Best 10564 quotes in «moving quotes» category

Even if a hundred ton boulder should fall, I would be safe! When I say this, everyone laughs and wonders how. No need to try to stop it, just move out of the way. You do not have a problem if you do not try to take it on yourself. Most people suffer because they try to take upon themselves things which they do not need to.

Even if we didn't have greenhouse gases, were going to have to move away from fossil fuels, as we're going to run out. They're finite, whereas solar and wind are infinite.

Even if you think the tentacles of security have already wrapped themselves around you and you can't move because of your obligations, it's never too late-there are always unlimited ways to follow your dreams, and it is much easier than you think.

Even in hand drawn animation, humans are widely considered to be the most difficult to execute, because everybody has a feeling for how they move.

Even in a city like Barcelona, there are still some people in the city who are angry because that waterfront area is a big tourist destination, and all the rents went up, and they had to move.

Even one's yesterdays could not continue to stir and move in a man's mind unless there were a future for those yesterdays to make.

Even talking about change can be threatening to entrenched interests...Careers in the Pentagon, the board room, or the halls of Congress are not advanced by creating the disruptions that go with real change, so there are very few voices willing to speak up for the future and move beyond rhetoric to make serious choices.

Even moving around onstage seemed very artificial. But at the same time you have to make that effort in order to get back to who you are and even accept not moving, if that's who you are.

Even now, my back was still arched with sensual invitation, my bottom was questing up like a cat in heat, and my every move was supple, sinuous. I was one great big come-hither.

Even on a personal note, my dressing table downstairs is crowded with things, like a mini landscape. It's a city with buildings and towers and roads. There's a pool and a little park. When I move something around it becomes a different tableau.

Even the hard times are part of your life story. If you acknowledge them and move past them, they eventually add up to the experience that makes you wise.

Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a person is a circle from childhood to childhood, and so it is in everything where power moves.

Events are moving so fast and what in one moment seems impossible, the next is happening. I'm sure historians will, in time, provide theories and analysis, but for now I think most of us simply want the tide stemmed.

Even though I'm not privileged in the money world, I'm privileged in other ways: I had greater access to education, I can travel, etc. It's the same with writing: the freedom to move in and out of different places, of different realms of existence, of different life forms.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

Events often move faster than our ability to comprehend them.

Events are moving fast in my campaign, and yes, it's true that this morning I've dismissed my entire team of senior advisers. All of their positions will now be held by a man named 'Joe the Plumber.'

Events that have happened during the past month have confirmed me in the opinion that the Imperial Government have acted in the Khilafat matter in an unscrupulous, immoral and unjust manner and have been moving from wrong to wrong in order to defend their immorality. I can retain neither respect nor affection for such a Government. The attitude of the Imperial and Your Excellency's Governments on the Punjab question has given me additional cause for grave dissatisfaction.

Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.

Even when you think things can never move forward and you feel so low, there's always a way out.

Even when I detach, I care. You can be separate from a thing and still care about it. If I wanted to detach completely, I would move my body away. I would stop the conversation midsentence. I would leave the bed. Instead, I hover over it for a second. I glance off in another direction. But I always glance back at you.

Even when our death is imminent, we carry the image of ourselves moving forward, alive, into the future.

Even with the most stupid video games, kids learn more about learning than they ever did before, because they want to learn codes and moves before other kids figure them out. They're motivated to seek out someone or search the Net for help. A student who makes a video game has to solve mathematical problems to make special effects happen on the screen.

Ever since time began (when was that, I wonder?), it's been moving ever forward without a moment's rest. And one of the privileges given to those who've avoided dying young is the blessed right to grow old.

Ever since I've become a filmmaker, I'm traveling the world a lot. I feel like I'm a citizen of the world, yet there's no single place that I can put my roots down and call home. I don't own anything. I'm not a homeowner. I've always rented and never stayed in one place for long. Almost every time I rent a place, I have some sort of water leakage or flooding. Whenever that happens, I just move somewhere else. Even when I moved to Paris, my apartment started leaking after a month. Maybe the leaking is just part of my life, doomed to follow me around.

