Best 381 quotes in «melancholy quotes» category

After much effort to live up to a glorious standard there came fatigue, wan hope, and boredom. I experienced extreme boredom. I saw others experiencing it too, many denying, by the way, that any such thing existed. And finally I decided that I would make boredom my subject matter. That I'd study it. That I'd become the world's leading authority on it. March, that was a red-letter day for humanity. What a field! What a domain! Titanic! Promethean! I trembled before it. I was inspired. I couldn't sleep. Ideas came in the night and I wrote them down, volumes of them. Strange that no one had gone after this systematically. Oh, melancholy, yes, but not modern boredom.

A great melancholy was hanging in the air, giving their love a more languid, more tender feeling. It was like the love one feels before a separation, it was like love in a country where there is a war, in a town where epidemics are raging. A strong love, from feeling close to death. Here death reigned, it was as if the town were the Museum of Death. ("The Dead Town")

A happy clown inside spat out a pig-in-a-blanket and yelled at the cute waitress holding the tray. … I had to throw up but other than the banker’s suit forcing its way onto Elise’s face there really wasn’t an appropriate place for it.

A hand-rolled cigarette to smoke, Another one bought from the store. If he lights one, his mind's lit up Another one burns a hole..

Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?

All night dark wings flap in my heart, Each an ambition bird that wants to be dropped.

All the dreams I'd allowed myself to imagine were nothing but pages swept away by the wind.

And did with sighs their fate deplore, Since I must shelter them no more; And if before my joys were such, In having heard, and seen too much, My grief must be as great and high, When all abandoned I shall be, Doomed to a silent destiny.

A los ídolos es mejor no tocarlos porque algo de la pintura dorada que los recubría se nos queda siempre entre las manos

Ama aptallık ettim, iyi vakit geçirtmek yerine onu kasvete boğdum. Gerçekten de dünyanın şarkıcılara ve dansçılara kalması gerek! Gereksiz acılar, aylakça melankoli, boş pişmanlıklar! -Barbarları Beklerken

And, at such a time, for a few of us there will always be a tugging at the heart—knowing a precious moment had gone and we not there.

A mist is rolling over the fields. Why is a summer mist romantic and autumn mist just sad?

...and since, human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars

And truths, these days, are spoken The same way promises are made, With gritted teeth and crossed fingers.

And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real!

...and when we die we die alone I cry, I cry alone Like a piece of stone I am thrown into the wavy ocean of life to atone...to atone Only to atone...

And what the music elicits—in me, in most everyone who hears it and takes to it—is a strangely comforting, sensual melancholy, a gentle sadness, the kind that comes with soft rain. It’s the same for all truly great dark art. There’s a pleasure in seeing our shadows paraded beautifully. It’s liberating to find them so prettily decked out, a sort of reverse Halloween.

Anonymous > Quotes > Quotable Quote “I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting.

, And you, ye stars, Who slowly begin to marshal, As of old, the fields of heaven, Your distant, melancholy lines! Have you, too, survived yourselves? Are you, too, what I fear to become? You, too, once lived; You, too, moved joyfully Among august companions, In an older world, peopled by Gods, In a mightier order, The radiant, rejoicing, intelligent Sons of Heaven. But now, ye kindle Your lonely, cold-shining lights, Unwilling lingerers In the heavenly wilderness, For a younger, ignoble world; And renew, by necessity, Night after night your courses, In echoing, unneared silence, Above a race you know not— Uncaring and undelighted, Without friend and without home; Weary like us, though not Weary with our weariness.

...another comber of far pleasure followed the first, for his books came suddenly before his eyes, row upon row of volumes, row upon priceless row of calf-bound Thought, of philosophy and fiction, of travel and fantasy; the stern and the ornate, the moods of gold or green, of sepia, rose, or black; the picaresque, the arabesque, the scientific - the essays, the poetry and the drama. All this, he felt, he would now re-enter. He could inhabit the world of words, with, at the back of his melancholy, a solace he had not known before.

Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning she haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.

At such moments I don't think about all the misery, but about the beauty that still remains. This is where Mother and I differ greatly. Her advice in the face of melancholy is: 'Think about the suffering in the world and be thankful you're not part of it.' My advice is: 'Go outside, to the country, enjoy the sun and all nature has to offer. Go outside and try to recapture the happiness within yourself; think of all the beauty in yourself and in everything around you and be happy.' I don't think Mother's advice can be right, because what are you supposed to do if you become part of the suffering? You'd be completely lost. On the contrary, beauty remains, even in misfortune. If you just look for it, you discover more and more happiness and regain your balance. A person who's happy will make others happy; a person who has courage and faith will never die in misery!

A person's true character lies somewhere until after you might have pressed the wrong button without knowing, then you'll realize that there are dogs in human form.

Artists hide their identities in the brushstrokes of their paintings, the verses in their cantos, and the sentences in their novels. The true face of an artist is never on his face and this is what he prefers. Others misunderstand this displaced melancholy with an absence of melancholy.

As he made his way back to his home on the Dijver, along the canals, beside the calm waters, Borluut felt his regret, his remorse at having divulged his worries grow at the sight of the noble swans, sealed-in snow, which, prisoners of the canals, prey to the rain, the sadness of the bells, the shadow of the gables, have the modesty to remain silent and only complain, with a voice that is almost human, when they are about to die...

Ay, in the very temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine; His soul shall taste the sadness of her might, And be among her cloudy trophies hung.

