Best 10564 quotes in «moving quotes» category

I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.

I take it that a monograph of this sort belongs to the ephemera literature of science. The studied care which is warranted in the treatment of the more slowly moving branches of science would be out of place here. Rather with the pen of a journalist we must attempt to record a momentary phase of current thought, which may at any instant change with kaleidoscopic abruptness.

I swallowed the fear. It’s always there– fear– and if you don’t stay on top of it, you’ll drown. I swallowed again and stood tall, shoulders broad, arms loose. I was balanced, ready to move. My body said, “Yeah, you’re bigger and stronger, but if you touch this, I will hurt you.

It ain’t innovation unless something moves.

I talk very slow. I move very slow. I definitely have that Southern drawl and although I never necessarily participated in the activities that go along with screw. I definitely was a huge fan of screw. Because melodically, I don't ever really sing very staccato or very fast. It's really about a groove; it's really about a vibe.

Italian girls are famous for being snobby and expecting men to make the first move. In America, if I don't make eye contact, the guys won't come over and talk. American girls just go for it. You men are spoiled.

I talk to my parents everyday and every move that I make, every endorsement that I do, every film that I do and my everyday activities are all discussed with them.

...It all seemed to him to have disappeared as if behind a curtain at a theater. There are such curtains that drop in life. God is moving on to the next act.

It almost alarms me how free I feel on the ice. I don't think about the hospital or the groceries or the kids--I'm just in touch with myself. It's exciting when your whole body is moving in synchronous motion.

It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.

It always amazes me that just when I think there's nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium.

It broke my heart when my first band split up. I was 25 and we'd been together since we were 15. But it had to happen. There was a point when I knew I had to move on.

It didn't mean forever but for right now I wanted Rush to be my first. He wouldn't be my last. A stop I might never forget or get over. That was what scared me the most. Not being able to move on.

It doesn't do a lot of good for your health to move from red meat to white meat, but it gets you further down the road towards making more substantial changes later.

It does not mean that there will be no work if we turn life into a celebration. It is not that the wind does not work; it is always moving, blowing. It is not that the stars are idle; they are constantly moving. It is not that flowers don't do anything when they bloom; really, they do a lot. But for them, doing it is not that important; what is important is being.

It doesn't matter how far you might rise. At some point you are bound to stumble because if you’re constantly doing what we do, raising the bar. If you're constantly pushing yourself higher, higher the law of averages not to mention the Myth of Icarus predicts that you will at some point fall. And when you do I want you to know this, remember this: there is no such thing as failure. Failure is just life trying to move us in another direction.

It doesn’t matter how powerfully sexuality, one with your being, moves; it’s all profound goodness. You’re safe in it. What you know in it, of its depth and its quality, is what you’re saying yes to, what you’re resting in, what you’re warmed in.

It doesn't matter how you begin. Just jump in. Get moving.

It doesn't matter if you call it a boom or a bubble. The startup business moves in cycles, and what goes up will eventually come down.

It doesn't require much for misfortune to strike in the King's Gambit - one incautious move, and Black can be on the edge of the abyss.

It doesn't matter whom you love or where you move from or to, you always take yourself with you. If you don't know who you are, or if you've forgotten or misplaced her, then you'll always feel as if you don't belong. Anywhere.

I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.

I tell myself, as sternly as possible, that is how things work here. We do dangerous things and people die. People die, and we move on to the next dangerous thing. The sooner that lesson sinks in, the better chance I have at surviving initiation.

I tell the players that they can't relive any day in their lives and that they can't relive the minutes of a game, so they should make a great effort, a Mount Everest type effort, to live up to their potential. Success is a communal type thing, and if we win, then everyone can be considered successful and we can move uptown together.

I tell you, if you're in the front row of the parade and you stop walking, pretty soon you're back in the tuba section. And if you want to lead the parade you've got to keep moving.

I tell the players that the bus is moving. This club has to progress. And the bus wouldn't wait for them. I tell them to get on board.

I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.

I teach that we must go beyond pure ego-consciousness and move to a new manifestation of energy karma force.

I tell people, if you're thinking about suicide, all that stuff I've attempted and thought about it. If you think about it, life gets better. The key to life when it gets tough is to keep moving. Just keep moving.

I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.

I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.

I tend to move between turtlenecks and shirts and ties. I don't really have a uniform in the sense that some people might.

It feels a little silly to annotate a game in which I didn't make a single move on my own, just following my preparation all the way. [...] A pretty finale. I was obviously hoping for the beauty prize sacrificing both my rooks and all, but OK, Im [sic] afraid requirements are one makes a move of his own for that it seems. Something I could avoid doing in the last five rounds in Dresden. Silly game, this chess.

It feels much more natural to move forward and grow with the instruments I've grown accustomed to. Piano, accordion, brass, ukulele.

It gave me a moment of exquisite satisfaction to find myself moving away from civilisation in this rude canvas canoe of a model that has served primitive races since men first went to sea.

It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail.

It has been a wonderful five years. I'm excited about the many projects we're working on as we move into year six, and I want to thank everyone for tuning in. We couldn't do it without you!

I think about all my successes and failures and sometimes the failures stick in your head as much as the wins. But you do move on.

I think about a storm rolling in with black clouds and I visualize the lightning and try to draw energy from that, and I think: all I have to do is beat this man until he stops moving, then I can go home to my son.

I therefore beg leave to move that henceforth prayers imploring the assistance of Heaven, and its blessing on our deliberations, be held in this Assembly every morning.

It has often been argued that absolute scepticism is self-contradictory; but this is a mistake: and even if it were not so, it would be no argument against the absolute sceptic, inasmuch as he does not admit that no contradictory propositions are true. Indeed, it would be impossible to move such a man, for his scepticism consists in considering every argument and never deciding upon its validity; he would, therefore, act in this way in reference to the arguments brought against him.

I think about the poet Rainer Maria Rilke who said that it's the questions that move us, not the answers. As a writer, I believe that it's our task, our responsibility, to hold the mirror up to social injustices that we see and to create a prayer of beauty. The questions serve us in that capacity.

I therefore concluded, and decided unhesitatingly, that there are three stars in the heavens moving about Jupiter, as Venus and Mercury about the Sun; which at length was established as clear as daylight by numerous other observations.

I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

I think all shows change as they age as do the people who make the shows. As do the people who watch the shows. All targets are moving.

I think a far more important strategic way to deal with the Islamic State would be to bring some of these regional partners and explain to them that Turkey's own contradictory foreign policy has to end. I mean, if United States is serious, it has leverage over Turkey. And apparently it has not been able to move Turkey sufficiently.

I think a major reason why intellectuals tend to move towards collectivism is that the collectivist answer is a simple one. If there's something wrong, pass a law and do something about it.

I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?

I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.