Best 1204 quotes in «dance quotes» category

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    Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. but to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.

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    God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.

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    Good choreography fuses eye, ear and mind.

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    How I long to fall just a little bit, to dance out of the lines and stray from the light.

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    He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.

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    Hot and hasty, like a Scotch jig.

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    He capers, he dances, he has eyes of youth, he writes verses, he speaks holiday, he smells April and May.

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    He who neither drinks, nor smokes, nor dances, he who preaches & even occasionally practice piety, temperance and celibacy, is generally a saint, or a mahatma or more likely a humbug but he certainly won't make a leader or for that matter a good soldier

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    Human beings are born with the instinct to express themselves through movement. Even before he could communicate with words, primitive man was dancing to the beat of his own heart.

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    Human beings, vegetables, or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible piper.

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    I am bit sending messages with my feet. All I ever wanted was not to come up empty. I did it for the dough and the old applause.

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    I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.

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    I am certain that movement never lies. There is only one law of posture I have been able to discover - the perpendicular line connecting heaven and earth.

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    I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.

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    I am seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement.

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    I am taking belly dancing now. My hips are double-jointed, so I can do it really easily.

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    I am so not a proper, good female. I can't dance in high heels and I'm just so not girly, but then I see these men with these banging bodies, dancing in heels, singing, and having so much fun with so much make-up on. That makes me honestly want to be a better woman.

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    I am trying to walk a tightrope; trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.

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    I am sincerely trying now to create a dance technique based entirely upon corrective exercises, created with a knowledge of human anatomy; a technique which will correct physical faults and prepare a dancer for any type of dancing he may wish to follow; a technique having all the basic movements which govern the actions of the body; combined with a knowledge of the origin of movement and a sense of artistic design.

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    I began to discriminate between fear and excitement. The two, though very close, are completely different. Fear is negative excitement, choking your imagination. Real excitement produces an energy that overcomes apprehension and makes you want to close in on your goal.

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    I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.

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    I believe that we learn by practice... it is the performance of a dedicated precise set of acts, physical or intellectual, from which come shape of achievement, a sense of one's being, a satisfaction of spirit.

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    I believe that dance communicates man's deepest, highest and most truly spiritual thoughts and emotions far better than words, spoken or written.

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    I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.

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    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn't seem possible that somewhere people can be expecting you at an hour like that.

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    I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.

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    I can't dance anymore. Total knee replacements. I can't do anything anymore.

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    I cannot sing, dance or act; what else would I be but a talk show host.

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    I can't wait to be back on the dance floor. I feel really good about it.

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    I can't walk in high heels, never mind dance in them.

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    I dance with the dancers.

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    I dance a lot and I run and do yoga and play field hockey and tennis. I like to be active. I don't always have time for that stuff, but I do always feel better afterward.

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    I danced with passion to spite the music.

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    I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principle duties of both; and those men who do not choose to dance or to marry them selves, have no business with the partners or wives of the neighbors.

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    I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.

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    I did not choose to be a dancer. I was chosen.

    • dance quotes
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    I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.

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    I didn't grow up watching film but as a Ukrainian-American, music and stories and dance are crucial.

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    I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.

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    I didn't see my son the entire time I did 'Dancing With the Stars.' The only time I saw Jeffrey was when he came to the show Monday and Tuesday nights to watch me dance. You literally rehearse six to eight hours every single day - 40 to 50 hours a week.

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    I do everything the man does, only backwards and in high heels!

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    I do everything I know how in a dance.

    • dance quotes
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    I don't do well with snakes and I can't dance.

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    I do not try to dance better than anyone else. I only try to dance better than myself.

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    I don't remember not dancing. When I realized I was alive and these were my parents, and I could walk and talk, I could dance.

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    I'd studied dance in Chicago every summer and taught it all winter, and I was well-rounded. I wasn't worried about getting a job on Broadway. In fact, I got one the first week.

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    I enjoy the freedom of modern dance as well as the constraints of classical dance.

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    If Balanchine had any secret, it was one that has endured through two hundred years of classical ballet. It is that dancing correctly in three dimensions, on the music, creates the fourth dimension of meaning.

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    If a dishonest creep wants to tap dance, give them the spotlight and a mirror.

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    I feel amazing right now. I just feel like dancing.