Best 22 quotes of Stephanie Danler on MyQuotes

All right, Tess. You want it all? You don't care about consequences? Then it is too late. I could tell you to leave him alone. That he's complicated, not in a sexy way, but in a damaged way. I could tell you damage isn't sexy, it's scary. You're still young enough to think every experience will improve you in some long-term way, but it isn't true. How do you suppose damage gets passed on?

Boredom can be incredibly productive. It's the fear of boredom that's so destructive.

Does anyone come to New York clean? I'm afraid not. But crossing the Hudson I thought of crossing Lethe, milky river of forgetting.

Girls, now, they wear leggings. As pants. It's embarrassing. Just parading their coochies around town.

I had a ritual—and having any ritual sounded so mature that I told everyone about it, even the regulars. On my days off I woke up late and went to the coffee shop and had a cappuccino and read. Then around five p.m., when the light was failing, I would take out a bottle of dry sherry and pour myself a glass, take out a jar of green olives, put on Miles Davis, and read the wine atlas. I didn't know why it felt so luxurious, but one day I realized that ritual was why I had moved to New York—to eat olives and get tipsy and read about Nebbiolo while the sun set. I had created a life that was bent in service to all my personal cravings.

I'm sick of that, I said. Young, young, young, that's what I get, all day, everyday. But I know your secret....You're all terrified of young people. We remind you of what it was like to have ideals, faith, freedom. We remind you of the losses you've taken as you've grown cynical, numb, disenchanted, compromising the life you imagined. I don't have to compromise yet. I don't have to do a single thing I don't want to do. That's why you hate me.

I said, "It really didn't feel like a choice. Where else is there to go?

I thought that once I got to this city nothing could ever catch up with me because I could remake my life daily. Once that had made me feel infinite. Now I was certain I would never learn. Being remade was the same thing as being constantly undone.

It was the day after Thanksgiving. I was the 3 p.m. backwaiter, but the trains were running irregularly, and while I had heard one sighing into the station as I ran down the stairs, my card was out of money. Which is to say, I was late.

I was never good at the future. I grew up with girls whose chief occupation was the future—designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing. I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me. The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.

No, cool is fine," he said. "Yes, it's a cool place. It was much cooler seven years ago, and it was actually cool ten years ago, before I even got to the city. You see, what those kids over there"—he pointed at the empty booth—"don't realize is that cool is always past tense. The people who lived it, who set the standards they emulate, there was no cool for them. There was just the present tense: there were bills, friendships, messy fucking, fucking boredom, a million trite decisions on how to pass the time. Self-awareness destroys it. You call something cool and you brand it. Then—poof—it's gone. It's just nostalgia.

Pigeons flew in diminishing waves between the low buildings. The sun rose. It said, Now that you've done this, you can never have that. Now that I'm like this, I can never go back.

She re-marked her lips with her lipstick. I saw sprays of silver in her coarse hair. I saw inscriptions of her years around her mouth, a solid crease between her brows from a lifetime of cynicism. The posture of a woman who had stood in a casual spotlight in every room she'd ever been in, not for gloss or perfection, for self-possession. Everything she touched she added an apostrophe to.

So—some tomatoes tasted like water, and some tasted like summer lightning.

Tess, don't you worry about old Mrs. Neely. If you ever reach my age you'll find that death becomes a need, like sleep.

The city was radiant and I felt untouchable.

The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.

Veiled melancholy has her sovereign shrine

Whenever I'd asked him about that key: "It's nothing, it's not the key to anything, a tattoo is just a tattoo, only as permanent as the body." How I swooned when he spoke to me in that vaguely Buddhist, vaguely nihilist accent. In reality it was a shitty tattoo that was a warning to anyone who looked at them that they were not available.

When the truffles arrived the paintings leaned off the wall toward them.

You know, you the worst kind, you want to marry the artist and live like squalor, but you wait, in five years you be like, Baby Jake why we eat ramen noodles every night? You a hustler, don't blind me, I see.

You," she said. She grabbed my wrist and pressed two fingers onto me as if taking my pulse and I stopped breathing. "I know you. I remember you from my youth. You contain multitudes. There is a crush of experience coursing by you. And you want to take every experience on the pulse.