Best 10564 quotes in «moving quotes» category

It meant nothing to him any longer, only a faint tinge of sadness--and somewhere within him, a drop of pain moving briefly and vanishing, like a raindrop on the glass of a window, its course in the shape of a question mark.

It must be shown that self-seeking is out of fashion, and that the world is moving on to a larger conception of living.

It moves at its own measured pace, for it has no reason to hurry. Tomorrow will come in its own good time.

It may not happen in my lifetime, but if I can play a part in moving things along, then I feel I've done a good job.

It might be a move in six months. But I'll make up my mind. I'll have a look at where I've been and where I want to go and I'll continue in that way.

It occurred to me that there wouldn't be world hunger, if you people would MOVE WHERE THE FOOD IS!!!

It occurred to me, then, how nearly real life resembles the first rehearsal of a play. We are all of us stumbling through it, doing our best to say the proper lines and make the proper moves, but not quite comfortable yet in the parts we've been given. Still, like players who trust that -despite all evidence to the contrary- the whole mess will make sense eventually, we keep on going, hoping that somehow things will work out for the best.

It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.

It only take a few minutes of meditation to directly realize we are a river of sensations, feelings, thoughts, perceptions. How can we navigate this evanescent river of life wisely? With mindful awareness and love it becomes clear. You can fight against the river of change, or use its wisdom to teach you how to graciously move and create and flow with the full measure of joy and sorrow, gain and loss, praise and blame that make up every human incarnation.

It often seems easier not to move on; even the muck and mire in which we're stuck seems less fearful and less challenging than the unknown path ahead. Some people use faith as a reason to remain stuck. They often say, "I have faith, so I'm waiting." But faith is not complacent; faith is action. You don't have faith and wait. When you have faith, you move. Complacency actually shows lack of faith. When it's time to move in a new direction in order to progress, the right people will come to us.

I told Hugh Hefner, "I have this crazy boyfriend." And Hef was like, "You're not going anywhere with a crazy boyfriend," and so he put me in a mansion in Bel-Air with an opera singing Chinese maid, and I was driving a Bentley, and a friend of mine came by and was like, "What is going on? Why are you living in this mansion?" And I was like, "Isn't this what happens when people move to LA?

I told myself, Malala, you have already faced death. This is your second life. Don't be afraid — if you are afraid, you can't move forward.

i told you he'd freak out, she siad. didn't i? ah, the i told you so, jace said. always a classy move

I told the students that we can exert pressure without resorting to violence, and that we can move towards democracy without violence; that way, God will allow it.

I took my mother-in-law to Madame Tussaud's Chamber of Horrors, and one of the attendants said: 'Keep her moving sir; we're stock-taking.'

I took group lessons at a rink near my home. We first had to learn how to stand up on the ice wearing skates. Eventually we learned to move forward, but soon found out that it was not that easy to stop! So that was our next important lesson.

I took the initiative in moving forward a whole range of initiatives that have proven to be important to our country's economic growth, environmental protection, improvements in our educational system.

I took the original stuff that I read as standalone [in The Flash]. I didn't have anything to refer to, so to me it was all new. It's delightfully simple, the show, but it has many moving parts. It certainly makes you pay attention.

I travel because I like to move from place to place, I enjoy the sense of freedom it gives me, it pleases me to be rid of ties, responsibilities, duties, I like the unknown; I meet odd people who amuse me for a moment and sometimes suggest a theme for a composition; I am often tired of myself and I have a notion that by travel I can add to my personality and so change myself a little. I do not bring back from the journey quite the same self that I took

It rang and it rand and it rang. I looked at the screen one last time, then at Stuart, and then I reached my arm back and threw the phone as hard as I could (sadly, not that far), and it vanished into the snow. The eight-year-olds, who were truly fascinated with our every move at this point, chased after it. 'Lost it,' I said. 'Whoops.

It really seems to me sometimes that the only hope is space. That is to say, perhaps the most energetic—in a bad sense—elements will move on to a new world in space. The problems of mass society will be transported into space, leaving behind this world as a kind of Europe, which then eventually tourists will visit. The Old World. I'm only half joking.

It reminded me of what Dad said after every snail’s crawl home from Albany when snow hit.“It’s New York, people. It’s winter. We get snow. If you aren’t prepared to deal with it, move to Miami.

