Best 13 quotes of Reif Larsen on MyQuotes

A novel is a tricky thing to map.

Do you ever get the feeling like you already know the entire contents of the universe somewhere inside of your head, as if you were born with a complete map of this world already grafted onto the folds of your cerebellum and you are just spending your entire life figuring out how to access this map?

How many snapshots in the world were actually just-after shots, the moment that elicited the shooter to press the button never captured; instead, the detritus just following, the laughter, the reaction, the ripples.

I do love the sound of ripping corn husks. The violence of the noise, the sustained popping and shoring of the silky organic threads, made me think of someone tearing up an expensive and potentially Italian set of trousers in a fit of madness that this person just might regret later.

I suddenly had an idea of how adults can hold on to a feeling for very long periods of time, long after the event is finished, long after cards have been sent and apologies made and everyone else had moved on. Adults were pack rats of old, useless emotions

I was only twelve, but through the slow, inevitable burn of a thousand sunrises and sunsets, a thousand maps traced and retraced, I had already absorbed the valuable precept that everything crumbled into itself eventually, and to cultivate a crankiness about this was just a waste of time.

I would not know what to say to you, except this: there was never a map that got it all right, and truth and beauty were never married to one another for long.

One cannot spend one's entire life running into bathrooms when danger calls!

Writing a novel is always complicated, it's not like you snap your fingers and go, 'Ah, I know what I'll write'. For me, a lot of the time, I have to write and as I write, I learn about the story.

Adults were pack rats of old, useless emotions.

I'm a practicing Zen Buddhist and I'm influenced by my readings in that tradition, such as the notion that everyone is born a perfect being and we spend most of our lives with a clouded vision trying to realize our perfection," he says. At critical moments in the book, T.S. registers his inkling of this realization. When he makes his maps, it feels like taking down dictation from the universe.

Instead of falling to the ground like a heavy doll, as Kermin had seen the prisoners do at the Chetnik executions, his mother shrank into herself, a reverse blossoming, coming to rest in a sitting position, like a ruminative Buddha

Society was the only threat to the sanctity of selfhood: an unpatroned library was an orderly library.