Best 76 quotes in «victorian era quotes» category

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    Let no lady commence and continue a correspondence with a view to marriage, for fear that she may never have another opportunity. It is the mark of judgment and rare good sense to go through life without wedlock, if she cannot marry from love. Somewhere in eternity, the poet tells us, our true mate will be found. Do not be afraid of being an "old maid". The disgrace attached to that term long since passed away. Unmarried ladies of mature years are proverbially among the most intelligent, accomplished, and independent to be found in society.

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    Lucille, please make them go away!” she moaned, her voice muffled. “Do you think I am a divine being sent from the celestial realm to guard you from the harsh punishment of rousing from your slumber?” “Is that a yes?” “I am surrounded by idiots.

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    My wishing star glowed slightly and winked back at me. I could almost hear its voice, tinkling like wind chimes and church bells, reassuring me that everything would return to normal.

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    Making friends is not a big deal. Replacing me with them after talking to them for only one bloody day is a big deal.

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    Maybe I was wrong. Maybe there really is some goodness here in our world. But if goodness existed, that must mean that darkness existed as well.

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    Mr Locke...took a long, slender pick from the unrolled bag and, bending over slightly, inserted it into the lock. It was a steel-cased lock with a smooth, brass knob of around three inches wide and a brass plate around the singular keyhole. Mounted into the door frame was another steel fixture, forming the second half of the lock. Recognising the type of lock, Percy knew the key’s function was to throw the lock’s bolt into dead lock, thus securing the door. Such a design would also include an internal, smaller knob sliding back and forth, drawing back the bolt. A snib, jutting out from the case on the internal side of the door, could be compressed to keep the bolt in an open position, thus allowing one to open and close the door freely. “Do be so kind as to keep an eye out for the return of our friend the constable.” Locke pulled his pocket watch out with his other hand to glance upon it. “We have nine minutes.” “This is breaking and entering!” Mr Maxwell cried, hurrying up the steps. “Miss Trent said such was forbidden by the Society.” “Unless there is a sufficiently justifiable reason for doing so,” Mr Locke replied, inserting a second pick into the lower half of the lock. “The welfare of our client is a sufficiently justifiable reason; do you not think so, Mr Maxwell?” “His welfare?” Mr Maxwell enquired, confused. Miss Dexter, wholly fascinated by what the illusionist was doing, stepped closer still. She softly enquired, “Do you suspect some harm may have come to Mr Dorsey, Mr Locke?” “I do not know but Mr Colby was very keen we should not speak with him. Furthermore, Miss Trent’s note stated her telephone conversation with Mr Dorsey was abruptly ended, by him, when another—angry—voice spoke,” Mr Locke explained. There was a sharp click as the bolt sprang back into the lock’s casing. Mr Locke smiled broadly. “Our constable friend is back.” Mr Maxwell looked panic sticken. “It’s only been a minute.” “Ah, that will be the Bow Street police station,” Locke replied as he turned the door knob. “Also, they tend to keep a closer eye upon the more affluent residences; greater targets for thieves, you know,” Mr Locke stated as he pushed the door open and ushered both Mr Maxwell and Miss Dexter inside. He’d just closed the door, after slipping in himself, when the constable reached the bottom of the steps and peered up at the porch. Mr Locke stood to the side of the door and watched as the constable, seemingly satisfied all was well, walked away. A glance down at the internal part of the lock confirmed Mr Locke’s earlier assumptions about it. His slender hand slid the smaller brass knob along to lock the bolt in place once more.

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    Oscar Wilde was born in Dublin, on the 15th October, 1856, so that he is now about twenty-six years of age, but brief as has been his career, it has been full of promise for the future. The son of highly intellectual parents, he has had an exceptional education, has travelled much in wild and remote, through classic lands, and in the course of these journeys has learnt to appreciate the beauties of the old authors, in whose works whilst at college he attained exceptional proficiency. But his naturally enthusiastic temperament teaches him to hope for better in the future than has been achieved in the past, and to see how vast will be the influence of Art and Literature on the coming democracy of Intellect, when education and culture shall have taught men to pride themselves on what they have done, and not alone on the deeds of their ancestors.

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    One character all messages had in common was vague generality. "Fly away with me," a tussie-mussie might suggest, but never "Meet me at the railway depot at six-thirty.

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    Self-preservation and determination meant she could get away with anything. As her law-abiding, conventionally minded daughter, I secretly envied her this. She was not the clinging-vine type, nor one who could coax sugar from a lemon. Hers was the frontal attack with no inhibitions. She told the Nazis you could not trust Hitler, and they let her go. In the days of chaperones, she hitch-hiked a ride on a French destroyer along the coast of Crete; 'All quite proper, I had my cook with me,' she explained.

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    Poor Miss Porchester. She had sacrificed herself on the altar of Victorian morality, and I am afraid the consciousness that she had behaved beautifully was the only benefit she had got from it.

