Best 37 quotes of John Noble on MyQuotes

Doing animation is great fun. It's like a different world.

'Fringe' is essentially a love story, so the scenes where Walter had close connection with Peter, but also with Anna's character or Jasika's character, were very special to me.

Human beings, we have dark sides; we have dark issues in our lives. To progress anywhere in life, you have to face your demons.

I always loved the challenge. When something new happened, I always used to get quite excited.

I could go anywhere in the world and people would stop me in the street and talk about Fringe and how much they adored it and asked questions about it.

I didn't drop into the mannerisms of another version of the character, but I guess I was pretty alert to that.

I'd never done anything that required a five-year commitment. To build a show that seems to have kept the imagination of the world so much was a bit otherworldly.

I find science really sexy and, at the time that I was a school kid, it certainly wasn't.

I have a very special love for all of those actors [in Fringe] and I'll miss them.Over the five years, we were given the chance to develop some pretty close bonds, both with our characters and personally, and we did.

I loved playing Walternate because he was completely the same character, version 1985, and then it developed in such a different way, physically and mentally. So, to be able to play that, in the same television series, as playing the other ones was a fantastic gift for me.

I love having played Walter because I suppose any actor brings a certain aspect of their own personality to their work, and I had a fairly broad canvas to paint on with the different versions.

I'm a character actor, so as a character actor, I'm always looking for something interesting.

I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.

In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.

I remember when I read Walter, for example, six years ago now, I said, "This is the role for me." I said that to my family. There was something there that I knew was absolutely right, and that was just based on the character. That's when gut instinct comes into play. I know there are certain things I won't do.

I suppose, when you start up in acting, you hope to be given challenges, and you always have dreams about the things you could do and couldn't do, but normally we get pigeon-holed a little bit, as we go on in our careers.

I think main storylines are what always intrigued me, with those that were the relationships between the characters against whatever backdrop, whether it was in an ordinary universe or a universe in the future.

I think the glue that held Fringe together was the relationships.

It might be different for people that are A-list actors, but a lot of us really look at what's offered to us and look for something that has some traction with other people. But, it's not like I read 100 scripts a week, and then pick and choose. Maybe some actors do. I certainly don't do that.

It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.

I've played a bunch of different versions of Walter [from "Fringe"]... I loved it when he was being random, which was probably the original version of him, more than anyone else. I loved doing Walter then, and all of the different mental states that we've played.

I was a theater man, so I was never in the situation of being a handsome Hollywood leading man, and then having to age.

I would kill to do more work with Orla Brady, I think she's that gifted.

Lord Of The Rings fandom was massive, worldwide, entrenched. Generally it had been part of the fans' life all their life, because they had it read to them as children; they'd become Tolkien students.

Many very strong fathers have turned out ineffectual sons by not allowing them to grow as men.

My last two characters have been Denethor and Walter Bishop. Both will be hard acts to follow. That sits in the hands of my managers, at present. I just have no idea what's going to be offered to me.

Over the last 25 years, since a lot of science writing became accessible to layman, I've become quite a consumer of science. As a child, I wasn't streamed into science, and I regret that now.

Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.

The international reach of Fringe still catches me by surprise a bit, at times. Also, I was given the gift of a character that is every actor's dream. So, you combine those two factors and it's been an incredibly memorable five years.

There's a certain pattern that exists with geniuses - an eccentricity, a lack of social graces and an inability to really communicate with mere mortals.

Walter is incredibly complex. I do a lot of thinking about the work I do, and try to get the rhythms of scenes.

We didn't know until really quite late in the piece how Joel [Wyman] would finish it off.

We often get pigeon-holed as a tough guy, or whatever else. I've been pigeon-holed as a heavy and serious, and almost a baddy, but not quite a baddy, over the years of my work in television, particularly.

We've had such a close relationship with the fans. Through social networking and the internet, we have much more contact, and we did go to things like Comic-Con. So, I think people know most of our secrets.

What I've observed is that television in the last decade has increased to something that's almost unrecognizable. They are feature films. That's a huge shift, and it's something the audience expects. They still may want to watch their half-hour sitcom, but when they watch scripted drama, they expect the standard.

With science becoming far more accessible to all of us, I've become a pretty avid reader and devourer of it. One of the objectives that I had working with Fringe was to get more people talking about it because it's such fun.

You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.