Best 4010 quotes in «fashion quotes» category

What makes it possible to learn advanced math fairly quickly is that the human brain is capable of learning to follow a given set of rules without understanding them, and apply them in an intelligent and useful fashion. Given sufficient practice, the brain eventually discovers (or creates) meaning in what began as a meaningless game.

What makes me sad in fashion is that everyone is looking for trends. A trend is one thing. Timeless is another. In 20 years, I've seen so many trends. It makes me sad when people go for the trend versus quality or vision. Or when people wear something so basic just to make sure they're considered cool, like a white t-shirt.

What many people don't see is that there are abundant examples of phenomenal opacity: It is one of the most interesting features of the human conscious model of reality that, first, it can contain elements that are not experienced as mind-independent, as unequivocally real, as immediately given, and second, that there is a "gradient of realness" in which one and the same content can be experienced transparently or in an opaque fashion.

What man is there that does not laboriously, though all unconsciously, himself fashion the sorrow that is to be the pivot of his life.

What parents and teachers and caregivers did with me that actually worked and a lot of that was the old fashion 50s upbringing. They just gave the instruction when I did something wrong - life was more structured. So basically it's [my work] based on experiences with me that worked and it was teachers and parents that made me have those experiences.

What my mom failed to understand was that I didn't even want long hair -- I needed long hair. And my desire for protracted, flowing locks had virtually nothing to do with fashion, nor was it a form of protest against the constructions of mainstream society. My motivation was far more philosophical. I wanted to rock.

What rights have women? ... [they are] punished for breaking laws which they have no voice in making. All avenues to enterprise and honors are closed against them. If poor, they must drudge for a mere pittance if of the wealthy classes, they must be dressed dolls of fashion parlor puppets.

What's brave, what's noble, let's do it after the Roman fashion.

What's important to a fashion designer? It's much more than learning how to make clothes. In fact, that merely makes you a dressmaker. It doesn't make you into a fashion designer.

What's interesting about fashion is it's a world, and I think that's what I've done - I've made a contribution and I think I've built a world. The world is beyond just clothes. Taste and style is beyond clothes. It's in food; it's in quality.

What uniform can I wear to hide my heavy heart? It is too heavy. It will always show. Jacques felt himself growing gloomy again. He was well aware that to live on earth a man must follow its fashions, and hearts were no longer worn.

What we considered to be so much part of our everyday fashion vocabulary today, where we see all these designers restarting with these big houses, was just beginning then [in the 90th].

What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how...We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two.

What were once vices are the fashion of the day.

What you wear can largely govern your feelings and your emotions, and how you look influences the way people regard you. So fashion plays an important role on both the practical level and the aesthetic level of activity.

What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.

When a popular phenomenon reaches the cover of 'Time,' it is already out of fashion.

When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.

When a woman says, ‘I have nothing to wear!’, what she really means is, ‘There’s nothing here for who I’m supposed to be today.

When a woman falls in love with something so much that she wants to wear it- it is at that point that it becomes fashion.

When blessed with wealth, let them withdraw from the competition of vanity and be modest, retiring from ostentation, and not be the slaves of fashion.

When a woman ceases to alter the fashion of her hair, you guess that she has passed the crisis of her experience.

When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.

When cowardice is made respectable, its followers are without number both from among the weak and the strong; it easily becomes a fashion.

When cowardice becomes a fashion its adherents are without number, and it masquerades as forbearance, reasonableness and whatnot.

Whenever a female takes a strong stand for herself, the majority of the time they have to really, really narrow it down to being feminine and wearing dresses and just being lipstick chic.

When did the word 'temperament' come into fashion with us? Perhaps it came in when we discovered that artists were human beings.

whenever I encountered a slide show titled 'Eight Diet Foods That Pack on the Pounds' or 'Celebrity Fashion Fails,' I'd have to stop and investigate because hey, it might be information I'd need in some unforeseeable future where I had become, for some reason, a fat celebrity.