Ever since I was little I would always be singing and dancing. I learned dance moves from Michael Jackson and *Nsync. My brothers, Rydel, and I would always put on shows for family members in our basement and we charged everyone $1 to get in.

Every actor wants to find a piece of work that's innovative and powerful and moving.

Every addiction arises from an unconscious refusal to face and move through your own pain. Every addiction starts with pain and ends with pain. Whatever the substance you are addicted to - alcohol, food, legal or illegal drugs, or a person - you are using something or somebody to cover up your pain.

Every action is seen to fall into one of three main categories, guarding, hitting, or moving. Here, then, are the elements of combat, whether in war or pugilism.

Every act of motherhood contains a dual intent, as the mother holds the child close and prepares it to move way from her, as she supports the child and stands it firmly on its own feet, and as she guards it against danger and sends it out across the yard, down by the stream, and across the traffic-crowded highway. Unless a mother can do both - gather her child close and turn her child out toward the world - she will fail in her purpose.

Everone has a pain thermometer that goes from zero to ten. No one will make a change until they reach ten. Nine won't do it. At nine you are still afraid. Only ten will move you, and when you're there, you'll know. No one can make that decision for you.

Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself.

Every baby moves with more ease and efficiency if allowed to do it at his own time and in his own way, without our trying to teach him. A child who has always been allowed to move freely develops not only an agile body but also good judgment about what he can and cannot do.

Every bad feeling is potential energy toward a more right way of being if you give it space to move toward its rightness

Everybody f-king does it. I suppose I can't say 'everybody' because I don't know for sure, but come on...It's just the tiniest sprinkle of Botox twice a year. I think most women do 10 units, but that freezes the face and you can't move it. This is just one unit, and it's just sprinkled here and there to take the edge off...Perhaps it's not wise to put that in a magazine? But I ain't hiding anything.

Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.

Everybody is gonna die from something. And so the deal is how to use each day to move things forward for both you and the people you love and the country you love.

Everybody has to move, run and grab as many [Palestinian] hilltops as they can to enlarge the [Jewish] settlements because everything we take now will stay ours... Everything we don't grab will go to them.

Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.

Everybody knows what they were kind of drawn towards or what they're gifted at and it's more of courage and looking at yourself and saying, "I'm going to try something and move back in that direction." So it's less of an intellectual problem and it's more of an emotional problem because as you get into your 30's and 40's you get addicted to a paycheck and a comfort and you delude yourself into thinking this is what my life is and you lack the guts to be honest with yourself and to make that change.

Everybody looking at you crazy, What you gon' do? Lift up your head and keep moving, Or let the paranoia haunt you?

Everybody's looking at me But it's alright I like attention The clubs not hot until I walk through They stop and stare and watch me move Like damn I like that I'm sexy and you know it.

Everybody reacts differently. For me defeat lingers around for different time periods. I can dwell on some for five minutes or sometimes I can still be thinking about it a week later. It all comes down to experience. You need to reflect on your mistakes and move on. Luckily you always get the opportunity to turn things around in your next performance.

Everybody loves an accent. It you've been unlucky in love, consider pulling up stakes and moving to another country. Then you'll be the one with a neat foreign accent.

Every cell in our body is primarily water. But the water doesn't just sit in the cell, it moves through it in a very organized way. The process occurs rapidly in tissues that have these aquaporins or water channels.

Every choice gives you a chance to pave your own road. Keep moving. Full speed ahead

Every breath you take and every move you make Every bond you break, every step you take I'll be watchin' you Every single day and every word you say Every game you play, every night you stay I'll be watchin' you

Everybody wants to know, 'How do you throw a curveball, how do you throw a slider, how do you throw this and that,' when they can't even locate a fastball. Learn how to control your fastball and then once you've got that, move on to other things.

Every choice in life either moves you forward or keeps you stuck.

Every choice moves us closer to or farther away from something. Where are your choices taking your life? What do your behaviors demonstrate that you are saying yes or no to in life?