It requires greater courage to preserve inner freedom, to move on in one's inward journey into new realms, than to stand defiantly for outer freedom. It is often easier to play the martyr, as it is to be rash in battle. Strange as it sounds, steady, patient growth in freedom is probably the most difficult task of all, requiring the greatest courage. Thus if the term "hero" is used in this discussion at all, it must refer not to the special acts of outstanding persons, but to the heroic element potentially in every man.

It requires greater courage to preserve inner freedom, to move on in one's inward journey into new realms, than to stand defiantly for outer freedom. It is often easier to play the martyr, as it is to be rash in battle.

I truly do live my life a day at a time. When I talk to people trying to get through anything, it's a day at a time. If people stop to think, "It's going to be potentially three years and 10 months for the new president to come in," that's a very long time and that can have major effects on somebody's psyche. But if you take this thing a day at a time, and break it down a little differently, and do what you can do today, it will make it easier for people to move forward, and it makes it easier for me to move forward.

I tried to go to Kosovo to establish a statue to commemorate those who died during the wars, and to discuss moving on, so we could move into a new era. But I was banned from there.

I try not to dwell on big mistakes but to move on when I make a mistake. I make mistakes most of the times and that's part of the risk profile being an entrepreneur. I guess one big mistake I did was not to start my own company earlier. I spent nine years working for others before starting Kazaa in 2000.

I try to be a smart quarterback. I'm not the fastest or the best athlete, but if I can know what the defense is doing and stick to my job and what needs to be done I can make the plays needed to move the ball and score.

I try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties.

I try to get myself up and moving as early as possible. Optimum is to be on the treadmill while it is still dark outside.

I try to help people realize their dreams by using magic to tell stories that educate, move, and inspire.

I try to design into a world that is constantly moving, and moving me.

I try to find little things that you can do to move the song along and things that serve the song.

I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl.If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on.

I try to be honest and I keep moving.

I try to give as much blanket forgiveness as much as possible in my life because that's the only way you can get past things and move forward. But, conversely, I'd like to be forgiven. In many ways, that's the bigger leap, the bigger transformation and the bigger step forward.

I try to keep my sitters moving and talking, to make them forget they are being painted. This has nothing to do with extracting intimate secrets or confessions, but rather with establishing, in motion, an essential image of the kind that remains in memory or recurs in dreams.

I try to stick with what moves me or teaches me about myself, same thing I hope the novels do for others.

I try to outline. I'm a lazy outliner. I will put the points down of each chapter or series of chapters, but it always changes. For me it's a place of evolution. I don't really know who the characters are. I don't really know what the story is. I outline and that really just gets me moving. It's like I'm drawing up fake maps, but they turn out to be correct.

I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.

It's a bit of the very last verse from Paradiso- Dante's Paradise. 'My will and my desire were turned by love, the love that moves the sun and the other stars.' Dante was trying to explain faith, I thnk, as an overpowering love, and maybe it's blasphemous, but that's how I think of the way that I love you. You came into my life and suddenly I had one truth to hold on to- that I loved you, and you loved me.

I try to think as little as possible, at least while working. I look at some of my early stories and can see the machination behind them, like a gear slowly moving. For example, sticking a dead father into the story to explain a character's sadness and bad decisions, or trying to impress myself with my own cleverness.

It’s about getting to a point in your life where you’re ready to let go and move on and become the better version of yourself.

I try to use photography to move people to action to save the wildlife in our beloved ocean.

I try to use my music to move these people to act.

It’s about reaching that moment of pure ecstasy when a drawing just happens. Where every move you make with your hand and every thought you have in your head grows in front of you without any mistakes; no rubbing out, starting again and getting frustrated. It’s like being in a trance - it’s a fluid - and you almost don’t remember doing the picture. Drawing is an escape from all the unnecessary things in life that get in the way of being free.

It's a delicious thing to write. To be no longer yourself but to move in an entire universe of your own creating.

It's a fact of earthly life that when God opens the windows of heaven to bless us, the devil opens the doors of hell to blast us. When God begins moving, the devil fires up all his artillery.

It's absurd. We would all like to see Cuba move toward civil society and free markets and greater respect for human rights. But the U.S. policy is exactly the wrong way to go about it.

It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.