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    Sebastian non aveva mai incontrato anima viva in quel luogo che sembrava essere dimenticato da tutto e da tutti, ogni volta che si era recato ad ammirare il salto nel vuoto compiuto dal fiume ogni anniversario della morte del suo amico del cuore. Del suo professore. Del suo amante...

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    Sunlight streamed in a steady flow, casting flecks of gold onto the floor, bathing my skin. I inhaled deeply. Already, the air inside my bedroom had been perfumed with nature. A breeze whispered softly and breathed carefully onto my skin.

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    Soffia le ultime parole, sorreggendosi a me. È creta tra le mie dita che tremano. Sì, tremano perché vorrebbero farla sentire al sicuro, invece sono io ad angosciarla. Non le rispondo – Cosa potrei risponderle? – ma la forgio al mio petto, tra le pareti di questo corridoio buio più della mia anima, più del nostro futuro, più delle certezze: Rose è la sola luce nella mia esistenza programmata, il solo astro capace di rischiarire le tenebre del cuore.

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    There's a bit of a local legend about a jet heart that has turned up over the years," Flynn said. "Any time it turns up, strange things happen.

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    The gallant captain vacated his cabin for her, and Manna changed her role from cook to chaperone. All most correct. But it was hardly the done thing to cadge a lift on a torpedo boat. Yet she did it twice in a lifetime.

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    The remaining half of my gin stands before me, and yet, no amount of drink can quench this thirst.

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    The boy with the haunted eyes was Dory's secret. Eli. And she knew that she had to see him again.

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    The coppers, thinking I must be hacked to bits at the bottom of the Thames, now blame both murders on the Ripper. The theory is so ironic I cannot help but snort out a tirade of titters.

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    The Hotel dining-room, like most of the others I was to find in the Highlands, had its walls covered with pictures of all sorts of wild game, living or in the various postures of death that are produced by sport. Between these pictures the walls were alert with the stuffed heads of deer, furnished with antlers of every degree of magnificence. A friend of mine has a theory that these pictures of dying birds and wounded beasts are intended to whet the diner's appetite, and perhaps they did in the more lusty age of Victoria; but I found they had the opposite effect on me, and had to keep my eyes from straying too often to them. In one particular hotel this idea was carried out with such thoroughness that the walls of its dining room looked like a shambles, they presented such an overwhelming array of bleeding birds, beasts and fishes. To find these abominations on the walls of Highland hotels, among a people of such delicacy in other things, is peculiarly revolting, and rubs in with superfluous force that this is a land whose main contemporary industry is the shooting down of wild creatures; not production of any kind but wholesale destruction. This state of things is not the fault of the Highlanders, but of the people who have bought their country and come to it chiefly to kill various forms of life.

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    The rain landed on my skin with a barely audible patter and changed the tempo of its repetitive dance, letting the wind change its course and angle. The cold soon seeped through my dress and into my bones. An iris from my garland fell in my lap.

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    There was a sudden flash of lightning which brightly illuminated our faces. I squinted against the harsh light. It was soon followed by the crack of thunder. The strong wind whipped our hair around our faces, and the younger girls squealed as they quickly ran across the grass to get inside the school. Rose and I sat up, smiles on our faces as we listened to the weather’s dangerous melody. The third flash of lightning finally ripped open the sky’s belly. Freezing rain cascaded out, drenching us in a matter of seconds, the flower garlands drooping and lying limp on our matted hair.

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    The sum of their faults was their inability to earn money; but, indeed, that inability does not call for unmingled disdain.

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    The street was a sad state in daylight. Electric signs and red lights resisted the brightness of life, stripped of their luster in the colorless day. But in darkness and mist, they pulsed with vibrancy. The streets thrived in a cloak of obscurity, and men took comfort in anonymity. At night they were a motley bunch, a throng of shadowed faces and hungry eyes, milling about brothels and dance halls like rats roaming a sewer.

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    Thinking back on the outing to the theatre, she added, ‘I want a man, not a preening peacock!

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    The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman")

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    The two of us locked up our own little secrets from the real world. We had experienced countless sleepless nights when we would share our fears, our worries, and our passions; when we would gossip about the school and the other girls. We had played too many pranks and snuck out more than enough times to be expelled if the teachers ever found out. We were professionals at the art of being discreet; however, we had never found sneaking out of a residence necessary, especially when the reason was not to play a prank.

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    The woman was not what would be termed an exquisite, or what his grandfather’s generation would have styled ‘a diamond of the first water.’ There was something too primal in her features and her bearing, and her aura shimmered with power. She was a sunset on a mountain peak, or the eerie colors in the sky in the far north of Scotland. She was a vein of gold still glittering inside the rock, her treasure clear but held close, in her own keeping. She would never belong to anyone but herself, and that made him long for her to share that self with him—in every conceivable way.

