Best 2466 quotes in «lines quotes» category

I'm always playing along that line: adding something more, yet keeping it sort of chaos.

I'm a minimalist. I like things to look very clean, I like clean lines. I like everything to be tidy and have space.

I'm an extremist, I have to deal with my own extreme personality, and I walk the fine line of wanting to die and wanting to be the ruler of it all.

I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.

I'm a traveling practical joker. That's my line of work.

I'm attacking the basket more. Because I'm more comfortable on the line, that's an area I want to get to.

I'm a technician. I don't go for the get-into-the-role stuff. I read the lines and play the scenes.

I'm a very hard-line, angry atheist. Yet I am fascinated by the concept of devotion.

I may be kindly, I am ordinarily gentle, but in my line of business I am obliged to will terribly what I will at all.

I may not be the most patient woman in the world, or the most glamorous, or the most athletic, but I'm right up there at the top of the line when it comes to resiliency.

I may not be the world's best glad-handing politician, but I've been elected mayor twice. I understand politics. And I definitely understand where the state line is.

I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.

I'm dreading the time that is not near As a man on a cross I have no fear I can't believe these words I'm saying You've got to feel your lines

I measure my life in sentences pressed out, line by line, like the lustrous ooze on the underside of the snail, the snail's secret open seam, its wound, leaking attar.

I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.

I'm frequently surprised, sometimes bugged off, and sometimes happy, depending on the actor. It's a fact of life that just as often as not an actor can breathe life into a line as he can destroy it by misinterpretation, and I've been blessed frequently by having good actors.

I'm generally somebody who hopes for the best. It's not what one ought to do in my line of work [screenwriting], but it is what I do.

I'm going to do everything I can to bring our policies in line with the way families live and work today by guaranteeing paid family leave and making child care affordable.

-I'm going to kill the kid. - Barrons says faintly. Ryodan makes a burbling sound like a bodly laught. -Get in line

I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.

I might write four lines or I might write twenty. I subtract and I add until I really hit something I want to do. You don't always whittle down, sometimes you whittle up.

I'm in the kitchen five days a week, no matter what, and one or two of those days I'm on the line. Not because I have to be, but because I want to be.

I'm just always learning lines. I've learned to flag the really crucial scenes, and I start figuring them out and committing them to memory as soon as I get them.

I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?

I'm more interested in knowing my cues than my lines. If you know what your cues are, then you know what your reaction is going to be to them. Acting is about reacting, and if I can kind of purely react, that's easier for me.

I'm more likely to strike up a conversation with a stranger than to try any antic or pickup lines.

I'm not a guy who likes cliches. I don't think that stereotypes and cliches are the end of the line, when it comes to a performance.

I'm not a celebrity trainer. I don't have my own line of DVDs, but I'm a fighter and have everything to prove.

I'm not a designer, I'm a sifter. I can sift everything, all the time. My sift level lines keep shaking all the time for everything that is around.

I'm not a hard-line Republican, because I'm a lot more open-minded than that.

I'm not a subscriber to walking into large corporate entities that I have to walk into and be waiting in line, because then I have to stand there.

I’m not good with pickup lines or flirting. I don’t have that kind of self-confidence or natural charisma.

I'm not good at telling a joke, but I can say a line in a certain way that makes people uncomfortable because they don't know whether to laugh or not, and I love that comedy.

I'm not like a super duper sneaker head. I got a couple pairs, but I'm not a "stand in line for sneakers" type of dude.

I'm not in the habit of having my photo snapped on some pretty young thing's arm. I avoid pictures because they serve no purpose, except to point out each new line, which is very meaningless.

I most carefully confined myself to facts and arranged those facts on as thin a line of connecting opinion as possible.

I'm not sure I can say there is a clean line between me as an individual and me as a lawyer.

I'm on the front line and I am a rapper.

I'm out here to bomb, period. That's what I started for. I didn't start writing to go to Paris, I didn't start writing to do canvases. I started writing to bomb... destroy all lines.

I'm passing on a tradition of which I am part. There's a long line of poets who went before me, and I'm another one, and I'm hoping to pass that on to other younger, or newer, poets than myself.

I'm not really a folk singer, but I love the music and there's certain lines that will get just stuck in my head, and they seem to be stuck there for a reason, and I start singing them.

I'm not really much into politics, because it's rarely discussed in my line of work, but I know that Barack Obama is trying his best, and that at some point down the road, he's going to get it right.

I'm one of the people who believe the great lines come from either Western or bluegrass music.

I'm pretty focused on my career, and if it comes down to hanging out with somebody or learning my lines, it's gonna be learning my lines.

I'm proud of being a vaudevillian, the last of my line. A lot of people think my entertainment is candy-floss. Well, entertainment is too aggressive these days, all 'in your face.'

Improv Everywhere tramples the lines drawn between spectacle and spectator, theatre and real life, public and private, performance and protest, and reclaims the streets for ordinary people.

I'm referred to, I see, as 'the biggest banker in modern publishing'. Now there's a line that needed the celebrated Guardian proof-reading.

I'm sometimes afraid I'll cross a line and it'll be difficult to come back, say, to dinner.

I'm so aware of the fact that if I hadn't taken the chances that I've taken along the line, I probably wouldn't be getting the best out of my voice anymore, I might have messed it up in that awful, predictable place.

I'm really attracted to music that sort of toes that line between pop and avant-garde, that pushes the envelope of what you can get in a pop song.