Best 4010 quotes in «fashion quotes» category

I spend five times more money at a chemist shop than I would at a fashion boutique. Clothes shopping is optional for me; shopping at a chemist store is a must.

I spend tons of time on the music for the fashion shows. I work with this DJ, Jeremy Healy, and we do, like, four or five sessions during the week leading up to the show where we put the music together.

I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.

I started out as a fashion photographer. One cannot say that I was successful but there was enough work to keep me busy. I collaborated with Harper's Bazaar and other magazines. I was constantly aware that those who hired me would have preferred to work with a star such as Avedon. But it didn't matter. I had work and I made a living. At the same time, I took my own photographs. Strangely enough, I knew exactly what I wanted and what I liked.

I started this charity, Fashion for Relief, in 2005, after Hurricane Katrina happened. New Orleans was actually the first place I visited in the United States. It was one of my first big jobs, a shoot for British Elle. It was April 14, 1986.

I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.

I still appreciate individuality. Style is much more interesting than fashion, really.

I stretch in the morning a lot and I do a lot of saunas and steam rooms during fashion week just to keep my blood flowing.

I studied literature design and fashion design.

I studied to be an architect. And I find tremendous similarities between building a company and the design process. Businesses have to do their planning on the fly in a fashion similar to an architect sketching.

Italy is famous for fashion, food, Ferrari, and furniture - furniture was a segment where the companies in the high end are all small.

I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.

I suppose the pursuit of fashion has always carried a price, monetary or otherwise.

It can be exalting to belong to a church that is five hundred years behind the times and sublimely indifferent to fashion; it is mortifying to belong to a church that is five minutes behind the times, huffing and puffing to catch up.

It doesn't behoove elderly persons to follow fashion in their thinking nor in the way they dress.

It doesn't ever occur to you, as you fashion your mask so carefully, that it will grow into your skin and graft itself, come to seem irremovable.

It doesn't matter one damn bit whether fashion is art or not. You don't question whether an incredible chef is an artist or not-his cakes are delicious and that's all that matters.

Italians know that what matters is style, not fashion. Italian style does not have social or age boundaries.

I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'

It does seem like if you're an interesting person and you have endless amounts of money to indulge your fantasies, then those fantasies will be plagued with guilt about that level of indulgence. It really becomes a self-defeating exercise in pursuing hedonistic desires in any sort of normal or guiltless fashion.

I tend to wear outfits that match the walls.

It falls apart now. They used to be intrinsically linked. Now they've been driven so far apart that I don't think the one has anything to do with the other. Even more so: I think that there is almost a reaction against style, that brute ugliness somehow has been interpreted as being the way to go.

I still dont consider myself a fashion girl.

It has become a fashion to declare a package after every crisis. The time has come to pack those who keep giving these packages that don't reach the farmers.

It has been the fashion to speak of the conflict between human rights and property rights, and from this it has come to be widely believed that the use of private property is tainted with evil and should not be espoused by rational and civilized men... the only dependable foundation of personal liberty is the personal economic security of private property. The Good Society.

I think 1973 was the nadir of fashion. When you watch the coverage from that era, you're struck by the astonishing ugliness of the clothes.

I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.

I think a lot of people would assume that my job is more about supermodels and naked ladies and all that, and no, it's just really about fashion, merchandise and customers. So the obviously sexy parts - you get to go to the fashion show and all that stuff. It's really just business. That's my story. I'm sticking to it.

I think America is changing. I think we are becoming a country that is not as welcoming to immigrants anymore. You have a president Donald Trump just last week who was retweeting anti-Muslim videos. That causes great harm to the Muslim-American community in this country who are law-abiding, faithful, yet patriotic people in this country. And it's sad that they are denigrated in that fashion.

I think because I've gotten permission from my style icons like Tim Gunn and André Leon Talley, who say to me, "You don't need to dress like anyone else, because you're your own fashion icon. You represent comfortable. And you do fashion your way, and you should be at Fashion Week." They gave me permission to enjoy it! And it's great!

I tell women not to believe everything they read about fashion.

It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.

I think being in the public eye can only help me launch into the world of fashion.

I think fashion has a lot to do with passion and that's where you get your inspiration.

I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.

I think fashion is really opened me up as a person. All eyes are on you when you do the shows and when you do the photo shoots. You have to know how to act around people. I used to be a shy kid in school. I didn't know how to interact with people and now I find it so easy. Fashion has really done something great for me and it's really changed me as a person. I've changed my style as well.

I think fashion is the best value way, the most affordable way in the 21st century, that men and women can express their personality...

I think [ fashion philosophy] it's about your smile and your smell.

I think fashion can have a very negative impact on young people who feel they have to be thin. I am not part of that trend. There is so much pressure on teenage girls.

I think fashion is about longevity and doing your work. It isn't about winning or losing. It's about process, keeping it going.

I think fashion is art. The dialogue I am concerned with as an artist has more to do with the art and artists that I've been influenced by. I can't help but be affected by all the art that I've seen.

I think dress, hairstyle and make-up are the crucial factors in projecting an attractive persona and give one the chance to enhance one's best physical features.

I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.

I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.

I think fashion is repulsive. The whole idea that someone else can make clothing that is supposed to be in style and make other people look good is ridiculous. It sickens me to think that there is an industry that plays to the low self-esteem of the general public. I would like the fashion industry to collapse.

I think fashion is the only thing I'm fully suited to do because I am super impatient, which I think is a good thing for fashion. I could never work on something for two years. I would do 20 things and finish none of them. I always admire people who have that ability to sustain something for that long a period.

I think fashion is intensely personal. It should be. It should give a woman a creative outlet, it should give her a little bit of an escape, and it should give her a little bit of individuality that she can add to her life. I don't mean redoing your entire closet. I mean that a great shoe or a great handbag or a great top or a great coat or jacket can change everything.

I think fashion today is horrible. Just open your eyes and look! What's good about it? There's no originality. Here and there, there is, but in general, en masse, there's very little creativity and very little originality. It's kind of boring. Everybody looks alike. Everybody seems to strive to look alike.

I think handbags, not so much clothes anymore, but I think you can tell a fashion victim by their handbag.

I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.