Best 472 quotes in «myth quotes» category

Living myth is about the experience of the waters parting again in the here and now. As a critical moment opens before us the spirit of life and genius of the soul speaks to us and through us. What was about to crush us suddenly parts before us and we shoot forward with the sudden vitality of life, fueled by the living imagination needed to survive.

Look. This isn't a temper tantrum. I'm not some teenager you can blow off because you made a myth about teenagers being dramatic.

Look, I'd sat through just as many Hollywood movies as the next person. I'd seen Sleepless in Seattle, Titanic, Twilight, whatever. I knew the myth. But i didn't believe it. I knew it was made up, I knew none of it was even close to reality.

Love was like swallowing a cili padi whole.

L.P. So your work must fight religion? J.H. No, not at all! It fights the unconsciousness, the blindness, that all myth creates about itself. You never can see the actual myth you are in or only through a glass darkly.

Magic ran in the family. Even her mother's second cousin, who was adopted, did small spells on the side. She sold these from a stall in Kota Bharu. Her main wares were various types of fruit fried in batter, but if you bought five pisang or cempedak goreng, she threw in a jampi for free.

Make yourself a myth and live within it, so that you belong to no one but yourself.

Man has created God out of fear of dying.

Man is divided into two categories; men and supermen. Men are taught that all men are equal. Supermen think that they are the only men.

Many myths and religions have some kind of threat of retribution from their god or gods, and their doctrines warn of the dangers of doing various forbidden things. Why? Because memes involving danger are the ones we pay attention to! As oral traditions developed, our brains were set up to amplify the dangers and give them greater significance than the rest.

Mass delusions bear consequences. They lead to mass graves.

Matthew, Mark, Luke, and John, far from being unreliable historians or merely clever inventors of myth and legend, reveal themselves to be the type of witnesses a lawyer dreams of.

Memory is imagined; it is not real. Don't be ashamed of its need to create; it is the loveliest part of your heart. Myth is the true history. Don't let them tell you that there are no monsters. Don't let them make you feel stupid, just because you are happy to play down in the dark with your flashlight. The mystical world depends on you and your tolerance for the absurd. Be strong, my darling ones, and believe!

Money talks, I record.

Morning and evening Maids heard the goblins cry: 'Come buy our orchard fruits, Come buy, come buy

Music does propagate myths and people have tried to make that myth more than it was.

Luke Skywalker? I thought he was just a myth.

Myth is what we call other people's religion.

My feeling as a Christian points me to my Lord and Savior as a fighter. It points me to the man who once in loneliness, surrounded only by a few followers, recognized these Jews for what they were and summoned men to fight against them and who, God's truth! was greatest not as a sufferer but as a fighter. In boundless love as a Christian and as a man I read through the passage which tells us how the Lord at last rose in His might and seized the scourge to drive out of the Temple the brood of vipers and adders. How terrific was his fight against the Jewish poison. Today, after two thousand years, with deepest emotion I recognize more profoundly than ever before the fact that it was for this that He had to shed his blood upon the Cross.

Mythic imagination can break the spell of time and open us to a level of life that remains timeless. Myth is not about what happened in past times; myth is about what happens to people all of the time.

Myth offers a third place to stand or a third way to see when we find ourselves caught between opposing ideas and hardening ideologies.

Myths remind us of the symbolic presence within all the lost-and-found adventures that alone can give life meaning. Losing touch with the world of myth means losing the sense that life is deeply meaningful, full of meanings trying to be revealed at each twist and turn in the ongoing drama.

Myth and nature are the two great garments of the world, with nature being the living green garment that covers the planet and myth being the multidimensional, many-colored fabric that continually weaves human culture.

Myth must be kept alive. The people who can keep it alive are the artists of one kind or another. The function of the artist is the mythologization of the environment and the world.

Mythology didn't cease to exist and be useful to Pagans when we gained digital watch technology.

Myths grew from the ancient tradition of passing on knowledge orally, the only means of doing so before writing. They’re narratives of human existence. They helped our ancestors interpret reality, solve problems, and guided social behavior. They structured natural and social information into patterns using symbols, and embedded fact into story form. This increased their impact, making information meaningful and personally involving—not just cold, detached facts.

Myth could be as sustaining as reality - sometimes even more so.

Myth is a past with a future, exercising itself in the present.

Myths are not to be despised, but reading them literally is not to be recommended.

Myth is a cloud based upon a shadow based upon the movement of the breeze.

Myth is ancient science; science is modern myth.

Myth is not about whether something is fact or fiction; myth is more about truth. Good myth, according to the old adage, is about something that continues to be true again and again, over time.

Mythology was never designed to describe historically verifiable events that actually happened. It was an attempt to express their inner significance or to draw attention to realities that were too elusive to be discussed in a logically coherent way.

Myths have a way of bringing what is unconscious to the surface and putting a face on what we cannot see.

