Best 10564 quotes in «moving quotes» category

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    I still try to make the "next" book my "best" book. I want to grip and move you in unexpected ways.

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    I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.

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    I still say the '94 Double team is the best. They could outfight you or outplay you, depending on the way you wanted it. But this side is moving in the same direction.

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    I still want to make a pop record. I want to make a more sonically current pop record. I maybe want to make people move a little bit more.

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    I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.

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    I still will sit down at the piano and play when I am wrestling with something emotionally or just want to move into the musical world.

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    I suddenly dreamt that I picked up the revolver and aimed it straight at my heart my heart, and not my head; and I had determined beforehand to fire at my head, at my right temple. After aiming at my chest I waited a second or two, and suddenly my candle , my table, and the wall in front of me began moving and heaving. I made haste to pull the trigger.

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    I studied every move, I became fascinated by thinking what I could have done differently. And I take that approach now as a professional. I am on it, all the time, never stop thinking, learning. You don't get to be world champion unless you do that.

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    I studied that first Karpov-Kasparov match for a year and a half before I cracked it, what they were doing, and discovered that it was all prearranged move-by-move. There's no doubt of it in my mind.

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    I support moving toward more clean, renewable energy as quickly as we can, because I think we [America] can be the 21st century clean energy superpower and create millions of new jobs and businesses.

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    I suddenly thought about being backstage, and I think it shocks you to meet the people you shared your bedrooms with. And a lot of them either take themselves too seriously or don't know how to take themselves at all. But I wanted to be aware in a very sarcastic way that every song I've written has probably been written about 12-16 times before. And doing that makes it very hard for me to accept serious singer-songwriters in the world, the up-and-comers, the ones who are out there who let that define their every move, who live and die and breathe for it. It's a bit of a tragedy, I think.

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    I sum up the prospects for 1967 in three short sentences. We are back on course. The ship is picking up speed. The economy is moving. Every seaman knows the command at such a moment: 'steady as she goes'.

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    I support an all-of-the-above approach attacking climate change - everything from moving America towards being carbon-neutral, moving our country towards clean energy.

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    I suppose if you were inclined to misbehave, you wouldn't exactly tell me the truth anyway." "Darling, you have a brother fond of holding a gun on me, a sister who can shoot anything that moves, two other brothers who've repeatedly threatened to thrash me, and a grandmother who buys off constables. Do you really think I'm fool enough to antagonize them by committing adultery?" It was hard not to smile at that. "An excellent point." "I think so.

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    I surrender it to God, knowing that the pain itself is a product or a reflection of how I am interpreting whatever it is that is causing me pain. Some pain is simply the normal grief of human existence. That is pain that I try to make room for. I honor my grief. I try to be kinder to myself. I give myself time to move through and to process whatever is making me sad.

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    I surround myself with people that I want to be with. And I keep moving forward.

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    I suppose many people will continue moving towards careless computing, because there's a sucker born every minute.

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    I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.

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    I take it that a monograph of this sort belongs to the ephemera literature of science. The studied care which is warranted in the treatment of the more slowly moving branches of science would be out of place here. Rather with the pen of a journalist we must attempt to record a momentary phase of current thought, which may at any instant change with kaleidoscopic abruptness.

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    I swallowed the fear. It’s always there– fear– and if you don’t stay on top of it, you’ll drown. I swallowed again and stood tall, shoulders broad, arms loose. I was balanced, ready to move. My body said, “Yeah, you’re bigger and stronger, but if you touch this, I will hurt you.

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    It ain’t innovation unless something moves.

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    I talk very slow. I move very slow. I definitely have that Southern drawl and although I never necessarily participated in the activities that go along with screw. I definitely was a huge fan of screw. Because melodically, I don't ever really sing very staccato or very fast. It's really about a groove; it's really about a vibe.

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    Italian girls are famous for being snobby and expecting men to make the first move. In America, if I don't make eye contact, the guys won't come over and talk. American girls just go for it. You men are spoiled.

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    I talk to my parents everyday and every move that I make, every endorsement that I do, every film that I do and my everyday activities are all discussed with them.

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    ...It all seemed to him to have disappeared as if behind a curtain at a theater. There are such curtains that drop in life. God is moving on to the next act.

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    It almost alarms me how free I feel on the ice. I don't think about the hospital or the groceries or the kids--I'm just in touch with myself. It's exciting when your whole body is moving in synchronous motion.

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    It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.

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    It always amazes me that just when I think there's nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium.

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    It broke my heart when my first band split up. I was 25 and we'd been together since we were 15. But it had to happen. There was a point when I knew I had to move on.

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    It didn't mean forever but for right now I wanted Rush to be my first. He wouldn't be my last. A stop I might never forget or get over. That was what scared me the most. Not being able to move on.

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    It doesn't do a lot of good for your health to move from red meat to white meat, but it gets you further down the road towards making more substantial changes later.

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    It does not mean that there will be no work if we turn life into a celebration. It is not that the wind does not work; it is always moving, blowing. It is not that the stars are idle; they are constantly moving. It is not that flowers don't do anything when they bloom; really, they do a lot. But for them, doing it is not that important; what is important is being.

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    It doesn't matter how far you might rise. At some point you are bound to stumble because if you’re constantly doing what we do, raising the bar. If you're constantly pushing yourself higher, higher the law of averages not to mention the Myth of Icarus predicts that you will at some point fall. And when you do I want you to know this, remember this: there is no such thing as failure. Failure is just life trying to move us in another direction.

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    It doesn’t matter how powerfully sexuality, one with your being, moves; it’s all profound goodness. You’re safe in it. What you know in it, of its depth and its quality, is what you’re saying yes to, what you’re resting in, what you’re warmed in.

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    It doesn't matter how you begin. Just jump in. Get moving.

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    It doesn't matter if you call it a boom or a bubble. The startup business moves in cycles, and what goes up will eventually come down.

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    It doesn't require much for misfortune to strike in the King's Gambit - one incautious move, and Black can be on the edge of the abyss.

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    It doesn't matter whom you love or where you move from or to, you always take yourself with you. If you don't know who you are, or if you've forgotten or misplaced her, then you'll always feel as if you don't belong. Anywhere.

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    I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.

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    I tell myself, as sternly as possible, that is how things work here. We do dangerous things and people die. People die, and we move on to the next dangerous thing. The sooner that lesson sinks in, the better chance I have at surviving initiation.

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    I tell the players that they can't relive any day in their lives and that they can't relive the minutes of a game, so they should make a great effort, a Mount Everest type effort, to live up to their potential. Success is a communal type thing, and if we win, then everyone can be considered successful and we can move uptown together.

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    I tell you, if you're in the front row of the parade and you stop walking, pretty soon you're back in the tuba section. And if you want to lead the parade you've got to keep moving.

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    I tell the players that the bus is moving. This club has to progress. And the bus wouldn't wait for them. I tell them to get on board.

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    I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.

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    I teach that we must go beyond pure ego-consciousness and move to a new manifestation of energy karma force.

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    I tell people, if you're thinking about suicide, all that stuff I've attempted and thought about it. If you think about it, life gets better. The key to life when it gets tough is to keep moving. Just keep moving.

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    I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.

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    I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.

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    I tend to move between turtlenecks and shirts and ties. I don't really have a uniform in the sense that some people might.

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    It feels a little silly to annotate a game in which I didn't make a single move on my own, just following my preparation all the way. [...] A pretty finale. I was obviously hoping for the beauty prize sacrificing both my rooks and all, but OK, Im [sic] afraid requirements are one makes a move of his own for that it seems. Something I could avoid doing in the last five rounds in Dresden. Silly game, this chess.