Best 58 quotes of Arthur Erickson on MyQuotes

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.

Bankers cannot afford to be concerned with only the economic aspects of projects. There may be serious implications on the natural environment, the urban environment, on human culture.

Builders eventually took advantage of the look of modernism to build cheaply and carelessly.

Compared to industry in Europe or Japan, where industry was based on a craft tradition, we are sadly behind.

Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.

God's designs may be frequent justification for our actions, but it is we, the "self-made men", who take the credit.

Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.

Illusion is needed to disguise the emptiness within.

Inspiration in Science may have to do with ideas, but not in Art. In art it is in the senses that are instinctively responsive to the medium of expression.

In those countries with centuries of a craft tradition behind their building methods, techniques are tightly coordinated under the direction of the architect.

I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.

It is the mystery of the creative act that something other than our conscious self takes over.

Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.

Materialism has never been so ominous as now in North America, as management takes over.

Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.

Nearly all of the advances in structural and aesthetic innovation is coming from abroad.

No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.

Nowhere has specialization penetrated so deeply into the building professions as North America.

No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

Only when inspired to go beyond consciousness by some extraordinary insight does beauty manifest unexpectedly.

Our engineering departments build freeways which destroy a city or a landscape, in the process.

Our incapacity to comprehend other cultures stems from our insistence on measuring things in our own terms.

Our settlement of land is without regard to the best use of land.

Part of our western outlook stems from the scientific attitude and its method of isolating the parts of a phenomenon in order to analyze them.

Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.

Rationalism is the enemy of art, though necessary as a basis for architecture.

Roman civilization had achieved, within the bounds of its technology, relatively as great a mastery of time and space as we have achieved today.

Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.

Tahiti has been spoiled for many years, but Bali is one of the few cultures with origins in one of the great ancient cultures which is still alive.

The Achilles Heel of the Americas was the lack of cultural confidence typical of new settlers.

The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.

The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.

The details are the very source of expression in architecture. But we are caught in a vice between art and the bottom line.

The essentially unchangeable established order of things, slowly disappeared and was forgotten for a while completely...

The great dream merchant Disney was a success because make-believe was what everyone seemed to need in a spiritually empty land.

The heart, not the head, must be the guide.

The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.

The new architecture of transparency and lightness comes from Japan and Europe.

The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.

There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.

There is a single thread of attitude, a single direction of flow, that joins our present time to it's early burgeoning in Mediterranean civilization...

The Renaissance is studded by the names of the artists and architects, with their creations recorded as great historical events.

The tourist transports his own values and demands to his destinations and implants them like an infectious disease, decimating whatever values existed before.

The way of architecture is the quiet voice that underlies it and has guided it from the beginning.

This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.

Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.

Vitality is radiated from exceptional art and architecture.

We are guilty for sending teams into foreign countries to advise them how to be like us.

We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.

We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.