Best 10564 quotes in «moving quotes» category

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good.

I don't think it's necessary to feel guilty. Because I know that I'm still doing the work that is going to help more sisters and brothers to challenge the whole criminal justice system, and I'm trying to use whatever knowledge I was able to acquire to continue to do the work in our communities that will move us forward.

I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good. They can afford bigger houses, or they can actually afford to buy a house, they can work the minimal amount and still get by. I think there's a really strong sense of community there. It's beautiful.

I don't think of myself as a dancer. I think of myself as a singer-actress who moves really well.

I don't think Roger Ebert has ever mentioned a screenplay. He assigns every auctorial move to the director, which makes some sense since the director has run a one-off game, but if Hamlet were written last year and had been only performed once as a film, and it didn't come off well on screen for whatever reason, it would be gone forever as a literary work, and never would have been considered as one.

I don't think religions will merge into a great global faith. But I do believe we're moving toward a global ideology that has a place for religion and recognizes the contributions of the different traditions. Hopefully, it will have an overarching view as to how we can work together for the promotion of human values and spirituality.

I don't think that stability and the status quo go together at all, not in a flat world where people are integrated, where women are assuming new roles, where young people want to be consulted and participate. I think the trick is to open up, move down the path of reform, do it in a way that is consistent with your own society's stability and culture, and just don't think you can do nothing.

I don't think the NFL has ever seen the likes of me, a quarterback who moves the way I do and throws the way I do. I'm not saying that with arrogance or anything. That is just how I feel.

I don't think there is a sound UK bank now, at least, if there is one I don't know about it. The City of London is finished, the financial centre of the world is moving east. All the money is in Asia. Why would it go back to the West? You don't need London.

I don't think things are moving toward an omega point; I think they're moving toward more diversity

I don't think there is anything as powerful as an active heart. They do not fear the wisdom of emotion, but embody it. They know how to listen. They are polite when they need to be and unyielding when necessary. They remain open, even as they push boundaries and inhabit the margins, understanding eventually, the margins will move toward the center. They are tenacious, informed, patient, and impatient, at once. They do not shy away from what is difficult. They refuse to accept the unacceptable. The most effective activists I know are in love with the world.

I don't think there's such a thing as falling in love too easily or falling too fast. Or loving someone too soon or trusting someone too soon... I've never treated two relationships the same. Some people move you and some people don't.

I don't think there's anything more important than making peace before it's too late. And it almost always falls to the child to try to move toward the parent.

I don’t think we should try to make space our own. I believe that as modern people we should live in mobility. We should always be moving.

I don't think you learn as much about yourself when you are moving forwards as when you have fallen backwards. That's when you really learn who you are. And reach for the things that have propelled you forward and made you a better person.

I don't think you should ever start a business and move in a direction where you can't see it becoming a business.

I don't want them to move their plants. I want them to stay in Michigan. I want them to stay in all of the places where they are, or expanding to other places. But I want it to be in the United States. I don't want them to go to Mexico.

I don't want posterity, I don't want anybody to remember me in any way. I don't care about that because I'll be dead. I think the spirit will move to some other state.

I don't want to have to get the lesson of losing [things like health and moving about freely] to appreciate what it was.

I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.

I don't want to do 20 minutes on Donald Trump. I want to do 10 minutes and move on. I wouldn't even do that with a live show, because I don't want it to feel like "An Evening Of Political Comedy.

I don't want to impress somebody, I want to move somebody. Say the most with the least.

I don't want to play with marbles, when God told me to move mountains!

I don't want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That's it.

I don't want to move to a city where the only cultural advantage is being able to make a right turn on a red light.

I don’t want to stand before you like a thing, shrewd, secretive. I want my own will, and I want simply to be with my will, as it goes toward action. And in the silent, sometimes hardly moving times, when something is coming near, I want to be with those who know secret things or else alone. I want to unfold. I don’t want to be folded anywhere, because where I am folded, there I am a lie.

I don't want to use the word reorganization. Reorganization to me is shuffling boxes, moving boxes around. Transformation means that you're really fundamentally changing the way the organization thinks, the way it responds, the way it leads. It's a lot more than just playing with boxes.

I don’t waste time. I move. I finish things. I don’t try and do things to the nth degree. I know what’s important and what’s not. I’ve really learned that. That’s a judgement I’ve learned, what really matters.

