Best 51 quotes of Muriel Rukeyser on MyQuotes

Always our wars have been our confessions of weakness

American poetry has been part of a culture in conflict....We are a people tending toward democracy at the level of hope; at another level, the economy of the nation, the empire of business within the republic, both include in their basic premise the idea of perpetual warfare

As we live our truths, we will communicate across all barriers, speaking for the sources of peace. Peace that is not lack of war, but fierce and positive.

Breathe-in experience, breathe-out poetry.

dogma and shrinking from the external world are at one limit of the range of belief. At the other are science and poetry and, indeed, reality.

Dreams are the sources of action, the meeting and the end, a resting place among the flight of things.

Everywhere we are told that our human resources are all to be used, that our civilization itself means the uses of everything it has - the inventions, the histories, every scrap of fact. But there is one kind of knowledge - infinitely precious, time-resistant more than monuments, here to be passed between the generations in any way it may be: never to be used. And that is poetry.

Flight is intolerable contradiction.

Hollywood works continually to keep its standard of contempt for the audience.

How can I look back and not speak of the stupid learning about birth? Of the stupid learning that people make love, and how it seemed the reason for all things, the intimacy of my wondering, the illumination that to an adolescent was the cause for life around me, the reason why the unhappy people I knew did not kill themselves?

However confused the scene of our life appears, however torn we may be who now do face that scene, it can be faced, and we can go on to be whole.

I am haunted by interrupted acts, introspective as a leper, enchanted by a repulsive clew, a gross and fugitive movement of the limbs. Is this the love that shook the lights to flame?

I am working out the vocabulary of my silence.

If we look long enough and hard enough ... we will begin to see the connections that bind us together, and when we recognize those connections, we will begin to change the world.

I hear the singing of the lives of women. They clear mystery, the offering, and pride.

I lived in the first century of world wars. Most mornings I would be more or less insane.

In time of crisis, we summon up our strength. Then, if we are lucky, we are able to call every resource, every forgotten image that can leap to our quickening, every memory that can make us know our power. And this luck is more than it seems to be: it depends on the long preparation of the self to be used.

I remember mother saying   :    Inventors are like poets, a trashy lot

I speak to you. You speak to me. Is that fragile?

I think there is a choice possible to us at any moment, as long as we live. But there is no sacrifice. There is a choice, and the rest falls away. Second choice does not exist. Beware of those who talk about sacrifice.

I will try to be non-violent one more day this morning, waking the world away in the violent day.

Never to despise in myself what I have been taught to despise. Nor to despise the other. Not to despise the it. To make this relation with the it: to know that I am it.

No one wants to read poetry. You have to make it impossible for them to put the poem down--impossible for them to stop reading it, word after word. You have to keep them from closing the book.

Not all things are blest, but the seeds of all things are blest.

Nourish beginnings, let us nourish beginnings. Not all things are blest, but the seeds of all things are blest. The blessing is in the seed.

Outrage and possibility are in all the poems we know.

Poetry is, above all, an approach to the truth of feeling. A fine poem will seize your imagination intellectually - that is, when you reach it, you will reach it intellectually too - but the way is through emotion, through what we call feeling.

Poetry is, above all, an approach to the truth of feeling.

Punctuation is biological. It is the physical indication of the body-rhythms which the reader is to acknowledge.

Reality is the completion of experience.

Slowly I would get to pen and paper, Make my poems for others unseen and unborn. In the day I would be reminded of those men and women, Brave, setting up signals across vast distances, considering a nameless way of living, of almost unimagined values.

The fear of poetry is an indication that we are cut off from our own reality.

The heavy sensual shoulders, the thighs, the blood-born flesh and earth turning into color, rocks into their crystals, water to sound, fire to form: life flickers uncounted into the supple arms of love.

The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.

The journey is my home.

The process of writing a poem represents work done on the self of the poet, in order to make form.

There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.

The sources of poetry are in the spirit seeking completeness.

The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.

the truth of a poem is its form and its content, its music and its meaning are the same.

The universe of poetry is the universe of emotional truth. Our material is in the way we feel and the way we remember.

The world is made up of Stories, not Atoms.

The world is not made of molecules, the world is made of stories.

Those who speak of our culture as dead or dying have a quarrel with life, and I think they cannot understand its terms, but must endlessly repeat the projection of their own desires.

Try to live as if there were a God

What three things can never be done? / Forget. Keep silent. Stand alone

What would happen if one woman told the truth about her life? The world would split open.

Women in drudgery knew They must be one of four: Whores, artists, saints, and wives. There are composite lives that women always live

Willard Gibbs is the type of the imagination at work in the world. His story is that of an opening up which has had its effect on our lives and our thinking; and, it seems to me, it is the emblem of the naked imagination —which is called abstract and impractical, but whose discoveries can be used by anyone who is interested, in whatever 'field'— an imagination which for me, more than that of any other figure in American thought, any poet, or political, or religious figure, stands for imagination at its essential points.

...only one man lived who could understand Gibbs's papers. That was Maxwell, and now he is dead.