Best 472 quotes in «myth quotes» category

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    To the modernist, “myth,” like religion, merely signifies a comfortable and entrenched lie. For the postmodernist, myth simply represents one story, one narrative among many; it is purely subjective, certainly signifying nothing of transcendent or any other kind of importance.

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    Truth and dreams are always getting muddled.

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    Ultimately, loneliness is not the experience of lacking but the experience of living. It is part and parcel of the human condition, and, unless a person is resolved, it can only be a matter of time before it resurfaces, often with a vengeance. On this account, loneliness is the manifestation of the conflict between our desire for meaning and the absence of meaning from the universe, an absence that is all the more glaring in modern societies which have sacrificed traditional and religious structures of meaning on the thin altar of truth.

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    Upon you will be founded a city, a city past compare in riches and marvels and beauty,” she said. “But first, you must lose yourself, riding on the waves of seven oceans. Only at your journey’s end will you come to rest, and only then will the city rise. It will be a city of eternal summer, a land of surpassing beauty. Indeed, it will come to be known as the city of the gods.” “Where must I journey? Where should I go?” asked the fisherman, staring in awe at her radiant beauty. “Before, between, and beyond. Tomorrow night, take your boat and sail towards the rising moon,” she replied. “And you will find your destiny.

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    We all fulfill our quota of misfortune at some point in our life. This is what I believed as a ten-year-old. It was a belief system of my own creation, part of a silent theory based on fairness and balance. I believed that some reached their quota early and advanced to a life of access and abundance, while others had beginnings filled with open doors and opportunities until they were met with their share of misfortune.

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    We are unhappy because we think that love is something we require from someone else.

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    We are condemned to be modern. We can’t escape the facts of our history or of living in an age dominated by instrumental rationality, even as we look for ways out of it... But it has become our historic responsibility to acknowledge the continuing importance of myth, at a level beyond science, in realizing a more organic, holistic relation to the world. A future social ecology would transcend both anti-Enlightenment reaction and [a] reified Enlightenment counter-reaction, which remain only fragmented polarities within bourgeois modernity.

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    We are meaning-seeking creatures. Dogs, as far as we know, do not agonise about the canine condition, worry about the plight of dogs in other parts of the world, or try to see their lives from a different perspective. But human beings fall easily into despair, and from the very beginning we invented stories that enabled us to place our lives in a larger setting, that revealed an underlying pattern, and gave us a sense that, against all the depressing and chaotic evidence to the contrary, life had meaning and value

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    We have seen that there are two misconceptions involved in the myth that memory is a thing. One is that memory is a thing (a tangible structure rather than an abstract process) and the other is that memory is a thing (one memory rather than many memories).

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    We have seen that a myth could never approached in a purely profane setting. It was only comprehensible in a liturgical context that set it apart from everyday life; it must be experienced as part of a process of personal transformation. None, of this surely applies to the novel, which can be read anywhere at all witout ritual trappings, and must, if it is any good, eschew the overtly didactic. Yet the experience of reading a novel has certain qualities that remind us of the mythology. It can be seen as a form of mediation. Readers have to live with a novel for days or even weeks. It prljects them into another worl, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel bcomes part of the backdrop of lives long after we have laid the book aside. It is an excercise of make-believe, that like yoga or a religious festival breaks down barriers of space and time and extends our sympathies to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology , an important novel is transformative. If we allow it do so, can change us forever.

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    We hold this myth to be potential Not self-evident but equational Another Dimension Of another kind of Living Life

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    What do you know of the Knights?” he asked. Fin shrugged. “I thought knights were only in children’s stories until a few days ago.” Jeannot smiled. “A man could do worse than to live in the stories of a child. There is, perhaps, no better remembrance.” “Until the child grows up and finds out the stories aren’t true. You might be knights, but I don’t see any shining armor,” Fin said. Jeannot stopped near the gate of the auberge and faced her. “Each time a story is told, the details and accuracies and facts are winnowed away until all that remains is the heart of the tale. If there is truth at the heart of it, a tale may live forever. As a knight, there is no dragon to slay, no maiden to rescue, and no miraculous grail to uncover. A knight seeks the truth beneath these things, seeks the heart. We call this the corso. The path set before us. The race we must run.

