Best 472 quotes in «myth quotes» category

How should we be able to forget those myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.

Humans are a story telling species. Throughout history we have told stories to each other and ourselves as one of the ways to understand the world around us. Every culture has its creation myth for how the universe came to be, but the stories do not stop at the big picture view; other stories discuss every aspect of the world around us. We humans are chatterboxes and we just can't resist telling a story about just about everything. However compelling and entertaining these stories may be, they fall short of being explanations because in the end all they are is stories. For every story you can tell a different variation, or a different ending, without giving reason to choose between them. If you are skeptical or try to test the veracity of these stories you'll typically find most such stories wanting. One approach to this is forbid skeptical inquiry, branding it as heresy. This meme is so compelling that it was independently developed by cultures around the globes; it is the origin of religion—a set of stories about the world that must be accepted on faith, and never questioned.

I am Profusion; I am Posey: the Poet 'I' .. " --Boy Charioteer/Goethe's Faust Pt II

I ate mythology & dreamt' - Yusef Komunyakaa (Blackberries)

I brought seaweed snacks from home,' chimed in another kid. "Seaweed got iron, right?" 'I don't think the teachers meant that kind of iron,' said Hui Ann.

I can speak four dialects, but none of them is fairy language.

If we meet a myth with our lives and deepest concerns, the mythic oracles speak directly to us. Myths are oracular in the sense that each person can receive a message or an insight that relates to their life circumstances. The point has never been to “believe” in myths or to simply accept what others have said they mean. The key issue with mythic images is to let them speak to us, wherever and whenever we find ourselves seeking guidance, permission, or understanding.

If I say I do not believe in faeries or elves or trolls, does this imply that I have a set of beliefs and a lifestyle that adheres to this lack of belief? NO, IT ONLY IMPLIES that I do not believe in faeries, elves and trolls. So one cannot extrapolate morality, philosophy, cosmology, character, political party, or any other thing of that sort from the mere lack of belief in one other thing.

If we can cease envisaging ourselves as metaphorical foetuses, and substitute the image of a newborn child, then that will be at least a small intellectual advance. In time, perhaps, we may even learn to toddle.

I earn the magic of words by writing. I learn the myth of worlds by imagining.

If professional religious leaders cannot instruct us in mythological lore, our artists and creative writers can perhaps step into this priestly role and bring fresh insight to our lost and damaged role.

I have a great interest in classical mythology and I need to make a sphinx or satyr every once in awhile to satisfy those interests. (...)

I never wanted to be a martyr—even for love. I don’t want to die for love. I want to live for it.

In a segment of the Sermon on the Mount, appearing in Matthew 5, Jesus is reported to have set six new teachings of his against six old Jewish teachings. The latter are introduced by such words as 'You have heard that it was said by them of old time' and the former by 'But I say unto you.' Since both the teachings of old time and Jesus' new teachings are predicated on the same profoundly mistaken views of human nature and of the world in general, it is unimportant for us here today to compare and contrast these teachings or to determine which is better or worse in some way or other. The point is that whether better or worse, in this way or that, both are lodged in an egregiously mistaken mythology -- but in a mythology of enormous importance for us, because it is one of the wellsprings of Western culture.

I must—to be honest—add that my ministry almost certainly helped me through my adolescence by giving me something larger than myself to be frightened about.

In ordinary society, superstition sells faster than science.

In India we never distinguished between history and myth. Our Puranas as well as Itihasas contain fantastical tales. They are lies that convey deeper truths.

In mythic terms, the earth is a place of mystery and wonder where life always hangs by a thread and all the events of history are loosely stitched upon the endless loom of eternity. Secretly, we are each tied to the divine.

In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63).

In the blink of an eye, the fairytales told to children were as real as death and taxes. Vampires, shifters, trolls, demons and creatures of myth, were as real as the air we breathe.

It could be said that the lectures changed the way many people thought about myth, fairy story, and poetry, and even about the relationship of imagination to thought and to language. One of the brilliant but cryptic insights he expressed was: ‘To ask what is the origins of stories … is to ask what is the origin of language and of the mind.

In the end, one detail is unarguable: There will always be those searching for treasure. Never forget: We are a country founded on legends and myths. We love them, especially legends of treasure. Looking for treasure isn't just part of being an American, it is America.

In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards — but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward.

In the northern darkness there is a fish and his name is K'un. The K'un is so huge I don't know how many thousand li he measures. He changes and becomes a bird whose name is P'eng. The back of the P'eng measures I don't know how many thousand li across and, when he rises up and flies off, his wings are like clouds all over the sky. When the sea begins to move, this bird sets off for the southern darkness, which is the Lake of Heaven. The Universal Harmony records various wonders, and it says: "When the P'eng journeys to the southern darkness, the waters are roiled for three thousand li. He beats the whirlwind and rises ninety thousand li, setting off on the sixth month gale." Wavering heat, bits of dust, living things blowing each other about – the sky looks very blue. Is that its real color, or is it because it is so far away and has no end? When the bird looks down, all he sees is blue too.

