Best 1811 quotes in «perception quotes» category

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    Happiness is there when perceptions and expectations are in joyful harmony.

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    Happiness is not in perfection but it is a perception in the midst of imperfection.

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    Happiness is the inner perception of calmness, tranquility and joy.

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    Have faith in yourself. All the power is in your biology already. Be conscious of that power and bring it out. Remember, truth is indestructible, virtue is indestructible, purity is indestructible.

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    Have you ever noticed several outspoken people who seem to care about feeling offended do not give a damn about anyone else's feelings or safety?

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    Heaven is all around us. All we need is perception; to extol the melodies of Nature's orchestra.

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    He considered it a shame when people couldn't grasp the infinite-a failure not just of imagination but of simple vision.

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    He felt that race was not a characteristic that was a part of his identity, but one that was projected upon him by the gaze of others who looked on him; as such it was ephemeral, there and gone as soon as the gaze was broken.

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    He had never experienced anything like this before outside the Zone. And it had happened in the Zone only two or three times. It was as though he were in a different world. A million odors cascaded in on him at once—sharp, sweet, metallic, gentle, dangerous ones, as crude as cobblestones, as delicate and complex as watch mechanisms, as huge as a house and as tiny as a dust particle. The air became hard, it developed edges, surfaces, and corners, like space was filled with huge, stiff balloons, slippery pyramids, gigantic prickly crystals, and he had to push his way through it all, making his way in a dream through a junk store stuffed with ancient ugly furniture … It lasted a second. He opened his eyes, and everything was gone. It hadn't been a different world—it was this world turning a new, unknown side to him. This side was revealed to him for a second and then disappeared, before he had time to figure it out.

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    [H]e initially conceived of Olivier as a man of the greatest promise destroyed by a fatal flaw, the unreasoning passion for a woman dissolving into violence, desperately weakening everything he tried to do. For how could learning and poetry be defended when it produced such dreadful results and was advanced by such imperfect creatures? At least Julien did not see the desperate fate of the ruined lover as a nineteenth-century novelist or a poet might have done, recasting the tale to create some appealing romantic hero, dashed to pieces against the unyielding society that produced him. Rather, his initial opinion -- held almost to the last -- was of Olivier as a failure, ruined by a terible weakness.

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    He looked at me with the tired, ignorant, slightly stupid expression that is so common in people who aren't used to seeing the broader picture in small things.

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    Here's something else I'd like your opinion about," I said. "If he went back underground and sat down again in the same spot, wouldn't the sudden transition from the sunlight mean that his eyes would be overwhelmed by darkness?" "Certainly," he replied. "Now, the process of adjustment would be quite long this time, and suppose that before his eyes had settled down and while he wasn't seeing well, he had once again to compete against those same old prisoners at identifying those shadows. Would he make a fool of himself? Wouldn't they say that he'd come back from his upward journey with his eyes ruined, and that it wasn't even worth trying to go up there? And would they -- if they could -- grab hold of anyone who tried to set them free and take them up there and kill him?

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    Here, then, is the last moment of true perception, a man fishing in a red jacket and a cloudy sky reflected on opaque water.

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    He tells her that she’s beautiful. She has never heard that before, though she has sometimes privately suspected it of herself, but it feels different to hear it from another person.

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    His face had been twisted into an expression of every agony he had imagined for his friend.

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    Hope keeps us alive. Love gives us joy. Perception of inner joy open the door toward the happiness.

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    How a Brand is received is determined by how it's perceived

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    How disquieting to realise that reality is an illusion, at best a democratisation of perception based on participant consensus.

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    Horace, like all dogs, heard dead-voices quite often, and sometimes saw their owners. The dead were all around, but living people saw them no more than they could smell most of the ten thousand aromas that surrounded them every minute of every day.

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    How do we perceive what’s important in life, from what we once thought to what we think now, how does it change?

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    However, questions arise. Are there people who aren't naive realists, or special situations in which naive realism disappears? My theory—the self-model theory of subjectivity—predicts that as soon as a conscious representation becomes opaque (that is, as soon as we experience it as a representation), we lose naive realism. Consciousness without naive realism does exist. This happens whenever, with the help of other, second-order representations, we become aware of the construction process—of all the ambiguities and dynamical stages preceding the stable state that emerges at the end. When the window is dirty or cracked, we immediately realize that conscious perception is only an interface, and we become aware of the medium itself. We doubt that our sensory organs are working properly. We doubt the existence of whatever it is we are seeing or feeling, and we realize that the medium itself is fallible. In short, if the book in your hands lost its transparency, you would experience it as a state of your mind rather than as an element of the outside world. You would immediately doubt its independent existence. It would be more like a book-thought than a book-perception. Precisely this happens in various situations—for example, In visual hallucinations during which the patient is aware of hallucinating, or in ordinary optical illusions when we suddenly become aware that we are not in immediate contact with reality. Normally, such experiences make us think something is wrong with our eyes. If you could consciously experience earlier processing stages of the representation of the book In your hands, the image would probably become unstable and ambiguous; it would start to breathe and move slightly. Its surface would become iridescent, shining in different colors at the same time. Immediately you would ask yourself whether this could be a dream, whether there was something wrong with your eyes, whether someone had mixed a potent hallucinogen into your drink. A segment of the wall of the Ego Tunnel would have lost its transparency, and the self-constructed nature of the overall flow of experience would dawn on you. In a nonconceptual and entirely nontheoretical way, you would suddenly gain a deeper understanding of the fact that this world, at this very moment, only appears to you.

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    How I look to you is the reflection of how you look at me.

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    How do you see the world? Happy endings come not through events but through a shift in perception.

