Best 27 quotes of Patricia Lockwood on MyQuotes

First tweet, best tweet, I always think. I try not to work them too much or else they get Pie Dough Disease, which is where the dough has been to too much college and doesn't understand that it is dough anymore and refuses to be shaped. Pie Dough Disease! Poems get that too.

Here's what I think: the best author photo ever taken is the author photo of you holding your extra-large engulfing rabbit and looking straight at the camera. I never hope to have one so good. The only way I guess it could be any more literary is if the rabbit were smoking a Gauloise and drinking a tiny cup of coffee.

I don't experience much loneliness, oddly. Sometimes I have thought I was lonely and it turned out I was in reality wanting a snack, just like sometimes I have thought I was mad and it turned out I was actually wearing too many sweaters. I've always been very content in the company of my own thoughts, and I prefer to spend much of my time alone. But I do like conversation - for the exercise, for the spark, for the let's-see-where-it-takes-us, for being able to dip into communal creativity when you're tired of your own air.

I tweet when the tweet arrives. Never force a tweet or you will hurt your babymaker - and this is true of literature as well.

The only thing that dictates whether I respond to someone is whether I have something interesting to say in return. I respond to people I don't know at all, when their tweet hauls a nice fresh bucket of water up out of me, but if it comes up empty then I just stay quiet.

Above all else, he loves trilogies. There has never been a trilogy he didn't like, and if you don't understand why, I have three words for you: father, son, and Holy Spirit. Foremost among his favorites is the original Star Wars trilogy, which he fervently believes is about priests in space, and the first three Alien films, which he believes are about how all women are destined to be mothers. Currently he is obsessed with the Transformers movies, because the greatest Transformer of all . . . is Jesus Christ. He even sat me down one day to have a serious discussion about "moral choices the Transformers are forced to make." At no point did I interrupt him to say, "But Dad, they're cars." This means I am becoming an adult. Because truly, the Transformers are more than cars. Some of them are trucks.

All my life I have overheard, all my life I have listened to what people will let slip when they think you are part of their we. A we is so powerful. It is the most corrupt and formidable institution on earth. Its hands are full of the crispest and most persuasive currency. Its mouth is full of received, repeating language. The we closes its ranks to protect the space inside it, where the air is different. It does not protect people. It protects its own shape.

As they perform this ritual, I almost have to turn away, thinking again what a boomeranging, out-of-body experience it is to watch a religious childhood from the outside, when before I was in the very marrow of it.

He clenched his small fist, bellowed his rage to the heavens, and resolved to never again recognize the authority of any man on earth.

I did not make it out, but this does. Art goes outside, even if we don't; it fills the whole air, though we cannot raise our voices.

I know all women are supposed to be strong enough now to strangle presidents and patriarchies between their powerful thighs, but it doesn't work that way. Many of us were actually affected, by male systems and male anger, in ways we cannot always articulate or overcome. Sometimes, when the ceiling seems especially low and the past especially close, I think to myself, I did not make it out. I am still there in that place of diminishment, where that voice an octave deeper than mine is telling me what I am.

I like domestic stuff,"he tells me, his voice falling to a sudden romance-novel huskiness. So fuck a butler. Men, it bears repeating, are so weird.

I'm not interested in heaven unless my anger gets to go there too. I'm not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we don't want the earth, if that's where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.

In a field where else you found a stack of revealing nature photographs, of supernude nature photographs, split beaver of course nature photographs, photographs full of 70s bush, nature taking come from every man from miles around, nature with come back to me just dripping from her lips. The stack came up to your eye, you saw: nature is big into bloodplay, nature is into extreme age play, nature does wild inter- racial, nature she wants you to pee in her mouth, nature is dead and nature is sleeping and still nature is on all fours, a horse it fucks nature to death up in Oregon, nature is hot young amateur redheads, the foxes are all in their holes for the night, nature is hot old used-up cougars, nature makes gaping fake-agony faces, nature is consensual dad- on-daughter, nature is completely obsessed with twins, nature doing specialty and nature doing niche, exotic females they line up to drip for you, nature getting paddled as hard as you can paddle her, oh a whitewater rapid with her ass in the air, high snowy tail on display just everywhere.

I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother's body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.

