Best 12501 quotes in «home quotes» category

Sometimes memory is the only gift we give ourselves and the only hope we have of finding our way home.

Sometimes our whole life is all about, not letting the fire that burns our homes down become the light that guides us home.

sometimes the most perfect home is made out of the space between two hands.

Sometimes there is no choice but to walk into your own house. Far away, you think, and you do not want to see. You come home and you say do not tell me. You say, I have hunted the elk all over the snowfields of the Selway, and I do not want to know what happened here. And then there is a morning you walk in and take a look in your own house, like any traveler.

Sometimes to be at home is like a nightmare by Stephen King.

Sometimes we must leave our true homes for something greater to come.

Sometimes, You just don't feel home.

So much of our life is buried in the past, the good times we fondly remember. The longer I stay there, the cozier it gets. And rarely do I want to leave a place that feels like home.

Soon their arms were wrapped around her, and at that moment Alice knew she had found a home, a permanent one, for the first time in her life. Not just within the brownstone walls of that house, but in the people who resided there. For the first time, Alice was apart of a family.

Sorry, but despite how I look, I really love this planet.-Gintoki

Soon, I'd be home again. Soon, God willing, I'd be asleep.

So yeah... They say you can never go home again, but it's not true. You can go all you want... You just can't expect it to be any different once you get there.

Space is a precious thing to waste. You don't want to fill your house with anything that doesn't directly add to your happiness.

Sunlight is home to me. I don't think I'd ever miss the night.

Still, his apartment has that dreamlike quality of feeling like home though I know it’s not. Not mine anymore —  but how many people get to visit the past without hurting anything? To come back and drink the same coffee from the same never-quite-clean cup?

Surrender to the unknown and trust that the universe will lead you home.

Sure, Nico had mixed emotions about the camp. He’d felt rejected there, out of place, unwanted and unloved … but now that it was on the verge of destruction, he realized how much it meant to him. This was the last place Bianca and he had shared as a home – the only place they’d ever felt safe, even if only temporarily.

Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth. 
 You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you.  Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less. Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you. Work until your eyes are tired and head is heavy, and keep working even after that. Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. 
You’re doing just fine.
You’re doing fine. I’m doing just fine.

Sweetheart, give me a place in your fears. I’ll make home and drive them away.

Taking trips tore all of us up inside, for they seemed, each journey away from home, something that might have been less selfishly undertaken, or something that would test us, or something that had better be momentous, to justify such a leap into the dark. The torment and guilt - the torment of having the loved one go, the guilt of being the loved one gone - comes into my fiction as it did and does in my life. And most of all the guilt then was because it was true: I had left to arrive at some future and secret joy, at what was unknown, and what was no in New York, waiting to be discovered. My joy was connected with my writing; that was as much as I knew.

Sweetheart, my heart is your home, you can always stay there.

Tell your daughters that you love them Tell them how much they are beautiful Tell them how much you believe in them. How much you’re proud of their tiny successes. Tell them everything they need to hear. Don’t make beggars out of them that they may grow into women with hopeless souls who starve to get any kind of love or attention in order to feel the love and warmth they’ve never received at home. The world is ugly out there, so cold and deceptive that they may not be able to differentiate someone who loves them truly from a monster aiming to eat them alive by the name of love ...

Tant qu'on va et vient dans la pays natal, on s'imagine que ces rues vous sont indifférentes, que ces fenêtres, ces toits et ces portes ne vous sont de rien, que ces murs vous sont étrangers, que ces arbres sont les premiers arbres venue, que ces maisons où l'on n'entre pas vous sont inutiles, que ces pavés où l'on marche sont des pierres. Plus tard, quand on n'y est plus, on s'aperçoit que ces rues vous sont chères, que ces toits, ces fenêtres et ces portes vous manquent, que ces murailles vous sont nécessaires, que ces arbres sont vos bien-aimées, que ces maisons où l'on n'entrait pas on y entrait tous les jours, qu'on a laissé de ses entrailles, de son sang et de son coeur dans ces pavés. Tous ces lieux qu'on ne voit plus, qu'on ne reverra jamais peut-être, et dont on a gardé l'image, prennent un charme douloureux, vous reviennent avec la mélancolie d'une apparition, vous font la terre sainte visible, et sont, pour ainsi dire, la forme même de la France et on les aime et on les évoque tels qu'ils sont, tels qu'ils étaient, et l'on s'y obstine, et l'on n'y veut rien changer, car on tient à la figure de la patrie comme au visage de sa mère.

Temporary homecomings are bittersweet. Sometimes it's better not to go back at all than to have to leave again.

That is why a house is not something that you passively 'have', it is something that you 'do', something that you 'work on',

Thank you Love for you are. You really are, you are Love.

The best catering and Home food delivery in Singapore, without food borne illness, a variety of food menu and all the foods are made by the best chefs to deal your every requirement.

That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’ ('Left from Dhakeshwari')

The bee has round it a mysterious inscription, which has been variously interpreted. It contains an allusion to beeswax, and one scholar has suggested that the tesserae were druggists’ tokens for the purpose of advertising the sale of beeswax. Another explanation is that the inscription might be one of the mysterious magic formulae used as charms, and that the tokens might be charms to call the bees home when swarming; but the most plausible solution seems to be that the tesserae were connected with the secret rites of Artemis, especially as the stag of the goddess is the one on the reverse side of the tokens. One of the most important animals connected with the worship of the Asiatic Great-Mother was the lion, and it is a curious fact that we often find a connection between bees and lions. At the old Hittite town of Carchemish behind her a long line of priestesses bearing various articles. We do not suggest that these were called Melissae, but in the jewellry we see how the goddess with her lions merges in or is connected with the ‘Bee-goddess.