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    How people perceive your brand will determine how they will receive your brand

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    How much of what is there do you allow yourself to see?

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    How we define and frame the world around us creates our so-called reality.

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    How we perceive of the world around us determines the outcome of what it is we choose to see or not see

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    How thin the air felt at the forest's edge, how ghostly the trees that guarded their realm.... The whole world seemed as delicate as a dandelion seed, and as fleeting.... How sad to know that the figment village of my imagination would not vanish when I ended, to understand that it was not I who had invented the moon the first time I realized how lovely it was. To admit that it was not my breath that made the winds blow.... [M]y heart, my heart knew that when I closed my eyes I invented the night sky and the stars too. Wasn't the whole dome of the sky the same shape as the inside of my skull? Didn't I create the sun and the day when I raised my eyelids every morning?

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    How to win in life: 1 work hard 2 complain less 3 listen more 4 try, learn, grow 5 don't let people tell you it cant be done 6 make no excuses

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    How we choose to perceive affects how we partake of reality; narrowly or completely.

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    How you are perceived is impacted more by passage of time than by any behavioural changes.

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    How you perceive yourself is how others will see you.

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    How you see and depict yourself will be the exact way people will treat you--Period, Think your worth millions, people will treat you like millions, think pennies, get treated like pennies

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    Humankind has accumulated generation upon generation of knowledge, the culmination of which is the vast and useful technological array we see everywhere in modern society. Despite this great accumulation of knowledge and technology, we still suffer from starvation and war. The difference between the past and the present is the difference between throwing rocks and shooting missiles. We are still in conflict. Suffering on a fundamental level hasn’t ceased. But we nevertheless persist in the notion that if we just amass a bit more knowledge, we’ll all be o.k. Maybe a new philosophy will do the trick, or a new system of government. But all of this has been tried many times. Knowledge builds on the past and has its place. Wisdom is beyond time. It’s the direct perception of reality as it is. And in this direct seeing of what is lies the potential of transformation—a transformation that is not merely a redecoration of the past but a transformation of humanity that embodies the eternally new.

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    Humans are most imaginative when they need a means of self-destruction. If the world existed in an overflowing amount of happiness; a utopian state, then the suicide rate would dwarf any extinction level threat. Humans cannot be trusted with their own survival. Their minds have been trained to be blindly and unconsciously subjugated. In a time related to Heaven-on-Earth, the smallest amount of worry, will drive a human into the arms of death. This is how weak and fragile the human mind and will is. It's funny, because the best friend of humanity, is none other than Chaos itself.

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    ...human beings have a distorted view of risk. They don't see the whole picture. Our perceptions are twisted by stories in the media, by films, by our own personalities and experiences. So, despite the unlikely odds, we still worry about being raped or murdered. We hear a sound in the night and think of burglars, not mice... It's kind of a protective pessimism: if we worry about the worst happening, it may miss our door.

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    I am a prisoner of perception, a compulsory witness.

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    I am like the H2O in a lake. Some drink it at one place and call it “water”, others at another place and call it “jal”, and some others at a third place and call it “pani”. The Christians call it “water”, the Hindus “jal”, and the Muslims ”pani”. But it is one and the same thing. I am not tied to the doctrines of any church, synagogue, temple or mosque, yet I am the reason of their birth.

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    I believe that life is all about perception and timing. That good things come to those who act and that life’s about more than collecting a paycheck. I believe that the only person you’re destined to become is the one that you decide to be. That if you try hard enough you can convince yourself of anything. That having patience doesn’t make you a hero nor does it make you a doormat. I believe that not showing love proves you’re weak and belittling others doesn’t make you strong. That you are never as far away from people as the miles may suggest. That life’s too short to read awful books, listen to terrible music, or be around uninspiring people. I believe that where you start has little impact on where you finish. That sometimes the best thing you can do is walk away. That you can never be overdressed or overeducated. I believe that the cure for anything is salt water; sweat, tears, or the sea. That you should never let your memories be greater than your dreams. And that you should always choose adventure.

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    I can't settle for merely liking a man when I've known what it’s like to love one.

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    I can see clouds a thousand miles away, hear ancient music in the pines.

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    Ich hörte, dass Karl May der Öffentlichkeit so lange als guter Schriftsteller galt, bis irgendwelche Missetaten aus seiner Jugend bekannt wurden. Angenommen aber, er hat sie begangen, so beweist mir das nichts gegen ihn - vielleicht sogar manches für ihn. Jetzt vermute ich in ihm erst recht einen Dichter!" (Neues Wiener Tagblatt, 20 November 1935)

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    Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition.

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    I create lies for people in order for them to find something true about themselves. I teach people that lies are doors that opens up to truth. Either you accept the lie, or you run away from it, thus, eliminating the meaning behind it, and what is could have accomplished.

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    I don't exactly get to be moody or snappy when I don't feel like putting on a happy face, because when most people meet me, I'm already starting out with a deficit. Fat girls don't get that luxury.

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    I don't create my images as visual equations to be solved, but rather, i create them as internal landscapes that the viewer can explore. I enjoy sharing the why behind the what, of my creations... but my way, isn't the only way, to experience them. There is no correct way to interpret them. Perception is reality and yours may be different from mine and that's okay.

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    If all of your past employees were to honestly write about their experiences in your company, what would they write?

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    I do think that our perception of reality is fragmentary, and in 20th-century literature, it’s totally normal to not describe reality as something whole and completely transportable and explicable. That’s been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable.

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    I'd rather be judged on what I can do instead of who I'm not.

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    If a boat is shattered by a storm, the desperate passengers cling to the floating pieces of the hull. In that moment, it's not a broken boat. To a drowning man, it's a floating miracle.