Best 10564 quotes in «moving quotes» category

I do believe that India needs a lot more foreign direct investment than we've got, and we should have the ambition to move in the same league many other countries in our neighborhood are moving. We may not be able to reach where the Chinese are today, but there is no reason why we should not think big about the role of foreign direct investment, particularly in the areas relating to infrastructure, where our needs for investment are very large. We need new initiatives, management skills, and I do believe that direct foreign investment can play a very important role.

I do believe if one keeps busy it's very good for a person. In fact, people are always rushing into retirement and we read in Europe that people there are talking about their retirement age and moving it to 67 or something. Well, back when they started retirement funds and everything, the average age was 70 or 60, and then all of a sudden now it's 80, and so. [...] And so you keep in shape, you keep yourself mentally in shape. And if you keep yourself mentally in shape, chances are physically it will follow suit.

I do a lot of media work, I've been investing and I'm involved with real estate. It's totally different from what I had been doing but I find it challenging and fun. To be honest, I really don't miss the track. I pretty well accomplished what I set out to do and it was time to move on.

I do believe in tax incentives in order to move the economy forward.

I do believe there needs to be an investigation of the intelligence community's findings, classified findings, in order to ensure the electoral integrity of our system moving forward.

I dodged behind Mac for cover and refused to take the bait. I glanced at my nonexistent watch. 'Oops, look at the time. Guess I have to be going now. Let's not do this again sometime, okay?' Before I could move, Pritkin was there, jamming the medallion into the skin of my upper arm.'Ow!'He looked at me expectantly. I glared at him. 'That hurt!' What do you see?' A big red mark.

I do get stressed at times, but I love what I do as an actor. This is the part that I don't like. I don't actually like talking about - I wish I could just go and get on with my job, because I love getting a script, breaking it down, working with other people, bonding with other people, fighting with other people, and out of those arguments, creating something that nobody expected and seeing it all come together. Telling a story, having an impact on people's lives, moving them and making them laugh.

I do enjoy animated movies. I really love anime and movies like 'Spirited Away' and 'Howl's Moving Castle.'

I do find it amusing when somebody cuts me off, makes an aggressive move on me in a car. I'm like, 'Do you have any idea what I do for a living? Why?'

I do have friends that are Republicans, and we have very spirited conversations on a whole range of issues. I am often baffled by why they are Republicans, but I enjoy the dialogue and can move beyond politics to find common ground in my personal relationships.

I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.

I do my best to allow myself to really feel it [emotional pain]. Cry. Get all in it. Really experience my experience so that I may move through it. And talk about it. I try not to let anything get brushed over and swept under the rug.

I do not admire young actresses whose foreheads cannot move.

I do like moving my legs a lot, like maybe moon walk-y things. I don't have like one move, because I try as much as I can. But I just love imitating impossible things that dancers do.

I do not believe we can effectively move Australia to a lower emission economy, which is what we need to do if we're going to make a contribution to a global reduction in greenhouse gases, without putting a price on carbon.

I do not know what you are supposed to do with memories likes these. It feels wrong to want to forget. Perhaps this is why we write these things down, so we can move on.

I do not know if you bridle your pen, but when my pencil moves, it is necesary to let it go, or - crash!... nothing more.

I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood.

I do not love you-except because I love you; I go from loving to not loving you, from waiting to not waiting for you my heart moves from the cold into the fire.

I do not say with words. I do not say it with images either.… I do not say, I show. I show people who move and speak. That is all I know how to do, but that is my true subject.

I do not want a kingdom, or heaven; what I want is to remove the trouble of the oppressed, the poor, and the needy.

I don't appreciate the disrespect, because I've been playing hurt for a guy who won't respect you. I don't deserve it...It's time for me to move on.

I don't beat at the details, but I do always keep in mind that anything that isn't A) moving the story forward or B) enlarging my understanding of the central characters has to be sacrificed. I have huge folders of details - research - with a story like Netherlands. Only a very small part of it gets used. The old iceberg analogy again.

I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.

I don't believe in charmed lives. I think that tragedy is part of the lesson you learn to lift yourself up, to pick yourself up and to move on.

I don’t believe in originality. You take inspiration from whatever moves you and you find your voice in those things.

I don't believe in hostile moves. I don't believe they carry any value.

I don’t believe in failure; I believe there are setbacks that are put into our path to teach us something and move us in a different direction.

I don't believe in psychology. I believe in good moves

I don't believe it is more important to move forward than to know the truth.

I don't care about anybody's opinion - I care that my movies move you in a way to think about things and consider your own life.

I don't believe that there is any good career move or bad career move. I believe there are only the things that make me happy.

I don't care much for facts, am not much interested in them, you can't stand a fact up, you've got to prop it up, and when you move to one side a little and look at it from that angle, it's not thick enough to cast a shadow in that direction.

I don't care very much for miniatures. I don't try to beat my opponents quickly because if they are strong, I think I should respect them. It is too risky to play sharply to beat them in 20 moves.

I don't consider writing a quiet, closet act. I consider it a real physical act. When I'm home writing on the typewriter, I go crazy. I move like a monkey. I've wet myself, I've come in my pants writing.

I don't dance like I used to, but I'm moving and I'll be doing my form of dance at Town Hall... I hit my limitations but I learn to work with what I've got.

I don't feel super attached to a certain time when I hear the music. Some of the songs I still play live and, through that I feel like I've been able to have it move with me through my life as opposed to being just a little piece of time.

I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.

I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on.

I don't get boy bands these days. Thye don't write their own songs and everything is choreographed from their dance moves to how they have sex with each other after the show.

I don't find acting and directing schizophrenic, in any way. I find it completely easy to move between the two.

I don't have any kind of ideology that precludes me from moving in one direction or another. I just want creative autonomy and I want at least an opportunity that it's going to be seen.

I don't have any way to control the Spirit or create revival. I pray that the Holy Spirit would move upon the church, but at the same time, I want to busy evangelizing. I am not one of those people who moan and pray for revival all the time, but do nothing.

I don’t know how to explain it.” “Try words. If that doesn’t work, we’ll move on to interpretive dance.

I don't have storyboards, but I have some very strict rules, like not moving the camera.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

I don't have to wait for nobody, I move when I wanna move.

I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.

I don't know what happened. I just exploded. I'd never sung like that before. I used to stand still and sing simple, but you can't sing like that in front of a rock band. You have to sing loud and move wild with all that in back of you. Now, I don't know how to perform any other way.

I don't know really, it doesn't feel like it has changed to me but I think to have to move with the times. Try out different areas and not get stuck in 1978.