I don't want to play old music. To me, it is fighting battles that are already over and calling yourself a warrior. For me, I see no courage or adventure in doing the old thing over again. If others want to, that's for them. For myself, I have to move on. Life is too short to live in the past. There is a lot to be done.

I do sense that the financial system is under the gun. In order to keep our system and economies moving globally, there's the need to extend new money.

I don't write directly on to the computer because I don't think well facing forward with fingers on a keyboard. I think better looking down holding a pen. And the concentration quotient of pen and paper is higher than when I'm moving words around on screen.

I do see more and more people who are moving away from traditional religions that exclude others and have hatred as their basis, as part of their ideologies, that conceptualize an angry God that is going to take retribution on all the people who are not a certain way.

I do shodo magic,” Dali said. “I curse through calligraphy. I have to write the curse out on a piece of paper and I can’t move while I do it. One smudge, and I might kill the lot of us.” Oh good. “But don’t worry.” Dali waved her arms. “It’s so precise, it usually doesn’t work at all.” Better and better.

I do so much travelling in my work that my suitcase is always packed, with my passport ready. I rarely unpack, as I am constantly on the move.

I do think once I get into expectations, I've just trained myself. I've just trained myself to just move on to the next.

I do suppose what any political satire, what any political joke can count as a gaffe or a possible career-ending move. It changes what counts. I don’t know, I do feel like day to day even though Trump is so terrible and ridiculous, day to day we still laugh at Jason Chaffetz and we still laugh at Ted Cruz and we still laugh at those guys, at just how bad they are at their jobs.

I do think that saving the economy was a pretty big deal. We did a lot of stuff early that ended up having an impact. I believe that the work we've done in moving our energy future in a cleaner direction is going to stick even if some of the individual steps that we took are reversed by future administrations. I think that it's embedded itself in the economy.

I do trust that the president is sincere in understanding that the public supports - that overwhelmingly the public supports - not sending these young people back. It was interpreted by some that we had a deal on the deal. But that wasn't on the package. We had an agreement to move forward, in our view, with the DREAM Act as a basis for how we protect the DREAMers and for further discussions on what provisions relating to the border might be in an accompanying bill or whatever as we go forward. So I trust the president in that regard.

I doubt that art needed Ruskin any more than a moving train needs one of its passengers to shove it.

I do what I feel impelled to do, as an artist would. Scientists function in the same way. I see all these as creative activities, as all part of the process of discovery. Perhaps that's one of the characteristics of what I call the evolvers, any subset of the population who keep things moving in a positive, creative, constructive way, revealing the truth and beauty that exists in life and in nature.

I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.

I do yoga. People think it is easy, just touching your toes. It is hard. But I tend to go with my own flow. It's back to the movement thing. I feel it when I need to train, and I do what I feel I need to do. And when I am in the run-up to a fight, I am really at it the whole time, might be getting my weight down to meet the limit for the division. Soon I am moving up and I am going to be champion in the next one too.

I'd rather fight 100 structure fires than a wildfire. With a structure fire you know where your flames are, but in the woods it can move anywhere; it can come right up behind you.

I dream of moving to India, or Pakistan, and becoming a cabdriver.

I drive a hybrid, moving into an electric car. I only drink tap water, never consume food that's travelled.

I dribbled by the hour with my left hand when I was young. I didn't have full control, but I got so I could move the ball back and forth from one hand to the other without breaking the cadence of my dribble. I wasn't dribbling behind my back or setting up any trick stuff, but I was laying the groundwork for it.

I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.

I encourage all novelists to move to TV right now, that is the way to go. I was living in New York working at a bank as a day job about seven years ago. I was writing novels at night and decided, "Wow, there's so much great TV, and they're telling the complex, interesting, psychologically nuanced stories that, as a novelist, you dream of telling. And it's a healthy, exciting, thriving medium - that's where I need to be.

I ended up in the US for a month or so, before moving to Montreal with some Romanian friends.

I'd trusted my fan base, I'd trusted the my gut, and I'd trusted the music. ...the real experts are out there in front of you every night. They're the ones buying the tickets and coming to the shows. They're the professionals in this business, and they're the only ones who can tell you which songs have the ability to move them.