Best 156 quotes in «colors quotes» category

Little by little, brushstrokes spell out my story on canvas.

Loan me a canvas and I will let down my guard. Loan me a paintbrush and I will reach into my soul. Loan me jars full of colors and I will submerge in a sea of possibilities. Loan me the time and you will see infinite versions of my being re-born.

Look', she said. It's going to be a beautiful sunset. Shall we stay out and watch it?' 'All right,' I said, and we stayed there on the lawn for quite awhile, arms around each other's waists, first watching the bright colors come up in the sky, then watching them fade to ashes of gray.

Millions of colors spring up from behind his eyelids, lighting up the dark world like a thousand urns pouring out of the sun.

Maybe one day the smears of paint Harley left throughout Godspeed will fade, and maybe the stars never will, but i'd rather have Harley's colors.

Mulan stared at the steaming liquid, watching the dried leaves swirl to the bottom. How beautiful the tea looked, too- she'd never seen tea so colorful. Reds and pinks swirled in with amber and blue- like the mesmerizing patterns on a butterfly.

My stomach gave a violent start and turned into a hunk of ice. The world was spinning around me, and blobs of faces and visions of things past were dancing in the red mist that covered the lot. It swirled into a mass of colors and I felt myself swaying on my feet. Someone cried, "Glory, look at the kid!" And the ground rushed up to meet me very suddenly.

my dear, I have nothing to say. my heart burns like the evening sky.

NEVER BE SO BUSY BEING THE LIGHT FOR OTHERS THAT YOU NEGLECT TO SHINE ON YOURSELF

Never close your mind to a color. Remember, too, that texture is an important element. The same dress in the same shade of red may look wonderful on you in soft velvet but too harsh in a hard-finished taffeta. Think in terms of color combined with texture, not of one or the other independently.

NEVER LIVE A LIE BECAUSE "THEY" WON'T ACCEPT YOUR TRUTH!

Noa sleeps with the curtains open, allowing as much moonlight as possible to flood her bedroom, allowing her to see each and every picture on the walls, if only as a pale glimmer. It took Noa weeks to perfect the art display. Reproductions of Monet's gardens at Giverny blanket one wall: thousands of violets- smudges of purples and mauves- and azaleas, poppies, and peonies, tulips and roses, water lilies in pastel pinks floating on serene lakes reflecting weeping willows and shimmers of sunshine. Turner's sunsets adorn another: bright eyes of gold at the center of skies and seas of searing magenta or soft blue. The third wall is splashed with Jackson Pollocks: a hundred different colors streaked and splattered above Noa's bed. The fourth wall is decorated by Rothko: blocks of blue and red and yellow blending and bleeding together. The ceiling is papered with the abstract shapes of Kandinsky: triangles, circles, and lines tumbling over one another in energetic acrobatics.

Never had there been a time when sound, color, and feeling hadn’t been intertwined, when a dirty, rolling bass line hadn’t induced violets that suffused him with thick contentment, when the shades of certain chords sliding up to one another hadn’t produced dusty pastels that made him feel like he was cupping a tiny, golden bird. It wasn’t just music but also rumbling trains and rainstorms, occasional voices, a collective din. Colors and textures appeared in front of him, bouncing in time to the rhythm, or he’d get a flash of color in his mind, an automatic sensation of a tone, innate as breathing.

Nimium ne crede colori

None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.

Not settles herself in the farthest reaches of the gallery, admiring the work of an artist she hasn't seen before. The canvases are large and dark, great splashes of royal blue on black, what appear to be deep purple seas beneath deep red skies. They remind her of Turner's tranquil sunsets, with a slightly sinister edge, as if sharks swim in the purple seas and black crows caw through the red skies.

No one is an outside observer of nature, We're defined by our environment and our interaction with that environment -- by our ecology. And that ecology is necessarily relative, historical and empirical.

Not until I felt your sunshine, Did I realize that I had been in the shade. Not until I saw all your colors, Did I realize that mine had faded. Not until I heard your dreams, Did I realize that I was still sleeping. And not until I experienced my life with you, Did I realize that I was barely Breathing. NOT UNTIL I MET YOU by Suzy Kassem Copyright 1993

O Heavenly Children, God's messengers are as limitless as the fish in the sea. They come in all colors, regions, languages and creeds. But their message is one and the same, don't you see? He only wishes to unite all His children under one family tree.

