Best 2474 quotes in «stuff quotes» category

What is universal can be surprising. Over time you find the kind of stuff which has people thinking 'That is just something that occurred to me there's something wrong with me', is in fact stuff that is universal.

What I try to encourage individuals to do is don't sweat the small stuff, sweat the big stuff.

What makes Shakespeare eternal is his grasp of psychology. He knew how to nail stuff about us as human beings.

What Rare [albom] allows me to do is gonna show people other things that I'm capable of 'cause they really haven't heard a lot of things outside of the rap stuff that I do.

What puts me in a vulnerable state? Beauty, wonder, surprise, mystery. Stuff like that.

What really takes me back is when I'm walking around the Lower East Side, because we went to so many places [there] - the bakery, a mannequin store, all these factories with mice running around. That also is very visceral and takes me back. Pool halls, tattoo parlors, all kinds of stuff like that.

What's great is when you're shooting at the same hotel you're living in, you finish shooting, put your stuff down, take an elevator and go to bed.

What's great about the Sundance Film Festival is the festival takes over that town as it's intended to do. But, it's very focused on a lot of other filmmakers and distributors so it almost feels like, while they're a lot of so-called civilians there, it's an opportunity that you have to see, to show your stuff to the other folks, your peers really, and to get that reaction.

What's scary is the unknown, the stuff you can't put your finger on.

What's wrong with sentimental? Sentimental means you like stuff.

What's that sticky stuff called? Basta: Duct tape. Yes, duct tape. I love duct tape.

What was particularly impressive by the [Donald] Trump campaign at the time is how they were so organized around the WikiLeaks stuff.

What used to help us to cope with transience was stuff like, extended families all living in one place, or very strong religious beliefs, or a tribe that would outlive you. That stuff is getting weaker.

What would be a show that I would rescue? If I could bring anything back, it would be 'The Carol Burnett Show'. Tim Conway is just... I just watched him so many times do stuff over and over. He's just so amazing.

When Blur first started and we were playing Manchester the Hacienda was the place to go. That was where a lot of exciting stuff was happening and London was pretty dead.

Whenever I watch someone doing something, even if it doesn't turn out so great, I at least admire their intentions and stuff.

Whenever I go to shows, I end up looking at what shoes the guy onstage is wearing and the jacket he's got on. And when you know everything's gonna be under scrutiny, it makes you feel more comfortable if you have cool stuff.

Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it. I don't find it very helpful to know who else is going up for stuff, generally.

Whenever you're going through stuff, it definitely reflects in the way you wear your makeup and hair. Wearing less makeup is more comfortable for me.

When I did do good stuff in the past, it was because I was able to transcend the parts of my being that weren't healthy.

When I do appearances and stuff and I just wanna see the new pictures, I Google myself.

When everything gets turned upside down, it only leads to better quality stuff.

When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's.

When I do solo stuff, when I do anything involving music, it's very collaborative.

When I eat something like vegetable bibimbap, I get that warm and fuzzy feeling of eating stuff that I grew up with.

When I find something good, I stick to it for like a month. I'm usually late on like other stuff. Kendrick Lamar, I can play that often.

When I hit around 65, 66, I started to feel tremendous worth and incredible personal esteem. I was becoming very cognisant of my contribution to the American spirit of helping your fellow man and all of the good stuff.

When I first started, I would go to Weist-Barron, and I studied with Rita Litton and ACTeen. For teenagers, it's a really, really great school. We did a lot of on-camera stuff, so you see yourself and what you do on camera.

When I get up I still check the rap blogs before I check any kind of dance stuff.

When I hear the Spice Girls, yeah, all that '90s stuff, like Limp Bizkit. Dandy Warhols! Whenever I hear them, it takes me right back, because they were friends of the channel, too.

When I go back and reread the stuff, I'm always floored by how deeply personal and revealing it actually is.

When I first started writing lyrics and stuff, I was writing it to garage, and obviously garage kind of progressed to grime.

When I got into "Anna Karenina" and "Brothers Karamazov" and "Crime and Punishment," that was the stuff that - that had a big effect on me, because it was so psychological.

When I got to Saturday Night Live, it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.

When I left the Beatles, I made an album called McCartney that I played everything on. And it was kind of a cool experience. I felt like a professor in a laboratory, just crafting stuff and adding this, and putting this on and moving the microphone, and it was very homemade.

When I'm sittin' down to dinner with the family, stuff [another Yogiism] just pops out. And they'll say, 'Dad, you just said another one.' And I don't even know what the heck I said.

When I'm 18, I can finally order that paid programming stuff on TV. Like it always says, 'Must be 18 or older to call,' so I'll be able to call! I can finally buy some blenders from the TV.

When I'm on vacation here in the States, I can do all kinds of stuff; I can train and keep busy.

When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.

When I play stuff for my wife she'll be like, "No, not that song. No way.

When I photograph someone, I want to shoot the subject and get them out of my studio so I can play with the photos and do all the stuff I want.

When I said that I was king of forwards, you've got to understand that I don't come up with this stuff. I just forward it along. You wouldn't arrest a guy who was just passing drugs from one guy to another.

When I start working on a new album, I kind of stop listening to a lot of outside stuff just so I can kind of focus.

When I take the mound in Yankee Stadium I feel like my stuff is going to be better than ever.

When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.

When it came to the on-camera TV stuff, I'd be standing next to the director, my friend, and he'd be asked a question that I should have been answering.

When I think about the stuff I turned down it's kind of insane.

When I teach seminars, I tell people, Your stuff has to look like something thats out there, because otherwise nobody will take a chance on you.

When I tour, I stuff fridges full of organic food and stick to that.

When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.