Best 2148 quotes in «horror quotes» category

Hear me, and I will instruct thee; hearken to the thing that I say, and I shall tell thee more.

Heaven has no idea its Queen is on the edge of suicide.

He believed in his own decency with all his heart. So it was with every true monster, Vic supposed.

He came through the door howling, an axe arched high over his head. His eyes danced in madness, stuck fast on the two of them kissing, caught in their embrace and unaware of him. For a moment they went on, oblivious, untouched by the madman soon to come. It was a bright bubble of illusion on the eve of utter and complete madness. She was the first to see. The image of her stepfather captured in Mateo’s eyes, the furious glee of the Nazi’s vengeance, sharp and mirrored in their emerald beauty. Soon those eyes were wide with terror and sorrow in a moment of unbidden regret caught at the end of such happiness.

He clicked the Save button, and there was the sound of a trumpet fanfare. A cleverly designed Flash animation in emerald green illuminated in gold leapt out at him in a 3D effect like the titles of an epic film: WELCOME, ASH, TO BIG BROTHER, THE AVENGER! The words exploded in a shower of gold dust. A voice boomed chillingly, ‘If you want help to sort them out, look no further! Big Brother will avenge you!

He curled up, twitching and spasming, the pain stormtrooping through his entire body in agonizing, dizzying, pounding waves. He vomited, but it wasn’t the contents of his stomach. It was his stomach, hanging inside-out from a slimy loop of esophagus, spilling out the precious blood he’d been digesting. Even with everything going on, the smell of blood activated his biting reflex, and he chomped down on his own regurgitated organs, screaming as he chewed.

He didn't mind, though. He hardly noticed at all. Because that's the thing about hope--when it seems that there's no point in moving, it pushes us so forcefully that we come to feel like we /need/ it to keep going... And that's what hope really is, after all. An anesthetic. Something that takes the sharp edges of reality out of focus just enough that we can keep looking at it, keep moving forward with steps that are guided by the assurance that every inch of ground can't possibly be covered in broken glass. And then when it /is/--- when your feet are left as coiled ribbons of wet skin-- you forget what guided you there in the first place.

He’d need the woman’s help to set things right; he just didn’t like having to wake the dead.

He'd wanted to mend her just like his mother had mended his favorite teddy bear when his arm had come loose after too much play. He offered her his pudding cup instead.

He felt more crypts cracking open inside of him; the stench he smelled was not decayed bodies but decayed memories, and that was somehow worse.

He first noticed it on the plane ride. There was an odor about her and it was becoming more pronounced with each passing hour. It was like the smell of rotting meat.

He got up and ran on, pitching himself down the hill, flying through the branches of the firs, leaping roots and rocks without seeing them. As he went, the hill got steeper and steeper, until it was really like falling. He was going too fast and he knew when he came to a stop, it would involve crashing into something, and shattering pain. Only as he went on, picking up speed all the time, until with each leap he seemed to sail through yards of darkness, he felt a giddy surge of emotion, a sensation that might have been panic but felt strangely like exhilaration. He felt as if at any moment his feet might leave the ground and never come back down. He knew this forest, this darkness, this night. He knew his chances: not good. He knew what was after him. It had been after him all his life. He knew where he was - in a story about to unfold an ending. He knew better than anyone how these stories went, and if anyone could find their way out of these woods, it was him. ("Best New Horror")

He fills me with horror and I do not hate him. How can I hate him, Raoul? Think of Erik at my feet, in the house on the lake, underground. He accuses himself, he curses himself, he implores my forgiveness!...He confesses his cheat. He loves me! He lays at my feet an immense and tragic love. ... He has carried me off for love!...He has imprisoned me with him, underground, for love!...But he respects me: he crawls, he moans, he weeps!...And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty...he offered it...he offered to show me the mysterious road...Only...only he rose too...and I was made to remember that, though he was not an angel, nor a ghost, nor a genius, he remained the voice...for he sang. And I listened ... and stayed!...That night, we did not exchange another word. He sang me to sleep.

He had been standing there recognizing that there was a draft in the loft. He had been standing there without realizing that it wasn't a draft. Someone was breathing, behind him. Someone was breathing on his neck. The knowledge froze him, froze the cry of "Jesus fuck!" in his throat. He turned with incredible slowness, wishing he could seem like a statue in his turning. Then saw with alarm a large, pale, watery-blue eye that existed against a backdrop of darkness or dark rags shot through with pale flesh, and which resolved into Whitby. Whitby who had been there the entire time, crammed into the shelf right behind Control, at eye-level, bent at the knees, on his side. Breathing in shallow sharp bursts. Staring out. Like something incubating. There, on the shelf.

He had heard many of his customers talking about 'repetitive strain injury' over the years and he was sure that, if he was capable, he too would suffer this - especially with the industrial tooling he carried around everywhere that he went.

He had never actually said what he hunted, only that he enjoyed it.