I thought a voice had to be about what you could do. It wasn’t until I heard Billie Holiday that I realized a voice could be a collection of compensations for things you couldn’t do. It could be an ingenuity – in the same way some writers wrote books that coursed between the boulders of what they couldn’t do, and went faster, and tumbled over, fell in rills and rushed breathlessly over the stones. The great singers were also the great interpreters. She had just a single octave, and she made it her lifelong subject. I thought a voice had to be about your fluency, your dexterity, your virtuosity. But in fact your voice could be about your failings, your faltering, your physical limits. The voices that ring hardest in our heads are not the perfect voices. They are the voices with an additional dimension, which is pain.

I thought a voice had to be about your fluency, your dexterity, your virtuosity. But in fact your voice could be about your failings, your falterings, your physical limits. The voices that ring hardest in our heads are not the perfect voices. They are the voices with an additional dimension, which is pain.

It is sweet, sometimes, to hear cliches after long days of trying to say something new.

Most letters were love letters until they were not.

My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive system, and generally plotting the downfall of all men.

See men for miles around give nature what she needs, rivers and rivers and rivers of it. You exhale with perfect happiness. Nature turned you down in high school. Now you can come in her eye.

There is a love for structure in them that I recognize, and a desire to worship correctness that I know and I share. When I look at them, I think: to prize traditionalism above all else in a church that began in revolution is to do a great violence to it. But I feel that same ache for the past in myself: to uphold the columns of literature, grammar, the Western tradition. The English language began as an upheaval; I am not protecting it when I try to guard it against change. The Jesus Christ of it, Chaucer, walked across the water telling dirty jokes, made twenty stories stretch to feed a million people, spelled the word "cunt" five ways, performed miracles. Any innovation I put down on paper is an attempt to remind myself of this. I am not modern. I was not born to blaze new paths or bring down walls. I break form against my nature to tell myself that revolution, too, is a tradition that must be upheld.

This is the secret: when I encounter myself on the page, I am shocked at how forceful I seem. On the page I am strong, because that is where I put my strength. On the page I am everything that I am not, because that is where I put myself. I am no longer whispering through the small skirted shape of a keyhole: the door is knocked down and the roof is blown off and I am aimed once more at the entire wide night.

We worshipped a great white body that was an avalanche of good news, and we slit it open in every part. “That can’t go through the mail,” the postman gasped, “because that is a super-stabbed body!” The super-stabbed body rose up, with many butterknives sticking out of it, and said, “I AM the mail.” It had so many lovers.

What did those people teach you?" he asked me one night, mystified. "What exactly do Catholics believe?" I'd been preparing my whole life for this question. "First of all, blood. BLOOD. Second of all, thorns. Third of all, put dirt on your forehead. Do it right now. Fourth of all, Martin Luther was a pig in a cloak. Fifth of all, Jesus is alive, but he's also dead, and he's also immortal, but he's also made of clouds, and his face is a picture of infinite peace, but he also always looks like one of those men in a headache commercial, because you'rec causing him so much suffering whenever you cuss. He is so gentle that sheep seem like demented murderers in his presence, but also rays of sunlight shoot out of his face so hard they can kill people. In fact, they do kill people, and one day they will kill you. He has a tattoo of a daisy on his lower back and he gets his hair permed every eight weeks. He's wearing a flowing white dress, but only because people didn't know about jeans back then. He's holding up two fingers because his dad won't let him have a gun. If he lived on earth, he would have a white truck, plastered with bumper stickers of Calvin peeing on a smaller Calvin who is not a Catholic." Jason was aghast. "Thorns?" he whispered. "But that's the most dangerous part of the rose.

When I was a child, I always hated being used in my father's sermons, shrunk to a symbol to illustrate some larger lesson, flattened out to give other people comfort or instruction or even a laugh. It did some violence to my third dimension; it made it difficult for me to breathe. 'That's not me,' I would think, listening to some fable where a stick figure of myself moved automatically toward a punishing moral. 'That has nothing to do with me at all.' If I had a soul, I thought, it was that resistance, which would never let another human being have the last word on me.

Who among us is not the great I AM? Who among us doesn't live in a nightgown or some other bare-ass outfit at the center of his own wide sky--shining, unchanging, without beginning or end, a word in the east and a body in the west?