Best 66 quotes of Peter Matthiessen on MyQuotes

Alec Wilkinson is a spare, clear, and lucid writer who works in stylistic simplicity with material that is not simple at all.

Amazingly, we take for granted that instinct for survival, fear of death, must separate us from the happiness of pure and uninterpreted experience, in which body, mind, and nature are the same. This retreat from wonder, the backing away like lobsters into safe crannies, the desperate instinct that our life passes unlived, is reflected in proliferation without joy, corrosive money rot, the gross befouling of the earth and air and water from which we came.

And only the enlightened can recall their former lives; for the rest of us, the memories of past existences are but glints of light, twinges of longing, passing shadows, disturbingly familiar, that are gone before they can be grasped, like the passage of that silver bird on Dhaulagiri.

Anyone who thinks they can save the world is both wrong and dangerous

Figures dark beneath their loads pass down the far bank of the river, rendered immortal by the streak of sunset upon their shoulders

For some time I watch the coming of the night? Above is the glistening galaxy of childhood, now hidden in the Western world by air pollution and the glare of artificial light; for my children's children, the power, peace and healing of the night will be obliterated.

Have you seen the snow leopard? No! Isn't that wonderful?

Here I am, safely returned over those peaks from a journey far more beautiful and strange than anything I had hoped for or imagined - how is it that this safe return brings such regret?

How could I say that I wished to penetrate the secrets of the mountains in search of something still unknown that, like the yeti, might well be missed for the very fact of searching?

I can watch elephants (and elephants alone) for hours at a time, for sooner or later the elephant will do something very strange... There is mystery behind that masked gray visage, and ancient life force, delicate and mighty, awesome and enchanted, commanding the silence ordinarily reserved for mountain peaks, great fires, and the sea.

If we were doomed to live forever, we would scarcely be aware of the beauty around us.

I ... had what Kierkegaard called 'the sickness of infinitude,' wandering from one path to another with no real recognition that I was embarked upon a search, and scarcely a clue as to what I might be after. I only knew that at the bottom of each breath there was a hollow place that needed to be filled.

I have never figured out how women work but I do know that their skin color has no significance. Black or white, every last one is pretty pink on the inside and they are all impossible.

I like to hear and smell the countryside, the land that my characters inhabit. I don’t want these characters to step off the page, I want them to step out of the landscape.

Illuminated by the same joyful curiosity and erudition, lyric writing, and plain love of life that made a classic of Archie Carr's The Windward Road.

I meditate for the last time on this mountain that is bare, though others all around are white with snow. Like the bare peak of the koan, this one is not different from myself. I know this mountain because I am this mountain, I can feel it breathing at this moment, as its grass tops stray against the snows. If the snow leopard should leap from the rock above and manifest itself before me - S-A-A-O! - then in that moment of pure fright, out of my wits, I might truly perceive it, and be free.

In fiction, you have a rough idea what's coming up next - sometimes you even make a little outline - but in fact you don't know. Each day is a whole new - and for me, a very invigorating - experience.

In nonfiction, you have that limitation, that constraint, of telling the truth.

In the clearness of this Himalayan air, mountains draw near, and in such splendor, tears come quietly to my eyes and cool on my sunburned cheeks.  this is not mere soft-mindedness, nor am I all that silly with the altitude.  My head has cleared in these weeks free of intrusions- mail, telephones, people and their needs- and I respond to things spontaneously, without defensive or self-conscious screens.  Still, all this feeling is astonishing: not so long ago I could say truthfully that I had not shed a tear in twenty years.

In this very breath that we take now lies the secret that all great teachers try to tell us.

I think in any writing you're paying attention to detail.

It is said in Java that the tiger's hearing is so acute that hunters must keep their nose hairs cut lest the tiger hear the breath whistle through their nostrils.

It's a simplification to say that the men [during Stone Age] went to war to maintain their dominance over the women. The men would help dig agricultural ditches because they were superb farmers. That was very heavy lifting work. But then they just preened themselves, and put bird-of-paradise plumes [in their hair], and smoked dope.

I used to distinguish between my fiction and nonfiction in terms of superiority or inferiority.

I was just very interested in the American frontier and the growth of capitalism - those enormous fortunes that were being made, more often than not, on the blood of poor people, black people, Indian people. They were the ones who paid very dearly for those great fortunes.

My eye is fixed not on the ending of the book but on the feeling of that ending.

Simplicity is the whole secret of well-being.

Simultaneously I am myself, the child I was, the old man I will be.

Soon the child’s clear eye is clouded over by ideas and opinions, preconceptions, and abstractions. Simple free being becomes encrusted with the burdensome armor of the ego. Not until years later does an instinct come that a vital sense of mystery has been withdrawn. The sun glints through the pines and the heart is pierced in a moment of beauty and strange pain, like a memory of paradise. After that day, we become seekers.

