Best 16412 quotes in «trying quotes» category

I probably have traveled and walked into more variety stores than anybody in America. I am just trying to get ideas, any kind of ideas that will help our company. Most of us don't invent ideas. We take the best ideas from someone else.

I probably shouldn't do a straight drama. I'd probably ruin it. I don't know. But, I'd love the opportunity to try. I'm sure that every kind of filmmaker feels that they can do other genres of film and want to, and I feel the same way.

I punished myself and avoided my reflection in mirrors and any windows. I would see myself reflected back, and I would look away, trying to pretend I didn't exist, because I hated myself so much.

I pretend I am a princess,so that I can try and behave like one.

I probably had some impact, because everyone keeps telling me that I did. I like to feel like I'm coming out with something to try to make room for other young women to make their art.

I pretty much stay true to myself and try to find the good in people and not be snarky.

I probably do the most for the gay and lesbian community, or LGBT, but I don't have one that I focus on. I just try and kind of do a lot for different charities.

I probably live in the best province for independent filmmakers. Manitoba has a sort of thieving-magpie approach, trying to lift productions from other provinces as well as from other countries. It makes it very hard for me to leave.

I procrastinate in spades. In my defence, I also try to have all other distractions solved before I can concentrate on writing. My small theory is that to write for three hours, you need to feel like you have three days. To write for three days, you need to feel like you've got three weeks, and so on.

I promise you, a lot of it is luck. But you make your own luck by working really hard and trying lots and lots of things.

I pulled myself up and told myself to stop these ridiculous thoughts, wondering why it is that we can never stop trying to analyse the motives of people who have no personal interest in us, in the vain hope of finding that perhaps they may have just a little after all.

I purposely try to hire people who are really self-motivated and good at what they do, and then I just leave them alone.

I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.

I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said 'What play was that?' and he said 'It was your line, you said it about a hundred and fifty times in The Vertical Hour.'

I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.

I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.

Iran is five to 10 years away from having a nuclear weapon. We have time to try diplomacy.

Iran is taking over Iraq. They've been trying to for many, many decades. And now they're finally taking over Iraq. As we sit here, they're taking over Iraq. We get nothing.

I read a lot. I especially read memoirs and biographies. It's very helpful when you're thinking about what's possible and what exists in human behavior; if it exists out there then it can exist on the stage. I really try to go to a lot of concerts. A lot of live events. I just try to keep my ears really, really open.

I read a lot of books. So, usually when I go home I try to re-charge my batteries and absorb new stories to become inspired again.

I read an interview with a Japanese freestyle jazz musician once, and he said something like, "Everything I'm going to tell you is not going to be true." He's not saying, "I'm trying to lie to you." But he's kind of saying that you can never say what something really is.

Iraq today does have a chance to shape its own future. They may not do that, or this generation may not do that. But maybe the next one will, I don't know. They may try and fail, and stumble, get up and fall back.

I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.

I rarely feel like I'm in chaos, but when I am, I usually [retreat] and try to find the eye of the storm; if I'm still and listen and don't engage, maybe the chaos will subside.

I reach readers rather unintentionally, I think, and those readers likely connect with the slant, the off-kilter, the part of the road you can barely see from the well-traveled road. So, when I'm writing, I'm not thinking about audience at all. Instead, I'm trying to see behind those shrubs, down that hidden path. We're the weirdos of the world and there are so many weirdos.

I read a Bruce Lee quote that shifted how I'm trying to live my life right now. He said, "Some targets are only meant to be aimed at." Right? And I took that to mean a shift for myself from goal orientation to path orientation.

I rationalize out, well, how much help could you really be, you know? And maybe if people saw this, they'd realize the brutality of war and figure out there's got to be some better way than killing human beings who are just trying to farm a field.

I read and watch movies. I can't go to the movie theater much anymore, though, because I get recognized. It's worse sometimes if I wear a costume and try not to get recognized. I watch most of my films on airplanes

I read papers, try to watch news programs on television, but, as a rule, recorded. During the day I have no time for that, so I watch something taped. As for the newspapers, I try to get through them every day. Additionally, of course, I look through news bulletins.

I read, I study, I examine, I listen, I reflect, and out of all of this I try to form an idea into which I put as much common sense as I can.

I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.

I realized I was trying to be friends with somebody who I used to be with but who I didn't get along with. I'm really big on that. I need to be friends with everyone that I've ever had a relationship with.

I read the script and try not to bring anything personal into it. I make notes, talk to the director and we decide what kinds of shades should be in the character.

I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.

I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.

I realized that I had to be honest about where I was, where I was coming from, and what I was trying to do.

I realize I don't do a very good job in keeping up to date, but I try to.

I realize over the years my music has started becoming more like country and it's not necessarily something I'm trying to do.

I really am passionate about making low-budget movies. You can try new stuff and unusual stuff, and you can break the rules.

I realize how desperately I need grace, therefore I try to lavishly give it.

I realize that in everything I was saying, that underneath my words was essentially, "why can't we be less judgemental and more like me." Which is judgemental and arrogant, to try and change somebody else's perspective just so that the world can seem better for you. It's important that we have these contrasts in life - nothing was ever created by being the same.

I realized that I was afraid to really, really try something, 100%, because I had never reached true failure.

I realized that what I was saying was threatening, somehow, to the editors of women's magazines. That it threatened the very world they were trying to paint, what I then called the "feminine mystique.

I realize that the curriculum is my life on any given day. At this point, more than anything, my spiritual path means looking at every circumstance and trying to see my part in where it's good and where it's not so good.

I realize how much [Mark] Twain fabricated things. I like it very much, but it's only half true. And it shows what he was trying to do, which was just entertain. Which he does very successfully, though the humor is almost dated now.

I really appreciate anyone trying to inject art into mainstream film.

I really believe in the philosophy that you create your own universe. I'm just trying to create a good one for myself.

I really believe in trying to increase the amount of useful information in the world and in being accurate in the sense that you can take what I say to the bank, even if you disagree with me.

I realized why I need to start a new company. Not for the money. Not because I'm 'bored'. But because a company is a laboratory to try your ideas.

I realize Im an ambitious guy, but I just try to take things as they come, you know, for the most part.