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    Up the still, glistening beaches, Up the creeks we will hie, Over banks of bright seaweed The ebb-tide leaves dry. We will gaze, from the sand-hills, At the white, sleeping town; At the church on the hill-side— And then come back down. Singing: "There dwells a loved one, But cruel is she! She left lonely for ever The kings of the sea. (from poem 'The Forsaken Merman')

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    Tonight, I'd like to fuck like every other bloody Englishman, with you on your back and me on top groaning and pumping away for a minute or so, then a nice sleep." A sneer touched the edge of her mouth, then Isabeau laughed. "You English, you are so uninspired, a pity for your women. My soul cries for them." "Yes, unimaginative lot that we are, we have somehow managed to colonize much of the world.

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    Upper-class Victorians feared an overabundance of passion, believing it only complicated matters and, more dangerously, led to thoughts of unrealistic liaisons between persons of unequal social stations.

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    Thus the British Empire came into existence; and thus - for there is no stopping damp; it gets into the inkpot as it gets into the woodwork - sentences swelled, adjectives multiplied, lyrics became epics, and little trifles that had been essays a column long were now encyclopaedias in ten or twenty volumes.

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    Well, Maud made a mistake, let us say. Dolomore is a clown, and now she knows it.

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    Was it possible to be homesick for a soul?

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    Victorian rigidities were such that ladies were not even allowed to blow out candles in mixed company, as that required them to pucker their lips suggestively. They could not say that they were going "to bed"--that planted too stimulating an image--but merely that they were "retiring." It became effectively impossible to discuss clothing in even a clinical sense without resort to euphemisms. Trousers became "nether integuments" or simply "inexpressibles" and underwear was "linen." Women could refer among themselves to petticoats or, in hushed tones, stockings, but could mention almost nothing else that brushed bare flesh.

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    What do ladies wear beneath their riding trousers?" "I would think an infamous rake would already know." "I was never infamous. In fact, I'm fairly standard as far as rakes go." "The ones who deny it are the worst.

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    I am fascinated by history and particularly the Victorian era.

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    What if you should forget yourself in the excitement and just peddle straight through the park and out the other end?’ she warns. ‘If you keep your feet on the pedals and don’t stop, where might you end up?’ The idea appeals to Maud more than she can say. She doesn’t want to know where she may ‘end up’.

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    You have a spine of steel and fire in your eyes, Rosalie. To have such a quality, one must be shaken to the foundation of one’s soul and put back together. I want to know how you emerged from hell made of steel and fire.

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    You took Theo's title and his home," West continued in appalled disbelief, "and now you want his wife." "His widow," Devon muttered. "Have you seduced her?" "Not yet." West clapped his hand to his forehead. "Christ. Don't you think she's suffered enough?

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    What the hell is this stuff?" he muttered, frowning at the oily spot on the linen cloth. "Pearlman slathered it on me this morning." "It's macassar oil. Gentlemen use it to keep their hair neat. Nicholas used it," she added pointedly. "Well, tomorrow he's giving it up. I smell like a rotten apple." "You do not. And I think it looks rather nice." He sent her an incredulous look. "I look like an otter. And everything I put my head against gets greasy." "That's why someone invented the antimacassar," she told him, almost smiling. "The-aha!" He laughed as he made the connection. "Of course. First they invent something stupid, then something ugly to make up for it. We live in a wondrous age, Annie.

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    You make me burn with life, and yearn to set aside my cold and distant, solitary ways.

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    Abigail had no interest in the dolls themselves. Only in what she could keep from them.

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    An unhappy woman with access to weed killer had to be watched carefully.

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    All the carriages filed out in single file but in a fashion that seemed to mean that they were competing against each other. The only sound that could be heard for a while was the pounding of the horses’ hooves and the squeal and groan of the wheels against the road. Their hooves kicked up dirt, creating a storm of dust. Once the miniature storm and the sound of galloping horses subsided, I could only see one last person. He glared up at me and mouthed, “Next time.” Christopher dug his boots into Dawn’s muscled flank. She reared up and broke into a gallop through the sparse forest, heading for escape. The last trace of them was the particles of floating dust, bright like floating fire.

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    ...and yet, the only thing about this year, he thinks, the only times that he has been completely honest with himself are on the nights he's spent here. Only among the crowd of the failed has he felt comfortable living inside his own defeat.

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    As a general rule, political talk appears to me to be of all talk the most dreary and the most profitless.

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    But she had learnt, in those solemn hours of thought, that she herself must one day answer for her own life, and what she had done with it; and she tried to settle that most difficult problem, how much was to be utterly merged in obedience to authority, and how much might be set apart for freedom in working.

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    But what if Oscar—” “Breathes fire and threatens to cook you over a grill?” “I was thinking what if he gets mad, but I think your way works as well.” “Then you shall make for a tasty meal.

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    But the loneliness of her life had developed in her a sensitiveness which could not endure situations such as the present; difficulties which are of small account to people who take their part in active social life, harassed her to the destruction of all peace.

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    Confound it! It's just because nobody does anything that things have come to this pass!

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