Best 10564 quotes in «moving quotes» category

Faith is not complacent; faith is action. You don’t have faith and wait. When you have faith, you move.

Faith can move mountains; true: mountains of stupidity.

Faith can reclaim deserts as well as move mountains.

Faith, indeed, has up to the present not been able to move real mountains, although I do not know who assumed that it could. But it can put mountains where there are none.

Faith considers that its precariousness and its finiteness are but the womb in which it abides, moving toward the plenitude and fullness of the eternity which it desires and believes in and which revelation opens to it.

Faith, enthusiasm, and passionate intensity in general are substitutes for the self-confidence born of experience and the possession of skill. Where there is the necessary skill to move mountains there is no need for the faith that moves mountains.

Faith I have, in myself, in humanity, in the worthwhileness of the pursuits in entertainment for the masses. But wide awake, not blind faith, moves me. My operations are based on experience, thoughtful observation and warm fellowship with my neighbors at home and around the world.

Faith, indeed, has up to the present not been able to move real mountains.... But it can put mountains where there are none. Most people would like to be delivered from temptation but would like it to keep in touch.

Faith is knowing who God is and acting accordingly... God fights when we move.

Faith no doubt moves mountains, but not necessarily to where we want them.

Faith moves mountains, but you have to keep pushing while you are praying.

Faith moves mountains, if faith were easy there would be no mountains.

Falling is one of the ways of moving.

Family's the one thing you can't change. You can cover yourself with tattoos. You can get a grapefruit-sized ring going through your earlobe. You can change your name. You can move to a different continent. But you cannot change who your parents were, and who your siblings are, and who your children are.

Fantasy, in addition to being great storytelling, moves us at some unique and profound level. It has, I think, the power of mythology, or ancient dreams we have always and forever shared. In it, we find our real world and our real selves.

Fantasy isn't just a jolly escape: It's an escape, but into something far more extreme than reality, or normality. It's where things are more beautiful and more wondrous and more terrifying. You move into a world of conflicting extremes.

Far from all of the obvious moves that go without saying are correct.

Fashion is like life. It needs fear and uncertainty if you are to move forward.

Fashion is not just about trends. It's about political history. You can trace it from the ancient Romans to probably until the '80s, and you can see defining moments that were due either to revolutions or changes in politics. At the end of the Roman era, there was this whole move against togas, because that was the signifier of the Roman Empire. In the same way, the '60s were a reaction against the '50s and so on. But now we've been feeding on a sort of cadaver. At the moment, we're just endlessly recycling the past.

Fashion has become a joke. The designers have forgotten that there are women inside the dresses. Most women dress for men and want to be admired. But they must also be able to move, to get into a car without bursting their seams! Clothes must have a natural shape.

Fate knows all about you, it knows your fears and your weaknesses and your confidences and strengths, and it can be ready for all of them when it decides that the time is right. It can move you like a pawn in a terrible game of chess, sacrifice you for the good of others, drop you from a building you should never have been inside, give you a disease that no one has ever heard of. Luck and chance are impartial. Fate is active. It picks on people. Almost as if it thinks about things too much.

Fast pitch softball is just as dangerous as baseball. The ball is bigger so you can see it better, but the size also makes for a bigger space to move out of its way.

Fat girl, terrestrial, my summer, my night, How is it I find you in difference, see you there In a moving contour, a change not quite completed? You are familiar yet an aberration.

Faulty execution of a winning combination has lost many a game on the very brink of victory. In such cases a player sees the winning idea, plays the winning sacrifice and then inverts the order of his fellow-up moves or misses the really clinching point of his combination.

Fear is a natural reaction of moving closer to the truth. If we commit ourselves to staying right where we are, then our experience becomes very vivid. Things become very clear when there is nowhere to escape.

Fear is a wet blanket that smothers the fiery passion God deposited in your heart when he formed you. Fear freezes us into inaction. Frozen ideas, frozen souls, frozen bodies can't move, can't dream, can't risk, can't love, and can't live. Fear chains us.

Fear is not life-giving enough to sustain itself. We can move in the direction of fear only so long before it brings us to our knees, or to our end.

