Best 3481 quotes in «couple quotes» category

I could never be one of two I could never be two in one as married couples do and can, I am but one all one, one and all one, and so I have never been married to any one.

I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.

I couldn't beat Michael Phelps. A couple of years ago, I was racing against him and it just kinda dawned on me during the race that there was no chance I was gonna beat this guy. And so I said, if you can't beat him, find a race that he won't swim.

I couldn't do anything. I'd work in a department store for a couple of weeks, but I couldn't hack it. I couldn't even type! I had no skills whatsoever outside of show business.

I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.

I could probably live in Bali the rest of my life and completely live in the sticks and have a f - king moped and make a record every couple of years and not step in public and break even like I do anyway. That's really tempting.

I'd already started directing short films when we were doing 'Lord of the Rings,' then videogame projects. So Peter's known that I've been heading towards directing for a long time. But I always thought my first outing would be a couple of people and a digital camera in the back streets of London somewhere!

I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!

Ideally, couples need three lives; one for him, one for her, and one for them together.

Ideally you want to be a couple of months ahead on a project. But I rarely am.

Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.

Ideally, both members of a couple in love free each other to new and different worlds.

Idea-Advocacy Matrix highlights a couple of things: that good ideas need to be "sold" if they are ever going to see the light of day and bad ideas sometimes do quite well because of the skills of the proponent to sell them.

I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.

I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.

I did a couple comedies to balance myself as an actor and balance how audiences see Donnie Yen as an actor, and I would even say as a celebrity or icon, to some fans. I want to show that I'm not Terminator.

I'd have to say that, in general, models take themselves too seriously. Basically, they are genetic freaks who spend a couple of hours in hair and makeup.

I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.

I'd go to the farmers' market in Santa Barbara, and I'd put out my guitar case, and I'd test out these little ditty songs that I would write, and I would get a couple of avocados, a bag of pistachios, and, like, fifteen bucks. That was a lot of money for me.

I did a couple of American Express commercials.

I did a couple of plays in junior high school, maybe high school, and then I did a play in college.

I'd get me a bunch of bats and balls and sneak me a couple of umpires and learn them kids behind the Iron Curtain how to tote a bat and play baseball.

I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.

I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.

I did a lot of research on a couple different things. One was, how do people handle hating themselves and hating others? And hatred is a secondary emotion, I think; it always springs from something else ... usually fear, that's probably what it is. So I looked a lot at that.

I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.

I did a lot before [being cast] because I knew how important it would be for playing somebody real, or attempting to - to show the team [the role] was something I would be fascinated to do. I read a couple of biographies and I watched everything I could find [about princess Margaret].

I did a lot of my school on set. Some years I went to a private school for a couple of hours, and then I'd always finish up with a tutor. I couldn't do full days, but I tried to maintain my friendships and some normalcy while doing a show.

I did have a couple of people asking me to illustrate their MC in a hope to widen the exposure, unfortunately the messages weren't a good fit, so I couldn't oblige. And I didn't really want to become a matchmaking service. Someone posted a missed connection "I like your blog" which was directed at me... that was kind of fun to stumble across.

I did in fact take a couple of classes at my local college here in NYC. But I did it unwillingly and without enthusiasm. That is until a protest broke out in the streets around campus against rising tuition costs.

I did large drawings of couples having sex! Men and woman enjoying intercourse and oral sex in a Madison Avenue Gallery? That was the first time I broke a barrier that made me think, some idiot is going to blow my brains out for sure.

I did have a Twitter account that I tried for a couple days, but found I had nothing to say. There are some interesting facts I could share, but I don't want to share that part of myself.

I did not and do not think of the solidity-liquidity conundrum as a dichotomy; I view those two conditions as a couple locked, inseparably, in a dialectical bond.

I didn't go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.

I didn't intend to become a short-story writer. I became one because I finished a couple of short stories and realized that's what I wanted to do and could do with children and with all the other things in my life.

I didn't hit one three-pointer in college, and a couple of those were right on the college three line. I didn't feel comfortable much outside of 12 to 15 feet. Now, I really feel comfortable from the wing and the corner area out to 18, 19 feet. I'm going to keep working and continue to improve it.

I didn't know that people compared Bill Hicks and I but certainly I'm flattered if they do. I knew Bill a bit. We had dinner a couple of times and played guitar together once. I really tried to keep my distance from him professionally.

I didn't read the script [ Rules Don't Apply ] for a couple years. It basically amounted to this kind of apprenticeship with Warren [Beatty]: conversations and learning about his whole background in the film industry and his life.

I didn't understand NASCAR until I met some NASCAR fans. You talk to a couple of NASCAR fans and you'll see where a shiny car driving in a circle would fascinate them all day. And I can make fun of NASCAR fans, because if they chase me, I just turn right.

I didn't want to live in LA again, although I'd go back every couple of months to do an interview, usually with a heavy rock or metal band. And as the decade went on, so much of that scene had become totally corrupted by too much coke and money and silicone.

I didn't try out for bands when I was younger. I got into guitars intensely a couple of years into playing so much by the time I was graduating high school I was accepted into Berklee College of Music.

I did the cover of Cigar Aficionado, so I'm supposed to talk about loving cigars. I've smoked them a couple of times. My father used to smoke cigars. I love the idea and the concept, and I love the smell of cigars

I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.

I didnt write Snow White for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.

I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.

I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.

I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it.

I did some theatre. I had some smaller roles in a couple TV shows and films. I used to think I did a lot of acting, but my 'career' started when I started Homeland.

I did some writing. I was just taking the kids to school. I did a couple things and we did some tours. It was a lot of downtime.

Idiot. Above her head was the only stable point in the cosmos, the only refuge from the damnation of the panta rei, and she guessed it was the Pendulum's business. A moment later the couple went off -- he, trained on some textbook that had blunted his capacity for wonder, she, inert and insensitive to the thrill of the infinite, both oblivious of the awesomeness of their encounter -- their first and last encounter -- with the One, the Ein-Sof, the Ineffable. How could you fail to kneel down before this altar of certitude?