Best 530 quotes in «black and white quotes» category

NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.

News makes things black and white. Documentary filmmaking should do the opposite.

Nobody has shot a strip club in black and white in a long time.

No candidate at present is thinking of justice for the Black and the Red and the Brown in this manner. And none of them are showing they will accept to let us go to save America from the Wrath of God. So Black and White have to know America now is in the crosshairs of God Himself, the Great Mahdi.

No characters in 'Stay Close,' including the leads, are black and white. I want them to be grey. I think that makes for a much more interesting reading experience, something that will stay with you a little bit longer.

No color will ever be brighter for me than black and white.

Noir is where the clarity of moral divisions break down, the black and whites turn into grays.

Nothing is black and white, and there is no purity and there is no such thing has justice.

Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.

One aspect of my mum's personality that has influenced me is her love of Hollywood and the golden era of black-and-white films.

Oh God, Mae," said Jamie in a hollow voice, descending the stairs. "I will never drink again. I'm only seeing in black and white. My arms feel all floppy, like flightless wings. I caught a glimpse of myself in the mirror and I looked like a very sad penguin.

Once you have learned to trust your own voice and allowed that creative force inside you to come out, you can direct it to write short stories, novels, and poetry, do revisions, and so on. You have the basic tool to fulfill your writing dreams. But beware. This type of writing will uncover other dreams you have, too-going to Tibet, being the first woman president of the United States, building a solar studio in New Mexico-and they will be in black and white. It will be harder to avoid them.

...one sees differently with color photography than black-and-white... in short, visualization must be modified by the specific nature of the equipment and materials being used.

One of my earliest memories was President [J.F.] Kennedy's funeral. I actually remember sitting on the floor in the living room looking at our black-and-white television and watching the caisson roll by and hearing the clip-clop of the horses. It's actually one of my earliest memories.

One of the interesting things I discovered is that in the late 19th century, painters actually had black-and-white copies made of their own paintings. They chose it even over photographs because they knew the photographic medium would distort their work.

Only in black and white can I see the design and textures. I don't consider color photography art. Black and white is an interpretation. Color is a duplication.

One very important difference between color and monochromatic photography is this: in black and white you suggest; in color you state. Much can be implied by suggestion, but statement demands certainty... absolute certainty.

Our culture thrives on black-and-white narratives, clearly defined emotions, easy endings, and so, this thrust into complexity exhausts.

People talk about the middle of the road as though it were unacceptable. Actually, all human problems, excepting morals, come into the gray areas. Things are not all black and white. There have to be compromises. The middle of the road is all of the usable surface. The extremes, right and left, are in the gutters.

People inside the theaters usually, not 100 percent but most of them, enjoy the movie. Usually they come with a small negative view. In a way, they're prepared to get bored because it's silent and because it's black and white. So they are much more pleased to be entertained in a way. They're very happy when they go out. This was my job. For the other ones, I can do nothing except screen the movie and hope that they will say to their friends that it's not so [bad].

Our world was Northern, black and white, so it was a great thing for my sisters and me to sit down at Christmastime and watch these fabulous MGM musicals. All that color, all those beautiful costumes.

Our way of living together in America is a strong but delicate fabric. It is made up of many threads. It has been woven over many centuries by the patience and sacrifice of countless liberty-loving men and women. It serves as a cloak for the protection of poor and rich, of black and white, of Jew and Gentile, of foreign and native born. Let us not tear it asunder. For no man knows, once it is destroyed, where or when man will find its protective warmth again.

Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.

Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.

People don't change. There are two kinds of people in the world: winners and losers. Black and white. I don't know where gray fits in, or if you can even live in that shade.

People want black and white answers, but it's not one thing or another. I think the only way we're going to make good things is to inspire people and make them feel as though what they're watching is real.

People will always prefer black-and-white over shades of grey, and so there will always be the temptation to hold overly-simplified beliefs and to hold them with excessive confidence

Relations between black and white would be greatly improved if we were more accepting of our fears and our feelings and more vocal about it.

Perhaps I am old-fashioned, but black and white films still hold an affectionate place in my heart; they have an incomparable mystique and mood.

Perhaps the problem is the seeming need that people have of making black-and-white cutoffs when it comes to certain mysterious phenomena, such as life and consciousness. People seem to want there to be an absolute threshold between the living and the nonliving, and between the thinking and the "merely mechanical," ... But the onward march of science seems to force us ever more clearly into accepting intermediate levels of such properties.

Prince William looks good in uniform and Man-at-Hackett black and white tie (he has grown up wearing it constantly); less certain in his suits, which sometimes look borderline archaic; and variable in casual. But completely comfortable in the Sloane uniform of non-designer jeans and chocolate-brown suede loafers. He'll look fine in Boden.

Relationships are not straight forward. They're not black and white. Sometimes things don't always going in a straight line, and that's okay. Love can be very confusing.

Period recreation is very difficult unless you make a black and white movie.

Photography has always been associated with death. Reality is colorful, yet early photography always took the color out of reality and made it black-and-white. Color is life; black-and-white is death. There was a ghost hidden in the invention of photography.

So I still seized the power, but I felt that if I officially made myself the boss, in black and white, it would be too intimidating for the other producers and the other men who worked on the show. In other words, I had the power, but I gave them the title.

Renaissance man, woman, either way it's a worthy pursuit! Like the painters of Emilia's day, I was raised in an environment that encouraged creative expression. Both my parents were artists, who didn't think much of TV and refused to upgrade our old black and white set. To entertain myself, I made art and wrote puppet shows.

Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.

Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?

Salafi is a very broad concept in Islam. What we have now is, like, for example, the Nour Party in Egypt or the Salafi in Tunisia are people who, in fact, we call very often Wahhabi, following the Saudi school of thought and law. And they are literalists in the way where it's black and white, there's a very narrow interpretation of the scriptural sources. For decades, we knew that they were there, but they were not involved in politics. What is completely new for all of us over the last years is that they are now within the political arena and playing the democratic game.

Salt is the difference between eating in Technicolor and eating in black and white.

Scatman, fat man, black and white and brown man, tell me 'bout the color of your soul.

Security people are often the black-and-white kind of people that I can't stand. I think the OpenBSD crowd is a bunch of masturbating monkeys, in that they make such a big deal about concentrating on security to the point where they pretty much admit that nothing else matters to them.

Some girls like to say one thing and mean another. And me being who I am, I'm very straightforward. Everything is very black and white for me. I don't really like playing mind games.

So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.

Some people like living in black and white worlds. Let them stay there. Appreciate all the colors you see in your world though.

Some people never learn the art of compromise. Everything is either black or white. They do no recognize, or will not concede, that the equally important color gray is a mixture of black and white.

Something that is appealing is wars are terrible and ugly and hard and each conflict is different, but of every conflict I've ever gone to, I've also seen people being extraordinary in a good sense. It's not just a black and white extreme situation that pushes people to extremes and they do crazy bad stuff. You also see crazy brave stuff. You see humanity in a different light.

Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters.

Start [the movie] in color. Color is always attributed as fun, and black and white is very sad.

The American ideal of sexuality appears to be rooted in the American ideal of masculinity. This idea has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and faggot, black and white. It is an ideal so paralytically infantile that it is virtually forbidden - as an unpatriotic act - that the American boy evolve into the complexity of manhood