Best 436 quotes in «new york city quotes» category

Do you know how long God took to destroy the Tower of Babel, folks? Seven minutes. Do you know how long the Lord God took to destroy Babylon and Nineveh? Seven minutes. There’s more wickedness in one block in New York City than there was in a square mile in Nineveh, and how long do you think the Lord God of Sabboath will take to destroy New York City and Brooklyn and the Bronx? Seven seconds. Seven Seconds.

Each generation identifies with a small group of people said to have lived lives exemplifying the vices and virtues of that generation. If one were to choose a trial lawyer whose life reflected the unique characteristics of America’s “Wild West” of a criminal justice system in the latter half of the Twentieth Century, that person likely would be my father. New York City of the 1960s until the turn of the 21st century was the world’s epicenter of organized and white-collar crime. During those four decades, the most feared mafia chiefs, assassins, counterfeiters, Orthodox Jewish money launderers, defrocked politicians of every stripe, and Arab bankers arriving in the dead of night in their private jets, sought the counsel of one man: my father, Jimmy La Rossa. Once a Kennedy-era prosecutor, Brooklyn-born Jimmy La Rossa became one of the greatest criminal trial lawyers of his day. He was the one man who knew where all of the bodies were buried, and everyone knew it. It seemed incomprehensible that Jimmy would one day just disappear from New York. Forever. After stealing my dying father from New York Presbyterian Hospital to a waiting Medevac jet, the La Rossa Boys, as we became known, spent the next five years in a place where few would look for two diehard New Yorkers: a coastal town in the South Bay of Los Angeles, aptly named Manhattan Beach. While I cooked him his favorite Italian dishes and kept him alive using the most advanced medical equipment and drugs, my father and I documented our notorious and cinematic life together as equal parts biography and memoir. This is our story.

East Side, West Side, all around the town, The tots sang "Ring-a-rosie, London Bridge is falling Down; Boys and Girls together, me and Mamie O'Rorke, Tripped the light fantastic on the sidewalks of New York.

Evening: New York Blue dust of evening over my city, Over the ocean of roofs and the tall towers Where the window-lights, myriads and myriads, Bloom from the walls like climbing flowers.

Enjoy your cinnafucks!

Endings are the embryos of new beginnings.

Even the worst things about Devonairre Street are better than the rest of the city.

Everyone in New York City thinks they are famous without being famous.

Ever since, New York has existed for me simultaneously as a map to be learned and a place to aspire too--a city of things and a city of signs, the place I actually am and the place I would like to be even when I am here. As a kid, I grasped that the skyline was a sign that could be, so to speak, relocated to New Jersey--a kind of abstract, receding Vision whose meaning would always be "out of reach," not a concrete thing signifying "here you are." Even when we are established here, New York still seems a place we aspire to. Its life is one thing--streets and hot dogs and brusqueness--and its symbols, the lights across the way, the beckoning skyline, are another. We go on being inspired even when we're most exasperated.

Every great wave of popular passion that rolls up on the prairies is dashed to spray when it strikes the hard rocks of Manhattan.

Everyone thought the mob was done after RICO.... And they were. Then the Towers came down. Overnight, the feds shifted three-quarters of their personnel into anti-terrorism and the mob made a comeback. Shit, they even made a fortune overcharging for debris removal from Ground Zero.... 9/11 saved the mafia.

Everything in New York is a photograph. All the things that are supposed to be dirty or rough or unrefined are the most beautiful things. Garbage cans at the ends of alleyways look like they've been up all night talking with each other. Doorways with peeling paint look like the wise lines around an old feller's eyes. I stop and stare but can't stay because men always think I'm selling something. Or worse, giving something away. I wish I could be invisible. Or at least I wish I didn't look like someone they want to look at. They stop being part of the picture, they get up from their chess game and come out of the frame at me, blocking my view.

Everything good in New York used to be something awful, I guess." "And everything awful used to be something good.

Everything hurts. People are talking in the halls, but no one seems to be evacuating the building. This is the nature of New York City: alarms go off so often that no one wants to respond to them until things start burning down or blowing up in front of their eyes.

Experiment with grounding yourself with who you are, not what you do.

Everything is going as planned until I notice that Ashley has barely touched her wine glass or food after ordering the priciest bottle and several of the most expensive dishes on the menu. From "My Worst Valentine's Day.Ever: a Short Story

Fear not your flame as you flood your caverns with firelight.

For a while this seemed to do the trick, and I felt that whatever contamination I had helped to spread, the boundaries I had helped to break, sprinkling flakes of myself all over the surface of New York like so much fish food, had been forgiven.

For all the energy directed toward the stratagem of big city living, New Yorkers are never too distracted to respond to, and more often, proactively assist visitors. Tourists tracing the routes of subway maps with their fingers, squinting at street signs or staring at a slip of paper with confusion are typical recipients of our generosity. We know our city can be as challenging as it is fascinating, and we want visitors to have a good experience.

Forgiving himself came easy to him. His, he'd come to realize, was a forgiving nature.

