Best 10564 quotes in «moving quotes» category

I've come down in the world. I've slid to a place where the ceiling is low and there isn't much room for me to move.Most of the time I'm used to it ... I accepted my sentence and do not brood or look back. But sometimes a shift makes me remember. Routine is ruffled and a new start makes me suddenly conscious of what I've become -

I've come to think that the universe is a four-dimensional site in which nothing is changing and nothing is moving. The only thing that is moving along the time axis is our consciousness. The past is still there, the future has always been here. Every moment that has existed or will ever exist is all part of this giant hyper-moment of space-time.

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture.

I've discovered special makeup by a company called M.A.C. You could wear it on the surface of the sun and it wouldn't move.

I've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.

I've done some stupid things. You just have to take responsibility, go, That was embarrassing, and move forward as best you can.

I've done smarter things in my life. Once, for example, I threw myself out of a moving car in order to take on a truckload of lycanthropes singlehandedly." ~Harry Dresden

I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.

I've found that sitting around and obsessing about projects moving forward, when there's actually nothing I can do about it, at a certain point, is really counter-productive.

I've given no thought to moving to America at all.

I've got a great relationship with my dad, but I can imagine how annoying it would be if I had to move back into his house.

I've found my calling with Twitter. It's all about the amount of interaction you do, and the traffic you move, and I'm really good at that. I keep going and going and going, and no one can believe that I can keep it up.

I've got a great support group, real and true friends and I'm moving forward with my life. I was sad and wanted to make things work but I'm completely fine now. I'm moving on.

I've got a lot to prove because of the criticism over my weight and moving back down a division.

I've got a hold of something that won't move. It's a willingness to keep walking into the next day, open to whatever may turn out to be true that day.

I've got enough money to live where I want, but I don't want to move.Go out and have sexual adventures in Burma.

I've got plenty of arthritis. But if you keep moving, it won't bother you that much. That's why old guys stiffen up. They forget they have to get out of their chairs and do something. You let the moss grow over, it's your own fault.

I've got the moves like Jagger.

I`ve had over $20 million spent attacking me. That`s not grassroots money. That`s money from the establishment. We have always had to take on the establishment. We`ll do it again, because the Republican Party needs to turn the page and move forward. And we will.

I've had two romances since moving to Las Vegas. One was with somebody 12 years older than me, and the other was the same age, and neither worked out. I know people still think of me as one of Hugh Hefner's girlfriends, and he of course was much older than me, but that was a whole different lifestyle and a different kind of dating.

I've had women who move to the towns I'm living in, just pack up and move there, never even met 'em before, 'cause they heard I lived there.

I've heard it said that grace is God reaching God's hands into the world. And the Bible tells us that we are part of the body of Christ, that if we let the Spirit move through us, we can become the hands of Christ on earth. Hands that heal, bless, unite, and love. I'd like to think God's hands are a bit like Grace's man hands—gentle but big, busy, and tough. God's hands are those of a creator—an artist who molded and shaped the universe out of a void, who hewed matter from nothingness.

I've just done a movie - Albino Alligator - with Viggo Mortensen, who's an actor I idolize. He influenced me in a way that has helped me move toward getting lead parts instead of supporting parts, merely through his presence. So now I tell everyone, as a joke, that I'm entering my Viggo Mortensen phase.

I've learned one thing about life. We're a good deal like that ball, dancing on the fountain. We know as little about the forces that move us, and move the world around us, as that empty ball does.

I've learned It's the important little baby steps, which teaches us, how to grow. Moving up just one small notch, will help us more, than we know.

I've learned to rely on the strength I inherited from all those who came before me-the grandmothers, sisters, aunts, and brothers who were tested with unimaginable hardships and still survived. 'I go forth alone, and stand as ten thousand,' Maya Angelou proclaimed in her poem 'Our Grandmothers.' When I move through the world, I bring all my history with me-all the people who paved the way for me are part of who I am.

I've learned that every single trial offers us a chance to either turn away from what we know to be true, or to stand strong in who we are...

I've known both misery and happiness, lived in so many different skins it is impossible for one skin to claim me. And I have felt like a wayfarer on an alien planet at times - walking, running, wondering about what brought me to this particular place, and why. But once I was here the dreams started moving in, and I went about devouring them as they devoured me.

I've laid out my economic plans. I want to grow the economy. That's why I have plans for jobs and raising incomes. I do want to go after bad actors on and off Wall Street, because I think companies that take money from federal, state, and local governments and then pick up and move should have to pay that back.

I've learned over a period of years there are setbacks when you come up against the immovable object; sometimes the object doesn't move.

I've learned something on the road, traveling around: state shapes. The easier it is to draw the shape of the state, the harder it is to live in that state. So, if you live in a regular polygon, get the hell outta there. You gotta move to a squiggly area. Culture's attracted to squiggles.

I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.

I've made it a policy to move every five years, either physically or in my research.

I've moved about 10 times over the past 15 years. I don't move for the sole purpose of getting rid of stuff. I'm not crazy. I also move so that I never have to wash any windows.

I've listened to a lot of outside stuff and just haven't really heard anything that moves me. I don't know if I'm getting old and crotchety or what.

I've long been a fan of Adrian Piper's work. I find her performance pieces moving in their willingness to lean toward the absurd. Yet, there's a social critique in her interaction with people who may or may not have understood that the artist was present.

I've making videos since I was seventeen I was originally discollecting vintage hmmm... footages from different archives and setting moving pictures to classical music clips that meant a lot to me. Maybe there were places I have been where nice things have happened. I had a vision of making my life a work of art and I was looking for people who also felt that way.

I've never been in this business for the recognition or the awards. I just want to do good work, grab a decent paycheck, and move onto the next job.

I've never been uncomfortable with the host of modern gurus, and gurus of different motivations I should say, or different intentions. You know, we are moving into a time where it's extremely commercial, but then I keep reminding those that I speak to that consciousness has no products, it really has no commerciality.

I've never been afraid to step out and to reach out and to move out in order to make things happen.

I've never felt anything that moves me as much as my piano. I'm an emotional player. I don't really like people. I prefer my piano to people. It's totally reliable and it's alive. I can hear what it's saying.

I've never made any effort to hide what happened. I served my time, I've tried to learn and move on.

I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.

I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.

I've probably overused this analogy of a flock of birds moving around an object in flight, but, in reality, it's so simple, real time communication of individuals that allow for this super organism type of organism to happen.

I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.

I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.

I've translated two of Bae's novels, A Greater Music and Recitation, which are coming from Open Letter and Deep Vellum in October and January respectively. A Greater Music is a semi-autobiographical book centred on a Korean writer moving to Berlin, learning to live and even write in a foreign language.

I've thought of doing many things in my life, under the influence of life, and I've never actually thought of straddling two carriages while they're moving.

I very rarely made any move to direct anything. I didn't have any faith in myself.