The Bible takes the word home with all of its tender associations and sacred memories, and applies it to the hereafter and tells us that heaven is home.

The Bible teaches that our homes should be hospitable and that those who come in and out of our homes should sense the presence of Christ.

The best way to know a city is to eat it.

The biblical narrative begins and ends at home. From the Garden of Eden to the New Jerusalem we are hardwired for place and for permanence, for rest and refuge, for presence and protection. We long for home because welcome was our first gift of grace and it will be our last. The settings of our first home and our last home will testify to the nature of the embodied story God is writing in human history. Because God's story begins in a garden and ends in a city, place isn't incidental to Christian hope, just as our bodies aren't incidental to salvation. God will resurrect our bodies, and he will -- finally -- bring us home.

The city was lovely. There could be no place in the world to which he belonged so completely. That was why he'd always dreamed of leaving, and why he'd always been so afraid to go.

The broken home has become the number one social problem of America, and could ultimately lead to the destruction of our civilization . . . it does not make screaming headlines; but, like termites, it is eating away at the heart and core of the American structure.

The brain is so wrong, all the time," she says, turning to the dark landscape again. "Wrong about what time it is, and who people are, and where home is: wrong wrong wrong. The lying brain.

The boy has never returned to Poland. I never had a desire; there was nothing to go home to. My family was my home, and they were all gone.

The butterflies are working their way up from my stomach into my head, making me feel dizzy, and I try to calm myself by imagining the ocean outside, its ragged breathing, the seagulls turning pinwheels in the sky. It will be over soon, I tell myself. It will be over soon and then you’ll go home, and you’ll never have to think about the evaluation again.

the cemetery is the home of those who are not here, come in.

The child I was is just one breath away from me.

The civil law, as well as nature herself, has always recognized a wide difference in the respective spheres and destinies of man and woman. Man is, or should be, woman's protector and defender...The constitution of the family organization, which is founded in the divine ordinance, as well as in the nature of things, indicates the domestic sphere as that which properly belongs to the domain and functions of womanhood. The harmony, not to say identity, of interests and views which belong, or should belong, to the family institution is repugnant to the idea of a woman adopting a distinct and independent career from that of her husband...The paramount destiny and mission of women are to fulfil the noble and benign offices of wife and mother. This is the law of the Creator. 1872

The core of your true self is never lost. Let go of all the pretending and the becoming you've done just to belong. Curl up with your rawness and come home. You don't have to find yourself; you just have to let yourself in.

The cruel irony of housework: people only notice when you don't do it.

The dream of her was the glow of a spent fire on a cold night: warm and welcoming.

The foundation for security and well being of a family is often built from a parent going extra miles to achieve it, doing mundane tasks to ensure it, standing up to injustice to protect it, and having the heart to listen and then express through embrace and action to each member of that sacred ohana how much they are deeply valued, unconditionally. And all the while, from birth, encouraging the other members to do the same. And often, from that foundation you have a home, well founded.

The emphasis of the churches were not in how much work or home keeping is done in the four walls of the church itself, they rather told the Protestants to go prove their love to God at their work places through the quality of their works

The festive season isn’t just a time to teach children about Jesus and giving, it’s also a time to teach your children about those less fortunate. This year, encourage your children to pick a present and give it to a child who has none, or take them to a charity drive.

The Forest that had been about her all her life, certain as a mountain, was made ashes. The high gable that had stood for two hundred years fallen in ruin. Throvenland was torn apart like smoke on the wind. Nowhere would be safe, ever again.

The four of them stand in the cockpit of the Misdemeanor as they motor from one town to another. They pass their house, which is not theirs any longer. Libby cuts the throttle, and they stall there in front of their sprawling memory. The four of them have come up for the closing; since all of them are owners, they all must be present to sign away this place. They have given most of the land to the Maine Preservation Society, and the house, they have sold to a family who promises not to tear the whole thing down, though they know that is a lie. The oak is yellow and peeks from behind the house. The glossy white windows of the great room look down upon them. It is cold and they all wear their foul-weather gear, bright-yellow slickers, except Gwen, in a red poncho to accommodate the swell of her belly. Libby keeps one hand on the tiller and the other she slips into Tom’s hand. He gives it a squeeze and then puts his arm around her. Danny moves from the stern to stand between Tom and Gwen. They all stand on the starboard side looking at the house. Libby and Tom, then Danny, his hand resting on his brother’s shoulder, and Gwen next to him, her arms crossed over her protruding belly, her hair long and dark hanging down her back. She is no longer a beacon, but a buoy in her poncho, red right returning. The sky is gray and low and promises a choppy ferry ride to the mainland, but there in the safe haven of the harbor it is calm and windless, and the house isn’t empty, but expectant. The flat water, dark green now, lies empty, the float pulled out the month before. Going from town dock to town dock, there is no need for a tender. There is no way for them to come ashore, even if they wanted to. A house like this is not supposed to exist now. It comes from another era. It is a ghost, like the schooners that sail through the thoroughfare every summer. It is an aberration, a figment. It is their great shingled memory.

The farther away, the closer the home becomes.