...forever meant different things to people at different times. They could imagine what infinity looked and felt like as much as they wanted, but could never truly grasp its meaning nor bear its full weight.

Go for it. It will make a great story.

From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.

Fuck the Bureau! Their entire outfit is half the size of the NYPD. I've got more officers who speak Arabic in one precinct that you guys have in the entire D.O.D.!

Funny thing about love, ain’t it? Sometimes it saves you and sometimes, like right then, even love isn’t enough.

For you cannot live in New York City very long and not be conscious of the niceties of being rich—the city is, after all, an ecstatic exercise in merchandising—and one evening of his visit to Venezuela Sutherland sat straight up when he read a line of Santayana’s: “Money is the petrol of life.

From the depths of your well, tap your will.

Give full attention to life’s moments and the images you capture will be everlasting.

Give my regards to Broadway, Remember me to Herald Square, Tell all the gang at 42nd Street, That I will soon be there; Whisper of how I'm yearning To mingle with the old time throng, Give my regards to old Broadway, And say that I'll be there e'er long.

Guys like you can't escape the city. Hell, you a got a blood contract with this place. You're married to the old girl.

He had an overwhelming urge to take possession of her lips, silencing any mention of another man’s name.

Harlem sleeps late.

Have you ever experienced a beauty of soul, an esthetic grace, that was so intense it made you want to cry?" From Central Park Song ( A Screenplay )

He clearly suffers from some past traumas too, so hopefully he'll understand why I was untruthful to him about mine.

[H]e could see the island of Manhattan off to the left. The towers were jammed together so tightly, he could feel the mass and stupendous weight.Just think of the millions, from all over the globe, who yearned to be on that island, in those towers, in those narrow streets! There it was, the Rome, the Paris, the London of the twentieth century, the city of ambition, the dense magnetic rock, the irresistible destination of all those who insist on being where things are happening-and he was among the victors!

Hell isn’t fire and brimstone. It’s New York City.

Hell's bells, Susan, you don't know what you've done. You've got to get out of here." She snorted. "Like hell." "I mean it," I said. "You're in danger." "Relax, Harry. I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.

Here is New York. This is why I stay. I stay to hear the jazz musicians playing in the parks, and to browse the tables of books for sale on the street. I stay for a drink in a quiet bar, lit by golden autumn light, and for Film Forum double features in black and white. I stay for egg creams, for the amateur opera singers practicing with their windows open so we all can listen. For the Chinese grandmothers dancing by the East River, snapping red fans in their hands. For the music of shopkeepers throwing open their gates. I stay for the unexpected spectacle, and the chance encounter, and for those tough seagulls gliding inland on rainy days to remind us that Manhattan is an island, a potential space both separate and connected. Most of all, I stay because I need New York. I can't live anywhere else, so I hold on to what remains. We've lost a lot, but there's so much left worth fighting for. And while I stay, I fight.

Here, I felt, winter brought no desolation; it was tamed, like a polar bear led on a leash by a beautiful lady.

Here's the thing about New York, the thing I love most: there is no such substance as silence. If you ever stop talking, and he stops talking, the city takes over for you. A siren forms a distant parabola of sound. A door slams. The old couple in 4A argues over who will answer the telephone. The young lovers in 2C reach an animalistic climax. A million other lives play out on your doorstep, and not one of them gives a damn about your little problems. Life goes on and on and on.

History is finite-there's only so much you can learn about a six square block historic district in New York City. (Dark City Lights)

His laugh and his voice were both pleasant. He talked the way New Yorkers used to talk before they learned to talk Flatbush.

His fierce appreciation of female beauty, the unrelenting desire he felt for their company, the pleasure he both derived and sought to give, had led him in and out of quite a few bedroom doors.

I already told you, you’re not my type.” “I thought you didn’t have a type.” “I probably shouldn’t. Given how long it is since I had sex, my type should just be anyone with a penis and pulse, right?

How about a drop of something to cut the phlegm? Why don't you stay sober today? We didn't come to New York to stay sober.

[Hyper-gentrification] is a man-made virus that grows rhizomatically, creeping into every crack and crevice of Manhattan, reaching ever deeper into the outer boroughs, pushing out whatever stands in its way. It can be defeated. But first we must pull back the curtain and see it clearly for what it is: an act of revenge.

I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life.

I climbed aboard a Greyhound bus and rode it to New York without telling anyone, without so much as a goodbye. What was I thinking? I wasn’t. I was young and stupid and broken. I knew from watching movies that broken people hopped on buses and disappeared. New York seemed far away, geographically, mentally.

I am old and all I have left is time. I don't mean time to live; I mean free time. Time to fill. Time to kill until time kills me. I walk and walk and think and think.

If Audrey sensed what he was contemplating, her silence did not let on. He turned from the window and found her looking at him with a flawless poker face. It may have been attentiveness and curiosity to hear what he would say next, or perhaps she was expecting from him what women throughout the ages, often against their better judgment, had expected of men.