Best 804 quotes in «details quotes» category

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    Here's a Challenge: Study a complicated topic in such detail that anyone interested can nod their head and understand as you explain specific concepts within the topic.

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    He's famous for being obsessive about details.

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    He saved your life,” Clary pointed out. “Details,” said Simon dismissively.

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    He was a secret agent, and still alive thanks to his exact attention to the detail of his profession.

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    he wouldn't mention, now or then, the illegal nine-millimeter automatic he had in his pocket. Why distress the woman you loved with minor details?

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    He will not succeed in this," Taran said. "Somehow, we must find a way to escape. We dare not lose hope." "I agree absolutely," Fflewddur answered. "Your general idea is excellent; it's only the details that are lacking.

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    Honest talk about the deficit is risky. Voters are more enthusiastic about the abstract notion of deficit reduction than about the painful details of accomplishing it.

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    He was at his own request and through his own complicity driven out of all his happinesses one after the other; and he had this sorrow, that after having lost Cosette wholly in one day, he was afterwards obliged to lose her again in detail.

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    However minutely labored the picture may be in the detail, the whole will have a false and even an unfinished appearance, at whatever distance, or in whatever light it can be shown.

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    How has The Grand Illusion held up over the years? It is not enough to say that it has retained its power. Not only has the stature of the film remained undiminished by the passage of time (except in a few minor details), but the innovation, the audacity, and, for want of a better word, the modernity of the direction have acquired an even greater impact.

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    How guilt refined the methods of self-torture, threading the beads of detail into an eternal loop, a rosary to be fingered for a lifetime.

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    How many writers are there... who, breaking up their subject into details, destroy its life, and defraud us of the whole by their anxiety about the parts.

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    How people are around a director, it really does affect everything, every detail of the life of the movie.

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    Hyperrealism can create an atmosphere of surrealism because nobody sees the world in such detail.

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    I also grew to love Nancy Reagan in a certain way. I learned more - certainly I learned more bad stuff that I had known about in greater detail, but I also got a lot of empathy.

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    His [Henry Cavendish's] Theory of the Universe seems to have been, that it consisted solely of a multitude of objects which could be weighed, numbered, and measured; and the vocation to which he considered himself called was, to weigh, number and measure as many of those objects as his allotted three-score years and ten would permit. This conviction biased all his doings, alike his great scientific enterprises, and the petty details of his daily life.

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    I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that my music is stripped of ancillary details, and it just sort of comes out of this big tap called the Internet like water. I like some of my water to be neatly presented in a bottle. With a label on it.

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    I also think when it comes to delivering on Brexit, we need someone with a passion but also the mastery of the detail.

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    I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.

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    I always look for roles that make me feel good about being a girl. I have to say that there are a lot of roles out there that make me feel really bad about being a girl. You can imagine what the things are and I shall not go into detail.

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    I am a great fan of the universe, which I take literally: as one. All of it interests me, and it interests me in detail.

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    I am as much interested in the smallest detail as in the whole structure.

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    I always think that if you look at anyone in detail, you will have empathy for them because you recognize them as a human being, no matter what they've done.

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    I am conscious of my inability to grasp, in all its details and positive developments, any very large portion of human knowledge.

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    I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'

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    I am like a freight train. Working on the details, twisting them and playing with them over the years, but always staying on the same track.

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    I am someone who places great value on the detail. That was always the case, even in my days as a racing driver.

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    I am showing my pupils details of an immense landscape which they cannot possibly know their way around.

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    I came out of the nine-hour surgery and I had tubes in every direction, and those nurses at the Mayo Clinic, I could cry for four days at the kindness of those nurses. The care, the detail of the care, the attention that just never wavered, never complained. The love.

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    I can't imagine how American readers will react to a novel, but if the story is appealing it doesn't matter much if you don't catch all the detail. I'm not too familiar with the geography of nineteenth century London, for instance, but I still enjoy reading Dickens.

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    I can't think of anything I'd rather do less than have to continuously share details of my everyday life.

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    I can write with authority only about what I know well, which means that I end up using surface details of my own life in my fiction.

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    I compare it to being in a car accident. There's so much adrenaline rushing through you that you remember being in the accident but you don't remember any of the details.

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    I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.

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    I could as easily bail out the Potomac River with a teaspoon as attend to all the details of the army.

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    I currently spend a lot of time thinking about orchestration and every detail of a piece.

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    I did not know many of the details relevant to the Iran and contra initiatives.

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    I definitely pay attention to details. I think one of the hardest things about making a movie is that it can be scrutinized over and over again. If anything just isn't right, it's going to take you out of the film.

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    I'd never really wanted to have a really 'private' life before. But when somebody starts delving into it and printing details through the tabloids for shagging people you shouldn't have shagged, then that probably made me shy away a bit more from giving too much away.

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    I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.

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    I do not keep up with the details of particle physics.

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    I don't agree with the libertarians. I want my security first. I'll deal with all the details after that.

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    I don't have a great eye for detail. I leave blanks in all of my stories. I leave out all detail, which leaves the reader to fill in something better.

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    I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.

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    I don't have to figure out why or how or when. God has a plan, and I'm committed to it. That commitment frees me from having to worry about the details.

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    I don't need to edit names out of songs and I don't need to edit details out of my songs because I've always been able to be honest with my music. That's the one place where I'm never ever going to change how I do things.

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    I don't release many records just as "Fennesz," so when I do, I want to plan everything in detail. It's not that I want to really lead the listener somewhere; it's more about me being satisfied with a project.

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    I don't remember my first two marriages... the details are very sketchy.

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    I don't know of any source for online maps showing the platform, stairs, escalators, elevators, mezzanines and other station details.

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    I do prefer doing more takes. There's something very organic that comes from the first take, but certain things come out. More details come out, in the way another actor says something. It's always this investigative process. You come further and further to the truth, the more you escalate. I like to do a lot of takes. I have a hunger for it. I like to see what there is to discover in a scene, that hasn't been thought of.