressed.

A work of art is an act of love. Critics are crab lice.

Christianity has held back any further advances in human consciousness for the past thousand years. And for the past century it's been in direct conflict with its illegitimate offspring, Communism (again with a capital C). Both ask the individual to sacrifice his self-interest to the higher goals of the organization. (Which is okay by me as long as it's voluntary; but as soon as either becomes too big - and takes on that damned capital C - they stop asking for cooperation and start demanding it.) Any higher states of human enlightenment have been sacrificed between these two monoliths.

Contentment is the continuing act of accepting the process of your own life.

Doesn't anybody ever want to talk about anything else besides 'Star Trek?' There were 79 episodes of the series; there were 55 different writers. I was only one of them.

If you're passing the buck, don't ask for change.

I had always been fascinated by the whole idea that Australia was this different ecology and that when rabbits and prickly pears and other things from Europe were introduced into Australia, they ran amok.

I have a very simple philosophy of life: Kindness. Ferocious, unrelenting, ruthless, committed, passionate, kindness. Life is sacred everywhere. We all have better things to do than beat each other up. Arguing for the exception is to invest it with energy, it's to negotiate the loophole. The commitment to kindness must be total.

I have memories - but only a fool stores his past in the future.

Imagine yourself in the scene. See what there is to be seen. Listen to the sounds. Touch the world. Smell the air. Taste it. Use all of your senses. Then evoke those experiences for the reader. If you give the audience the flavor, they'll flesh out the moment in their own imaginations.

I'm frustrated with Hollywood and television and the movies because they see science fiction as an excuse for eye candy, for lots of great special effects.

In the 20th century, we had a century where at the beginning of the century, most of the world was agricultural and industry was very primitive. At the end of that century, we had men in orbit, we had been to the moon, we had people with cell phones and colour televisions and the Internet and amazing medical technology of all kinds.

I've always felt that anyone who wants to talk about my private life is only demonstrating the paucity of his/her imagination when there are so many more important and exciting things to discuss.

Life has a peculiar habit -- once established, it stays. Sometimes it even thrives.

Life is full of little surprises. Time travel is full of big ones.

Life is hard. Then you die. Then they throw dirt in your face. Then the worms eat you. Be grateful it happens in that order.

Morality—like velocity—is relative. The determination of it depends on what the objects around you are doing. All one can do is measure one's position in relation to them; never can one measure one's velocity or morality in terms of absolutes.

Most people say they want justice, but they don't really want justice. They want revenge. They want to see the pain spread around equally.

My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.

Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.

Of course life is bizarre, the more bizarre it gets, the more interesting it is. The only way to approach it is to make yourself some popcorn and enjoy the show.

Something went klunk. Like a nickel dropping in a soda machine. One of those small insights that explains everything. This was puberty for these boys. Adolescence. The first date, the first kiss, the first chance to hold hands with someone special. Delayed, postponed, a decade's worth of longing--while everybody around you celebrates life, you pretend, suppress, inhibit, deprive yourself of you own joy--but finally ultimately, eventually, you find a place where you can have a taste of everything denied.

Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.

Study what you love, and youll never have to work a day in your life. Itll be one great adventure.

The avalanche of time sweeps everything before it. Every individual instant hurtles into oblivion, drowning out the obliteration of the instant immediately preceding it, and then it too disappears under the onslaught of the next and the next and the next. When the avalanche has shuddered past for a long enough time, the perception of the past evolves. Distant events grow beyond mere history and take on the weight of legend.

The computer has evolved into a partner, a tool, and an environment--not just in science fiction, but in the public consciousness as well. Computers are no longer malevolent iron brains that manufacture tyrannical and oppressive answers; they are not a way to think, they are a place from which to think. The computer is an environment in which answers can be sought, created, manipulated and developed.

The fifties are a peaceful time, a quiet sleeping time between two noisy bursts of years, a blue and white time filled with sweet yellow days, music and bright smelling memories.

The jingling of a fat purse always commands the world.

The human race never solves any of its problems, it only outlives them.

