Best 436 quotes in «new york city quotes» category

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    If it’s true we only live once, then raise your red velvet curtain every chance you get.

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    If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant.

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    If "Sex and the City" taught us anything, it's that Paris is the only city in the world that New Yorkers actually fantasize about.

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    If this fails to convince, I being out my secret weapon, announcing with portentous deliberation that Barbara. Damn. Walters. Does. Not. Drive. Heard of her? This sort of accusatory conversion of course almost never goes down with native New Yorkers, people who, like Barbara Walters, live in that barbaric third world country that is Manhattan, and thus have yet to hear of newfangled American Advances like automobiles, happiness, and yards.

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    If you built the box, you can also break it down.

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    If you think you’ll find intellectual stimulation, you’re thinking of another era. The conversations are invariably about money or property or schools. I’ve never been more bored by casual chat.

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    If you’ve broken any promises you’ve made to yourself, now is the time to make up for it.

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    If you take away just one thing from this book, let it be this: Hyper-gentrification and its free-market engine is neither natural nor inevitable. It is man-made, intentional, and therefore stoppable. And yet. Just as deniers of global warming insist that nothing out of the ordinary is happening to our world's climate, so deniers of hyper-gentrification say that noting out of the ordinary is happening to New York, and that its extreme transformation in the 2000s is just natural urban change. Let me be clear: I'm not talking about the weather. I'm talking about the climate, and New York's climate has been catastrophically changed.

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    If you want it badly enough, it’s yours.

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    I grew up in New York State, not New York City, which is what everyone thinks when you say "New York".

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    I had grazed along the surface of her actions and made deep judgments. Rejecting someone because you couldn't understand their love, that was a new one. The more I thought about it the longer the shadow of doubt stretched over all my conclusions. More often than not, things were as they seemed. But as I stared at her, she wasn't as bad looking as I had once thought. I realized how all this time I had seen her the wrong way, and how one's character affects one's appearance. Although she wasn't my type she was attractive. As I thought about her - the vulnerable intelligence, the violent honesty, and the fact that in the entire city she was the only one who took me in and fed me - she became more and more irresistible. Baited by an obscure beauty, trapped by an intense sorrow - all prior definitions had been overruled: this was love.

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    I had a ritual—and having any ritual sounded so mature that I told everyone about it, even the regulars. On my days off I woke up late and went to the coffee shop and had a cappuccino and read. Then around five p.m., when the light was failing, I would take out a bottle of dry sherry and pour myself a glass, take out a jar of green olives, put on Miles Davis, and read the wine atlas. I didn't know why it felt so luxurious, but one day I realized that ritual was why I had moved to New York—to eat olives and get tipsy and read about Nebbiolo while the sun set. I had created a life that was bent in service to all my personal cravings.

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    I had enough electricity in my booty to jump-start the whole of New York City.

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    I had no concept of what life at the Chelsea Hotel would be like when we checked in, but I soon realized it was a tremendous stroke of luck to end up there. We could have had a fair-seized railroad flat in the East Village for what we were paying, but to dwell in this eccentric and damned hotel provided a sense of security as well as a stellar education. The goodwill that surrounded us was proof that the Fates were conspiring to help their enthusiastic children.

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    I loved the abandoned subway stations, rushing past the darkened platforms, the sprawl of graffiti like old letters. Letters left by ghosts.

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    I have always lived in the myth of New York more than in its reality. It is what enabled me to live there for so long, loving the idea of something more than the thing itself.

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    I have forgiven Sonora. I have forgiven New York, forsaken the recursion of history. But I do not yet know how to forgive myself.

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    I heaved into being, came out of the stone, the bricks, and other elements, and took form. (Dark City Lights)

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    I live my life in my comfort zone...

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    I looked up at the ivory towers above us all. Nowhere else equals the feral design of this city. Tall skyscrapers that act as gorges hollowing out between flat cement dancing into narrow alleyways like bottomless pits. Building walls rusted the color of blood. Sometimes when you look down the horizon from afar the city looks wider than it is, like a thin field of magical lights gleaming with the hopes of children and idealists; a light on at midnight in one of the penthouses or the changing hues of the Empire State Building. Most of the time though, the city is covered with a layer of honking cars and greed, sirens and the war cry of solicitors, all full of brambles and impenetrable conscience; garbage, steaming manholes, and heat waves twirling smog and pollution through your lungs like mirages as you walk breathlessly through a boiling desert.