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    What are you? From where did you come? I have never seen anything like you.” The Creator Raven looked at Man and was  …   surprised to find that this strange new being was so much like himself.

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    What does our great historical hunger signify, our clutching about us of countless cultures, our consuming desire for knowledge, if not the loss of myth, of a mythic home, the mythic womb?

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    Well, this is only a story, isn't it? I mean, our patrons, anyone who comes to this park, are they going to take this to heart, Mister Shake?' They'll take what pieces they want, and everything gets a little skewed. That's how these things work, Freddy. Who knows? In ten years' time, Elijah Zallman Ickack may see through walls. Once in the park, they're locked into some idea of what made it, and that's the thing. In the meantime, the long-lost-nephew must have something to say.

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    What wonder will I accomplish today? And how will it tie in to tomorrow and tomorrow, so that I may live as the hero I want to be? And today how will I seek and find the opportunity that scares me? An opportunity that has me harness some elements within that I may cross over the bridge into the other side of my existence; the one that’s begging to be unsettled, that greets the morning before the sun with a ferocious will to rise up, to inspire, to create laughter and tears from the uncovering of the magical self and the relief that I have given in to the excitingly scary, omega point pull to evolve.

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    What myth can hold when you kneel in your brother’s remains? When you slit his throat yourself? What story can guide us if we can betray all?

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    What we mean when speaking of "myth" in general is story, the ability of story to explain ourselves to ourselves in ways that physics, philosophy, mathematics, chemistry—all very highly useful and informative in their own right—can't.

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    When the Æsir saw Odin flying, they placed their vats in the courtyard, and when Odin entered Asgard he spat the mead into the vats. It was such a close call, with Suttung almost catching him, that he blew some of the mead out of his rear. No one paid attention to this part, and whoever wanted it took it; we call this the bad poets’ portion.

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    When the builder saw that the work would not be finished, he flew into a giant’s rage. Once the Æsir realized for certain that they were facing a mountain giant, they no longer respected their oaths. They called upon Thor, who came immediately, and the next thing to happen was that the hammer Mjollnir was in the air. In this way Thor paid the builder his wages, but not the sun and the moon. Rather, Thor put an end to the giant’s life in Jotunheim. He struck the first blow in such a way that the giant’s skull broke into small pieces, and so Thor sent him down to Niflhel.

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    [When asked about his thoughts on gods] I think it's like a movie that was way too popular. It's a story that's been told too many times and just doesn't mean anything. Man lived on the planet — [placing his fingers an inch apart], this is 5000 years of semi-recorded history. And God and the Bible, that came in somewhere around the middle, maybe 2000. This is the last 2000, this is what we're about to celebrate [indicating about an 1/8th of an inch with his fingers]. Now, humans, in some shape or form, have been on the earth for three million years [pointing across the room to indicate the distance]. So, all this time, from there [gesturing toward the other side of the room], to here [indicating the 1/8th of an inch], there was no God, there was no story, there was no myth and people lived on this planet and they wandered and they gathered and they did all these things. The planet was never threatened. How did they survive for all this time without this belief in God? I'd like to ask this to someone who knows about Christianity and maybe you do. That just seems funny to me.

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    When Louise returned to the Aviary the others were playing the game of what character in fiction Peter Mir reminded them of. 'I think he's Mr Pickwick,' said Louise. 'Oh no! Never!' said Sefton. 'I think he's more like Prospero.' 'I think he's the Green Knight,' said Aleph. 'Come on, Moy, what do you think?' 'I think he's the Minotaur.' 'The Minotaur isn't a literary character, he's a mythical character,' Sefton objected. 'Oh really — !' 'What does Clement think?' said Aleph. 'I think he's Mephistopheles,' said Clement. 'Surely not, he's so nice!' said Louise.

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    When stupidity of today joins with the stupidity of yesterday it becomes a myth; my myth a stupidity glorifies itself.

