Best 20 quotes of Leo Ornstein on MyQuotes

Leo Ornstein

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    Leo Ornstein

    A person improvising is sometimes very fortunate that just at that second things coincide.

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    Leo Ornstein

    Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.

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    Leo Ornstein

    Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.

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    Leo Ornstein

    By the way, the point between rationality and what we would call the irrational is a very difficult point to establish. There’s no specific line, as you know.

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    Leo Ornstein

    Hopefully, I have a certain amount of what you call musical talent.

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    Leo Ornstein

    I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.

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    Leo Ornstein

    In writing music, the structure of each piece is a very important factor.

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    Leo Ornstein

    It doesn't necessarily mean at all that the composer plays his own works best.

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    Leo Ornstein

    I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing.

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    Leo Ornstein

    I think there have been some periods when the writing almost became a bit of a burden.

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    Leo Ornstein

    No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.

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    Leo Ornstein

    Now, there are sometimes making a connection between one section and another that sometimes you do want to see the pattern because it helps you to lead into the next thing - it's a rhetorical thing, where you just see how the pattern has to go into the next thing.

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    Leo Ornstein

    Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express.

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    Leo Ornstein

    Of all the arts, music is really the most abstract.

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    Leo Ornstein

    The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.

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    Leo Ornstein

    There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.

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    Leo Ornstein

    Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.

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    Leo Ornstein

    To the person that deals in visualizations, I suppose there is something rather exciting about a whole set of people - they all going symmetrically, up or down, in a military sort of precision.

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    Leo Ornstein

    We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising.

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    Leo Ornstein

    When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.