Best 54 quotes of Steve Buscemi on MyQuotes

Bob Altman had this relaxed but serious attitude. Everybody loved him. I wanted him to adopt me.

By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.

Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.

Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.That's why you hire them, so why tell somebody first what it is you want? I'm more curious to see what they bring to it and then be inspired by it and say: "OK, what if you tried this?" or "What would happen if ... ?

Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.

Do you think god stays in heaven because he too lives in fear of what he's created here on earth?

Every day's an adventure when I step out of my door. That's why I usually wear a hat and keep my head low.

I can't relate to 99% of humanity.

I could never have imagined the films I've done and the people I've worked with when I was starting out; I certainly did not have a career path.

I don't blame any director for wanting to do something more commercial. That's all part of the business. I certainly have done it, as an actor.

I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.

I feel my life has more meaning because I am responsible for another life, although I don't have control over what Lucian - my son - is going to do. He's definitely going to carve his own way.

I guess I don't think about age too much. I've always felt older than I really am anyway. I'm not dreading getting older. I don't miss the anxiety of being younger and not knowing what you want or where you’re going.

I had a magic kit. I never really followed through on it, but I had my phase of wanting to do it, sure.

I have a dresser, who literally is a guy who makes sure the tie is right. It's a little bit of a process. I could probably do it by myself, but it would take me three times as long.

I like character-driven stuff. It doesn't matter, the size of the part.

I like telling stories about people with problems. I can't really put it much simpler than that.

I'm terrible at story and structure, but I'm not so bad at writing dialogue.

I never made a daring rescue, which is the story people want to hear. I did go to my share of fires.

I never want to feel like the way that I see it isthe only way. Sometimes mistakes happen and that's better than whatyou thought the scene could be. You allow room for the possibilities.

In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.

I suppose things are better now, but ... I don't know. People still hate each other, they just know how to hide it better.

I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.

It doesn't matter so much where the material comes from, as long as it's good.

It doesn't matter to me what the genre is.

It doesn't matter what part I play, I try and commit myself 100 percent.

I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it.

I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.

It's always fun to get to do independent film because I believe that that's the life blood of film. It's about writers and directors who truly have their own vision, and that's hard.

It wasn't until my senior year in high school that I started acting.

I usually get freaked out if I'm in a situation where a lot of people recognise me at once.

I've certainly worked with really great directors who haven't acted.

I've had dentists who have wanted to help me out, but I say, 'You know, I won't work again if you fix my teeth.'

I've never had a grand plan. I've only just tried to keep open to many different possibilities, have fun and work with people who are passionate about what they do.

I was going to buy a van and move to LA so I could secretly pursue acting without any of my friends knowing.

I was very surprised that for a while I could only get cast as straight. It was that way for a few years.

Just because people want to eat the burger doesn't mean they want to meet the cow.

My favorite review described me as the cinematic equivalent of junk mail. I don't know what that means, but it sounds like a dig.

My greatest hope was to get discovered as a comedian and get on a sitcom.

Nothing's really changed for me over the years. I like telling stories about people with problems. I can't really put it much simpler than that. Relationships are interesting to me. Not just between men and women but fathers and sons, brothers and sisters and friends.

Oftentimes you'll see stuff that makes it into the mainstream that has been influenced by things that are clearly not from the mainstream.

Really interesting things come because you don't know what the rules are, what you can and can't do.

The director I had most involvement with was Alex Rockwell. He gave me a lot of responsibility as an actor.

There's a certain type of character that you can't help but come in contact with growing up and living in Brooklyn and Long Island. A certain mixture of moxie, heart, and a wise guy sense of humor.

The trend now is to shoot in Canada because it's cheaper, and they don't care what the location is.

They're not supposed to show prison films in prison. Especially ones that are about escaping.

Trees Lounge is based on my own life. Both my parents like the movie. My father, of course, thinks it's a masterpiece.

We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.

What if I told you insane was working fifty hours a week in some office for fifty years at the end of which they tell you to p*ss off; ending up in some retirement village hoping to die before suffering the indignity of trying to make it to the toilet on time? Wouldn't you consider that to be insane?

What's "God"? Well, you know, when you want something really bad and you close your eyes and you wish for it? God's the guy that ignores you.