Best 2427 quotes in «drama quotes» category

I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.

I graduated in 1930 and I went up to the Yale Drama School for two years.

I got in drama class in high school and I only got in there because there were girls and I thought maybe I could make a grade above a C in something.

I got into acting my junior year of high school. We got a new hot drama teacher and I was like 'Alright, I'll try drama.'

I get them [auditions] from time to time, and I sometimes get auditions for big dramas, and I often think, well, I'm not going to get that part. This was a big surprise - it was The X-Files.

I grew up in a town where there were no adults over forty who weren't somebody's parents. It was, unfortunately, the kind of town that's a "great places to raise kids" - that's basically code for "there are no adults here who are not parents." I had a few teachers who were kind of weirdo drama teachers and were hugely influential.

I grew up in repertory theaters, so it was comedy one night, drama the next. I'm used to going from one to the other. And I worked for years in television as well. So, I like the interrelationship of it and having a good relationship with a group of artists creating something really where the sum is greater than all of our individual contributions, our parts.

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

I grew up in the theatre. It's where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.

I had a fantastic teacher in high school. I had one of those guys you dream of having, who molds your life and inspires you to go in a particular direction, and he was quite brilliant. His name was Cecil Pickett, and a lot of the kids from my high-school drama class are in professional show business and have done quite well.

I guess you can tease me about being a drama queen, because that did heighten the drama.

I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.

I had a great drama teacher in high school, and that's when I started to learn about the history of theater.

I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.

I had had a huge background in the nuance of the accent because I went to drama school in England for four years.

I had interest in acting. I started as a drama major in college. I got to school and said, "What am I going to do with this?" But I didn't know anybody in the business, and it seemed like - I don't know. I had a teacher who said "Less than 1 percent of you will ever make a living being an actor." That was how we opened the semester.

I had no sympathy for drama queens.

I had one drama teacher who was amazing, Ms. Perkins. She really tried to inspire me and get me going.

I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.

I had to choose, I'd be so sad. They are flip sides of the same coin. I love both comedy and drama.

I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

I had to trick people into giving me money for my first film. Making a romantic comedy is easier and more expected from a woman than it is to make a drama about a Japanese warrior.

I hate drama. But at the same time, nothing bothers me more than when life's perfect. And that's the sick part. I just love a challenge, whether it's a relationship, my career, clothing.

I hate that you don't have the insight. I hate that you shamelessly returned despite being kicked out. I hate that you don't even seem to have the slightest self-respect. And also the fact that you used San as your "heart-wrenching" excuse to return. Back to this hell-hole.

I have a lot of projects I get asked for, but the opera house really is my house - my home. It's where I feel comfortable and confident and I get to explore these big human stories and dramas and collaborate with extraordinary people, great talented artists and administrators and other people who are passionate about it and support it. It's like working with a great big family - the family you love and enjoy being with all the time.

I have been out of drama school for 13 years, so there are 13 years worth of graduates behind me.

I have been working since I was 11 on everything including period dramas.

I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.

I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.

I have never understood people dividing things into dramas and comedies.

I hold that the beginning of modern Irish drama was in the winter of 1898, at a school feast at Coole, when Douglas Hyde and Miss Norma Borthwick acted in Irish in a Punch and Judy show; and the delighted children went back to tell their parents what grand curses 'An Craoibhin' had put on the baby and the policeman.

I hope you can understand one thing, I will like you till the day I die. Don't they say there's no reasons when you love someone? It's a lie. I can tell you one hundred reasons. Your voice... Your fingers... Your scent... Your shadow... As long as it's a characteristic associated with a woman, I like them all... That is my reason.

I hope that's how it is on every set - or that Teen Wolf goes on forever! Our cast is so honest with each other. There's no drama. There's no judgment. We just click. It's like a family.

I had done plays in high school. It was something I always wanted to do since I was little. I was a drama major at UC-Irvine.

I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.

I have different interests, and what happens with making a film is that you're going to live with it for a long time, so it better be something that has some staying power. I'm usually inspired by - it could be anything. In one instance, one of the things I was inspired by was something that was happening in my family - the drama that happens in a family, or an unsolvable crime, like Senorita Extraviada.

I have lived alone, I have fought alone, I have dealt with the pain alone. I will die alone. I think when I'm going to leave. I don’t want to be seen and I don’t want to be followed , I want to disappear quickly and quietly and without any drama , I want as much time in the darkness as I can possibly have . The darkness provides cover, the darkness provides places to hide and the darkness provides comfort.

I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.

I have my team. Like if you see everyone around me - I have my hair and makeup girl, my assistant. They're very calm, they're all about positive energy. There're no drama queens. Everyone wants everyone else to have a positive experience. There are no agendas. I think it creates a healthy environment and there are no boundaries to cross.

I have not watched the TV show. I do not generally watch TV sci-fi drama shows. They make me itch.

I have no technical psychological interest; it is drama, speech,and events that interest me.

I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.

I haven't ever seen a period drama that has a fantasy element to it, that's set in London, that's as lavish as it is, and that's made for American TV.

I haven't really decided to be an actor yet! I started doing plays when I was about 15 or 16. I only did it because my dad saw a bunch of pretty girls in a restaurant and he asked them where they came from and they said drama group. He said, 'Son, that is where you need to go.

I haven't got anything against films that are about the minutia of relationships or customs, but I love extremes. I love taking a bunch of characters and it usually is a bunch of characters, and you throw something at them that's usually extreme, like a bag of money, or you send them out to explode a nuclear device on the surface of the sun. And those extremes are wonderful for drama.

I have so little mastered the art of tranquil living that wherever I go I trail storm clouds of drama around me.

I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.

I just don't think that being unable to forgive someone is the most healing move. It can be, and I've had times in my life when I thought I would be better off without the drama that another person was bringing to me, but cutting someone out isn't always the answer. I know someone who cut her mother out and it didn't magically heal her. She's still haunted. It's not as if you can wipe clean all of your memories of having a mother, or wanting or needing one.

I have to say that those nine years were full of turmoil and drama and trauma to me, in actual fact.