The most useless job in the world is that of the critic. That is a prejudiced statement. I admit it. I'm prejudiced. I hate critics. ... And now, as the saying goes (yesterday, I couldn't even spell critik), and now I are one.

The problem with the gene pool is that there's no lifeguard.

Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.

The secret of the universe is this: The universe doesn't care. That part of the job is yours.

The single most important lesson of effective communication is this: Focus on clarity. Concentrate on precisions. Don’t worry about constructing beautiful sentences. Beauty comes from meaning, not language. Accuracy is the most effective style of all.

Tomorrow is going to be different than yesterday, it's going to be a lot different.

To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.

True genius can be identified by the fact that its expression changes the world into something it has never been before.

Understanding the laws of nature does not mean that we are immune to their operations.

We have this sacred cow in our society that what the majority of people want is right—but is it? Our populace can't really be informed, not the majority of them—most people vote the way they have been manipulated and by the way they have responded to that manipulation—they are working out their own patterns of wishful thinking on the social environment in which they live.

What I wish is that people would look beyond the tribbles and see I've written some other books that I really would like people to notice. There's The Man Who Folded Himself, there's The Martian Child, which is about my son and the adoption. There's The War Against The Chtorr, which is my magnum opus, my great epic story.

When I was a kid, my favorite movies were the George Pal version of 'War Of The Worlds,' 'Them,' and 'Invasion of the Body Snatchers.' Those movies were scary! They haunted my nightmares for years, so when I started writing, I wanted to write a story that was just as big and just as scary.

Who are we? And to me that's the essential question that's always been in science fiction. A lot of science fiction stories are - at their very best - evocations of that question. When we look up at the night sky and wonder, "Is there anyone else out there?" we're also asking who we are we in relation to them.

You cannot avoid mortality. But you can choose your way of meeting it. And that is the most that any man can hope for.

I felt like a kid at Santa Claus's funeral.

I had to learn to relax, that was the problem. Other people had always unnerved me because I thought they were continually judging me. How do I look? What kind of person do I seem? Is my voice firm enough? Am I really intelligent or just pedantic? Was that joke really funny, or am I making a fool of myself? I worried about the impression I was making. If I was shy, did they think I was being aloof and call me a snob? If I tried to be friendly, did they find me overbearing? I was always afraid that I was basically unlikable, so I wouldn't give anyone the chance to find out; or I tried too hard to be likable, and thereby proved that I wasn't.

I think I exist, therefore I exist. I think.

Star Trek was about social justice from day one -- the stories were about the human pursuit for a better world, a better way of being, the next step up the ladder of sentience. The stories weren't about who we were going to fight, but who we were going to make friends with. It wasn't about defining an enemy -- it was about creating a new partnership. That's why when Next Gen came along, we had a Klingon on the bridge.

When I was ten years old, one of my friends brought a Shaleenian kangaroo-cat to school one day. I remember the way it hopped around with quick, nervous leaps, peering at everything with its large, almost circular golden eyes. One of the girls asked if it was a boy cat or a girl cat. Our instructor didn't know; neither did the boy who had brought it; but the teacher made the mistake of asking, 'How can we find out?' Someone piped up, 'We can vote on it!' The rest of the class chimed in with instant agreement and before I could voice my objection that some things can't be voted on, the election was held. It was decided that the Shaleenian kangaroo-cat was a boy, and forthwith, it was named Davy Crockett. Three months later, Davy Crockett had kittens. So much for democracy. It seems to me that if the electoral process can be so wrong about such a simple thing, isn't it possible for it to be very, very wrong on much more complex matters? We have this sacred cow in our society that what the majority of people want is right—but is it? Our populace can't really be informed, not the majority of them—most people vote the way they have been manipulated and by the way they have responded to that manipulation—they are working out their own patterns of wishful thinking on the social environment in which they live. It is most disturbing to me to realize that though a majority may choose a specific course of action or direction for itself, through the workings of a 'representative government,' they may be as mistaken about the correctness of such a choice as my classmates were about the sex of that Shaleenian kangaroo-cat. I'm not so sure than an electoral government is necessarily the best.