Best 68 quotes of Thomas Bernhard on MyQuotes

A criminal is undoubtedly a poor soul, who is punished for his poverty.

All my life I have had the utmost admiration for suicides. I have always considered them superior to me in every way.

Arrogance is an utterly appropriate weapon to use against a hostile world, a world in which arrogance is feared and respected, even if, like mine, it's only feigned.

Everyone, he went on, speaks a language he does not understand, but which now and then is understood by others. That is enough to permit one to exist and at least to be misunderstood.

Everyone is a virtuoso on his own instrument, but together they add up to an intolerable cacophony.

Everything is what it is, that's all. If we keep attaching meanings and mysteries to everything we perceive, everything we see that is, and to everything that goes on inside us, we are bound to go crazy sooner or later, I thought.

I had to spend my entire childhood in the Altensam dungeon like an inmate doing time for no comprehensible reason, for a crime he can't remember committing, a judicial error probably.

In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.

I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.

It would be wrong to refuse to face the fact that everything is fundamentally sick and sad.

I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.

Lawyers make nothing but confusion...A lawyer is an instrument of the devil. In general, he's a fiendish idiot, banking on the stupidity of people much more stupid than himself, and by God he's always right.

Nothing but disaster follows from applause.

One day you're cut off, at the very start you're cut off and can't go back, the language you learn and the whole business of walking and all the rest is for the sake of the single thought, how to get back again.

Only when I am by seawater can I truly breathe, to say nothing of my ability to think.

On the other hand, whatever condition we are in, we must always do what we want to do ,and if we want to go on a journey, then we must do so and not worry about our condition, even if it's the worst possible condition, because, if it is, we're finished anyway, whether we go on the journey or not, and it's better to die having made the journey we've been longing for than to be stifled by our longing.

Our greatest pleasure, surely, is in fragments, just as we derive the most pleasure from life if we regard it as a fragment, whereas the whole and the complete and the perfect are basically abhorrent.

People keep a dog and are ruled by this dog, and even Schopenhauer was ruled in the end not by his head, but by his dog. This fact is more depressing than any other.

The anger and the brutality against everything can readily from one hour to the next be transformed into its opposite.

The art we need is the art of bearing the unbearable.

The study of sickness is the most poetic of the sciences.

The thinking man always finds himself in a gigantic orphanage in which people are continually proving to him that he has no parents.

Those are terrible people who don't like Glenn Gould... I will have nothing to do with such people, they are dangerous people.

Those who live in the country get idiotic in time, without noticing it, for a while they think it's original and good for their health, but life in the country is not original at all, for anyone who wasn't born in and for the country it shows a lack of taste and is only harmful to their health. The people who go walking in the country walk right into their own funeral in the country and at the very least they lead a grotesque existence which leads them first into idiocy, then into an absurd death.

Toda idea, al fin y al cabo, es una idea demencial.

Very often we write down a sentence too early, then another too late; what we have to do is write it down at the proper time, otherwise it's lost.

...we ask: Why suicide? We search for reasons, causes, and so on.... We follow the course of the life he has now so suddenly terminated as far back as we can. For days we are preoccupied with the question: Why suicide? We recollect details. And yet we must say that everything in the suicide's life- for now we know that all his life he was a suicide, led a suicide's existence- is part of the cause, the reason, for his suicide.

We have to keep company with supposedly bad characters if we are to survive and not succumb to mental atrophy. People of good character, so called, are the ones who end up boring us to death.

We must allow ourselves to think, we must dare to think, even though we fail. It is in the nature of things that we always fail, because we suddenly find it impossible to order our thoughts, because the process of thinking requires us to consider every thought there is, every possible thought. Fundamentally we have always failed, like all the others, whoever they were, even the greatest minds. At some point, they suddenly failed and their system collapsed, as is proved by their writings, which we admire because they venture farthest into failure. To think is to fail, I thought.

We only really face up to ourselves when we are afraid.

We publish only to satisfy out craving for fame; there's no other motive except the even baser one of making money.

What can you do. You get a name, you're called 'Thomas Bernhard', and it stays that way for the rest of your life. And if at some point you go for a walk in the woods, and someone takes a photo of you, then for the next eighty years you're always walking in the woods. There's nothing you can do about it.

What is ridiculous about human beings, Doctor,' the prince said, 'is actually their total incapacity to be ridiculous

Women were like rivers, their banks were unreachable, the night often rang with the cries of the drowned.