Never interrupt a faerie circle ceremony. And, if a faerie has appeared to you, visually, do not speak to it until it has spoken to you. These two transgressions are considered so rude, that the faeries may literally attack you, on the spot.

[Northrop] Frye was concerned mostly with literary criticism, and myths interested him as structural elements in works of literature. He used the word myth to mean story, without attaching any connotation of truth or falsehood to it; but a myth is a story of a certain kind. The myths of a culture are those stories it takes seriously—the ones that are thought to be a key to its identity.

Nor, perhaps, will it fail to be eventually perceived, that behind those forms and usages, as it were, he sometimes masked himself; incidentally making use of them for other and more private ends than they were legitimately intended to subserve. That certain sultanism of his brain, which had otherwise in a good degree remained unmanifested; through those forms that same sultanism became incarnate in an irresistible dictatorship. For be a man’s intellectual superiority what it will, it can never assume the practical, available supremacy over other men, without the aid of some sort of external arts and entrenchments, always, in themselves, more or less paltry and base. This it is, that for ever keeps God’s true princes of the Empire from the world’s hustings; and leaves the highest honors that this air can give, to those men who become famous more through their infinite inferiority to the choice hidden handful of the Divine Inert, than through their undoubted superiority over the dead level of the mass. Such large virtue lurks in these small things when extreme political superstitions invest them, that in some royal instances even to idiot imbecility they have imparted potency. But when, as in the case of Nicholas the Czar, the ringed crown of geographical empire encircles an imperial brain; then, the plebeian herds crouch abased before the tremendous centralization. Nor, will the tragic dramatist who would depict mortal indomitableness in its fullest sweep and direct swing, ever forget a hint, incidentally so important in his art, as the one now alluded to.

Nothing could have been less in line with contemporary conceptions of art than that the theatre should be divorced from all relation to life and politics. Greek tragedy was in the strictest sense ‘political drama’; the finale of Eumenides, with its fervent prayers for the prosperity of the Attic state, betrays the main purpose of the piece. This political control of the theatre brought back to currency the old view that the poet is guardian of a higher truth and an educator who leads his people up to a higher plane of humanity. Through the performance of tragedies on the state-ordained festivals and the circumstances that tragedy came to be looked upon as the authoritative interpretation of the national myths, the poet once more attains to a position almost equivalent to that of the priestly seer of prehistoric times.

Nothing holds back human progress as frequently as the misbelief that the words ‘impossible’ and ‘improbable’ are synonyms.

Nothing is more difficult than competing with myth

Not that I can think of. In fact, I have never met anyone who didn’t like gargoyles.

Now, I pray you, cast yourself into a different world, a different trail of thought; step into a place where dragons live and breathe, where they are as real in touch and voice as you or I. Where they face the same extinction every day that they have suffered in our world: the extinction of myth . . . yet where they battle every moment to fend off such a fate for another day . . .

One finds the same basic mythological themes in all the religions of the world, from the most primitive to the most sophisticated, from the North American plains to European forests to Polynesian atolls. The imagery of myth is a language, a lingua franca that expresses something basic about our deepest humanity. It is variously inflected in its various provinces.

One of my favourite things to do when I write is to bring a sense of wonder to a normal everyday setting... Yes, there are magical elements, but there are also very down-to-earth elements and often what shines through isn’t the magic, but the lanterns that the characters light against the dark... If you substitute the words “fairy tale” or “myth” for “fantasy,” the reason I use these elements in my own work is that they create resonances that illuminate solutions to the real world struggle without the need for an authorial voice to point them out. Magic never solves the problems–we have to do that on our own–but in fiction it allows the dialogue to have a much more organic approach than the talking heads one can encounter in fiction that doesn’t utilize the same tools. [from the interview Year’s Best 2012: Charles de Lint on “A Tangle of Green Men”]

Many people do simply awful things out of sincere religious belief, not using religion as a cover the way that Saddam Hussein may have done, but really because they believe that this is what God wants them to do, going all the way back to Abraham being willing to sacrifice Issac because God told him to do that. Putting God ahead of humanity is a terrible thing.

[On Jason Mashak's book SALTY AS A LIP, as reviewed in The Prague Post:] Mashak amalgamates various national, historical and religious traditions into a myth-mash that illuminates many sects' fanatical compartmentalizing, and the fact that so many religions and philosophies share similar goals, if not roots.

Only god can save our nation? No sir that is a myth!!!

Only the victor gets to write history; where half of the facts are distorted and the other half invented.

On the Ridgeway path, aged nine or ten, was where for the first time I realized the power a person might feel by aligning themselves to deep history. Only much later did I understand these intimations of history had their own, darker, history. The chalk country-cult rested on a presumption of organic connections to a landscape, a sense of belonging sanctified through an appeal to your own imagined lineage. That chalk downloads held their national, as well as natural, histories. And it was much later, too, that I realized that these myths hurt. That they work to wipe away other cultures, other histories, other ways of loving, working and being in a landscape. How they tiptoe towards darkness.

Orgasms are a myth. Like good credit scores.