Best 38 quotes of Leslie Marmon Silko on MyQuotes

Leslie Marmon Silko

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    Leslie Marmon Silko

    Anybody can act violently - there is nothing to it; but not every person is able to destroy his enemy with words.

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    Leslie Marmon Silko

    Because if you weren't born white, you were forced to see differences; or if you weren't born what they called normal, or if you got injured, then you were left to explore the world of the different.

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    Leslie Marmon Silko

    Being alive was all right then: he had not breathed like that for a long time.

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    Leslie Marmon Silko

    But sometimes what we call 'memory' and what we call 'imagination' are not so easily distinguished.

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    Leslie Marmon Silko

    Distances and days existed in themselves then; they all had a story. They were not barriers. If a person wanted to get to the moon, there is a way; it all depended on whether you knew the directions, on whether you knew the story of how others before you had gone. He had believed in the stories for a long time, until the teachers at Indian school taught him not to believe in that kind of "nonsense". But they had been wrong.

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    Leslie Marmon Silko

    For a long time he had been white smoke. He did not realize that until he left the hospital, because white smoke had no consciousness of itself. It faded into the white world of their bed sheets and walls; it was sucked away by the words of doctors who tried to talk to the invisible scattered smoke... They saw his outline but they did not realize it was hollow inside.

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    Leslie Marmon Silko

    Fortunately, her year of graduate classes prepared her for obnoxious conduct.

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    Leslie Marmon Silko

    He made a story for all of them, a story to give them strength. The words of the story poured out of his mouth as if they had substance, pebbles and stone extending to hold the corporal up...knees from buckling...hands from letting go of the blanket.

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    Leslie Marmon Silko

    I don't make outlines or plans because whenever I do, they turn out to be useless. It is as if I am compelled to violate the scope of any outline or plan; it is as if the writing does not want me to know what is about to happen.

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    Leslie Marmon Silko

    I will tell you something about stories . . . They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.

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    Leslie Marmon Silko

    I write in order to find out what I truly know and how I really feel about certain things. Writing requires me to go much deeper into my thoughts and memories than conversation does. Writing provides the solitude necessary to reflect on being in this world.

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    Leslie Marmon Silko

    Moonflowers blossom in the sand hills before dawn, just as I followed him.

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    Leslie Marmon Silko

    Night. Heavenly delicious sweet night of the desert that calls all of us to love her. The night is our comfort with her coolness and darkness. On wings, on feet, on our bellies, out we all come to glory in the night.

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    Leslie Marmon Silko

    relationships. That's all there really is. There's your relationship with the dust that just blew in your face, or with the person who just kicked you end over end. ... You have to come to terms, to some kind of equilibrium, with those people around you, those people who care for you, your environment.

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    Leslie Marmon Silko

    The American public has difficulty believing ... [that] injustice continues to be inflicted upon Indian people because Americans assume that the sympathy and tolerance they feel toward Indians is somehow 'felt' or transferred to the government policy that deals with Indians. This is not the case.

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    Leslie Marmon Silko

    the ancient people perceived the world and themselves within that world as part of an ancient continuous story composed of innumerable bundles of other stories.

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    Leslie Marmon Silko

    The Indian wars have never ended in the Americas.

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    Leslie Marmon Silko

    Then they grow away from the earth then they grow away from the sun then they grow away from the plants and the animals. They see no life. When they look they see only objects. The world is a dead thing for them the trees and the rivers are not alive. the mountains and stones are not alive. The deer and bear are objects. They see no life. They fear. They fear the world. They destroy what they fear. They fear themselves.

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    Leslie Marmon Silko

    The only way to get change is not through the courts or - heaven forbid - the politicians, but through a change of human consciousness and through a change of heart. Only through the arts - music, poetry, dance, painting, writing - "can we really reach each other.

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    Leslie Marmon Silko

    the snow ... came in thick tufts like new wool - washed before the weaver spins it.

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    Leslie Marmon Silko

    The story was the important thing and little changes here and there were really part of the story. There were even stories about the different versions of stories and how they imagined the differing versions came to be.

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    Leslie Marmon Silko

    Time limits are fictional. Losing all sense of time is actually the way to reality. We use clocks and calendars for convenience sake, not because that kind of time is real.

