Best 3481 quotes in «couple quotes» category

I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.

I concluded that I'm a competitor. And, whatever happens, you keep leading. You can't fear anybody. Why? Because at the end of the day, I might not be in this job a couple of years from now. I'm here to win.

I come from a visual background, and I grew up around a lot of hippies and artists. My mom and my brother and I moved around a lot. We basically moved every couple of years, and I went to a lot of different schools. But creativity, for us, was always a way of life. It was never a job. Being an artist was a passion and a way of life.

I come in as an actor, having read through the script a few times, made a couple of character-choices, thinking I'm going to be working on it during rehearsals. It's very different. It takes a while we're always like dogs sniffing each other's asses.

I confessed to Mike [Cimino] a couple of days before we shot. I was like, "What am I doing here, Mike?" And Mike just looked at me, in that very directorial manor, took a long pause, and he said, "You know the game tag?" And I said, "Yeah." And he said, "Well, you're it." That was some of the best direction I think I've ever received.

I consider theater, this is a vacation for me from LA, I sort of view this as I get to have this vacation and during my vacation I get to work on acting. It's like an acting class. And if I go too long without doing a play, I just feel empty. Like approaching a role, I feel like the pool is very shallow, like I'm drawn from it. So I need to come back and do a play, fortunately I've been able to, every couple of years.

I continue coupling a plate of silver with one of zinc, and always in the same order... and place between each of these couples a moistened disk. I continue to form a column. If the column contains about twenty of these couples of metal, it will be capable of giving to the fingers several small shocks.

I contend the state ought to do its thing and provide legal rights for all couples who want to be joined together for life. The church should bless unions that it sees fit to bless, and they should be called marriages.

I could be a housewife… I guess I’ve vacuumed a couple of times.

I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.

I could experience vulnerability if I just constantly gave myself away without ever taking time out once a day or a couple times a day or whatever it is I need to restore, whether it's more sleep, or whether it's going to see a movie or writing something new.

I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.

I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.

I could deal with this [Pokemon] if I smoked a couple of grams of blacktar heroin.

I could never be one of two I could never be two in one as married couples do and can, I am but one all one, one and all one, and so I have never been married to any one.

I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.

I couldn't beat Michael Phelps. A couple of years ago, I was racing against him and it just kinda dawned on me during the race that there was no chance I was gonna beat this guy. And so I said, if you can't beat him, find a race that he won't swim.

I couldn't do anything. I'd work in a department store for a couple of weeks, but I couldn't hack it. I couldn't even type! I had no skills whatsoever outside of show business.

I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.

I could probably live in Bali the rest of my life and completely live in the sticks and have a f - king moped and make a record every couple of years and not step in public and break even like I do anyway. That's really tempting.

I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects. So Peter's known that I've been heading towards directing for a long time. But I always thought my first outing would be a couple of people and a digital camera in the back streets of London somewhere!

I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!

Ideally, couples need three lives; one for him, one for her, and one for them together.

Ideally you want to be a couple of months ahead on a project. But I rarely am.

Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.

Ideally, both members of a couple in love free each other to new and different worlds.

Idea-Advocacy Matrix highlights a couple of things: that good ideas need to be "sold" if they are ever going to see the light of day and bad ideas sometimes do quite well because of the skills of the proponent to sell them.

I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.

I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.

I did a couple comedies to balance myself as an actor and balance how audiences see Donnie Yen as an actor, and I would even say as a celebrity or icon, to some fans. I want to show that I'm not Terminator.

I'd have to say that, in general, models take themselves too seriously. Basically, they are genetic freaks who spend a couple of hours in hair and makeup.

I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.

I'd go to the farmers' market in Santa Barbara, and I'd put out my guitar case, and I'd test out these little ditty songs that I would write, and I would get a couple of avocados, a bag of pistachios, and, like, fifteen bucks. That was a lot of money for me.

I did a couple of American Express commercials.

I did a couple of plays in junior high school, maybe high school, and then I did a play in college.

I'd get me a bunch of bats and balls and sneak me a couple of umpires and learn them kids behind the Iron Curtain how to tote a bat and play baseball.

I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.

I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.

I did a lot of research on a couple different things. One was, how do people handle hating themselves and hating others? And hatred is a secondary emotion, I think; it always springs from something else ... usually fear, that's probably what it is. So I looked a lot at that.

I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.

I did a lot before [being cast] because I knew how important it would be for playing somebody real, or attempting to - to show the team [the role] was something I would be fascinated to do. I read a couple of biographies and I watched everything I could find [about princess Margaret].

I did a lot of my school on set. Some years I went to a private school for a couple of hours, and then I'd always finish up with a tutor. I couldn't do full days, but I tried to maintain my friendships and some normalcy while doing a show.

I did have a couple of people asking me to illustrate their MC in a hope to widen the exposure, unfortunately the messages weren't a good fit, so I couldn't oblige. And I didn't really want to become a matchmaking service. Someone posted a missed connection "I like your blog" which was directed at me... that was kind of fun to stumble across.

I did in fact take a couple of classes at my local college here in NYC. But I did it unwillingly and without enthusiasm. That is until a protest broke out in the streets around campus against rising tuition costs.

I did large drawings of couples having sex! Men and woman enjoying intercourse and oral sex in a Madison Avenue Gallery? That was the first time I broke a barrier that made me think, some idiot is going to blow my brains out for sure.

I did have a Twitter account that I tried for a couple days, but found I had nothing to say. There are some interesting facts I could share, but I don't want to share that part of myself.

I didn't go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.

I did not and do not think of the solidity-liquidity conundrum as a dichotomy; I view those two conditions as a couple locked, inseparably, in a dialectical bond.

I didn't hit one three-pointer in college, and a couple of those were right on the college three line. I didn't feel comfortable much outside of 12 to 15 feet. Now, I really feel comfortable from the wing and the corner area out to 18, 19 feet. I'm going to keep working and continue to improve it.

I didn't know that people compared Bill Hicks and I but certainly I'm flattered if they do. I knew Bill a bit. We had dinner a couple of times and played guitar together once. I really tried to keep my distance from him professionally.