Best 4010 quotes in «fashion quotes» category

I want something mouthwatering and tasty which reminds me of childhood. The scent of a fairground, candy floss, little cakes, chocolates and caramels. Perfume must not be linked just to fashion because that means that one day it will go out of style.

I want people to see the dress, but focus on the woman.

I want to achieve anti-fashion through fashion. That's why I'm always heading in my own direction, in parallel to fashion.

I want to be different, and fashion gives me that outlet to do that.

I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.

I want to be seen here in my simple, natural, ordinary fashion, without straining or artifice; for it is myself that I portray... I am myself the matter of my book.

I want to do other things like more fashion campaigns.

I want to create a lifestyle niche for that cool girl who's really into fashion but not too obsessed with it.

I want to find a way to reach young women emotionally and also to start providing clothing for them so that they can wear the same things their thin friends can wear. I really want to do evening wear and prom dresses for these girls.

I want to make Grimes a high-fashion sci-fi act.

I want to have a record with Beyonce or Lady Gaga. They are both my inspirations. Especially Beyonce. She's like number 1 right now because I love everything about her. Her fashion, her style, her attitude when it comes to singing. She's perfect.

I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect.

I want to spend as much time as possible with my children, so I always like to keep my beauty and fashion routines effortless... but still chic!

I want to write, produce, act, and get into fashion design.

I want women to really look like women from today. It's not from the past and not from the future, because I don't know what happens in the future. It is the woman of today (who) I think is a seductive woman.

I was 17 when I moved to NYC . I'm now 32. But I do know I can't see myself living anywhere else. I love the food, the fashion, art, the intelligence of this city and the people that live in it.

I was a little concerned about it when State Farm approached me because, you know, I've never done a commercial by any means, but I tried to look at it as something that would be good for our game. We've never had a women's basketball coach represented in that fashion and I love State Farm for the fact they really support the women's game.

I was a feminist in the Sixties, and can you imagine? The worst thing I could have done was to be in fashion. It was the most uncomfortable position.

I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.

I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.

I was always fascinated by the absurdities and luxuries and the snobbism of the world that fashion magazines showed. Of course, it’s not for everyone...But I lived in that world, not only during my years in the magazines business but for years before, because I was always of that world-- at least in my imagination.

I was always into fashion because my mom has always been interested in fashion. She majored in fashion merchandising in college, and it's always been something we have in common.

I was a total fashion insider who became an outsider when I did bridal.

I was a VP of marketing, I was regional sales manager in fashion, and marketing director in communications and product development. I was always a corporate Fortune 500 girl.

I was a teacher and an administrator at Parson's School of Design, and as an administrator, I was associate dean. And in that role, I went around fixing things that were broken. And the Parson's fashion program was broken.So fashion chose me. It needed to be developed and evolve. I don't know if it comes naturally to anyone.

I was at school when Britney Spears' 'Baby One More Time' came out. I changed my uniform to look like hers. I just looked slutty after that, so thank you, Britney.

I was a very young girl and I got into fashion very much by accident, wanting to be independent. What was wonderful was that while I was learning and discovering - learning about the work, discovering myself as a woman - I was allowing other women to feel the same way.

I was aware that I had to pay off things in a convincing emotional fashion, that I had to address the lingering plot points in some real tangible sense, and that I had to make this a self-contained novel, in case I'm run over by a bus tomorrow or in case there's no demand for anyone to ever see a sequel. (Two things that I hope don't happen, incidentally.)

I was born in Siberia, which supplies nearly 80 percent of Russia's oil and natural gas resources, so I've always been aware of how big a pollutant that industry is. But it was a huge wake-up call to learn that the fashion industry is the second-largest polluter after oil.

I was born into the century in which novels lost their stories, poems their rhymes, paintings their form, and music its beauty, but that does not mean I have to like that trend or go along with it.

I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when, as a nation, we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.

I was burned so many times that I stopped giving interviews. In other words, if my words ended up in print, they were twisted in an indescribable fashion.

I was brought up to understand that we are all here on planet earth together.

I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.

I was given the freedom to discover my own inclination and talents, to fashion my inmost pleasures and sorrows myself and to regard the future not as an alien higher power but as the hope and product of my own strength.

I wash with my own soap-wear my own perfume...got to bed on my own sheets... have my own food products. I live on me.

I was in a fashion show and I had on a strapless top. When I got to the end the top was down

I was in fashion school, my brother has a law background, and my sister-in-law had worked in production, but none of us had a proper fashion business education.

I was in the fashion shows in Milan; I was seventeen, I was doing like 100 shows. People were asking, 'How does it feel to be the model of the moment?' It was hard for me to answer as myself. I barely spoke English.

I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.

I was never a big fashion person, and so I'm sure I wore whatever. I was growing, and so I just wore whatever clothes that weren't that expensive and made sense at the time. But I'm sure that I look back and say, 'What was I thinking?' My adolescence was more in the '80s, and that's more my cross to bear.

I was never a big networker, but I was a spin doctor, all those shock shows, that's how I got my first backers. But fashion's a scary industry to be in, especially if you've not grown up with it.

I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.

I was never comfortable because I was always trying to wear what was trendy, but it never felt right on my body or in my skin. It felt wrong. I was finally like, hey, fashion and style can be just about self-expresession, about what makes you feel stylish.

I was not a very popular kid in high school, and I had this idea that the way that I dressed would change how liked I was. It was that kind of Pygmalion story. I think, ultimately that's probably why I became interested in fashion, its transformative power, and how it can change your identity.

I was never pop-music taken seriously when I was taught. But some people who agree with you will like your music, and some who don't agree with you will like your music. I think that if you can approach things in a universal fashion and speak rationally about things, then most people do have similar intrinsic values. They don't - or at least they feel that they shouldn't - want other people to suffer. They want a good life for them and their own.

I was not born to be forced. I will breathe after my own fashion. Let us see who is the strongest. What force has a multitude? They can only force me who obey a higher law than I.... I do not hear of men being forced to live this way or that by masses of men. What sort of life were that to live?

I wasn't a fashion editor. I was the one and only fashion editor.

I was only interested in music, but I spent so much time in the clubs and seeing fashions change. So naturally, I developed an interest in it.

I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach - some Grammy, some reviewer, some fashion person, some blah blah blah - they’re all the same as that coach.