Best 10564 quotes in «moving quotes» category

My monumental netted sculptural environments move through time, animated by an ever-changing 'wind choreography,' making invisible air currents suddenly visible to the human eye. I make living, breathing pieces that respond to the forces of nature - wind, light, water.

My mother and I were like two continents moving slowly but inexorably apart; my father, the bridge builder, constantly extending the fragile edifice he had constructed to connect us.

My mother moves so fast I do not even see it coming. But she slaps my face hard enough to make my head snap backward. She leaves a print that stains me long after it’s faded. Just so you know: shame is five-fingered.

My mother has rheumatoid arthritis. I don't want to lose the ability to jump up and walk across the room or move around with the energy I'm used to having. That's far more important to me than a wrinkle or two

My mother is an actress and very well known in France; hence, I move to London to start my own life.

My mother on her death bed told me, 'Where the hell did that kangaroo come from!?' - it just popped out of nowhere and punched her in the head and caused a cerebral hemorrhage, so I thought I'd move to a country where there were no kangaroos!

My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.

My mother was born in San Juan. So I'm Puerto Rican, Jewish, colored and married to a white woman. When I move into a neighborhood, people start running four ways at the same time.

My movies are film-paintings - moving portraits captured on celluloid. I'll layer that with sound to create a unique mood -- like if the Mona Lisa opened her mouth, and there would be a wind, and she'd turn back and smile. It would be strange and beautiful.

My music definitely determines the direction we're gonna move in. It's like music, fashion, hair, makeup.

My only objective is to paint a Christ so moving that those who see him will be converted.

My one challenge with the support group that I'd become involved with on campus is that the people seem to spend as much time talking about their ill-begotten pasts as their promising futures. It's as if people are drawn to looking back. They can't move on until it all makes sense. Humbly submitted: It never does.

My opponents make good moves too. Sometimes I don't take these things into consideration

My only rule is to keep moving, for a pump and cardio at the same time. Rest as little as possible. After an hour, you will feel fantastic and your muscles won't know what hit them.

My own guess is that quite quickly the machine intelligence will start dreaming machine dreams and thinking machine thoughts, both of which would totally incomprehensible to us. This would then lead to each species, we and the machines, moving off on to its own separate life trajectory.

My own movement of thought is not meant to be a straight point-to-point, linear line of march, but horizontal exploration from one area of interest to another. There is no ultimate destination - no finish line to cross, no final conclusion to be reached. It's the way I feel about dancing - you move around a lot, not to get somewhere, but to be somewhere in time.

My parents' deportation gave me so much strength to keep on moving forward, because any type of failure - whether in school or with jobs or rejection from a casting office - nothing could be as bad as what I had already gone through. Nothing could be worse than coming home expecting to see your loving parents and them not being there.

My own way of writing is very meditated and, despite my reputation, rather slow-moving. So I do spend a good deal of time contemplating endings. The final ending is usually arrived at simply by intuition.

My parents didn't want to move to Florida, but they turned sixty and that's the law.

My parents were determined to move into the middle class.

My people, you gotta think before you move, you gotta speak before you cry, you gotta live before you die.

My path, my life, my career has really been a journey from moving from, in a sense, darkness to light. From pain to joy through the experience of yoga and meditation. It's an ongoing adventure that's unfolding every day.

My personality has become one that tends to focus and move forward, yes. But I was not like that when I was 16 or 23, I think. I was much more uncertain, unconfident and inwards looking. Then via certain techniques I learned from psychotherapy, magick and just life in general I become more focused, confident and happy within myself.

My plan after office is to get up and spend that entire first day helping my wife move into her new senatorial office.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

My perception of the human animal is as an extremely dangerous predator. That's who I perceive us to be as a species. Maybe the most dangerous predator on the planet, with the exception of a few microbes. I'm really grateful for the degree of socialization that prevents us, most of the time, from killing and eating each other. And I admire all the social structures that have been designed and layered and niched in that encourage bonding toward a kind of social harmony that is meant to contain and counteract our natural inclinations toward predation, ferocity, and eating whatever moves.

My philosophy is to not be scared of anyone. If I play well, great; if I dont, I learn from the match and move on.

My position on how to address the Confederate flag is clear. In Florida, we acted, moving the flag from the state grounds to a museum, where it belonged.

My preference is that we beat him [Donald Trump] outright in the primary process. And I believe that's exactly what's going to happen here in the next few weeks, especially as we move to winner-take-all states. The terrain begins to change.

My relationship with my mom has really evolved since The Hills. We had a very hard time getting through that, and I didn't talk to her for almost two years, but since then we have learned to get over the past and move forward.

My problem with all forms of fundamentalism is that the position is fixed. This is like talking about a fixed position as seen from a moving jet: it's disappearing over the horizon with or without your permission.

My sense is that we are looking at unbelievable quantities of wealth moving from the control of the kingdom of darkness, to the control of the Kingdom of God.

My sheets are monogrammed, so is my silverware and pretty much everything else I own. My rule is, if it's not moving -- monogram it!

My role is to make sure we're moving in the right direction, getting points, rebounds, steals, assists and providing leadership.

My rule is, if it's not moving-monogram it!

My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.

My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.

My son called to me that God was inside his red fire engine. He wanted to show me. I did move as fast as I could, spilling like water through the kitchen door into a summer day, but God had left by the time I got there. My son smiled, told me I'd missed him by seconds.

My sister bought me a set at a candy store and taught me the moves.

My sister is a teacher, so I am a strong support of teachers, but I'm not going to be bound by just a certain way of talking about these things, in order for us to move forward on behalf of our kids.

Mysticism is concerned primarily with moving our awareness field from the beginning of the band of perception, the human band, up to the enlightened bands of perception.

My suspension was a long-planned move... and was done to protect would-be convicts in Romanian politics.

My standup has always been a direct reflection of my life. When I was single, I talked about single stuff. I talked about dating. When I got married there were only a handful of stories I could move over to where I wasn't going to be disrespectful to my wife. So I developed a new routine.

My step-dad started playing hockey in Detroit so we moved and I had to start home school. I started watching movies since I had a bunch of free time and then I was like, 'You know what? I want to give this a shot, move back to L.A., and audition.' The first show I booked was a show called Threshold with Carla Gugino and it was obviously a terrifying experience and I felt out of my comfort zone, but it made me want to keep going because it was fun.

My studies have shown that the process of falling into mature love happens in four steps. When you meet a woman, you subconsciously look for cues that she's the kind os person you should be with. That's assumption. If she passes the assumption test, you begin to get to know her to find out if she's appropriate for you. If she is, you're attracted. If, as you get to know her, the attraction is reinforced with joy or pain or both, you'll fall into infatuation. And if you manage to make a connection and attach to each other during infatuation, you'll move into mature, unconditional love.

My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.

My test for writing is always, is this fun or does it feel like a job? Is it moving me? Or am I just fulfilling my own expectations - or even worse, somebody else's?

My thing is, when you put a bunch of rules on a tour, you have to hire three more people to enforce all the rules. So, with me, I want everyone to feel comfortable. It's a lot of little moving parts out here, and little hiccups will come. At the end of the day, the show's going to go on, and I want everybody to truly enjoy it.

My town was all-white and shut down Section 8 housing because they didn't want black people to move into the town. And I thought that was wrong - duh.

My untidy habits drive me to follow the slash-and-burn principle. Work on a virgin table until the mess becomes unbearable, then move on to a clean table in a clean room - or, on a beautiful summer day like this, one of the five tables dotted around the garden. Trash that table and move on again.