Best 472 quotes in «myth quotes» category

Where the myth fails, human love begins. Then we love a human being, not our dream, but a human being with flaws.

Wolves don't hunt singly, but always in pairs. The lone wolf was a myth.

Writer's block is a myth. I never see the gardeners suffering from gardening block.

[a] characteristic of a symbol is that it opens up levels of reality which otherwise are closed for us. [a symbol] also unlocks dimensions and elements of our soul which correspond to the dimensions and elements of reality. A great play gives us not only a new vision of the human scene, but it opens up hidden depths of our own being.

A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women’s history; a quietly mad population is a tractable one.

Alfvén dismissed in his address religion as a 'myth'...

All myths are stories, but not all stories are myths: among stories, myths hold a special place.

All that we call sacred history attests that the birth of a poet is the principal event in chronology.

Alte Männer sind eine rachsüchtige Brut. Sie beneiden junge Männer um ihre Kraft und verübeln jungen Frauen ihre Verführungsmacht.

A myth, in its original Greek meaning- muthos- is simply that: a story, one which seeks to render life transparent to an intelligible source.

A myth is a story that is "more than true." Many stories are true because one person, somewhere, at some time, lived it. But a myth is more than true because it is lived by all of us, at some level. It's a story that connects and speaks to us all.

A myth... is a metaphor for a mystery beyond human comprehension... A myth, in this way of thinking, is not an untruth but a way of reaching a profound truth.

A myth is a story that is "more than true." Many stories are true because one person, somewhere, at some time, lived it. It is based on fact. But a myth is more than true because it is lived by all of us, at some level. It's a story that connects and speaks to us all.

A nation lives by its myths and heroes. Many societies have survived defeat and invasion, even political and economic collapse. None has survived the corruption of its picture of itself. High and popular art are not in competition here. Both may help citizens decide what they are and what they admire. In our age, however, high art has given up speaking to the body of its fellow citizens. It devotes itself to technical displays that can appeal only to other technicians.

And in the absence of facts, myth rushes in, the kudzu of history.

And so every one of us shares the supreme ordeal —carries the cross of the redeemer— not in the bright moments of his tribe's great victories, but in the silences of his personal despair.

And that’s the terrible myth of organized society. That everything that’s done through the established system is legal. And that word has a powerful psychological impact. It makes people believe that there is an order to life and an order to a system. And that a person who goes through this order and is convicted has gotten all that is due him and therefore society can turn its conscious off and look to other things and other times. And that’s the terrible thing about these past trials that they have this aura of legitimacy an aura of legality. I suspect that better men than the world has known and more of them have gone to their deaths through a legal system then through all the illegalities in the history of man. Six million people in Europe during the Third Reich, legal, Sacco and Vanzetti, quite legal, the Haymarket defendants, legal, the hundreds of rape trials throughout the south where black men were condemned to death all legal, Jesus legal, Socrates legal and that is the kaleidoscopic nature of what we live through here and in other places because all tyrants learn that it is far better to do this thing through some semblance of legality than to do it without that pretext.

And the day will come when the mystical generation of Jesus, by the supreme being as his father in the womb of a virgin will be classed with the fable of the generation of Minerva in the brain of Jupiter. But we may hope that the dawn of reason and freedom of thought in these United States will do away all this artificial scaffolding... {Letter to John Adams, April 11, 1823}

..and why the winter suns so rush to bathe themselves in the sea and what slows down the nights to a long lingering crawl...

An interesting contrast between the geology of the present day and that of half a century ago, is presented by the complete emancipation of the modern geologist from the controlling and perverting influence of theology, all-powerful at the earlier date. As the geologist of my young days wrote, he had one eye upon fact, and the other on Genesis; at present, he wisely keeps both eyes on fact, and ignores the pentateuchal mythology altogether. The publication of the 'Principles of Geology' brought upon its illustrious author a period of social ostracism; the instruction given to our children is based upon those principles. Whewell had the courage to attack Lyell's fundamental assumption (which surely is a dictate of common sense) that we ought to exhaust known causes before seeking for the explanation of geological phenomena in causes of which we have no experience.

...a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self-interest.

[A]nother thing about myths: they gather in and circumscribe their target audience. They make a collection into a collective.