You are never truly together with one you love until the person in question is dead and actually inside you.

You've always lived a life of pretense, not a real life-- a simulated existence, not a genuine existence. Everything about you, everything you are, has always been pretense, never genuine, never real.

After my parents were dead, I found in a box and in two chests of drawers nothing but hundreds of bright red Alpine caps, I said, nothing but bright red Alpine stockings. Every one of them knitted by my mother. My parents could have gone into the High Alps with these bright red caps and bright red stockings for thousands of years. I burnt every one of those bright red caps and bright red stockings, I said. I put on one of my mother's hundreds of bright red Alpine caps and in this costume burnt all the others, laughing, laughing, continuously laughing, I said. (Goethe Dies, p.65)

Again and again we try to escape ourselves, but we fail in our efforts, constantly run our heads into the wall because we don't want to recognize that we can't escape ourselves, except in death.

And Latin America has become very fashionable, yet what repels me is that everyone in Europe goes and imposes themselves there under this mantle of social and socialist cooperation, which in reality is nothing but a disgusting subspecies of European Christian-Socialist fussiness.The Europeans bore themselves to death and meddle every where in the so called Third World in order to escape that fatal European boredom. Missionarianism is a German vice which has invariably just brought misfortune to the world today, which has invariably just plunged the world into crisis The Church has only poisoned Africa with its detestable dear God, and now it is poisoning Latin America with it. The Catholic Church is the world poisoner the world destroyer, the world annihilator, that is the truth. The Germans continually poison the world outside of their borders and they will give it no rest until this entire world is fatally poisoned. So I have long withdrawn from my bad habit of wanting to help people in Africa and South America and into myself entirely. There is no helping humanity in our world which has been a hypocrisy for centuries. And, like humanity, there is no helping the World because both are a hypocrisy through and through. (Goethe Dies, p. 73)

Everything about Wertheimer didn't come from Wertheimer himself, I said to myself now, everything about Wertheimer was always taken from somebody else, copied, he took everything from me, he copied me in everything, and so he even took my failure from me and copied it, I thought. Only his suicide was his own decision and came completely from him, I thought, and so he may have experienced, as they say, a sense of triumph in the end. And perhaps thus, by committing suicide on his own so to speak, he had outstripped me in everything, I thought.

Her zaman en tepedekini, en itinalıyı, en esaslıyı, en olağandışı olanı, hem de daima sadece en aşağılığın ve en yüzeyselin ve en bayağının fark edildiği yerde talep etmemiz gerçekten de hasta ediyor insanı. İnsanı ileriye götürmüyor, öldürüyor onu. Yükselişi beklediğimiz yerde çöküşü görüyoruz, umudumuz olduğu yerde umutsuzluğu görüyoruz, kendi hatamız bu, kendi şanssızlığımız.

He wanted to be an artist, an artist of life wasn't enough for him, although precisely this concept provides everything we need to be happy if we think about it.

Hotel Waldhaus We had no luck with the weather and the guests at our table were repellent in every respect. They even spoiled Nietzsche for us. Even after they had had a fatal car accident and had been laid out in the church in Sils, we still hated them.

I barricaded myself and stared out the window, without seeing anything but my own unhappiness.

I don't belong to the masses, I've been against the masses all my life, and I'm not in favour of dogs.

Ignoring me, she looked up at the pigeons sitting on the windowsills, which this year were so caked with droppings that they looked quite disgusting. The pigeons were a big problem at Wolfsegg; year in, year out, they sat on the buildings in their hundreds and ruined them with their droppings. I have always detested pigeons. Looking up at the pigeons on the windowsills, I told Caecilia that I had a good mind to poison them, as these filthy creatures were ruining the buildings, and moreover there was hardly anything I found as unpleasant as their cooing. Even as a child I had hated the cooing of pigeons. The pigeon problem had been with us for centuries and never been solved; it had been discussed at length and the pigeons had constantly been cursed, but no solution had been found. [i]I've always hated pigeons[/i], I told Caecilia, and started to count them. On one windowsill there were thirteen sitting close together in their own filth. The maids ought at least to clean the droppings off the windowsills, I told Caecilia, amazed that they had not been removed before the wedding. Everything else had been cleaned, but not the windowsills. This had not struck me a week earlier. Caecilia did not respond to my remarks about the pigeons. The gardeners had let some tramps spend the night in the Children's Villa, she said after a long pause, during which I began to wonder whether I had given Gambetti the right books, whether it would not have been a good idea to give him Fontane's [i]Effi Briest[/i] as well.

