Best 530 quotes in «black and white quotes» category

I've changed the way I look a bit but not intentionally. I've cut my hair. I've got a bit of pink in it and lately I've become a bit monochrome, wearing a lot of black and white.

I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig.

I very much related to the idea of sexual identity and how it doesn't have to be black and white. When I first came out, there would be butch people in baseball caps, and that wasn't me, and then there were girls in heels and dresses, and that didn't feel like that was me either. But after a while I learned there's a lot of ground in between.

I want our people to beware that no matter how good the promise is - it is not to be carried out. The only thing I say again that will make America safe is to: Let the Black man and woman go into a state or territory of our own, and help us in that territory for the next 20 to 25 years until we are able to go for self. This will solve the problem between Black and White. And Allah (God) promises that America will get an extension of time and the Wrath of God will be turned aside from this nation.

I was brought up in a tenement house in a working district. We didn't even have a bathroom! We had a gaslight in the hallway and a black-and-white TV.

I would have artists be convinced that the supreme skill and art in painting consists in knowing how to use black and white... because it is light and shade that make objects appear in relief.

I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.

John Kerry doesn't think in terms of black-and-white. He's all gray, and he looks at all sides of the issues. That makes people think he likes to be devil's advocate. Whatever you say, he'll challenge you on.

I write to make peace with the things I cannot control. I write to create fabric in the world that often appears black and white. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change.

Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.

Juggling is very, very straightforward; very, very black and white; you're manipulating objects, not people. And that's always appealed to me.

Judgment is easy: it is black and white, as brutal as a gavel strike.

Just telling a story. That's cinema. It's not silent, black and white. It's a simple story that's well made.

Kids today don't watch a black and white movie.

Let me speak frankly: separate but equal is a fraud. It is the language that tried to push Rosa Parks to the back of the bus. It is the motif that determined that black and white people could not possibly drink from the same water fountain, eat at the same table or use the same toilets.

Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.

Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.

Life is easier in black and white. It's the ambiguity of a world defined in grays that has stripped me of my confidence and left me powerless.

Life is never straightforward or emotionally black and white.

Life is in color, but black and white is more realistic.

Life is much more complex than the black-and-white sound bites that you get on television. There are nuances and shades of gray.

Life isn't black and white. It's a million gray areas, don't you find?

Light and subject is inseparable. But when it is well integrated, it becomes the work of a fine masterpiece.

Life's a choice: you can live in black and white, or you can live in colour. I'll take every shade of the rainbow and the gazillion in between!

Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.

Look at any black-and-white movie; everybody is smoking.

Many [business] people focus on what is static, black and white. Yet great algorithms can be rewritten. A business process can be defined better. A business model can be copied. But the speed of execution is dynamic within you and can never be copied. When you have an idea, figure out the pieces you need quickly, go to market, believe in it, and continue to iterate.

Looking at a black and white photograph, you are already looking at a strange world.

Love and hate, black and white, Right or wrong, who is right? Some smoke joints to anoint their brain To the vanishing point...so they won't go insane.

Making a movie is like a chess game. It's about constantly changing patterns, adapting to new things. It's not just black and white, as you know.

Many houses were still full of light when, at the close of March 22, the people of the Círculo returned to their homes, which were gladdened with a fleeting gladness by an hour of justice - for there are still many slaves, black and white, in Puerto Rico!

Maybe black and white is the best medium for landscapes, I don't know.

Measured by any standard, white or black, Washington must be regarded today as one of the great men of this country: and in the future he will be so honored.

Maybe those sorts of yes-or-no life-and-death decisions are easier to make because they are so black and white. I can cope with them because it's easier. Human emotions, well. . .they're just a fathomless collection of grays and I don't do so well on the midtones.

'Mixtape' is a very appropriate word to include in the title of Goran Hugo Olsson's film because it includes a rich mixture of cultural voices. They speak across different dividing lines such as those of haves and have-nots, youth and maturity, black and white, national and global, and the past and the present.

Me don't dip on nobody's side. Me don't dip on the black man's side, not the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.

Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face.

Morality is a code of black and white. When and if men attempt a compromise, it is obvious which side will necessarily lose and which will necessarily profit.

Most of life is grey, with a little tiny bit of black and white.

Most kids are smarter than most grown-ups. Kids see the world in black and white... They look through all the garbage and see a world run by fools and dullards and lazy people. And there's nothing they can do about it because they have no power.

Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!

My black-and-white work is more of a celebration and the color work became more of a critique of society.

Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.

My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.

My favourite actors are all dead or dying. I just love Jimmy Stewart, Bette Davis, Katharine Hepburn - I was named after her - and Cary Grant. I just love old black and white movies and the stars in them. It must have been a great time to be in Hollywood.

My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.

My ideal kinda guy, if I was really gonna go there even though he's married, is Mark Wahlberg. To me he's a little black and white, the kinda guy who would understand if I pull my weave out.

NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.

My philosophy, like color television, is all there in black and white.

Nobody has shot a strip club in black and white in a long time.