Best 2968 quotes in «hero quotes» category

The important thing is to tell yourself a life story in which you, the hero, are primarily a problem solver rather than a helpless victim. This is well within your power, whatever fate might have dealt you.

The infidels are committing suicide by the hundreds on the gates of Baghdad... Be assured, Baghdad is safe, protected. Iraqis are heroes.

The invention of film has given our generation the dubious advantage of watching our acting heroes deteriorate before our eyes.

The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.

The Jews are among the aristocracy of every land; if a literature is called rich in the possession of a few classic tragedies, what shall we say to a national tragedy lasting for fifteen hundred years, in which the poets and the actors were also the heroes.

The key is, no matter what story you tell, make your buyer the hero.

The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, “always the one, shape-shifting yet marvelously constant story that we find.

The key to the age may be this, or that, or the other, as the young orators describe; the key to all ages is - Imbecility; imbecility in the vast majority of men, at all times, and, even in heroes, in all but certain eminent moments; victims of gravity

The kind of hero worship you have, when a parent is lost early and you don't know all their faults and misgivings, is a very strong influence.

The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.

The law has no power over heroes.

The latest spin on the Marvel comic-book hero delivers the popcorn goods.

The lessons of the past suggest that racism and resentment against people of color will continue to flourish in America as long as the history that is taught transposes the heroes and the villains. That is the unspoken truth at the heart of the nation's racial divide.

The life of discipleship is not the hero-worship we would pay to a good master, but obedience to the Son of God.

The line between good and evil is permeable and almost anyone can be induced to cross it when pressured by situational forces.

The lives of heroes have enriched history, and history has adorned the actions of heroes ; and thus I cannot say whether the historians are more indebted to those who provided them with such noble materials, or those great men to their historians.

The logical man must either deny all miracles or none, and our American Indian myths and hero stories are perhaps, in themselves, quite as credible as those of the Hebrews of old.

The Love Undercover series features two cops, a street rat, and a construction worker as the lead heroes.

The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.

The man who fights against his own country is never a hero.

The man who is not afraid of danger is not a hero, but a psychopath.

The memories of those who perished in the Warsaw Uprising cry out across the decades, and few are clearer than the memories of those who died to build and defend the Jerusalem Avenue crossing. Those heroes remind us that the West was saved with the blood of patriots; that each generation must rise up and play their part in its defense - and that every foot of ground, and every last inch of civilization, is worth defending with your life.

The masses are the real heroes, while we ourselves are often childish and ignorant, and without this understanding, it is impossible to acquire even the most rudimentary knowledge.

The mob that hails the man on horseback, the Caesars and conquering heroes, does not retain its freedoms for long.

The mighty hero of extraordinary powers, able to lift Mount Govardhan on a finger, and to fill himself with the terrible glory of the universe, is each of us: not the physical self visible in the mirror, but the King within.

The modern hero-deed must be that of questing to bring to light again the lost Atlantis of the co-ordinated Soul.

The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.

The moral equalizes all; enriches, empowers all. It is the coin which buys all, and which all find in their pocket. Under the whipof the driver, the slave shall feel his equality with saints and heroes.

The more powerful the villain is the more powerful the hero.

The more romance novelists that are out there, making romanticized ideas of vampirism for the kids, the more people want to see a real action movie, putting the bad guys where they belong, as the bad guys, and looking for a hero to come along and defend our very souls.

The more information you have, the more human our heroes become and consequently the less mysterious and godlike. They need to be godlike.

The most powerful drive in the ascent of man is his pleasure in his own skill. He loves to do what he does well and, having done it well, he loves to do it better. You see it in his science. You see it in the magnificence with which he carves and builds, the loving care, the gaiety, the effrontery. The monuments are supposed to commemorate kings and religions, heroes, dogmas, but in the end the man they commemorate is the builder.

The most interesting - in fact, inspiring - people I met there [Porto Alegre] are those who remain nameless: representatives of the international campesino movement, the East Timorese delegation,... - the usual heroes, who disappear, unknown, apart from the consequences of their work.

The most interesting heroes have a bit of villainy to them, and the most interesting villains have a certain bit of heroism in them. I think (Alan Shore) intends to do the right thing, but his view of the world is very different so, to get to the right place, he sometimes takes a path that goes through a very dark forest.

"The myths," says Horace in his Ars Poetica, "have been invented by wise men to strengthen the laws and teach moral truths." While Horace endeavored to make clear the very spirit and essence of the ancient myths, Euhemerus pretended, on the contrary, that "myths were the legendary history of kings and heroes, transformed into gods by the admiration of the nations." It is the latter method which was inferentially followed by Christians when they agreed upon the acceptation of euhemerized patriarchs, and mistook them for men who had really lived.

The music of Hendrix wakes people up to their possibilities. It's more than just dreaming about being a guitar hero.

The murmurs of many a famous river on the other side of the globe reach even to us here, as to more distant dwellers on its banks;many a poet's stream, floating the helms and shields of heroes on its bosom.

The New York Times is reporting that back in the '60s, presidential candidate Howard Dean used a letter from a doctor about a back condition to keep himself out of the draft in Vietnam and then spent 10 months skiing. Well it sounds like he's done the impossible. He actually made Bill Clinton and George Bush look like war heroes.

Then he jumped.. I owe him so much. I needed him. I still do. But he's gone. He told me once that I shouldn't make people into heroes. He said that heroes didn't exist and that even if they did he wouldn't be one of them, which goes to show. he wasn't right about everything.

The ordinary man is involved in action, the hero acts. An immense difference.

The only lesson to extract from any civil war is that it's pointless and futile and ugly, and that there is nothing glamorous or heroic about it. There are heroes, but the causes are never heroic.

The only way to form an army to be confided in, was a systematic discipline, by which means all men may be made heroes.

The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend.

The opportunities for heroism are limited in this kind of world: the most people can do is sometimes not to be as weak as they've been at other times.

The ordinary man is as courageous and invulnerable as a hero when he does not recognize any danger, when he has no eyes to see it.Conversely, the hero's only vulnerable spot is on his back, and so exactly where he has no eyes.

The other terror that scares us from self-trust is our consistency; a reverence for our past act or word, because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.

The passage of the mythological hero may be over ground, incidentally; fundamentally it is inward--into depths where obscure resistances are overcome, and long lost, forgotten powers are revivified, to be made available for the transfiguration of the world.

The paper tiger hero, James Bond, offering the whites a triumphant image of themselves, is saying what many whites want desperately to hear reaffirmed: I am still the White Man, lord of the land, licensed to kill, and the world is still an empire at my feet.

The Peloponnesian War turns out to be no dry chronicle of abstract cause and effect. No, it is above all an intense, riveting, and timeless story of strong and weak men, of heroes and scoundrels and innocents too, all caught in the fateful circumstances of rebellion, plague, and war that always strip away the veneer of culture and show us for what we really are.

The people always have some champion whom they set over them and nurse into greatness. ... This and no other is the root from which a tyrant springs; when he first appears he is a protector.