Best 219 quotes in «creepy quotes» category

In God's eye I spit, hair upon thy rigid tail sharp fangs glittery wet. Earth be thy sand, the sinful be thy toy, I've been playing forever, in song no longer do I find joy. In Gods eye I fight the bad fight with a goal as sharp as an axe, to ungently place thy hands upon its omnipotent thorax.

In my art history degree course, we did a module on palimpsests—medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view. Sometimes I have a sense that this house—our relationship in it, with it, with each other—is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame.

...in the middle of the field, Harry suddenly stopped and looked back. Mr. Chad was all alone in the creepy woods. He could take care of himself...couldn't he? Of course he could, he was a teacher.

In one picture, the pool was half hidden by a fringe of mace- weeds, and the dead willow was leaning across it at a prone, despondent angle, as if mysteriously arrested in its fall towards the stagnant waters. Beyond, the alders seemed to strain away from the pool, exposing their knotted roots as if in eternal effort. In the other drawing, the pool formed the main portion of the foreground, with the skeleton tree looming drearily at one side. At the water's farther end, the cat-tails seemed to wave and whisper among themselves in a dying wind; and the steeply barring slope of pine at the meadow's terminus was indicated as a wall of gloomy green that closed in the picture, leaving only a pale of autumnal sky at the top. ("Genius Loci")

I paid the taxi driver, got out with my suitcase, surveyed my surroundings, and just as I was turning to ask the driver something or get back into the taxi and return forthwith to Chillán and then to Santiago, it sped off without warning, as if the somewhat ominous solitude of the place had unleashed atavistic fears in the driver's mind. For a moment I too was afraid. I must have been a sorry sight standing there helplessly with my suitcase from the seminary, holding a copy of Farewell's Anthology in one hand. Some birds flew out from behind a clump of trees. They seemed to be screaming the name of that forsaken village, Querquén, but they also seemed to be enquiring who: quién, quién, quién. I said a hasty prayer and headed for a wooden bench, there to recover a composure more in keeping with what I was, or what at the time I considered myself to be. Our Lady, do not abandon your servant, I murmured, while the black birds, about twenty-five centimetres in length, cried quién, quién, quién. Our Lady of Lourdes, do not abandon your poor priest, I murmured, while other birds, about ten centimetres long, brown in colour, or brownish, rather, with white breasts, called out, but not as loudly, quién, quién, quién, Our Lady of Suffering, Our Lady of Insight, Our Lady of Poetry, do not leave your devoted subject at the mercy of the elements, I murmured, while several tiny birds, magenta, black, fuchsia, yellow and blue in colour, wailed quién, quién, quién, at which point a cold wind sprang up suddenly, chilling me to the bone.

It takes many sheep to satisfy one wolf.

It was called the Smiling War because it left so many skulls, white and grinning, in the fields.

Little Miss Creeptastic smiled.

Long legs and longer arms, each tipped with a row of black talons. Sinewy. Wiry. And above all, humanoid, its skin in the sunlight as translucent as a baby mouse’s—mapped with a network of blue veins and purple arteries and even its heart faintly visible as a pinkish throb just right of center mass. snarling as strings of bloody saliva dangled from the corners of its lipless mouth, creamy eyes hard-focused on its target.

In most respects a pretty standard student domicile, there was something very unnerving about the apartment, and I couldn't quite put my finger on it. Eventually I realized: the light in the bathroom never turns off.

I often wonder if I could see her out of all the windows at once. But, turn as fast as I can, I can only see out of one at one time. And though I always see her, she may be able to creep faster than I can turn! I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind.

It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement. Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason?

I turned to him and he reached for my hand. It would have been easier to walk away. But the wind still blew around us and the house still stood.

It waited for her. Standing resolute in the moonlight, it had stood for a hundred years. Yet it waited just for her. Shadows passed across the moon, a cool breeze ruffled the leaves around it. Yet still it waited for her. Ancient tombs glowed in shimmery moonlight, row upon row of cold silent witnesses.