In the United States the continued influence of the old elite meant that southern politics fell under the domination of a Democratic Party that gloried the Confederacy, the Lost Cause, the Ku Klux Klan, and resistance to Reconstruction. White supremacy was made into the fundamental cause of the South, and racism became the tool to enforce white unity behind the Democratic Party whenever a political challenge arose. Another tactic used over and over again to maintain the Solid South was to warn against outside threats and outside agitators. The mentality of a defensive, isolated, but gallant South helped Democratic leaders to deflect attention from the problems of their society and the effects of their rule. These powerful social currents, aided by women’s groups such as the United Daughters of the Confederacy, shaped and inhibited the region’s culture. Conformity to white supremacy, segregation, and Democratic Party rule was a social imperative for generations of southerners who were indoctrinated in the belief that they had suffered grave injustice with the defeat of their glorious Lost Cause. Had the diverse political leaders of so-called Radical Reconstruction continued to exercise some power or influence, the South would have been a very different society [187].

I remember when Elvis died. I wrote my sentiments with words of a little girl in my dear diary, "Many people wanted to see his body. They literally wanted to dig his bones out just to make sure that he was being buried. And I could not understand why. Why people could not leave him alone and let his soul rest in peace." I couldn't get it. I didn't grasp it at that time. In a head of a little girl it was hard to believe that there were mysteries to be solved. That there ruled a conspiracy theory that people thought it was odd that he was buried and the casket was never opened. They didn't believe he was dead! Oh yes. Elvis Lives! And as the world needs his songs, his words, his thoughts, his love, his light more than ever before.

It felt relaxing to be someone else’s myth.

I think most of the people in the area know about the native people’s legends and lore. There are definitely variations in their stories and each tribe has a slightly different description of… Sasquatch, but that’s no surprise when you consider how varied all animals are.

In the middle of our lives, we mistakenly fall prey to the myth that successful people are those who help rather than need, and broken people need rather than help.

In the specially Christian case we have to react against the heavy bias of fatigue. It is almost impossible to make the facts vivid, because the facts are familiar; and for fallen men it is often true that familiarity is fatigue. I am convinced that if we could tell the supernatural story of Christ word for word as of a Chinese hero, call him the Son of Heaven instead of the Son of God, and trace his rayed nimbus in the gold thread of Chinese embroideries or the gold lacquer of Chinese pottery, instead of in the gold leaf of our own old Catholic paintings, there would be a unanimous testimony to the spiritual purity of the story. We should hear nothing then of the injustice of substitution or the illogicality of atonement, of the superstitious exaggeration of the burden of sin or the impossible insolence of an invasion of the laws of nature. We should admire the chivalry of the Chinese conception of a god who fell from the sky to fight the dragons and save the wicked from being devoured by their own fault and folly. We should admire the subtlety of the Chinese view of life, which perceives that all human imperfection is in very truth a crying imperfection. We should admire the Chinese esoteric and superior wisdom, which said there are higher cosmic laws than the laws we know.

In those timeless years between infancy and, say, seven what is has always been: in that way children inhabit the realm of myth.

I remain steady in my belief that well-written literary fiction doesn’t have to be high-brow; it has to embrace ideas about destiny in a storyline that holds the readers’ attention. From his classic presentation at the 200th anniversary writers’ conference of North American Review, the nation’s oldest literary magazine, where he poked fun at his own early novels for their obscurity, implying clarity in the digital age equals salvation. Then he toyed with the digital age itself: Some nut will find a way to blow up the electric grid. All these electronic gadgets that rely on electricity will go dark. The batteries will run down. We’re talking Cormac McCarthy darkness, black on black . . . except for one distant flicker of light. It’s on a beach probably Australia. Survivors will make their way through the dark and find the light from a single candle. Next to the candle will be a lad with a note book scribbling away with the last pencil on earth. He’s writing about what happened. He hopes someone will read what he writes. That’s what writers do. They hope.

I sometimes go to a mythical place called "workplace", where the doable is always unpassable as possible, especially when it pisses you off.

