Best 170 quotes in «endings quotes» category

So endgames are naturally messy. They may not be very dynamic, but when an active war is shutting down, there is still a lot of cleaning up to do. It may sound grim, but that's what it looks like. There are broken things everywhere, wounds and corpses, general messiness. Things collapsing due to zemblanity forces that have been set in motion but are too large to control.

So for now, I will miss you like I’ll never see you again, And the next time I see you, I will kiss you like I’ll never kiss you again, And when I fall asleep beside you I will fall asleep as if I’ll never wake up again, because I don’t know if I will. I don’t know if I will. - I Will Love You Like The World Is Ending

So happy ending all round, more or less. I know you’re relieved. But much as we might imagine we can leave the past behind, it has a nasty way of pressing its hoary old face against the window just as we are sitting down to the feast.

Somehow knowing the end doesn't make it less painful!

Somehow I never finish what I start, I always end up ending it.

Sometimes ends are in fact beginnings; beginnings ends.

Sometimes endings came long before the story was told.

Sometimes painful endings bring the best new beginnings.

Sometimes the end is a fresh start in disguise.

Sometimes things end worse for one side than the other. These 'injured parties' always seem to see themselves as victims of a moral outrage. They never feel simply rejected, but also abused. I've known many women who were great believers in the curative powers of indignation.

Ten times a day I am compelled to reflect on my past life ... and I can never justify to myself the spending of four years on dramatic criticism. I have sworn an oath to endure no more of it. Never again will I cross the threshold of a theatre. The subject is exhausted; and so am I. I am off duty forever, and am going to sleep.

Surely you know that whatever the play, the curtain always falls at the end.

Spring is proof that there is beauty in new beginnings.

That mesh of leaves and twigs of fork and froth, minute and endless, with the sky glimpsed only in sudden specks and splinters, perhaps it was only there so that my brother could pass through it with his tomtit’s thread, was embroidered on nothing, like this thread of ink which I have let run on for page after page, swarming with cancellations, corrections, doodles, blots and gaps, bursting at times into clear big berries, coagulating at others into piles of tiny starry seeds, then twisting away, forking off, surrounding buds of phrases with frameworks of leaves and clouds, then interweaving again, and so running on and on and on until it splutters and bursts into a last senseless cluster of words, ideas, dreams, and so ends.

The anxiety, which in this state of their attachment must be the portion of Henry and Catherine, and of all who loved either, as to its final event, can hardly extend, I fear, to the bosom of my readers, who will see in the tell-tale compression of the pages before them, that we are all hastening together to perfect felicity.

That's the thing they never tell you about love stories: just because one ends, that doesn't mean it failed. A cherry pie isn't a failure just because you eat it all. It's perfect for what it is, and then it's gone. And exchanging the truest parts of yourself--all the things you are--with someone? What a slice of life. One I'll carry with me into every single someday.

The beginning is the best time to think about the end!

The beauty of life isn't the perfectioned moments or storybook endings; the beauty of life is when you fall flat on your face, the Lord picks you up, then you look around and cheer, after all, a merry heart is the medicine!

The fear that all this will end. The fear that it won’t.

The end is never the end. It's always the the beginning of something.

The best endings resonate because they echo a word, phrase, or image from earlier in the story, and the reader is prompted to think back to that reference and speculate on a deeper meaning.

The end for us came with a knock on my window.

The end is always the same. That's why what we do does matter. Good or bad, we die. If we bring some light and prosperity into the world, isn't that better than there being less light?

The end of things, the real end, is never a neat turn of the screw, never a door that is suddenly shut, but more like an atmospheric change, clouds that slowly gather - more a whimper than a bang.

The most important thing is this: to sacrifice what you are now for what you can become tomorrow.

The hour of spring was dark at last, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I’ll say it once and true... From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.

The imitation lives we see on TV and in the movies whisper the idea that human existence consists of revelations and abrupt changes of heart; by the time we’ve reached full adulthood, I think, this is an idea we have on some level come to accept. Such things may happen from time to time, but I think that for the most part it’s a lie. Life’s changes come slowly…the whole idea of curious cats attaining satisfaction seemed slightly absurd. The world rarely finishes its conversations.

The irony of life Is our greatest fear is to forget, Yet it's the only certain fate That anything has ever met. We know one day our earth Will find itself victim to time, That nothing will be left To tell of your story or mine, And still through life we rush Scrambling for something to remember, Perish the thought that ash be ash And not the memory of an ember.

