Best 10564 quotes in «moving quotes» category

I always felt like I was on the move, that I was going towards something.

I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!

I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.

I always just want to move along to the next step.

I always found the Chicago audience to be a smart, fast-moving, violent and cheerful lot, and it's always good to be back.

I always had an existential crisis, trying to figure out ‘what does it all mean?’ I came to the conclusion that if we can advance the knowledge of the world, if we can expand the scope and scale of consciousness, then, we’re better able to ask the right questions and become more enlightened. That’s the only way to move forward.

I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.

I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun.

I always like the people who keep moving forward, but kind of stay in their own lane.

I always push forward. It doesn't mean that I'll be perfect. I make mistakes -- but I learn from my mistakes, and move on.

I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.

I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.

I always tell my kids if you lay down, people will step over you. But if you keep scrambling, if you keep going, someone will always, always give you a hand. Always. But you gotta keep dancing, you gotta keep your feet moving.

I always tell people that if I move anywhere it would be Toronto.

I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.

I always thought the purpose of time was to move forward, not backward.

I always think it's a sign of a truly gifted director when they can move seamlessly between genres.

I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.

I always walk around with a few moves in my pocket. You never know when you may need to bust one out.

I always wanted to entertain. When I was six, a scrawny, scrawny kid, Id get in my red speedo and do muscle moves. I actually thought I was muscular. I didnt know everyone was laughing at me.

I always wanted to move to New York because of the Velvet Underground, because of the picture that they painted of New York City.

I always try meditation. Meditation means always keeping one mind, not-moving mind.

I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.

I always wanted to be a fashion designer and I learned costume illustration in high school. That was an incredible high school. It was more like a college. I'm moving more in that direction, just kind of merchandising my name.

I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.

I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face.

I am absolutely convinced that there are weapons...I saw evidence back in 1998 when we would see the inspectors being barred from gaining entry into a warehouse for three hours with trucks rolling up and then moving those trucks out.

I am a dreamer of words, of written words. I think I am reading; a word stops me. I leave the page. The syllables of the word begin to move around. Stressed accents begin to invert. The word abandons its meaning like an overload which is too heavy and prevents dreaming. Then words take on other meanings as if they had the right to be young. And the words wander away, looking in the nooks and crannies of vocabulary for new company, bad company.

I am a creative artist. I have the ability to radiate. Lifting my arms above me, I soar above the earth. Lowering my arms, I continue to soar. In the air moving around my head and shoulders, I experience the power of thoughts. In the air moving around my chest, I experience the power of feelings. In the air moving around my legs and feet, I experience the power of will. I am that

I am a director because I believe in my own impulses and my own point of view, and that belief encourages me to tell stories that will move, provoke, and change people. But I became a director because I wanted to be a part of the world.

I am accustomed to think very long of going anywhere,--am slow to move. I hope to hear a response of the oracle first.

I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action. And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don't want to be folded anywhere, because there, where I'm folded, I am a lie.

I am a lazy man. Laziness keeps me from believing that enlightenment demands effort, discipline, strict diet, non-smoking, and other evidences of virtue. There is a paradise in and around you right now, and to be there you don't even have to make a move. There is nothing you need to do first in order to be enlightened. All potential experiences are within you already. You can open up to them at any time.

I am a hole in a flute that the Christ's breath moves through. Listen to this music.

I am a huge fan of what Marvel has established. But when they first came to me, Thor and Captain America were not even close to being finished. I thought to myself, 'Okay, you have all these moving parts, but how can you possibly bring them together?' Iron Man, Hulk, Thor and Captain America don't seem like they could co-exist, and ultimately that is what intrigued me and made me think, 'This can be done and this should be done.' You can't put these characters in a movie together without a certain amount of humor. It's an inoculation against the unreality.

I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.

I am always surprised when I watch the weather report on German television. First they show the map of Europe and then the camera moves to the right. Then comes Kiev, then Moscow and then everything stops. This seems to be the West's view of us - of a wild Russia that begins past Moscow, a place one prefers not to see. This is a big mistake. The West must pay closer attention.

I am a hunter of beauty and I move slow and I keep the eyes wide, every fiber of every muscle sensing all wonder and this is the thrill of the hunt and I could be an expert on the life full, the beauty meat that lurks in every moment. I hunger to taste life. God.

I am a part of all that I have met. Yet, experience is an arch wherethro gleams that untravl'd world whose margin fades forever and forever when I move.

I am an organization person, I believe in individuals banding together. I don't believe in unilateral actions. Some people don't like organizations. But it is always awesome to me when you can pool a lot of talent and a lot of people who have so many talents. That is when you really can make your program move.

I am a strong believer that as one moves toward the future, the strongest and clearest way to do it is if you have a good sense of your past. You cannot have a very tall tree without deep roots.

I am a strong believer in the intertwined nature of the personal and the political; I think they move together.

I am beginning to understand that the stream the scientists are studying is not just a little creek. It's a river of energy that moves across regions in great geographic cycles. Here, life and death are only different points on a continuum. The stream flows in a circle through time and space, turning death into life across coastal ecosystems, as it has for more than a million years. But such streams no longer flow in the places where most of us live.

I am a vigilant monarchist. I want to see things evolve. The direction the monarchy seems to be moving in - towards a more mainland-European model - is one I would feel sympathetic about.

I am collecting the lessons each faction has to teach me, and storing them in my mind like a guidebook for moving through the world. There is always somthing to learn, always somthing that is important to understand

I am determined that we're going to get the economy really moving again, building on the progress, but never going back to what got us in trouble in the first place.

I am either blessed or cursed with having little barrier between feeling emotions and displaying them for all to see. My heart is on my sleeve. It's not comfortable but...I am an artist so it's useful and my friends are used to me getting teary at any moment. So, it just runs through me and I know it will continue to, but my best source of grounding are animals and nature. Animals live more in the moment and don't worry so much! And nature is proof of a greater power than myself. Both put things in perspective, or at least gently move us forward.

I am fighting for those middle-class families who want us to deal with our debt and deficit, but they also want the investments that are critical to our country moving forward.

I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.

I am disappointed with America. And there can be no great disappointment where there is not great love. I am disappointed with our failure to deal positively and forthrightly with the triple evils of racism, economic exploitation, and militarism. We are presently moving down a dead-end road that can lead to national disaster. America has strayed to the far country of racism and militarism.