But every time my thoughts reached this point, every time, my desire to speak would vanish. And so we remained precisely as we were, making no waves, at a standstill.

But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes.

Concha would cry when she found out I was dead, she should have no taste for life for months afterward. But I was still the one who was going to die. I thought of her soft, beautiful eyes. when she looked at me something passed her to me. But I knew it was over: if she looked at me now the look would stay in her eyes, it wouldn't reach me. I was alone

But when she finally got the wings to fly she realized she had nowhere else to go to...

Cram them full of noncombustible data, chock them so full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.

Credinţa zugrăveşte icoanele-n biserici - Şi-n sufletu-mi pusese poveştile-i feerici, Dar de-ale vieţii valuri, de al furtunii pas Abia conture triste şi umbre-au mai rămas. În van mai caut lumea-mi în obositul creier, Căci răguşit, tomnatec, vrăjeşte trist un greier; Pe inima-mi pustie zadarnic mâna-mi ţiu, Ea bate ca şi cariul încet într-un sicriu. Şi când gândesc la viaţa-mi, îmi pare că ea cură Încet repovestită de o străină gură, Ca şi când n-ar fi viaţa-mi, ca şi când n-aş fi fost. Cine-i acel ce-mi spune povestea pe de rost De-mi ţin la el urechea - şi râd de câte-ascult Ca de dureri străine?... Parc-am murit de mult.

Cyrano: The leaves--- Roxane: What color---Perfect Venetian red! Look at them fall. Cyrano: Yes---they know how to die. A little way From the branch to the earth, a little fear Of mingling with the common dust---and yet They go down gracefully---a fall that seems Like flying!

Dass man, wenn man sehr müde ist, sagt, man sei todmüde, fiel mir ein, und dass man, wenn man todmüde ist, doch voller Leben ist, und wenn man lebensmüde ist, schon dem Tod nahe.

Death wasn’t something to romanticize. It was something to stave off, to avoid, to fight as long as possible. Even though she had her battles with melancholy, she never seriously considered suicide. Something in her trusted that there would be an upswing and it would be worth waiting for.

Cut my life into pizzas. this is my plastic fork. oven baking, no breathing, dont give a fuck if its carbs that i'm eating' -Catherine Spann

Depression is melancholy minus its charms.

Det finnes ingen helter. Bare folk som gjør så godt de kan.

Did you know that ninety percent of your average household dust is composed of human epidermal matter? That's skin, to you." Perhaps this explains your sense of Amanda's omnipresence. She has left her skin behind.

Doesn’t it make you melancholy—looking at the stars?

Broken Melody Broken melody — tear sparkling in the eye Of a woman loved… Please past, Jewel lost, A trampled dream Lips unkissed In the broken melody. With silent sobs the naked shoulders shake, Their whiteness dazzling… Stabbed, stabbed with remorse For the moments of mindlessness, For her ruined fate, For the happiness lost In the broken melody. Face hidden in her hands in shame, Remorsefully the woman weeps, With heart despairing (A broken guitar, A voice stifled On lips kissed by pain In the broken melody). Silent he stands beside the woman weeping Scolding tears of shame That dim her eyes. Some money on the table quickly lays And goes away, Leaving the woman lost In the broken melody. But when another comes, lust mounts again, The heated blood Pounds furiously through the veins, Benumbing mind … and only gasps And grants are heard In the horrid melody. (Translated by R.Elsie)

Depression is our way of telling ourselves that something is seriously wrong and needs working through and changing.

En als de vliegers weg zijn dan is het droefste in uw leven dat ge zooveel menschen hebt gekend, en dat ge die nooit meer zult horen of zien.

Dogs were generally incompatible with melancholy.

...encontré una tacita de porcelana que se había caído de un poste. Recordé que cuando eramos chicos las rompíamos con la honda y eso me dio un poco de tristeza. Sin saber por qué me la guardé en el bolsillo y la fui acariciando con los dedos mientras pensaba en los tiempos del colegio, cuando creía que tenía una vida por delante.

(Episode 9. Hijikata finds Gintoki on a rooftop and challenges him to a duel to avenge Kondo's defeat earlier. Gintoki doesn't want to fight him, so breaks Hijikata's sword easily, and leaves. It's then revealed that Okita and Kondo had been watching them clash, from another rooftop.) Okita Sougou: "He's an interesting man. I'd like to cross swords with him, myself." Kondo: "Don't bother. He'll kick your ass, Sougou." "He's the kind of guy fighting another battle far away, even as a sword swings at his throat." "Fair or unfair, it doesn't matter to him." (Not knowing that Kondo & Okita were watching his duel from a high vantage point, Hijikata lights a cigarette and sits back.) Hijikata (watching the blue sky above him): "Sorry, Kondo-san. I lost to him, as well ...

En un mundo sin melancolía, los ruiseñores se pondrían a eructar.

Era un pustiu în mine, fără sfârșit; șuiera vântul, ardea soarele Saharei în mine, mă acoperea nisipul. Era urât și rău în mine, aș fi preferat să mor de o mie de ori ca să nu mai simt pustiul acela.

Et jamais je n’ai senti, si avant, à la fois mon détachement de moi-même et ma présence au monde

Es war mir unmöglich, die wahre Bedeutung dieser Melancholie zu begreifen, die seine Persönlichkeit prägte und deren Schattenspiel mich faszinierte.