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    When trying to interpret any myth, many people reflexively turn to the theories of people like James George Frazer, Carl Jung, Sigmund Freud, and Joseph Campbell. While each of those thinkers has developed an intriguing personal philosophy that uses various ancient mythologies as points of reference, their works are dubious guides to any one particular mythology. Their goal is not to understand any one mythology as deeply as possible on its own terms, but rather to identify supposed universal patterns within myth as such, which turns a blind eye toward the factors that make any given mythology unique. These thinkers, while fascinating in their own right, have little to no light to shed on how the Vikings themselves understood their own myths - which is, after all, the kind of interpretation that matters by far the most in a book of this sort.

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    Whether I'm a good wife doesn't have anything to do with what he was like.

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    When we kissed, the skies had never appeared more heavenly, nor the seas a more brilliant shade of sapphire blue.

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    When we place our immediate conflicts in the territory of an archetypal story we can better see the nature of our problems and find solutions that bring creative imagination to bear in the realm of hard facts and hardening dilemmas.

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    While the post-Civil War southerners were pushing as fast as they could into the New South, were grasping Yankee dollars with enthusiasm, they purified their motives in the well of Lost Causism. Politicians found it a bottomless source of bombast and ballots, preachers found it balm and solace to somewhat reluctant middle-class morals, writers found it a noble and salable theme.

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    -Yo no aspiro a la fama ni me importa la eternidad. Me conformo con dejar buen recuerdo a los que me hayan conocido. Al fin y al cabo, nuestro valor es el de las cosas que dejemos al marcharnos.

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    Why are you here?" "To fetch the woman I cut from the veil of the rock." “Why did you cut?" "To send her spirit out, so that she would come to make the child, for me to teach to dance and sing and dream, to free the beasts within the rock to fill the world." “Have you found her?" "She is not here. There are only people horrible to see." “Where are your stories?" said the other. "I cannot tell them. My head is a cloud.

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    With the release of the transcripts Nixon had allowed America into the ugliness of his mind - as of he wanted the world to participate in the despoliation of the myth of presidential behavior. The transcripts, Garment thought, were an invasion of the public's privacy, of its right not to know. That was the truly impeachable offense: letting everyone see.

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    Write for joy. It is the *only* reason to write. Whatever happens to your books afterward, just write for joy. Send your current one out when it's done and forget it, start another, and keep on writing for joy. Words I now live by. Welwyn Wilton Katz

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    All the great legends are Templates for human behavior. I would define a myth as a story that has survived.

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    You can’t expect to live in the world like the world’s your private myth.

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    You make the rarest canvas, love

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    Your endurance is strongly influenced by your fundamental myth about the fighting.

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    Your money myth affects your gain and luck. In economics, illusion of money affects wealth.

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    All things fade and quickly turn to myth.

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    You claim that the evidentiary miracle is present and available, namely, the Koran. You say: 'Whoever denies it, let him produce a similar one.' Indeed, we shall produce a thousand similar, from the works of rhetoricians, eloquent speakers and valiant poets, which are more appropriately phrased and state the issues more succinctly. They convey the meaning better and their rhymed prose is in better meter. … By God what you say astonishes us! You are talking about a work which recounts ancient myths, and which at the same time is full of contradictions and does not contain any useful information or explanation. Then you say: 'Produce something like it'‽

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    Young scholars, learning their historical method from Gospel scholars, often treat it as self-evident that the more skeptical they are toward their sources, the more rigorous will be their historical method. It has to be said, over and over, that historical rigor does not consist in fundamental skepticism toward historical testimony but in fundamental trust along with testing by critical questioning…

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    American public policy is run on a myth.

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    As I continue to mature and navigate the world, there are so many myths that are dispelled for me.

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    Art is the Western myth, with which we both console ourselves and make ourselves.

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    As for the men in power, they are so anxious to establish the myth of infallibility that they do their utmost to ignore truth.

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    Am I a myth? Am I a legend? Or am I a phenomenon?

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    A myth is a lie that conceals or reveals a truth. But if it reveals even a strand of history or truth, that's what gets my adrenaline going.

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    Anxiety projection can and does occur - in myth, in music, in fiction, and in the doctor's office too. That doesn't make it the basis of everything.

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    As long as the family and the myth of the family ... have not been destroyed, women will still be oppressed.

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    Creation myths are not about the origins of the world at all, but about the origins of patriarchy which has claimed itself as the world

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    But because we live in an age of science, we have a preoccupation with corroborating our myths.