I’ve seen how cigarettes went from being advertised in every type of media to being something found to be deadly… they can’t kill me no matter how many of them I smoke but I’ve seen humans die from smoking them… if I were you I would stop smoking them.” “Why should I? You smoke ‘em all the time, you chain-smoke cigarettes,” Mandy pointed out. “Yeah, I started doing that back in the Sixties… for reasons you likely saw on those VHS tapes… but I’m not a person, I’m Pollution, things like that aren’t dangerous to me but they are to you,” Alecto told her. “It’s not a good idea.

Maman, warum gehen wir nicht hinunter in den Palast? Wir brauchen doch nicht lange dortzubleiben, ganz bestimmt nicht. Was hat dich dort so erschreckt?" Diesmal antwortete sie. Sie nahm meine Hände in ihre und drückte sie, bis meine Finger knackten. "Die Diener", flüsterte sie. "Sie haben so grausige Gesichter.

Maybe she was not really like that. It's just that I would prefer you to think that what happened to her was justified.

Mulholland Drive has more filmic and real-life drama than any other road in L.A., as well as being the favored route of the Manson family for crosstown travel and creepy crawling exploits . . .

My phone buzzes and I fish it from my pocket, expecting Tacey or maybe my parents checking in to make sure I’m okay. But it’s an unfamiliar number. Do you blame yourself? I read the words once. Twice. I see Stella’s locker door swinging open and I hear a train whistle, but neither are happening. It’s all in my head. I force myself to take a breath and head outside. This text is a wrong number. It’s not for me, and it’s definitely not about Stella. And then another message. Do you wish you’d done something? What if you still could? I text back quickly. I think you have the wrong number. I don’t have the wrong number, Piper.

No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven." Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter. "It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!" The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection." "There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school." The mother gives her a long-suffering sigh. "Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears." Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.

Oh, hasn't he told you? The ones before. None of them last, you see. That's the whole point.

Riverman, Riverman, blood to ice.

Ronald, remember our deal? Keep feeding me the children. You'll stay rich while I stay full.

Scenes from the Playroom Now Lucy with her family of dolls Disfigures Mother with an emery board, While Charles, with match and rubbing alcohol, Readies the struggling cat, for Chuck is bored. The young ones pour more ink into the water Through which the latest goldfish gamely swims, Laughing, pointing at naked, neutered Father. The toy chest is a Buchenwald of limbs. Mother is so lovely; Father, so late. The cook is off, yet dinner must go on With onions as her only cause for tears She hacks the red meat from the slippery bone, Setting the table, where the children wait, Her grinning babies, clean behind the ears.

My knee struck a tree root as my vision went black. Suddenly, I was in a building at Haven Crest, kneeling on the floor. Blood, thick and clotted like canned cherries, crept down the walls. The lights above my head flickered off then on with a menacing hum.

Never a good sign, he thought, when the crows showed up.

Ramirez walked ahead with a torch he'd fashioned from a stick and some rags and by that queer and reddish light, devils, or the shadows of devils hooked to the shoes of the men and capered across the stony earth.

Repression. Her therapist, Dr. Solomon, loved the word. He'd say it slowly, letting it roll off his tongue. Sometimes he'd add a chin stroke for good measure. He always looked pleased when he did this, like he'd discovered the Caramilk secret or something.

Sanctum, a holy or sacred place. What could be more sacred than possessing the power of your own true thoughts? Sanctum. It is both lock and key.

She always said I'd die without her and she left anyway." "But you didn't." he says. "I did," I say. "I'm just waiting for the rest of me to catch up.

She shoved her to the dirty floor and pressed an open palm against her shoulder to hold her down while her rage and sorrow blossomed into a glistening thorn.

See how you were talking to me before you even knew me?

She spoke throught her teeth. "Almost, dear. What were the real words you used? The bad words. It's okay to say them again, just this once." I shrugged, "fine. I said'. . . just 'cause Daddy wants you to suck on his ding-a-ling.

Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

She stared out at the vacant darkness. The darkness stared back.

She could recognize individual drones better than she could recognize individual people. But chances were the drone that had shadowed her for the past five days was better with faces than she was.

Special kinda warm,

Tell me something, Johanna, does pain bring you pleasure? Does it bring you a sense of reality, something to keep you from thinking that this whole thing is a dream? Do you see it as a form of therapy, one you put yourself through to help keep yourself whole? Please do tell me the reason why you would continue to walk through that hallway, when you felt the works of a protect from me spell that was placed on you.

Somebody to predict your move somewhere like in the real world playground or in a game... which means virtual world play ground, isn't it creepy?

The dead dog had come more than a hundred miles to find its master. [Mademoiselle Cocotte]

So full. Full of lobster meat and the sadness of the lobster meat. Full of the feeling of having cracked hundreds upon hundreds of precious shells. Full of the sound and the sight of destruction, the lobsters dead in a pile, some of them with lipstick marks on their empty husks. Their voices piled up on one another. I felt a whispering coming from deep within my belly, the voices not yet at rest, and they said in a tone sympathetic and unsympathetic at the same time, Next Next Next. 'Well,' I said, 'what do we do next?' 'Lobster dinner?' he asked, chuckling a little as if I ought to be chuckling with him as well.

The girl lives in a beautiful dollhouse made of stone, I wrote one time in my diary when I was young, my handwriting shaky but sure. But underneath her shining plastic smile, there are only screams.

The image is an example of how horror writers view our world. A view that is far from the norm. Their writing always seeking that visceral fear in us all.

The impulse came to her clairvoyantly, and she obeyed without a sign of hesitation. Deeper comprehension would come to her of the whole awful puzzle. And come it did, yet not in the way she imagined and expected.

The lawyer was a short, ugly, little man. He stood about three feet taller than his desk’s two foot eight inch frame and he had dark eyes. Lois couldn’t tell if they were black or an extremely dark brown. His hair was dirty blonde and very messy. He looked as if he had just crawled out of bed. His white button up shirt was tucked in on only one side and the other side hung out freely. He wore a pair of tan khakis and a pair of black loafers. His skin almost matched the khakis which was extremely creepy and Lois kept thinking the man wasn’t wearing pants.

The minister paused in his narrative. At that moment there came a tremendous blast of wind which shook the windows of the manse, and burst open the hall door, and caused the candles to flicker and the fire to go roaring up the chimney. It is not too much to say that, what with the uncanny story, and the howling storm, we all felt that creeping sort of uneasiness which so often seems like the touch of something from another world - a hand stretched across the boundary-line of time and eternity, the coldness and mystery of which make the stoutest heart tremble. ("Sandy The Tinker")

Then again, maybe you couldn't have killed me," he said, crawling out of the stairway. He moved very slowly, like a lizard who had gotten too cold. I heard a whimper from behind one of the closed doors next to the bathroom, and sympathized. I wanted to whimper, too. "I'm not hunting you," I told him firmly, though I stepped backward until I stood in a circle of light at the end of the hallway. He stopped halfway out of the stairway, his eyes were filmed over like a dead man's. "Good," he said. "If you kill Andre, I won't tell-and no one will ask." And he was gone, withdrawing from the hallway and down the stairs so fast that I barely caught the motion, though I was staring right at him. I walked out of his home because if I'd moved any faster, I'd have run screaming.

There's only one way in and one way out of this world.

These were the things we would never notice were missing.

The sleepless hum of the city was abidingly in his ears, and the lamps that dotted the misty pavements stared at him blinkingly all along the route. The tall black buildings rose up grimly into the night; the faces that flitted to and fro along the pavements, kept ever sliding past him, melting into the darkness; and the cabs and 'buses, still astir in the streets, had a ghostly air as they vanished in the gloom. ("An Unexpected Journey")