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    Leslie Marmon Silko

    To be able to make up stories has been a great gift to me from my ancestors and from the storytellers who were so numerous at Laguna Pueblo when I was growing up. I learned to read as soon as I could because I wanted stories without having to depend on adults to tell or read stories to me.

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    Leslie Marmon Silko

    What is it about us human beings that we can’t let go of lost things?

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    Leslie Marmon Silko

    When someone dies, you don't get over it by forgetting; you get over it by remembering, and you are aware that no person is ever truly lost or gone once they have been in our life and loved us, as we have loved them.

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    Leslie Marmon Silko

    Writing cant change the world overnight, but writing may have an enormous effect over time, over the long haul.

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    Leslie Marmon Silko

    But the effects were hidden, evident only in the sterility of their art, which continued to feed off the vitality of other cultures, and in the dissolution of their consciousness into dead objects: the plastic and neon, the concrete and steel. Hollow and lifeless as a witchery clay figure. And what little still remained to white people was shriveled like a seed hoarded too long, shrunken past its time, and split open now, to expose a fragile, pale leaf stem, perfectly formed and dead.

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    Leslie Marmon Silko

    He had to keep busy; he had to keep moving so that the sinews connected behind his eyes did not slip loose and spin his eyes to the interior of his skull where the scenes waited for him.

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    Leslie Marmon Silko

    He inhabited a gray winter fog on a distant elk mountain where hunters are lost indefinitely and their own bones mark the boundaries.

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    Leslie Marmon Silko

    I am overwhelmed sometimes and feel a great deal of wonder at words, just simple words and how deeply we can touch each other with them, though I know that most of the time language is the most abused of all human abilities or traits.

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    Leslie Marmon Silko

    In that hospital they don't bury the dead, they keep them in rooms and talk to them.

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    Leslie Marmon Silko

    I realize many wonderful things about language - "realize" in the sense of feeling or understanding intuitively: I realize such things most often when I am greatly concerned with another person's feelings. I think such realization is one gift which human beings may give each other. I'm not much good at analysis or scholarly efforts with language, probably because I don't value them as much as I value understanding, which is informed by that which is deeply felt before it is examined.

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    Leslie Marmon Silko

    Linguistic diversity is integral to the cultural diversity that ensures some humans will survive in the event of one of the periodic global catastrophes. Local indigenous languages hold the keys to to survival because they contain the nouns, the names of the plants, insects, birds and mammals important locally to human survival.

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    Leslie Marmon Silko

    Memory is tricky-memory for certain facts and or details is probably more imaginative than anything, but the important thing is to keep the feeling the story has. I never forget that: the feeling one has of the story is what you must strive to bring forth faithfully.

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    Leslie Marmon Silko

    Nearly all human cultures plant gardens, and the garden itself has ancient religious connections. For a long time, I've been interested in pre-Christian European beliefs, and the pagan devotions to sacred groves of trees and sacred springs. My German translator gave me a fascinating book on the archaeology of Old Europe, and in it I discovered ancient artifacts that showed that the Old European cultures once revered snakes, just as we Pueblo Indian people still do. So I decided to take all these elements - orchids, gladiolus, ancient gardens, Victorian gardens, Native American gardens, Old European figures of Snake-bird Goddesses - and write a novel about two young sisters at the turn of the century.

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    Leslie Marmon Silko

    Some people act like witchery is responsible for everything that happens, when actually witchery only manipulates a small portion.

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    Leslie Marmon Silko

    Stories themselves have spirit and being, and they have a way of communicating on different levels. The story itself communicates with us regardless of what language it is told in. Of course stories are always funnier and more vivid when they are told in their original language by a good storyteller. But what I love about stories is they can survive and continue in some form or other resembling themselves regardless of how good or how bad the storyteller is, no matter what language they are told or written in. This is because the human brain favors stories or the narrative form as a primary means of organizing and relating human experience. Stories contain large amounts of valuable information even when they storyteller forgets or invents details.

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    Leslie Marmon Silko

    They are afraid, Tayo. They feel something happening, they can see something happening around them, and it scares them. Indians or Mexicans or whites—most people are afraid of change. They think that if their children have the same color of skin, the same color of eyes, that nothing is changing.” She laughed softly. "They are fools. They blame us, the ones who look different. That way they don't have to think about what has happened inside themselves.