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    I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping along behind you, and nobody even looks at you funny. Of course, the Mist helped. People probably couldn't see Mrs. O'Leary, or maybe they thought she was a large,loud,very friendly truck.

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    I love you because Five floor walk up 1 to the 2 to the E Three avenues

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    I'm an urban New Yorker to the last molecule.

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    I have come to believe that kindness is repaid in unexpected ways and that if you are lonely or bone-tired or blue, you need only come down from your perch and step outside. New York—which is to say, New Yorkers—will take care of you.

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    I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

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    I know when people think of New York, they think of theater, restaurants, cultural landmarks and shopping,” I told him. “But beyond the iconic skyline and the news from Wall Street, New York is a collection of villages. In our neighborhoods, we attend school, play Kick the Can, handball and ride our bikes. I grew up knowing the names and faces of the baker, the shoe repair family, the Knish man and the Good Humor man who sold me and the other kids in my neighborhood half a popsicle for a nickel. My father took me to the playground where he pushed me on the swing, helped balance me on the seesaw and watched as I hung upside down by my feet on the monkey bars. Yes,” I told the interviewer, “people actually grow up in New York.

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    I know where a lot of them [the elite or elitists] live. Where's that? Well, in our nation's capital and New York City. I've seen it. I've lived there.

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    I love the buildings. They're called skyscrapers. They're the closest thing to an ocean here. But it's an ocean that goes straight up, not flat out. They say that the body of water stretching away to the east of Manhattan is the ocean but it isn't. Not my ocean, anyway. It's weird because back home I just took it for granted, my grey-green sea. Now I have a granite ocean. It gives me the same happy-sad feeling I need sometimes. When I look straight up at the buildings I can feel alone in a good way. Not in that horrible way of no one knows me.

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    I made myself say it out love: I might always be alone. It sounded less overwhelming against the noise of the breaking waves. I laughed. Fuck off, I thought, I am done feeling bad. And then aloud: I can do whatever I want. Just then I remembered seeing Patti Smith, two summers before, reading an old poem at the Brooklyn Bridge Park, the city aflame behind her in the setting summer sun. I am gonna get out of here, she said, as if she were once again that young girl who'd written those lines decades ago. She was going to get on that train and go to New York City. She was never going to return, no never. She was going to travel light. How I loved that. Oh, watch me now, she'd said. As if she was about to perform the world's greatest magic trip. Oh, watch me now, I thought.

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    I mean, it’s AWESOME, but it’s also a little bit “New York awe­some,” you know? How do I explain how I felt about it? I guess ... well ... in New York City people spend ten years making something amazing happen, something that captures the essence of an idea so perfectly that sud­denly the world becomes ten times clearer. It’s beautiful and it’s powerful and someone devoted a huge piece of their life to it. The local news does a story about it and everyone goes “Neat!” and then tomorrow we forget about it in favor of some other ABSOLUTELY PERFECT AND REMARKABLE THING. That doesn’t make those things un­wonderful or not unique ... It’s just that there are a lot of people doing a lot of amazing things, so eventually you get a little jaded.

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    I missed it all, over a century of the best of New York, thanks to two uncontrollable facts of my birth: its year and geographic location. But we cannot choose our time or place, and i hurried to the city as soon as I could, unaware that the early 1990s was quite possibly the worst moment to get attached to New York. It was like falling crazily in love with a ninety-three year-old, too blind to see that she was fading. I was Harold and New York my Maude.

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    I moved to New York City for my health. I'm paranoid and it was the only place where my fears were justified.

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    I'm here because I was born here and thus ruined for anywhere else, but I don't know about you.

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    I love Israel, I go back all the time. I just love New York a little more. My workers are Arabs, my best friend is a black man from Alabama, my girlfriend's a Puerto Rican, and my landlord is a half-Jew bastard. You know what I did this morning? I read in the paper yesterday that the circus is setting up in the Madison Square Garden, they said the elephants would be walking through the Holland Tunnel at dawn. I'm a photographer a little too, you know? So I get up at five o'clock, bike over to the tunnel, and wait. It turns out the paper got it wrong, they came through the Lincoln, but still, you know? This is a hell of a place.

