Best 2968 quotes in «hero quotes» category

We're in a different time right now, and I think we're ready to see a different type of female hero.

We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.

We're nothing if we're not loved. When you meet somebody who is more important to you than yourself, that has to be the most important thing in life, really. And I think we are all striving for it in different ways. I also believe very, very strongly that everybody is the hero/heroine of his/her own life. I try to make my characters kind of ordinary, somebody that anybody could be. Because we've all had loves, perhaps love and loss, people can relate to my characters

We're not interested to know the real heroes. We're really more interested in the villains, actually, and they seem to thrive, and it continues to be business as usual.

We're past the age of heroes and hero kings. ... Most of our lives are basically mundane and dull, and it's up to the writer to find ways to make them interesting.

We're remembering each other's heroes, too. We are learning each other's songs. We are reminding ourselves that we are a global family praying together. We're all trying to live in the light of the history that shines through the biblical narrative.

We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.

We start off wearing frilly shirts and britches and being good guys and the heroes. And then as time goes on, every English actor ends up playing bad guys. That's what we do.

We tend to value military heroes and Schwarzenegger types who are physically courageous. The heroics of doing the right thing every day even when it is dull and inconvenient are undervalued.

We tell each other stories so we can understand the world better and there's catharsis and we understand the models of what a hero could be and what the hero's journey as a human being is all about. But unfortunately, I think sometimes those stories too can be very prohibitive and confining.

We tend to think of heroes only in terms of violent combat, whether it's against enemies or a natural disaster. But human beings also perform radical acts of compassion; we just don't talk about them, or we don't talk about them as much.

We thank thee for this opportunity to show our love for these heroes who have accomplished such wonders for the beloved United States, which was founded by noble and inspired men.

We usually look outside ourselves for heroes and teachers. It has not occurred to most people that they may already be the role model they seek. The wholeness they are looking for may be trapped within themselves by beliefs, attitudes, and self-doubt. But our wholeness exists in us now. Trapped though it may be, it can be called upon for guidance, direction, and most fundamentally, comfort. It can be remembered. Eventually we may come to live by it.

We've had 20 years of mass murders throughout which I have repeatedly told CNN and our other media, if you don't want to propagate more mass murders, don't start the story with sirens blaring. Don't have photographs of the killer. Don't make this 24/7 coverage. Do everything you can not to make the body count the lead story, not to make the killer some kind of anti-hero. Do localize the story to the affected community and make it as boring as possible in every other market. Because every time we have intense saturation coverage of a mass murder, we expect to see one or two more within a week.

We want to see ourselves reflected in our heroes. Unfortunately most of us don't look like Arnold Schwarzenegger.

We were into the Speedway. We'd take a train out to the Speedway where farmers had flatbed trucks with bleachers on them. They'd park in the infield and we'd sit on those. Our heroes weren't the drivers, they were the pit crews. That's because we were local, and we knew what was going on.

We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.

We will never forget the passengers of Flight 93, who courageously confronted the terrorists, defeating another planned attack on America. They are the heroes for our times.

What about the hero of The House on the Strand? What did it mean when he dropped the telephone at the end of the book? I don't really know, but I rather think he was going to be paralysed for life. Don't you?

We would make our heroes shallow.... We would make them brittle. It is they who must remind us of the true meaning of strength.

What are you smiling at?’ - ‘Oh, nothing much. Just my hero

What changed these very ordinary men (who were such cowards that they did not dare stand too near the cross in case they got involved) into heroes who would stop at nothing? A swindle? Hallucination? Spooky nonsense in a darkened room? Or Somebody quietly doing what He said He'd do - walk right through death? What do you think?

What difference does it make if the Gospel is mostly a lie? It's an engrossing story and the words of its hero are excellent words to live by, even today.

....What I learned was that these athletes were not disabled, they were superabled. The Olympics is where heroes are made. The Paralympics is where heroes come.

Whatever may be your desire to accomplish great deeds, the deep silence of pregnancy never comes to you! The event of the day sweeps you along like straws before the wind whilst ye lie under the illusion that ye are chasing the event,-poor fellows! If a man wishes to act the hero on the stage he must not think of forming part of the chorus; he should not even know how the chorus is made up.

What happened after 9/11 - and I think even people on the right know this, whether they admit it or not - was deeply shameful. The atrocity should have been a unifying event, but instead it became a wedge issue. Fake heroes like Bernie Kerik, Rudy Giuliani, and, yes, George W. Bush raced to cash in on the horror. And then the attack was used to justify an unrelated war the neocons wanted to fight, for all the wrong reasons....The memory of 9/11 has been irrevocably poisoned; it has become an occasion for shame. And in its heart, the nation knows it.

What I enjoy the most is portraying villains like a vampire, a serial killer, a supernatural creature, etc... That's when I have the most fun, creating those roles. I also love playing the hero in horror movies, because then I get to really be believable, truthful to feel the terror, the scariness, the horror, and be able to really transmit that to the audiences watching the movie or that TV series.

What I`m starting to think of as the mythical beast of the Republican establishment, which is the sort of inchoate idea that we keep talking about what they`re going to do and it never seems to have much impact or be manifest in very visible ways, obviously, it is one thing for Donald Trump to have taken a shot like he did early in his campaign at John McCain, calling him not a war hero.

What I regretted in La Nausee was not to have put myself completely into the thing. I remained outside my hero's disease, protected by my neurosis which, through writing, gave me happiness.

What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.

What is a hero without love for mankind.

What is the end of Fame? 'tis but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour: For this men write, speak, preach, and heroes kill, And bards burn what they call their "midnight taper," To have, when the original is dust, A name, a wretched picture, and worse bust.

What is the most profitable? Fellowship with the good. What is the worst thing in the world? The society of evil men. What is the greatest loss? Failure in one's duty. Where is the greatest peace? In truth and righteousness. Who is the hero? The man who subdues his senses. Who is the best beloved? The faithful wife. What is wealth? Knowledge. What is the most perfect happiness? Staying at home.

What is our task? To make Britain a fit country for heroes to live in.

What I want to bring back to superheroes with this project is a sense of play. Things have gotten so dreary. The heroes have gotten so ugly that even their muscles have muscles.

What I tried to show is that this idea of this fundamental conflict between savagery and civilization goes back to the very beginnings of Western history. I go back to the Greeks, I go back to the Romans. You can read Homer. And of course Homer has his great heroes involved in this myth, this wonderful mythic contest with savage tribal peoples, half-human monsters on distant parts of the world.

What makes a hero truly great is that they never despair.

What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?

What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part.

What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really seem to believe that the country was founded by a band of heroes who wanted to be free.

What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.

What's a hero, if not for its journey. I think you're going to recontextualize what saving the world means, and I think that you will be satisfied with the stakes. That's all I can say about that.

What passes for identity in America is a series of myths about one's heroic ancestors. It's astounding to me, for example, that so many people really appear to believe that the country was founded by a band of heroes who wanted to be free. That happens not to be true. What happened was that some people left Europe because they couldn't stay there any longer and had to go somewhere else to make it. That's all. They were hungry, they were poor, they were convicts. Those who were making it in England, for example, did not get on the Mayflower. That's how the country was settled.

What proves the hero truly great,Is never, never to despair.

What's important at this time is to re-clarify the difference between hero and villain.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

What the church most needs is not heroes of faith, but faithful followers of Jesus.

What we need now is heroes - millions of them. Sentiment without action is the ruin of the soul.

What with making their way and enjoying what they have won, heroes have no time to think. But the sons of heroes - ah, they have all the necessary leisure.

What's the point of being a hero when everyone thinks you're a villain?