The greatest challenges humans face throw-out their lives are two: 1- the challenge of where to start 2- the challenge of when to stop

The inimitable stories of Tong-King never have any real ending, and this one, being in his most elevated style, has even less end than most of them. But the whole narrative is permeated with the odour of joss-sticks and honourable high-mindedness, and the two characters are both of noble birth.

Then he lets go and walks down the path, without another word. He doesn't look back. But I watch him go. I watch him all the way home.

The problem with books is that they end.

The owl of Minerva begins its flight only with the coming of the dusk.

The process which had begun in her - and in he a little earlier only than it must come to all of us - was the great renunciation of old age as it prepared for death, wraps itself up in its chrysalis, which may be observed at the end of lives that are at all prolonged, even in old lovers who have lived for one another, in old friends bound by the closest ties of mutual sympathy, who, after a certain year, cease to make the necessary journey or even to cross the street to see one another, cease to correspond, and know that they will communicate no more in this world.

The only end some things have is the end you give em.

There’s a trick to the 'graceful exit.' It begins with the vision to recognize when a job, a life stage, or a relationship is over — and let it go. It means leaving what’s over without denying its validity or its past importance to our lives. It involves a sense of future, a belief that every exit line is an entry, that we are moving up, rather than out.

There are lots of love stories here," she says. "They either end happily, or everyone dies." She laughs, but it sound more like a sob. "What else is there, right?

There is always more after the ending. Always the next morning, and the next. Always changes, losses and gains. Always one step after the other. Until the one true ending that none of us can escape. But even that ending is only a small one, larges as it looms for us. There is still the next morning for everyone else. For the vast majority of the rest of the universe that ending might as well not ever have happened. Every ending is an arbitrary one. Everything ending is from another angle, not really an ending.

This was it. The beginning of the blasted end.

There's things that have no finish, Scully, no ending to speak of. There's no justice to it, but that's the God's truth. The only end some things have is the end you give em.

The windblast sent people to the ground. A thunderhead of smoke and ash came moving toward them. The light drained dead away, bright day gone. They ran and fell and tried to get up, men with toweled heads, a woman blinded by debris, a woman calling someone’s name. The only light was vestigial now, the light of what comes after, carried in the residue of smashed matter, in the ash ruins of what was various and human, hovering in the air above. He took one step and then the next, smoke blowing over him. He felt rubble underfoot and there was motion everywhere, people running, things flying past. He walked by the Easy Park sign, the Breakfast Special and Three Suits Cheap, and they went running past, losing shoes and money. He saw a woman with her hand in the air, like running to catch a bus. He went past a line of fire trucks and they stood empty now, headlights flashing. He could not find himself in the things he saw and heard. Two men ran by with a stretcher, someone facedown, smoke seeping out of his hair and clothes. He watched them move into the stunned distance. That’s where everything was, all around him, falling away, street signs, people, things he could not name. Then he saw a shirt come down out of the sky. He walked and saw it fall, arms waving like nothing in this life.

The work of existence devours its own unfolding. What dissolves will dissolve-- you, reader, and I, and all our quick angers and longings.

This got me thinking about endings and how the final moments of a story can color our entire perception of a narrative. But endings aren't the epitome of a story; they are just how it stops. The real story is the middle: the ups and downs, the lefts and rights. There are so many directions a story can go, and it's that meaty middle that gives us insight in what is truly going on.

There's nothing on Earth like really nailing the last line of a big book. You have 200 pages to tickle their fancy, and seven words to break their heart.

There were never going to be any happy ending for me. I know that now. But that is all right. That is all right.

The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields. Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate.

The terrible truth about endings is that they are always closer than you think.

This is true: if there was one thing my father taught me, it's that endings never work out the way you want them to--that they're terrible, and this one is no different. They're like the last drops of wine, the final puffs of a cigarette. They're Sunday nights, or the last afternoon of summer. They're flat tires and wet pairs of socks and cold dinners. They're the sort of thing that--no matter the effort, no matter the discipline--no one can get right.

Those are such beautiful words aren't they? Happy ending?" Lilly says. They are. They so are. But after all she's seen, Nash doesn't know if she believes in those particular words. She believes in something intricate and thorny, she thinks then. What she believes is that the story goes on.

Well, everything comes to an end, sooner or later," she said. "Everything begins and ends. Everything changes.