The ancient intuition that all matter, all "reality," is energy, that all phenomena, including time and space, are mere crystallizations of mind, is an idea with which few physicists have quarreled since the theory of relativity first called into question the separate identities of energy and matter. Today most scientists would agree with the ancient Hindus that nothing exists or is destroyed, things merely change shape or form; that matter is insubstantial in origin, a temporary aggregate of he pervasive energy that animates the electron.

The concept of conservation is a far truer sign of civilization than that spoilation of a continent which we once confused with progress.

The great stillness in these landscapes that once made me restless seeps into me day by day, and with it the unreasonable feeling that I have found what I was searching for without ever having discovered what it was.

The mystical perception (which is only "mystical" if reality is limited to what can be measured by the intellect and senses) is remarkably consistent in all ages and all places. All phenomena are processes, connections, all is in flux...have the mind screens knocked away to see there is no real edge to anything, that in the endless interpenetration of the universe, a molecular flow, a cosmic energy shimmers in all stone and steel as well as flesh.

The purpose of meditation practice is not enlightenment; it is to pay attention even at extraordinary times, to be of the present, nothing-but-in-the-present, to bear this mindfulness of now into each event of ordinary life.

The purpose of our life is to help others through it.

There's an elegiac quality in watching [American wilderness] go, because it's our own myth, the American frontier, that's deteriorating before our eyes. I feel a deep sorrow that my kids will never get to see what I've seen, and their kids will see nothing; there's a deep sadness whenever I look at nature now.

The sun is roaring, it fills to bursting each crystal of snow. I flush with feeling, moved beyond my comprehension, and once again, the warm tears freeze upon my face. These rocks and mountains, all this matter, the snow itself, the air- the earth is ringing. All is moving, full of power, full of light.

The Zen expression “Kill the Buddha!” means to kill any concept of the Buddha as something apart from oneself.

This world is painted on a wild dark metal

When I'm in the field, when I'm working, I keep very careful notes. I wear big shirts with big breast pockets, and I carry in them two little spiral notebooks.

When we are mired in the relative world, never lifting our gaze to the mystery, our life is stunted, incomplete; we are filled with yearning for that paradise that is lost when, as young children, we replace it with words and ideas and abstractions - such as merit, such as past, present, and future - our direct, spontaneous experience of the thing itself, in the beauty and precision of this present moment.

Where to begin? Do we measure the relaxing of the feet? The moment when the eye glimpses the hawk, when instinct functions? For in this pure action, this pure moving of the bird, there is no time, no space, but only the free doing-being of this very moment -now!

You do your best work when you're not conscious of yourself.

You see ... a man like me, a cautious man, has his life all figured out according to a pattern, and then the pattern flies apart. You run around for quite a while trying to repair it, until one day you straighten up again with an armful of broken pieces, and you see that the world has gone on without you and you can never catch up with your old life, and you must begin all over again.

Zen is really just a reminder to stay alive and to be awake. We tend to daydream all the time, speculating about the future and dwelling on the past. Zen practice is about appreciating your life in this moment. If you are truly aware of five minutes a day, then you are doing pretty well. We are beset by both the future and the past, and there is no reality apart from the here and now.

A far cicada rings high and clear over the river’s heavy wash. Morning glory, a lone dandelion, cassia, orchids. So far from the nearest sea, I am taken aback by the sight of a purple land crab, like a relict of the ancient days when the Indian subcontinent, adrift on the earth’s mantle, moved northward to collide with the Asian landmass, driving these marine rocks, inch by inch, five miles into the skies. The rise of the Himalaya, begun in the Eocene, some fifty million years ago, is still continuing: an earthquake in 1959 caused mountains to fall into the rivers and changed the course of the great Brahmaputra, which comes down out of Tibet through northeastern India to join the Ganges near its delta at the Bay of Bengal.

And it is a profound consolation, perhaps the only one, to this haunted animal that wastes most of a long and ghostly life wandering the future and the past on its hind legs, looking for meanings, only to see in the eyes of others of its kind that it must die.

Before my eyes daily as we sailed way down upon the Suwannee River were visions of spring furrows at Clouds Creek, the warmed earth opened up behind the plow; of wildflowered meadows, cool and verdant, and airy open woods along the shaded creeks, winding southeast to the Edisto. That spring landscape turned forever and away in my mind's eye, changing softly into gold greens of upland summer in that lost land where I was born, the country of my forefathers, the heart of home. Clouds Creek—my earth—was the wellspring and the source of Edgar Watson, all the Eden he had ever wished or hoped to find.

I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky.

Indicating his twisted legs without a trace of self-pity or bitterness, as if they belonged to all of us, he casts his arms wide to the sky and the snow mountains, the high sun and dancing sheep, and cries, ’Of course I am happy here! It’s wonderful! Especially when I have no choice!’ In its wholehearted acceptance of what is;I feel as if he had struck me in the chest. Butter tea and wind pictures, the Crystal Mountain, and blue sheep dancing on the snow-it’s quite enough! Have you seen the snow leopard? No! Isn’t that wonderful?