Best 64 quotes of Serj Tankian on MyQuotes

A lot of pop music is based on trying to make people remember it so that they'll buy it. To me, it was not about that.

As an artist, you never want to write the same song again, you always want to challenge yourself to writing in a different way.

As long as people are living their truth or their vision, whether they're activists or not, that's the important thing.

Awareness in our society has flipped all types of injustice on its head.

Civilization is a failure. We need to think what we can do together in love and peace.

Composing is what I love most from what I do. Each genre has a unique expression that you cannot supplant with another. All the records co-inspire each other though they are not tied conceptually in any way to another.

Corporatization is the descendant of industrialization.

'Elect the Dead' is a rock record that takes you on a journey with different types of genres integrated, different lyrical themes digested, and many fun and colorful moments to enjoy.

Harout Pamboukjian is one of the biggest Armenian folk singers in the world. In the '70s, he was making these records that were really Zeppelin-influenced.

I believe very firmly that indigenous populations had a really good, intuitive understanding of why we're here. And we're trying to gain that same understanding through psychology and intellect in modern civilization.

I don't find most people to be as politically engaged as I am. I do find people that appreciate eye-opening events and words, and who want to learn more about what's going on. I do find people with a lot of opinions. And I get a lot of people who come up to me and give us props for what we do.

I don't want to spend all my time working as an activist. I don't get satisfaction out of it. I'd rather be doing something else. I'm a musician.

I'd rather let the music speak for itself.

If you allow for a purely capitalistic society, without any type of regulation at all, you will get one monopoly that will eat all of the smaller fish and own everything, and then you'll have zero capitalism, zero competition - it would just be one giant company.

If you're using live bass versus orchestral bass, you've got to make sure that you're not stepping on the toes of the other elements, so you've got to balance it out.

I hate injustice, and I can't help but speak against it. But I don't want to get involved in politics.

I have a more direct avenue to expression as an artist than I ever would as a politician.

I'm not comfortable with just entertaining. Although I like entertaining, I also like bringing forward the truth of our times as minstrels used to in the old days.

In America, there's more of the question, should music be political or should it just be for entertainment purposes, whereas around the world that's not even an issue. I think people just assume that music should be everything.

In terms of political things, I think it's important to be more direct in terms of political statements. I think in terms of philosophical and things that you plant things and see them grow lyrically or musically, it's okay to be subtle.

In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.

I really feel like civilisation's already over. It's not ending but it's already done. We're all addicted to the concept that humanity equals civilisation and that's not the case. We need a global conversation to be able to decipher how we can live from this point forward. We have to redefine our relationship with our environment.

I think anytime that you go to the extreme of any mode of economics, be it capitalism or communism, you have these feedback mechanisms that make the system turn in on itself.

I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.

I think I might write a book. I like writing. People have asked me if I would get into politics, but I think I feel a lot more effective being a representative of truth through the arts.

I think music has the ability to inspire people and to change hearts, and the heart has the power to change the mind, and the mind has the power to change the world.

I think music is an intuitive force. It's this beautiful wave that connects all of us and inspires us, and I think music has the ability - when you listen to a song, you're not immediately thinking about the lyrics or what's going on in the mind of the writer, you're feeling the song.

I think nobody wants to hear a sermon. Well, some people do, but maybe not through music or not with me. No one wants to hear me give a speech that way.

I think that because of YouTube, because of MySpace, because of the digital domain that we have on the Internet, the younger generation is much more open to information. I think it's so much easier for them to gain information and trade information, and they have become more aware. In some cases, more aware than their own parents and adults, as to what's going on in the world. I find that really intriguing and interesting, and I think there is a brewing of a whole new generation of activists coming.

I think that the memory of Armenia's genocide opened my eyes at an early age to the existence of political cynicism.

I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.

It's important for all people, and not just people in bands, to speak out on social justice issues. That means journalists or plumbers have just as much of a responsibility to do that as artists.

I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.

I've always tried to listen to a lot of different music from around the world.

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.

Life is that perfect fine line between ironies.

Making two possibilities a reality. Predicting the future of things we all know. Fighting off the diseased programming Of centuries, centuries, centuries, centuries. Science fails to recognise the single most Potent element of human existence. Letting the reigns go to the unfoldings faith, Science has failed our world. Science has failed our mother earth.

My personal relationship with music is an imperfect harmony because I never studied music, but here I am not just writing for bands but full orchestral sections and doing all this composition, and I never learned the right way of doing things so I have a lot of dissonant sounds and things that are brought to my attention, and generally I leave them that way because I like those imperfections.

My two interests are spirituality and politics. I would mesh them in some way; maybe try to figure out the politics of spirituality, or the spirituality of politics. Or maybe come up with this really crazy naive solution for the end of civilization.

Nations are like people. Once you understand the interactions between nations, it's easy to understand why things are done, in terms of foreign policy, in a certain way. But nations are not like people in the sense that we are cumulatively represented by others - and their interpretations of what our interests are may not be the same as what they really are. And that's what's dangerous, even in a democracy.

People always ask me 'do you think there should be more bands doing political music?' and I say 'absolutely not.'

People get so attached to a position which they identify themselves with that they just spurt it out, but they can't really give you a viable reason why they feel that way.

People think our music's very aggressive or angry or whatever, and it's just the opposite, really... I like laughing. And I like being really calm before a show, and smiley.

Political statements are usually more direct, and it works with the upbeat music as well, for some reason, the directness of your statements.

Pretending that we live doesn't make us alive.

Science fails to recognize the single most potent element of human existence...faith.

Science has failed our mother Earth.

Sometimes it's better to have a benign dictator than a dumb democracy, to be honest.

The best way to do that is to pick up a new instrument or an instrument that you don't typically write on and see where it takes you. Whether it's using an acoustic guitar, or piano, or electronics as tools, all of these lead to creating different types of songs and I used all of these methods for this record.