Whenever you're on television, there's a responsibility to look timeless. I worked with the masters of film, fashion and beauty. I took their words into my soul, like a kind of religion that I exhibited to the world to all of our benefit. To this day, it takes a great deal of time to do my makeup the way I feel comfortable. At 82, it's still a part of what I do. I enjoy it.

When fashion turns over it brings in little tiny creaks and cracks. This is the fascination and that is where you have to watch every step.

When Fashion Week ends, I miss the shows and the shot of adrenaline that comes with them. Each day is a new show, a new fitting, and you make new friends. Every season you get to know the other girls a little better.

When God put everybody here, I don't think that he had a master plan of a pecking order. That's not what you see in the Bible. I disagree with that notion, so in my estimation, we've all been put on this planet to share it. It is our duty and our obligation and our responsibility to make sure that we've done so in the proper fashion.

When he tries to extend his power over objects, those objects gain control of him. He who is controlled by objects loses possession of his inner self... Prisoners in the world of object, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces: fashion, the market, events, public opinion. Never in a whole lifetime do they recover their right mind!... What a pity!

When I began to read as an adult, I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date. When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

When I fell into modeling, because I wanted to work in fashion. I wanted to do styling or make-up. I ended getting picked up to be a model instead during my work experience.

When I am putting looks together, I dare myself to make something work. I always look for the most interesting silhouette or something that's a little off, but I have to figure it out. I have to make it me. I think that's the thrill in fashion.

When I decided to launch my first knitwear line, it was because I saw a void in the basics category. The editors were always looking for cool, fashion-forward tees and sweaters. So that's where I started.

When I design and wonder what the point is, I think of someone having a bad time in their life. Maybe they are sad and they wake up and put on something I have made and it makes them feel just a bit better. So, in that sense, fashion is a little help in the life of a person. But only a little.

When I first covered [presidential election ] in 2008, I was asking questions for kids around the world, but mainly for myself. I didn't know the process, I didn't know how it worked. Now, of course, I'm more schooled on it, but I deal with so much politics in my fashion work and in Hollywood, that I haven't been as connected this time.

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

When he buys his ties he has to ask if gin will make them run.

When I approach a collection, I never think too much about myself, because doing fashion and being a designer, you need to dream. Of course, there's always a part of myself. I'm always wearing what I'm doing. I'm not a party girl, but when I have the opportunity to go out and dance and be crazy for a night, that's the fall/winter collection.

When I graduated from school, World War II was still going on. At the time, my eldest sister, Nancy, was working in New York City at Lord & Taylor, and she had a great friend named Sally Kirkland who she worked with there and who later went to work as an editor at Vogue. I always told them, "I want to work in fashion like you do," and finally, in the late '40s, I got a job at Lord & Taylor, too.

When I got out of acting school, I was lucky to have gotten any job at all. A lot of people hiring African American actresses - it was right after 'Roots,' and for society, not me, it was great. Nice richly dark-skinned people was the fashion, and I was not.

When I look at pictures from when I was younger, I think, "Holy crap, what the hell was I wearing?" I've made it a real mission to fully understand what fashion is all about. I love going to these shows because I love seeing creativity. So when I get to meet these fashion designers, I'm kind of like, "Where did you get the idea to make this? What were you thinking?" Some of that stuff is so crazy and loud.

When in doubt, wear red.

when I moved to Canada in '93, I started reading fashion magazines, and that's where I spotted the M.A.C ad that RuPaul were in. That's sort of how I first "met" you - in the red bodysuit. That was so iconic to me.

When I moved to New York, obviously I work with a lot of high fashion brands and I get to wear insane, totally crazy bags and all this crazy stuff but still, I'll always go back to my original sense of style.

When imitation goes over big, it isn't imitation, it is a trend.

When I'm working in the real world with real women and we're shopping, we find that fashion seems to end when you get any larger than a size 12. How ridiculous is that?