Best 3705 quotes in «knowing quotes» category

What signifies knowing the Names, if you know not the Natures of things.

What's the good of having mastery over cosmic balance and knowing the secrets of fate if you can't blow something up?

What's the difference between being dead, and just not knowing you're alive?

What use is it that knowledge mounts? It's knowing something good that counts.

What was love, really? Flowers, chocolate, and poetry? Or was it something else? Was it being able to finish someone's jokes? Was it having absolute faith that someone was there at your back? Was it knowing someone so well that they instantly understood why you did the things you did—and shared those same beliefs?

What was it about not knowing a person that allowed you to wonder whether she might be the answer to all your problems?

What we know matters, but who we are matters more. Being rather than knowing requires showing up and letting ourselves be seen. It requires us to dare greatly, to be vulnerable.

What we learn for the sake of knowing, we hold; what we learn for the sake of accomplishing some ulterior end, we forget as soon as that end has been gained. This, too, is automatic action in the constitution of the mind itself, and it is fortunate and merciful that it is so, for otherwise our minds would be soon only rubbish-rooms.

What we often feel in ecstatic moments in this world - 'I don't ever want this to stop' - will be the constant thought of our hearts in that world. We shall think it, knowing that in fact it never WILL stop.

What will you do today, knowing that you are one of the rarest forms of life to ever walk the Earth? How will you carry yourself? What will you do with your hands? Tomorrow you could die, but today you are precious and rare and awake. Grateful and awake, ask what you need to know now. Say what you feel now. Love what you love now.

What you have lost will not be returned to you; it always be lost. You’re left with only your scars to mark the void. All you can choose to do is go on, or not. But if you go on, it’s knowing you carry your scars with you.

When a baby comes into the world, its hands are clenched, right? Like this?" He made a fist. "Why? Because a baby not knowing any better, wants to grab everything, to say the whole world is mine. But when an old person dies, how does he do so? With his hands open. Why? Because he has learned his lesson." "What lesson?" I asked. He stretched open his empty fingers. "We can take nothing with us.

When a concept has been understood intellectually, if the learning is to be of value then a connection with personal feelings, inner knowing and experience has to be made, and consideration of how the information would best be applied.

When a man begins to know himself a little he will see in himself many things that are bound to horrify him. So long as a man is not horrified at himself he knows nothing about himself.

When a man stands on the verge of seventy-two you know perfectly well that he never reached that place without knowing what this life is - heartbreaking bereavement.

Whenever I read a poem that moves me, I know I'm not alone in the world. I feel a connection to the person who wrote it, knowing that he or she has gone through something similar to what I've experienced, or felt something like what I have felt. And their poem gives me hope and courage, because I know that they survived, that their life force was strong enough to turn experience into words and shape it into meaning and then bring it toward me to share.

Whenever I see an unmarried woman carrying a child, my first response is one of respect. I know she could have taken the quick fix without anyone knowing, but she chose instead to let an innocent child live.

Whenever vanity and gaiety, a love of pomp and dress, furniture, equipage, buildings, great company, expensive diversions, and elegant entertainments get the better of the principles and judgments of men and women, there is no knowing where they will stop, nor into what evils, natural, moral, or political, they will lead us.

When fighting zombies, the only comfort one can have--if, indeed, it can be called a "comfort"--is knowing where the zombies are. "They are over there, and we are over here. When they come at us, we're going to shoot them down. That's how it's going to work. They're just zombies, and they're way over there. No way are we going to f*** this up." But when zombies then unexpectedly pop up behind you--Bam!--the whole battle plan's not so cut and dried, is it, Mr. Tough Guy?

When everything else falls down around us, just knowing that there's another person who will miss us when we're gone is enough to see us through our darkest moments.

When I accept someone's testimony, I am thus only a small part of the full seat of epistemic competence, which might include many others in a long chain. My own contribution might then be slight, just through the perceptual and linguistic competence involved in knowing what someone is saying or writing, etc.

When he talked his eyes went away from mine and then he forced himself to look straight at me and he began to explain and I knew that he felt very strange with me and that he hated me, and it was funny sitting there and talking like that, knowing he hated me.