Another scene from universal myth unfolds -- here powerfully reminiscent of the Underworld quests of Orpheus for Eurydice and of Demeter for Persephone. The ancient Japanese recension of this mysteriously global story is given in the Kojiki and the Nihongi, where we read that Izanagi, mourning for his dead wife, followed after her to the Land of Yomi in an attempt to bring her back to the world of the living: 'Izanagi-no-Mikoto went after Izanami-no-Mikoto and entered the Land of Yomi ... So when from the palace she raised the door and came out to meet him, Izanagi spoke saying; 'My lovely younger sister! The lands that I and thou made are not yet finished making; so come back!' Izanami is honoured by Izanagi's attention and minded to return. But there is one problem. She has already eaten food prepared in the Land of Yomi and this binds her to the place, just as the consumption of a single pomegranate seed binds Persephone to hell in the Greek myth. Is it an accident that ancient Indian myth also contains the same idea? In the Katha Upanishad a human, Nachiketas, succeeds in visiting the underworld realm of Yama, the Hindu god of Death (and, yes, scholars have noted and commented upon the weird resonance between the names and functions of Yama and Yomi). It is precisely to avoid detention in the realm of Yama that Nachiketas is warned: 'Three nights within Yama's mansion stay / But taste not, though a guest, his food.' So there's a common idea here -- in Japan, in Greece, in India -- about not eating food in the Underworld if you want to leave. Such similarities can result from common invention of the same motif -- in other words, coincidence. They can result from the influence of one of the ancient cultures upon the other two, i.e. cultural diffusion. Or they can result from an influence that has somehow percolated down to all three, and perhaps to other cultures, stemming from an as yet unidentified common source.

Are Child Molesters Really Just Victims Themselves? "All victims are offenders," one professional challenged me at a conference, "and all offenders are victims. How does your work address that?" My work doesn't address that because I don't believe there's any evidence for that assertion. Obviously, not all victims are offenders, but it is also likely that most offenders weren't victims. The studies that find a high proportion of child molesters who were victims of child sexual abuse themselves are almost always based on self-report, and even there, study results differ dramatically. Studies show the number of child molesters who were themselves molested as children ranges from 22 percent in some studies to 82 percent in others.[101]

A religion deeply rooted in theology, is never above skepticism hinged upon the twin pillars; of reason & facts.

Are the fae ever sane? We live in a world that isn't there half the time. We claim that windmills are giants, and because we say it, it's true. Our lives become myth and legend, until even we can't tell what we truly are from what we're told we ought to be. How can we live that way and be considered sane? My lord was never sane, but he was my love once. He always will be, somewhere. Wherever it is that the once upon a times go when they die.

As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £150) overlooking 'the town' sitting there like the Memphite lord of all Creation with my back -- with Dogtown over the Crown of gravelly hill It is not bad to be pissed off

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it.

A swishing is often heard in the Carpathians, the sound as of a thousand mill wheels turning in the water. It is the dead men gnawing at the dead man, in the abyss without issue, which no man has ever seen, fearing to pass near it. It happens not seldom in the world that the earth shakes from one end to the other: learned people say it is because somewhere by the sea there is a mountain out of which flames burst and burning rivers flow. But the old men who live in Hungary and the land of Galicia know better and say that the earth shakes because there is a dead man grown great and huge in it who wants to rise.

As with . . . even the written word, the remote overview is one more wrenched perspective that developing civilization has glued, collagelike, to the once unified experience of life.

As you set out on your journey to Ithaca, pray that your journey be a long one, filled with adventure, filled with discovery. Laestrygonians and Cyclopes, the angry Poseidon--do not fear them: you'll never find such things on your way unless your sight is set high, unless a rare excitement stirs your spirit and your body. The Laestrygonians and Cyclopes, the savage Poseidon--you won't meet them so long as you do not admit them to your soul, as long as your soul does not set them before you. Pray that your road is a long one. May there be many summer mornings when with what pleasure, with what joy, you enter harbors never seen before. May you stop at Phoenician stations of trade to buy fine things, mother of pearl and coral, amber and ebony, and voluptuous perfumes of every kind-- buy as many voluptuous perfumes as you can. And may you go to many Egyptian cities to learn and learn from those who know. Always keep Ithaca in your mind. You are destined to arrive there. But don't hurry your journey at all. Far better if it takes many years, and if you are old when you anchor at the island, rich with all you have gained on the way, not expecting that Ithaca will give you wealth. Ithaca has given you a beautiful journey. Without her you would never have set out. She has no more left to give you. And if you find her poor, Ithaca has not mocked you. As wise as you have become, so filled with experience, you will have understood what these Ithacas signify.

At critical moments in the life of individuals and of societies, it is not necessarily the facts that are needed as much as a profound narrative that makes sense of life’s conflicts and misunderstandings. When all seems to be falling apart and becoming less rational and more chaotic, it is usually a different story that is needed to make things whole again. Mythic imagination can break the spell of time and open us to a level of life that remains timeless. Myth is not about what happened in past times; myth is about what happens to people all of the time.

A Tinker's Debt is Always Paid: Once for a simple trade. Twice for freely given aid. Thrice for any insult made.