Outside the windows, everything is getting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night.

Oh Paris From red to green all the yellow dies away Paris Vancouver Hyeres Maintenon New York and the Antilles The window opens like an orange The beautiful fruit of light ("Windows")

Paint the sky of life with colors that only you can create!

Several minutes later, Tomiko met me at the top of the stairs in her wedding kimono. She was totally transformed. Out of her blue jeans, loose shirt, and bulky sweater, she radiated femininity. The kimono elongated her torso and created a smooth cylinder from neck to toe, the hallmark of a beautiful Japanese figure. A striking navy obi with red, yellow, white, and turquoise chrysanthemums hugged her waist. A flirtatious cream collar peeked out from under the pale peach robe. The sleeves were just high enough to expose a sensual swatch of skin above her wrist. When she moved her arm, the inner fold revealed an erotic flash of scarlet and white silk.

People flocked like lemmings to the water's edge all across Michigan's vast coastline every pretty summer evening to watch the spectacular sunsets. They were marvelous spectacles, a fireworks display most nights- a kaleidoscope of color and light in the sky, white clouds turning cotton candy pink, Superman ice cream blue, and plum purple, the sun a giant fireball that seemed to melt in the water as it began to slink behind the wavy horizon. Sunsets are one of our simplest and most profound gifts, Sam remembered her grandma telling her years ago as they walked the shoreline looking for witches' stones- the ones with holes in them- or pretty Petoskeys to make matching necklaces. They remind us that we were blessed to have enjoyed a perfect day, and they provide hope that tomorrow will be even better. It's God's way of saying good night with His own brand of fireworks.

People observe the colors of a day at its beginnings and ends, but to me it's quiet clear that a day merges through a multitude of shades and intonations, with each passing moment.

She had baked a simple round vanilla sponge cake in two layers with crimson icing between the layers. Then she had coated the cake with a vibrant turquoise blue icing. Across the top she had created a loose, open, basket-weave design in bright yellow bordered with piped yellow stars alternating with crimson stars, and she was now finishing off by piping scrolls of crimson around the base of the sides. It would be a handsome cake: beautiful, but at the same time masculine.

She had expressed herself, as women will, in a smug broadside of pastel shades. Nothing clashed because nothing had the strength to clash; everything murmured of safety among the hues; all was refinement.

She had never known that ice could take on so many shades of blue: sharp lines of indigo like the deepest sea, aquamarine shadows, even the glint of blue-green where the sun struck just so.

Since moving to the Castle, she'd discovered that only the white men talked of "black magic." As though magic had a color.

She sheltered her colors in the dark, where others were blind to see; I caught a glimpse of her lastly when she gave me a chance, before disappearing into the day. There was beauty locked in her that unfolded like an umbrella's claw, her true self that desired compassion, trust, protection and the potential to soar. But I missed to late, that what I wasn't looking for, when she left her reasons in the rain.

Since the human brain processes light categorically into redness, greeness, blueness, and yellowness, this means that we are only able to see other colors as limited combinations among these four (we can't see red-greens or blue-yellows)

Some kids are black, or brown - some kids are red, and others white. Kids come in all different colors, shapes and styles - beautiful and bright!

Some colors exist in dreams that are not present in the waking spectrum.

Somehow, impossibly, the interior of the space we’re in is coated in ice. It shines as light from above cascades down on it, reflecting and refracting, spinning different colors with every new facet of itself. There are planes and crags of it around the walls, with parts of it worked smooth, while others are ragged and shifting.", FADE by Kailin Gow

so sing, you birds for the fever is about to rise and the empty stalemate is over let the colors bleed back into you and let the dead be buried for another year. from "let the colors bleed

Somewhere on the world was the Emperor's palace, set amid one hundred square miles of natural soil, rainbowed with flowers.

...So the next time you hear that voice telling you, 'you cannot paint', just see that you pick up that brush and paint alright! Creativity is all about making mistakes, and a true artist knows which blotches to keep and which ones to veil in layers of paint.