When I break My Silence, the impact of My Love will be universal and all life in creation will know, feel and receive of it. It will help every individual to break himself free from his own bondage in his own way. I am the Divine Beloved who loves you more than you can ever love yourself. The breaking of My Silence will help you to help yourself in knowing your real Self.

When I am told that I am a huge star, I accept it, knowing that success is relative - the films I do have to work.

When I first got the job, I was told nothing about my character. She's an anthropologist and she's tough, she's a female Indiana Jones. That's what I went into [Lost] knowing.

When I do programming in my free time and for my own enjoyment, I really want to have a kind of protection: knowing that when I improve a program those improvements will continue to be available to me and others in future versions of the program.

When I got out of high school I hit the road. I lived like a gypsy. Those were the best times of my life. I was living from club to club not knowing where my next meal was coming from. No credit cards, no apartment, no bills, no managers, just on the road with a truck and five guys.

When I hear the deepest truths I speak coming out of my mouth sounding like my mother's, even remembering how I fought against her, I have to reassess both our relationship as well as the sources of my knowing.

When I have finished a job, done all the promotion, and it's been received well. Then I can allow myself the luxury of a break, and chilling out with my family and friends, and taking a nice break knowing I've done a good job.

When it comes to knowing how to relax, cats are the original yoga experts.

When I might be on a business trip, a lot of people are partying and they may be drunk or under the influence of something that I'm not under the influence of, and that might influence their actions. I'm not even blaming them, but being in the club and not knowing what everybody's motives are, I have to take precautions damn near every week, especially when I go out of town.

When I needed an e-book formatted fast and formatted perfectly, Polgarus Studio came through for me. My expectations were exceeded. It's a relief knowing I can count on a hand-formatted e-book that will work on every device. Highly recommended!

When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.

When I'm happiest writing is just not knowing where it goes and just let the characters bring you there.

When I reach to the edge of the universe, I do so knowing that along some paths of cosmic discovery, there are times when, at least for now, one must be content to love the questions themselves.

When I started working on women's history about thirty years ago, the field did not exist. People didn't think that women had a history worth knowing.

When it comes to knowing what to say, to charm, I always had it.

When I use the camera, I often feel likeI know part of the people or places I come in contact with.

When I was a dancer, I felt this great sense of knowing my body and being in my body, and I think it's really easy as women to lose that and not really be one and loving it.

When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.

When I walk off the field exhausted, drenched in sweat, knowing I pushed myself to the physical, mental, and emotional limits, there is no better feeling.

When I was a child, I'd see a movie, I took it for what it was, I enjoyed it. And if I believed it I would tend to be more interested in knowing more about it.

When I was about, I'd say, 18 or 19 years old, I wanted to be a part of the CIA just because they know those intimate secrets... So I was just always into knowing. I like to know things.

When I was diagnosed with bipolar disorder the year I turned 50, it was certainly a shock. But as a journalist, knowing a little bit about a lot of things, I didn't suffer the misconception that depression was all in my head or a mark of poor character. I knew it was a disease, and, like all diseases, was treatable.

When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.

When I was in college, I was belittling the woman who later become my wife for not knowing who Boba Fett was, and she responded by asking me if I knew who the Prime Minister of Israel was. Surprisingly? Not Mon Mothma.

When I was younger, I jumped out of a moving car. I would do anything. Now, being a father and knowing the political state of the world, there are certain things which potentially could be religiously volatile that I would probably avoid, but not much.

When I went through a really intense break-up - you know, I was engaged - the thing that gave me the most anxiety was not knowing what to do with myself when Disney wasn't there to carry me anymore or if I didn't have him. And now I'm FREE of both of those things and I'm fine. I lay in bed at night by myself and I'm totally OK and that's so much stronger than the person three years ago, who would have thought they would have died if they didn't have a boyfriend.

When John Heartfield and I invented photomontage in my South End studio at five o'clock on a May morning in 1916, neither of us had any inkling of its great possibilities, nor of the thorny yet successful road it was to take. As so often happens in life, we had stumbled across a vein of gold without knowing it.

When life is rosy, we may slide by with knowing about Jesus, with imitating him and quoting him and speaking of him. But only in suffering will we know Jesus.