Fear is a self imposed prison that will keep you from becoming what God intends for you to be. You must move against it with the weapons of faith and love.

Fear keeps us rooted in the past. Fear of the unknown, fear of abandonment, fear of rejection, fear of not having enough, fear of not being enough, fear of the future-all these fears and more keep us trapped, repeating the same old patterns and making the same choices over and over again. Fear prevents us from moving outside the comfort-or even the familiar discomfort-of what we know. It's nearly impossible to achieve our highest vision for our lives as long as we are being guided by our fears.

Fear is what inhibits us moving forward.

Feel guilty. Mourn this. But move on. Don't let it destroy you. Forgive yourself.

Fear-of not being loved, of abandonment, of being thought to be selfish-is the main thing that keeps us vulnerable and bound in the chains of emotional dependence. Therefore, our two most difficult challenges are to truly believe it is okay for us to be ourselves and to learn to live with, move through, and heal our fears.

Fear sometimes adds wings to the heels, and sometimes nails them to the ground, and fetters them from moving.

Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.

Felicity and I watch the dancers moving as one. They spin about like the earth on it's axis, enduring the dark, waiting for the sun.

Few things are more beautiful to me than a bunch of thuggish, heavily tattooed line cooks moving around each other like ballerinas on a busy Saturday night. Seeing two guys who'd just as soon cut each other's throats in their off hours moving in unison with grace and ease can be as uplifting as any chemical stimulant or organized religion.

Fiction either moves mountains or it's boring; it moves mountains or it sits on its ass.

Film is like football - you join a team, get close to one or two people, then never hear from them again. I don't get emotionally involved. Do one, move on.

Fight scenes are really more like dances than they are fights, because you're depending on your partner to do the right move at the right time. Yes, a tough person or somebody who knows what they're doing will look better in a fight scene, but it also has a lot to do with the other person.

Film is a very tight little box. If you don't fit in that box, you're gone. Television, there's more room to move around.

Figures tell us there are already more people on earth than we need to move even the heaviest piano.

Finally the novelty came. These days it seems to be normal to play novelties somewhere in the ending. Apart from just being the novelty, this move is also very strong. It is most probably that Radjabov found this natural improvement over the board, as he spend more than an hour, if I am not mistaken. But it could be that he was just trying to remember his own analysis (can you imagine how much he has to remember??).

Find a mission that you can give yourself over to and then spend your days moving that mission forward. Man is made so that when anything fires his soul the impossibilities vanish. The influence of each human being on others in this life is a kind of immortality.

Financial security is a constant in my life. I allow my income to constantly expand, no matter what the newspapers and economists say. I move beyond my present income, and I go beyond the economic forecasts. I do not listen to people out there telling me how far I can go or what I can do.

Finally, a Jeet Kune Do man who says Jeet Kune Do is exclusively Jeet Kune Do is simply not with it. He is still hung up on his self-closing resistance, in this case anchored down to reactionary pattern, and naturally is still bound by another modified pattern and can move within its limits. He has not digested the simple fact that truth exists outside all molds; pattern and awareness is never exclusive. Again let me remind you Jeet Kune Do is just a name used, a boat to get one across, and once across it is to be discarded and not to be carried on one's back.

Find a way to express what moves you.

Finances completely determine what we can do and how quickly we can move.

Find thoughts that feel good, because it is inevitable that you are going to always be moving toward something. So why not be moving toward something that is pleasing? You can't cease to vibrate, and Law of Attraction will not stop responding to the vibration that you are offering. So, expansion is inevitable. You provide it, whether you know you do, or not. The only question is, what is the standard of joy that you are demanding for yourself? From your Nonphysical perspective, it's a high, high standard.

Fire above the mark you intend to hit. Energy, invincible determination, with the right motive, are the levers that move the world.

Fine art is the subtlest, the most seductive, the most effective instrument of moral propaganda in the world, excepting only the example of personal conduct; and I waive even this exception in favor of the art of the stage, because it works by exhibiting examples of personal conduct made intelligible and moving to crowds of unobservant unreflecting people to whom real life means nothing.