Style is obviously important in Haiti. A lot of people wore bright colors and neatly pressed shirts. The taxis and billboards were beautiful. Haiti is not afraid of color. And texture. And depth. The young people looked fierce and bored. They looked like pure energy. There was true aesthetic but also a palpable darkness. I mean, let's get real. Kids are slaves here. Kids are bought and sold and put to work.

The Gray soldiers prowl the cities ensuring order, ensuring obedience to the hierarchy. The Whites arbitrate their justice and push their philosophy. Pinks pleasure and serve in highColor homes. Silvers count and manipulate currency and logistics. Yellows study the medicines and sciences. Greens develop technology. Blues navigate the stars. Coppers run the beauracracy. Every Color has a purpose. Every Color props up the Golds.

Sunrises and sunsets were breathtaking moments in his life. Moments of exhilaration and ecstasy. Deeply moving moments when he would dream. Dreams that splashed myriad colors on his mind's gray canvas!

The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine.

The beauty of your passion is in the colours of your belief.

The future is a blank canvas. - not Yogi, Michael Hyatt or Lewis H. Lapham (the correct author is Suzy Kassem according to the U.S. copyright office).

The canopy of the woods was spread out beneath me and it looked as if autumn had taken a great torch to the trees, burnishing them gold, red, and bronze.

The fruit alone inspired him. In the heat of summer there were mirabelles from Alsace: small and golden cherries, speckled with red. And Reine Claude from Moissac, sweet thin-skinned plums the color of lettuce touched with gold. In August, green hazelnuts and then green walnuts, delicate, milky and fresh. And of course, for just a moment in early fall, pêches de vigne, a rare subtle peach so remarkable that a shipment was often priced at a year's wages. And right before winter, Chasselas de Moissac grapes: small, pearlescent, and so graceful that they grow in Baroque clusters, as if part of a Caravaggio still life.

The peach gown she'd chosen was the color of the sunrise, the rippling watered silk seeming to subtly change from rose to pink to nearly orange in different lights. She'd fallen in love with it at once.

The oblong, one-layer cake was coated in powder-pink frosting. Around the sides of the cake the pink was decorated with white frills resembling lace. Both the top left corner and the bottom right corner of the upper surface were adorned with lilac roses and white rosebuds tipped with strawberry pink. And across the center of the cake, starting at the bottom corner on the left and sloping up towards the top corner on the right, was the baby's name in lilac cursive script: "Perfect.

The roses bloomed, thousands of them in a floral amphitheater, blossoms shading from gold and coral at the top of the garden to scarlet and deep pink on tiers below. At the bottom, in the center of the rosy congregation, the palest apricots and ivories perfumed the air.

There are times today when Rachel looks at Zach and sees an effusion, she sees him in colours of yellow and blue, sun and sky. She sees the yellow crew-neck jumper and blue jeans the boy of eight years old appeared in the day he came to Chelsea from the Coram Family via the two or three previous fosterers who returned him there, defeated, pronouncing him uncommunicative and maladroit in the extreme, animal, said one; unruly. So why this boy? For Katya the fractious? Of all the orphan boys in the world, why him? Of all potential mothers, why Katya? What did she see? Everyone has a part and a destiny. Rachel remembers the yellow jumper the boy rarely removed, even after the family shopping spree for a new wardrobe at Harrods followed by lunch in a restaurant with napkins large as small tablecloths, and heavy cutlery and wine for Katya and Lev and a pervasive daunting hush. Zach had never been to a restaurant before and chose spaghetti, because he knew what it was. He ate it with knife and fork. On the day he arrived in Chelsea, he stopped in the vestibule to slip his feet from lace-ups without undoing the bows, removing his shoes with institutional efficiency, left hand still held in Katya's right. Rachel sees that boy still, blue and yellow. Sky and sun.

There were ceramic teapots in aubergine, mustard, and midnight blue (good for one, sweeter still when shared between two drinkers); and forty small, thin glasses with curved handles, set in gold- and silver-plated holders etched with arabesque swirls. Bahar gingerly lined the tea glasses up on the counter where the cappuccino machine had been stationed. She tucked the teapots into the counter's glass-paneled belly, where they sat prettily next to twenty glass containers of loose-leaf teas, ranging from bergamot and hibiscus to oolong.