I think I have a very good idea why it is that anti-Semitism is so tenacious and so protean and so enduring. Christianity and Islam, theistic though they may claim to be, are both based on the fetishizing of human primates: Jesus in one case and Mohammed in the other. Neither of these figures can be called exactly historical but both have one thing in common even in their quasi-mythical dimension. Both of them were first encountered by the Jews. And the Jews, ravenous as they were for any sign of the long-sought Messiah, were not taken in by either of these two pretenders, or not in large numbers or not for long. If you meet a devout Christian or a believing Muslim, you are meeting someone who would give everything he owned for a personal, face-to-face meeting with the blessed founder or prophet. But in the visage of the Jew, such ardent believers encounter the very figure who did have such a precious moment, and who spurned the opportunity and turned shrugging aside. Do you imagine for a microsecond that such a vile, churlish transgression will ever be forgiven? I myself certainly hope that it will not. The Jews have seen through Jesus and Mohammed. In retrospect, many of them have also seen through the mythical, primitive, and cruel figures of Abraham and Moses. Nearer to our own time, in the bitter combats over the work of Marx and Freud and Einstein, Jewish participants and protagonists have not been the least noticeable. May this always be the case, whenever any human primate sets up, or is set up by others, as a Messiah.

I think of myth and magic as the hieroglyphics of the human psyche. They are a special language that circumvents conscious thought and goes straight to the subconscious. Non-fiction uses the medium of information. It tells us what we need to know. Science fiction primarily uses the medium of physics and mathematics. It tells us how things work, or could work. Horror taps into the darker imagery of the psychology, telling us what we should fear. Fantasy, magic and myth, however, tap into the spiritual potential of the human life. Their medium is symbolism, truth made manifest in word pictures, and they tell us what things mean on a deep, internal level. I have always been a meaning-maker. I have always been someone who strives to make sense of everything and perhaps that is where my life as a storyteller first began. Life doesn't always make sense, but story must. And so I write stories, and the world comes right again.

I thought: if I die, I hope I get reincarnated into a mosquito so I can bite that fucker kau-kau.

It is dangerous to become attached to a du Lac. He will break your heart, and you will not recover.

It is noted that from 1967 to 1995 essays on negative emotions far outnumbered those on positive emotions in the psychological literature. The ratio was 21:1. Even those supreme perpetrators of pop nihilism, The New York Times and The Washington Post, have a better ratio than psychological literature. They average 12 negative stories to every one that might be construed to be non-negative. Many of their non-negative stories, however, cover success in sports and entertainment. I demand that the purveyors of despair who pretend to be dispassionate observes of the human condition go ahead and disclose that the 10 most beautiful words in the English languages are chimes, dawn, golden, hush, lullaby, luminous, melody, mist, murmuring, and tranquil; that Java sparrows prefer the music of Back over that of Schoenberg; that math experts have determined there are 1/96 trillion ways to lace up your shoes; that the Inuit term for making love is translated as ‘laughing together in bed;' and that according to Buckminster Fuller, “pollution is nothing but resources we’re not harvesting.

It is not the myth that falls out of date, it is the way of wording it. New voices are endlessly needed to swell their throats with song. Poetry is the unbroken lineage.

It is perilous to live past the end of your myth

It is the desire for irreverence as much as anything else that brought me first to poetry. The need to make fun of authority, break taboos, celebrate the body and its functions, claim that one has seen angels in the same breath as one says that there is no god.

It's the shape of the stories that matters, the way belief forms around it. The story has real weight', He pointed at himself. 'Patupaiarehe look like monsters in some stories, but they're beautiful in a lot. I guess people believed more in the beautiful version. And the ideal of beauty changes. If I'd been born two hundred years ago, I bet I wouldn't look like this. The stories shaped me. They shape everyone, inside and out, but me more than most, because I'm magic.

It is the mythic experience, the mythic imagination that opens, reveals depth and mystery, which places the human in the context of the nonhuman, and so, forces retreat, humility, and awe, in the presence of spaces beyond our will.

I took the sheep and cut their throats over the pit, and let the dark blood flow. Then there gathered the spirits of the dead, brides and unwed youths, old men worn out by labour, and tender maidens with hearts still new to sorrow.

it's a myth, you know; he doesn't have to draw blood for him to leave a scar.

It’s a wonder of human behavior: we build our own handcuffs that trap and harm us. We create the myth, and we honor it. We tell the lie, and we believe it.

It was a rainy night. It was the myth of a rainy night.

It was a myth you couldn't function on opiates: shooting up was one thing but for someone like me-jumping at pigeons beating from the sidewalk, afflicted with Post Traumatic Stress Disorder practically to the point of spasticity and cerebral palsy-pills were the key to being not only competent, but high-functioning.

It was generally believed, said Theophilus, that Orpheus learned his music from the birds. His small voice, piping after theirs, filled with all the secret stories of the earth.

It was a myth, a fantastical portrayal of my mentor himself, his legend forever anchoring itself to history in a way mine will never be. Spring Heeled Jack, the boogeyman with eyes like fireballs who could jump unnaturally high. Breathing blue flames he'd ravage women with his claws.