Best 16412 quotes in «trying quotes» category

When I photograph, I try to use my instincts as much as possible. It is when pictures are unconsidered and irrational that they come to life; that they evolve from showing to being.

When I record an album I'm trying to get as close as possible to that perfect moment.

When I returned to short stories, I'd started working on what is still central to much of what I try to do: putting myself in the place of the alien rather than describing it from an outside point of view.

When I perform, I like to immerse myself in the music, and I just try to get off on the diversity of music.

When I played God Bless The Queen, I was wondering if they was gonna dig us, then quite naturally I'd go on and try to get it together.

When I rest, I rest and when I work, I work hard and sometimes for long hours. I always try to be rested when I work.

When I record, it feels like I'm in a bubble. There's nothing else in my head right then. It's just that song, and I'm trying to really sound like what the song is about.

When I repent, here is where it starts. I try to name my sin as honestly and as specifically as possible. Here is what repenting is not. It is not excusing my sin, minimizing my sin, it's not rationalizing my sin ... Repentance is getting painfully honest with God.

When I run into disappointment - say, for example, not getting a role I'd hoped for - I just try not to take it personally.

When I sit at that typewriter, I have to be frightened of what I'm trying to do. I'm frightened by my own belief that I can actually get a story down on paper.

When I see my opponent, I begin to shake uncontrollably. Once he hits me, I think to myself, you just hit Wanderlei Silva, how dare you hit Wanderlei Silva. Then I try to kill them.

When I see old photos of me on the beach I don't look too bad... but it's hard trying to breathe in for such a long time when I spot the photographers!

When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.

When I sat on the chair at 5-0, I was like, 'Okay, now you can try to break her, and if not, you have the serve.' So I was a little bit more relaxed since I had a few chances to do that. But I still knew I could break her. Then suddenly I did a winner from the backhand, and I was so happy. I didn't really know what was going to happen, and I just had tears in my eyes, I was just so, so happy.

When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.

When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.

When I sing, I try to live the song or live the emotion of the song. The space I'm in doesn't exist. It's another world.

When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.

When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.

When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.

When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.

When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.

When it becomes hard for me not to eat bad food, I try to think about what I have to do and what is ahead of me and what I want to achieve.

When it comes to breaking old habits and starting new ones, remember to be patient with yourself. If you've spent twenty, thirty, or forty years or more repeating the behaviors you're now trying to change, you've got to expect it's going to take time and effort before you see lasting results.

When it becomes necessary to do a thing, the whole heart and soul should go into the measure, or not attempt it.

When it comes to conservative social issues, it saddens me when sometimes my fellow Republicans duck and cover in the face of pressure from the left. Our loudest opponents on the left are never going to like us so let's quit trying to curry favor with them.

When it comes to cooking and eating, I always try to preach that life is about moderation. Even if I'm having beef for dinner, it's probably going to be a 3-4 ounce portion with heaps and heaps of vegetables.

When I talk to different lawmakers, I'm trying to get them to reach across the aisle. There's legislation out there that would be helpful for women and families, but like with the Paycheck Fairness Act, legislation has been on the floor many times, and voted down many times. It's something we need to get passed already.

When it comes to how much attention something gets or how much attention it draws, I really kind of just try to expect nothing at this point. Whatever it turns into, it turns into.

When I think back on it, I have a sense of relaxation, as if in the seventies no one had to try to be anyone other than who they were. I'm sure that's not really true, but that's how I remember it, and I suppose it might be relatively true.

When I tried to grasp at either what I love or what I hate, I destroyed the very ability of being able to really penetrate the essence of either. By trying to understand it, I would just crush it.

When I try to get work in the US all they say is that I need to lose weight - but I bet they never said that to Mae West.

When it comes to trying to manage how our entire planet-wide market and all the people and businesses in it deal with nature and our natural resources - we first and foremost need to change the incentives.

When I think of my past, I try to dwell on the good times, the happy moments, and not to be haunted by the bad. . . To me the gift of life is contained in the command, whatever happens: "Don't let it get you. Just keep on going." Thus, I try to think of the good that I have already experienced and what will still be coming.

When I took off from Providence, my only professional aspiration was what it had always been: I wanted to be a sportscaster. By the time I landed in the desert, I knew I would spend the rest of my life trying to be a writer.

When I tour, it's like, well, like a food tour as much as a comedy tour. I try to eat at all the weird places, the obscure barbecue joints, burger places. There are a few spots in L.A. that I'm obsessed with - one of them is the Taco Zone taco truck on Alvarado. There are secret off-menu items that are amazing.

When I try to brush the road dust off of me and untangle all the wires in my head, I'm usually surrounded by music on a boat. But that's not how I wake up every day.

When I try to describe myself to God I say, 'Lord, remember me? Black? Female? Six-foot tall? The writer?' And I almost always get God's attention.

When it finally came my way and doors opened up for me to do it and to be on stage, it felt like a natural thing to try out. And it just so happened to speak to me. I really couldn't do what I needed to do in the most fulfilling way in Hayward, Calif., or in the Bay Area, that it required me to go off to NYU.

When I told him on the phone that after all you and I would not be getting married, he said "Oh-oh. Do you think you'll ever manage to get another one?" If I'd objected to his saying that he would naturally have said it was a joke. And it was a joke. I have not managed to get another one but perhaps have not been in the best condition to try.

When I told you I wanted to try, I spoke the truth. When I turned away, it was for my former court, and when I tried to make another faery love me, it was for that court. I’ve lived for my whole life trying to bring the Summer Court back to the strength it once was. In all of those years, in centuries , I’ve only wished myself free of duty because of one reason. You.

When I try to analyze my own cravings, motives, actions and so forth, I surrender to a sort of retrospective imagination which feeds the analytic faculty with boundless alternatives and which causes each visualized route to fork and re-fork without end in the maddeningly complex prospect of my past.

When I trip, I feel like that's the world saying come here for a second. It just pulls me closer for a second, yeah what do you want? I just want to remind you that you're uncoordinated. I'm aware of that, thank you... can I go now? Yeah, you can go, but never ever try to outrun me. Ok, world, see you later. Yeah, I'll see you in about 50 years.

When I try to sound like the contemporary sound, it never turns out that way. That's just me.

When I try to use incantations at work i often find they have no effect and my coworkers just laugh at me.

When I try to portray to myself my heart's desire, nothing happens.

When I try to speak perfectly then I am not Jackie Chan anymore. Some words sound like I am trying too hard. The whole thing is not me.

When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.

When I try to outline the history of ethical life, it's sometimes possible to find evidence for a hypothesis about how important transitions actually went. Often, however, that isn't so. There are many facts about human life in the Paleolithic we're never likely to know.

When I was 13 and 14, there were a lot of jokes about my bar mitzvah and my grandparents, and then when I got older, it became more about touching boobs and trying to get liquor, you know? I kind of ran the gamut of infantile behavior... And I haven't moved one step forward since.