Baumeister's point is that we have a deep need to understand violence and cruelty through what he calls "the myth of pure evil." Of this myth's many parts, the most important are that evildoers are pure in their evil motives (they have no motives for their actions beyond sadism and greed); victims are pure in their victimhood (they did nothing to bring about their victimization); and evil comes from outside and is associated with a group or force that attacks our group. Furthermore, anyone who questions the application of the myth, who dares muddy the waters of moral certainty, is in league with evil.

Before being born, his mother explained, babies go to school. Not a school like Boris’s, but a different kind of school, where all the teachers are angels. The angels teach each baby the entire Torah, along with all of the secrets of the universe. Then, just before each baby is born, an angel puts its finger right below the baby’s nose—here she paused to put her finger across his lips (could he see the blood under her skin, or did he only imagine it?)—and whispers to the child: Shh—don’t tell. And then the baby forgets. “Why does he have to forget?” Boris had asked, moving his lips beneath her finger. He didn’t want to know, not really. But his mother’s back had stiffened, and he could feel that she might get up at any moment, put out the light, walk away, disappear. She pulled her hand away from his face, resting it on her own stomach. “So that for the rest of his life,” she said, “he will always have to pay attention to the world, and to everything that happens in it, to try to remember all the things he’s forgotten.

Being yourself is an old myth, being fake in this world of cruelness is a new trick

Believe reality is what you were taught was myth.

But a woman should not marry where there is no respect. Respect is the most important thing.

But are they heroes or mere dreamers?

But I need to feel beautiful and holy things around me, always: music, mystery cults, symbols, myths. I need it, and I refuse to give it up... That’s my fatal flaw.

But if you write a version of Ragnarok in the twenty-first century, it is haunted by the imagining of a different end of things. We are a species of animal which is bringing about the end of the world we were born into. Not out of evil or malice, or not mainly, but because of a lopsided mixture of extraordinary cleverness, extraordinary greed, extraordinary proliferation of our own kind, and a biologically built-in short-sightedness.

But is it not a sort of genius to cut always to the heart?

But no-one came here to live an ordinary life. Despite what our somnambulistic, mythless society society tells us — a place stuffed to the gilders with unawake, unthinking folk ruled by shoulds, oughts and have-tos; people who have no understanding of themselves; individuals afraid to acknowledge, let alone live their dreams — you came here to weave your unique essence and vision into the world, thus rendering it magnificent, both for yourself and others.

But, said Lewis, myths are lies, even though lies breathed through silver. No, said Tolkien, they are not. ...just as speech is invention about objects and ideas, so myth is invention about truth. We have come from God (continued Tolkien), and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming a 'sub-creator' and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic 'progress' leads only to a yawning abyss and the Iron Crown of the power of evil. You mean, asked Lewis, that the story of Christ is simply a true myth, a myth that works on us in the same way as the others, but a myth that really happened? In that case, he said, I begin to understand.

But the queen--too long she has suffered the pain of love, hour by hour nursing the wound with her lifeblood, consumed by the fire buried in her heart. [...] His looks, his words, they pierce her heart and cling-- no peace, no rest for her body, love will give her none.

Camels can go many weeks without drinking anything at all. The notion that they cache water in their humps is pure myth—their humps are made of fat, and water is stored in their body tissues. While other mammals draw water from bloodstreams when faced with dehydration, leading to death by volume shock, camels tap the water in their tissues, keeping their blood volume stable. Though this reduces the camel’s bulk, they can lose up to a third of their body weight with no ill effects, which they can replace astonishingly quickly, as they are able to drink up to forty gallons in a single watering.” (pp.69-70)

Christianity is such a silly religion.

Cold, I was, like snow, like ivory. I thought "He will not touch me", but he did. He kissed my stone-cool lips. I lay still as though I’d died. He stayed. He thumbed my marbled eyes. He spoke - blunt endearments, what he’d do and how. His words were terrible. My ears were sculpture, stone-deaf shells. I heard the sea. I drowned him out. I heard him shout. He brought me presents, polished pebbles, little bells. I didn’t blink, was dumb. He brought me pearls and necklaces and rings. He called them girly things. He ran his clammy hands along my limbs. I didn’t shrink, played statue, shtum. He let his fingers sink into my flesh, he squeezed, he pressed. I would not bruise. He looked for marks, for purple hearts, for inky stars, for smudgy clues. His nails were claws. I showed no scratch, no scrape, no scar. He propped me up on pillows, jawed all night. My heart was ice, was glass. His voice was gravel, hoarse. He talked white black. So I changed tack, grew warm, like candle wax, kissed back, was soft, was pliable, began to moan, got hot, got wild, arched, coiled, writhed, begged for his child, and at the climax screamed my head off - all an act. And haven’t seen him since. Simple as that

Combine two words, Myth and History. What do you get? Mystery.

Coming from a portion of society that likes to exclude others from it, and separate itself from others, the myth of 'the Rapture' is naturally the ultimate exclusion.