I hate nothing more profoundly than the multitude... the accumulation of people, the concentration of vileness and mindlessness and lies. Much as we should love each individual, I believe, so we hate the mass.

I have often observed that people who throughout their lives have been judged repulsive and distasteful are spoken of after their death as though they had never been repulsive and distasteful. This has always struck me as tasteless and embarrassing. When someone dies, his death does not make him a different person, a better character: it does not make him a genius if he was an idiot, or a saint if he was a monster. . . After the death of somebody throughout his life was a dreadful person, a thoroughly low character, how can I suddenly maintain that he was not a dreadful person, not a low character, but a good person? We daily witness such tastelessness when someone has died.

Mais, lui, ne voulant pas renier son caractère, avait, avant de se suicider, brûlé l’œuvre de sa vie, la rendant au néant en quelques instants, après avoir consacré des dizaines d’années à la mener à bien, et il n’avait pas voulu la laisser à une postérité qui ne la méritait en aucun cas (Génie).

me habia quedado tambien casi por completo sin contactos con quienes anteriormente mehabia permitido confrontaciones, es decir, confrontaciones intelectuales en diálogos y discusiones, de todas esas personas, con mi inmersión cada vez más rigurosa en mi trabajo científico, em había apartado y mantenido alejado cada vez más y, como tuve que comprender de pronto, de la forma más peligrosa y, a partir de un momento determinado, no había tenido ya fuerzas para reanudar todos esos lazos intelectuales necesarios, ciertamente había comprendido de pronto que, sin esos contactos, difícilmente podría avanzar, que sin esos contactosm probablemente, en un plazo previsible, no podría ya pensar, que pronto tampoco podría ya existir, pero me faltaban fuerzas para detener, mediante mi propia inicativa, lo que veía ya que se me acercaba, la atrofia de mi pensamiento producida por el apartamiento voluntariamente provocado, de todas las personas suceptibles de un contacto que excediera del más imprescindible, del llamado vernáculo, simplemente del derivado de las necesidades más apremiantes de la existencia en mi casa y su entorno inmediato, y habían pasado años ya desde que había dejado de mantener correpondencia, totalmente absorbido en mis ciencias, había dejado pasar el momento en que todavía hubiera sido posible reanudar esos contactos y correspondencia abandonados, todos mis esfuerzos en ese sentido habían fracasado siempre, porque en el fondo me habían faltado ya por completo, si no las fuerzas para ello, sí, probablemente, la voluntad de hacerlo, y aunque en realidad había comprendido claramente que el camino que había tomado y había seguido ya durante años no era el verdadero camino, que sólo podía ser un camino hacia el aislamiento total, aislamiento no sólo de mi mente y de mi pensamiento, sino en realidad aislamiento de todo mi ser, de toda mi existencia, siempre espantada ya, de todos modos, por ese aislamiento, no había hecho ya nada para remediarlo, había seguido avanzando siempre por ese camino, aunque siempre horrorizado por su lógica, temiendo continuamente ese camino en el que, sin embargo, no hubiera podido ya dar la vuelta; había previsto ya muy pronto la catástrofe, pero no había podido evitarla y, en realidad, se había producido ya mucho antes de que yo la reconociera como tal. Por un lado, la necesidad de aislarse por amor al trabajo científico es la primera de las necesidades deun intelectual, por otro, sin embargo, el peligro de que ese aislamiento se produzca de una forma demasiado radical que, en fin de cuentas, no tenga ya consecuencias estimulantes como se pretendía, sino inhibidoras e incluso aniquiladoras, en el trabajo intelectual es el mayor de los peligros y, a partir de cierto momento, mi aislamiento del entorno por amor a mi trabajo científico (sobre los anticuerpos) había tenido precisamente esas consecuencias aniquiladoras en mi trabajo científico. La comprensión llega siempre, como había tenido que reconocer en mi mente de la forma más dolorosa, demasiado tarde y sólo queda, si es que queda algo, la desesperación, o sea, la comprensión directa del hecho de que ese estado devastador y, por tanto, intelectual, sentimental y, en fin de cuentas corporalmente devastador, surgido de pronto, no puede cambiarse ya, ni por ningún medio.