Best 4010 quotes in «fashion quotes» category

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    There are many more important things in life than fashion. But fashion, to me, is part of pop culture. And I'm an art collector. I'm obsessed with art and pop culture. And I say that there is fame, fashion, art, music and entertainment, including celebrity, that really moves the needle in society.

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    There are moments when I resent even buying a book. But browsing is wonderful. I like to go and browse everywhere, even fashion shops. You can get influences from anywhere.

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    There are not many designers who are truly creative and literate. Most are self-indulgent, illiterate, fashion-mongering, service people trying to bridge a message between a product and an audience.

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    There are social and environmental impacts. You might be working with a factory that underpays its staff or mistreats its workers, or mishandles the dyes. I think that conscious fashion, fashion for our soul, needs to keep pushing that needle towards being better and more mindful.

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    There are so many empty headed people in the fashion business who take themselves way too seriously and I don't think I am at all like one of them. To me there are lots more important things in the world than just having the right shoes!

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    There are so many fashion shows during fashion week, and the fashion show has almost become theater. It's all about the wow factor. And it's easy to make a name when you're shocking people all the time. But when you just make really, really great clothes, it can be difficult to get press and build a brand. What you do when you pare things back and make something timeless, though, is build a foundation to have a longer career and a stronger clientele.

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    There are still places to go, there are still dinners, there are still parties, and you can still get dressed up. That's part of having fun in fashion.

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    there are the two sides to a Frenchman, logic and fashion and that is the reason why French people are exciting and peaceful. Logic and fashion.

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    There are three fashion periods: the past, the present and Mae West.

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    There are tons of people who are late to trends by nature and adopt a trend after it's no longer in fashion. They exist in mutual funds. They exist in clothes. They exist in cars. They exist in lifestyles.

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    There are two things. There was the moral responsibility, and that, first, is creating an atmosphere where the security forces can kill with impunity, where they can turn up at a place, shoot seven people - really at point-blank fashions - and then get away with it and be, in fact, promoted. And then there is the actual responsibility, the governmental responsibility. My aunt's government forbade us, initially, from filing a police report - which is every Pakistani citizen's right under the law.

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    There are vast differences between scripts and stories, of course. Few fiction writers would want to give up the opportunity to explore how the minds of their characters work, or to set aside the opportunity to provide necessary background exposition in a succinct fashion.

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    There are women who have completely transformed my view of fashion and if I hadn't shown them I would never have arrived at this point in fashion, you see.

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    There are women who have completely transformed my view of fashion.

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    There are vogues and fashions in jurisprudence as in literature and art and dress.

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    The reason I quit fashion was that I had had enough of spending time always being on my knees, making other people look amazing and fabulous. I used fashion to express myself as much as I could. But at some point it was not enough

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    The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

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    The reason I introduced sex - or erotic imagery - to Purple is not only because I don't want sex to be hidden but because also I consider it as an extension of fashion, the way the body expresses seduction and beauty. It's very artificial to put sex in a ghetto. Plus, sex sells.

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    The reason why education is usually so poor among women of fashion is, that it is not needed for the life which they elect to lead.

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    There comes a moment during which almost every girl or boy falls into melancholy; they are tormented by a vague inquietude which rests on everything and finds nothing to calm it. They seek solitude; they weep; the silence to be found in cloister attracts them: the image of peace that seems to reign in religious houses seduces them. They mistake the first manifestations of a developing sexual nature for the voice of God calling them to Himself; and it is precisely when nature is inciting them that they embrace a fashion of life contrary to nature's wish.

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    The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.

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    There goes a man made by the Lord Almighty and not by his tailor.

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    There have been a lot of changes [in the fashion industry], of course. You just have to accept it and be strong.

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    There has to be a balance between your mental satisfaction and the financial needs of your company. (But) I always remember that it's the fantasy, the artistic side, that makes customers want to buy the straightforward black pants.

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    There is a breed of fashion models who weigh no more than an abridged dictionary.

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    [There is] a breed of fashion models

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    There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.

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    There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently

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    There is always a heavy demand for fresh mediocrity. In every generation the least cultivated taste has the largest appetite.

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    There is always an emotional element to anything that you make.

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    There is a neuron in your brain that will respond only to pictures of Jennifer Aniston - provided you have had prior visual exposure to the actress. That neuron does not respond to pictures of Bill Clinton or Halle Berry. Only Jennifer. I used the story to explain the almost ridiculous plasticity of the organ. There is no such thing as Jennifer Aniston in our evolutionary history - she was born in 1969, for heaven's sake - but we are flexible enough to devote an entire cell to her if we have previously encountered her in some fashion.

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    There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.

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    There is a shade of red for every woman.

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    There is a grandeur in the uniformity of the mass. When a fashion, a dance, a song, a slogan or a joke sweeps like wildfire from one end of the continent to the other, and a hundred million people roar with laughter, sway their bodies in unison, hum one song or break forth in anger and denunciation, there is the overpowering feeling that in this country we have come nearer the brotherhood of man than ever before.

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    There is also a schedule to fashion - the deadline is always set. So maybe the fashion business is a good business for me in that way because I'm basically lazy, man.

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    There is a reason cases are tried in a court of law, not in the court of the public and not by the media, because details have to come out in excruciating and minute fashion, detail by detail, bit of evidence by bit of evidence.

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    There is no doubt of the essential nobility of that man who pours into life the honest vigor of his toil, over those who compose the feathery foam of fashion that sweeps along Broadway; who consider the insignia of honor to consist in wealth and indolence; and who, ignoring the family history, paint coats of arms to cover up the leather aprons of their grandfathers.

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    There is definitely a correlation between theater and wedding fashion.

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    There is much to support the view that it is clothes that wear us, and not we, them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.

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    There is not so variable a thing in nature as a lady's head-dress.

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    There is no such thing as a moral dress. It's people who are moral or immoral.

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    There is nothing charming about a woman who cannot walk in her shoes.

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    There is no word in English for chic. Why should there be? Everything chic is by legend French. Perhaps everything chic is in reality French.

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    There is such a thing as literary fashion, and prose and verse have been regulated by the same caprice that cuts our coats and cocks our hats.

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    There is nothing more comfortable than a caterpillar and nothing more made for love than a butterfly. We need dresses that crawl and dresses that fly. Fashion is at once a caterpillar and a butterfly, caterpillar by day, butterfly by night.

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    There is nothing "useful" about fashion, which is why it is fashion and not clothes. My personal opinion about the runway is that it should be used to whisk the audience off to a fantasy world that is possible, but not probably. It should delight and inspire.

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    There is something I think we share, which is, of course, an appreciation for Helmut Lang. I think at a certain point he really changed so many things in fashion. I'm a bit younger than Helmut, but from my point of view he provided a true entrance into this new way of thinking - not being invaded into couture.

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    There is too much ideological conformity in gender studies. The true-believers fashion the theories, write the textbooks and teach the students. When journalists, policymakers, and legislators address topics such as the wage gap, gender and education, or women's health, they turn to these experts for enlightenment. For the most part, they peddle misinformation, victim politics, and sophistry. They claim that their teachings represent the academic consensus, but that is only because they have excluded all dissenters.

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    There's a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.

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    There's a fearful term that's in fashion at the moment - closure. People apparently believe it is desirable and attainable.