Best 273 quotes in «comic quotes» category

In comics, collaboration saves your life. How well you can work with an artist, a colorist, a letterer, is how good your comic is.

In his comic scenes, Shakespeare seems to produce, without labor, what no labor can improve.

In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.

In my personal life, I'm a comic novel. But then, so are we all, because we're human beings.

I read comic books and stuff but I didn't know a lot about it.

I provide a little comic relief.

I read the 'Deadpool' series back in the '90s. I'm not, like, a huge comic book reader, per say, though. I'll check out 'Archie' when I'm in the grocery line, but that's about it.

I read graphic novels, here and there, but I'm not a comic book guy, as much.

I remember my comic strips being called "new wave." It bugged me.

I really can't pinpoint the one moment when I said I want to be a comic.

I really wanted to do things that weren't comic. It felt like finding people who can see this other side to me.

I recently realized that I'm gender-fluid - I didn't even know that was a term until recently - but I have a strong effeminate side and identify with women in that way. Because women would make jokes and they were all really funny, but the straight male comics always said "faggot," or they had some really awful gay joke. And so it's like, I'm just going to watch the ladies because they don't - I'm sure there are, but I couldn't even tell you one woman comic that I've ever heard say the word "faggot.

I travel alone so much, and the first thought is to grab the damn phone. In airports, just look around. Nobody looks at anybody, or even out the window. It's obvious we can't live without it anymore, and as a comic on the road the phone is an essential tool. It's probably doing more good than bad for me, but it does make me sad that those of us who grew up without mobile phones, we know what we're missing.

I think Hollywood has seen what fandom can do for a project. You can definitely see that when you go to Comic-con.

I thought I had a great opportunity when I started doing my comic book in 1972. I thought there was so much territory to work in.

It is not lost on me that I'm spending my honeymoon at Comic Con.

I see a Latino comic as someone who can only perform for Latino audiences. I cross the board.

I think there's a core of real anger or misery inside every true stand-up comic.

It is so comic to hear oneself called old, even at ninety I suppose!

It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.

It's a great loss.[Carrie Fisher] was a comic genius, as far as I'm concerned.

It's a lot easier to say you're a comic than a performance artist.

It's hard to transfer one person's type of comic timing or approach to another person's. It's something you innately hear like a rhythm in your ear.

It's not movies and it's not "fine art." The beauty of a comic is that it's clear, direct communication. My work is getting simpler and more cartoony because I'm much more interested in communication now than in any illustrative value.

I used to be an insult comic, and I didn't end up liking the way that I felt about myself.

It's not until you develop your own voice, your own persona onstage that you become your own comic, who you really are.

I used to describe myself as a comic novelist, but my concerns seem to have darkened over the past few years.

Ive never really been a big sci-fi guy or a big comic book guy.

I've always had a soft spot for comic books. I learned to read from them. The words in them were so interesting.

I've always had my voice as a comic. I was never that into politics, or prop comedy.

I've always had a soft spot for comic books.

I've often been accused of being the comic's comic. It's a bad business model when your fans are the people who get in free.

I want to be known as a funny comic not just a funny Latino comic. I want to be able to go everywhere and anywhere.

I was always being called upon to be an honorary boy alongside my brothers. I don't think I'd be a comic now if it hadn't been for that.

I was a huge comic book fan, and I still am.

I was not a big comic-book reader.

I was in the beginning when [comic book superheroes] started, but not anymore. Now I expect it. I've gotten very used to it.

I was never really a comic-book fanatic.

I wasn't at all sure I could make that sort of leap into that sort of comic book reality.

I wasn't a comic book geek as a kid. I read some, but it was just like, "Oh, I have this comic book here." It wasn't like I was collecting them.

I wasn't always a comic, I used to do honest work.

I was raised on comic books, and I love science fiction.

I was seeking comic originality, and fame fell on me as a byproduct.

I was the youngest kid on my street, the youngest comic in the clubs. I always felt like I was playing catch-up. I was very angry.

I wrote the original Mike Hammer as a comic, Mike Danger.

I was told I make intelligent comics, and then I made a comic about a horse that pooped.

I was young and not gloomy and there were always strange and comic things that happened in the worst time.

I wouldn't ever presume to say that I am a comic book fan.

I would love to do something like Austin Powers to show off my comic timing.

Life is deeply tragic and also very comic at the same time. It's everything at once.