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    In a blacked-out house, stripped of all comforts, it's easy to turn your anger outward, to attack this city he's lying at the center of, with its filth and its pollution and its oppression, but really, New York is the only thing that's never abandoned him.

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    In addition to my new outlook on life, in some absurdly simple way, Anissa gave me several new reasons to live. Above all, I had to see her again and find out what, if anything, would happen between her and me.

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    In New York, everything was permissible. No one cared what you wore, how you looked. Only you cared about those things. And if they didn’t worry you, then they didn’t matter.

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    Indeed, wounded loved can make for fierce vengeance. And, from what I know of Anissa, it does seem a bit out of character for her to behave so spitefully, so I'd like to think that she really is just deeply hurt, angry and looking for some way to injure me back...I hope she knows how well she's succeeded.

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    In England I am always madam; I arrived too late to ever be a miss. In New York I have only been madamed once, by the doorman at the Carlyle Hotel.

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    In her mind the U.S. was nothing more and nothing less than a país overrun by gangsters, putas, and no-accounts. Its cities swarmed with machines and industry, as thick with sinvergüencería as Santo Domingo was with heat, a cuco shod in iron, exhaling fumes, with the glittering promise of coin deep in the cold lightless shaft of its eyes.

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    Increase the number of adventures you act on and you’ll lighten the weight of regret.

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    I never wrote him. I never saw him again. He was just gone, this dear, dear man, this friend of my soul in the hospital so long ago, disappeared. This is a New York story too.

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    In New York City real estate parlors took your money and lied to you, drug addicts relieved themselves in plain sight, and the Public Library was closed on Mondays.

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    In some neighborhoods, faces mature faster than bodies.

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    In the 1970s in New York everyone slept till noon.

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    I remember looking out the window of the little maid's room where we had been installed, seeing the lights of the Palisades across the way, and thinking, There! There it is! There's New York, this wonderful city, I'll go live there someday. Even being in New York, the actual place, I found the idea of New York so wonderful that I could only imagine it as some other place, greater than any place that would let me sleep in it--a distant constellation of lights I had not yet been allowed to visit. I had arrived in Oz only to think, Well, you don't LIVE in Oz, do you?

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    In Washington Square, one could still feel the characters of Henry James and the presence of the author himself. Entering the perimeters of the white arch, one was greeted by the sounds of bongos and acoustic guitars, protest singers, political arguments, activists leafleting, older chess players challenged by the young. This open atmosphere was something I had not experienced, simple freedom that did not seem to be oppressive to anyone.

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    I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there—but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.

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    Iris Whitney, a former showgirl that frequented Malachy’s bar on Third Avenue, became my friend with a story. The same year that I had graduated from High School, she had been frolicking with John Garfield in her two room Gramercy Park apartment. On May 21, 1952 Garfield was found dead of a heart attack, in her bed. When I first met Iris I didn’t know anything about this but even if I had, all I can say is that I enjoyed her company and survived the experience. Of course she denied having been intimate with the actor the night that he died and added that John had not been feeling well. When the police arrived and had to break the door down, her explanation was that she thought that they were newspaper men. Several years later, in Connecticut, I had the occasion to talk about old times and some of these events, to the popular stage and screen actor Byron Barr better known as “Gig Young.” Sitting with my wife Ursula and Young at the open bar alongside the Candlewood Theatre, in New Fairfield during the summer of 1978, everything seemed normal. Coincidentally I also knew his former wife Elizabeth Montgomery who was married to him from 1956 to 1963, since she was my neighbor living on the nearby Cushman road in Patterson New York,. On October 19, 1978, two months after seeing Young, I read that he had shot his wife Kim Schmidt and committed suicide only three weeks after their marriage. Apparently Young had shot his wife and then turned the gun on himself. They were both found dead in their Manhattan apartment but the police never established a motive for the murder-suicide. I knew that he liked to drink and this may have been a part of the problem, but he always seemed congenial and there was no hint that it would ever come to this.

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    Is a newspaper prints a sex crime, it's smut, but when The New York Times prints it, it's a sociological study. [Adolph S. Ochs - Publisher New York Times]

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