He had no idea of my misery. It would have surprised him to think that I was a human creature with a soul.

He had no problem with flies or bugs or beetles, even creepy ones like earwigs and cockroaches...Six legs were fine, but eight were alien and unnatural. 'The same number of legs as four fully-grown serial killers!

He hurried back. Walls seemed to shift and advance. Right here, it must be. Wasn’t this passage too short? No, it wasn’t a wall that blocked his way, only fog. The fog retreated before him—then at once yielded up a wall. Staggering crimson letters caught in the web of graffiti spelled KILLER.

He handed me something done up in paper. 'Your mask,' he said. 'Don't put it on until we get past the city-limits.' It was a frightening-looking thing when I did so. It was not a mask but a hood for the entire head, canvas and cardboard, chalk-white to simulate a skull, with deep black hollows for the eyes and grinning teeth for the mouth. The private highway, as we neared the house, was lined on both sides with parked cars. I counted fifteen of them as we bashed by; and there must have been as many more ahead, in the other direction. We drew up and he and I got out. I glanced in cautiously over my shoulder at the driver as we went by, to see if I could see his face, but he too had donned one of the death-masks. 'Never do that,' the Messenger warned me in a low voice. 'Never try to penetrate any other member's disguise.' The house was as silent and lifeless as the last time - on the outside. Within it was a horrid, crawling charnel-house alive with skull-headed figures, their bodies encased in business-suits, tuxedos, and evening dresses. The lights were all dyed a ghastly green or ghostly blue, by means of colored tissue-paper sheathed around them. A group of masked musicians kept playing the Funeral March over and over, with brief pauses in between. A coffin stood in the center of the main living-room. I was drenched with sweat under my own mask and sick almost to death, even this early in the game. At last the Book-keeper, unmasked, appeared in their midst. Behind him came the Messenger. The dead-head guests all applauded enthusiastically and gathered around them in a ring. Those in other rooms came in. The musicians stopped the Death Match. The Book-keeper bowed, smiled graciously. 'Good evening, fellow corpses,' was his chill greeting. 'We are gathered together to witness the induction of our newest member.' There was an electric tension. 'Brother Bud!' His voice rang out like a clarion in the silence. 'Step forward.' ("Graves For Living")

He knew his vampire 'sisters' would drain the girls until they were nearly dead, then feed them some of their own blood. That’s when the turning would start - as vampire and human blood mixed - and the parched agony of the Dark Kiss began.

He just existed before it and within the terrible presence that filled the cramped space of the attic.

He kissed her gently on her neck and said, trying to sound as romantic as possible, ‘As beautiful as the stars might be tonight, they could never compare to your beauty.

Hell, he now understood, went beyond simple torture. Hell inflicted agony with intermittent reprieves to maintain the hope of peace. Hell was not endless dark, but rare rays of sunlight to keep one’s eyes longing for their bright beauty. Hell forced hours of suffocation beneath the freezing water with times of release to keep one accustomed to the joy of breath, to let needful expectation be repeatedly stabbed by deprivation.

Hello, Kanta. They're saying interesting things about you on the news," she said. "I wondered if you'd survived." "He didn't," I said. "I killed him." Silence. "I killed Mkhai, too," I said. "Tens of thousands of years, gone in the blink of an eye." "Why are you telling me this?" asked the voice. "Because you're next," I said. "I'm the demon slayer. Come and get me.

Hell is behind a black door.

Hell is silence and pain.

Helen mi prese la mano, come se fosse impaurita. Mi ricordava lo sguardo di una bambina in cerca del proprio padre. Scossi la testa e la abbracciai. Lei era sola almeno quanto me, la comprendevo.

Hello Clarice...

He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.

He looked up at the round, stained glass window in front of him, a blurred kaleidoscope backlit in the morning sun. It glowed. The color of heaven. Of her hair. He sat back and cracked open the dry, leather cover of a pew Bible, and a mixture of sweat and tears christened its pristine pages.

He looked up at the stars as the storm closed in and saw them extinguished, one-by-one, until just two remained. They glimmered and shone through gaps in the clouds like two great eyes in the darkness, burning on a demon’s face that chased him across the sea.

Hell on Earth is about to be unleashed.

He never thought he was right. The horror of all that had died under his will had become mundane to him. You see, the first horror is the horror itself. The real horror for him was accepting it as necessary.

He noticed his partner asleep beside him and his mouth salivated. He longed to rip into his flesh. It was an urge unlike any he’d ever known. The desire to dine on flesh and blood excited him to the point of orgasm. He could hold back no longer.

Henry,' at last said one, again dipping the spoon into the flaming spirit, 'hast thou read Hoffman?' 'I should think so,' said Henry. 'What think you of him?' 'Why, that he writes admirably; and, moreover, what is more admirable - in such a manner that you see at once he almost believes that which he relates. As for me, I know very well that when I read him of a dark night, I am obliged to creep to bed without shutting my book, and without daring to look behind me.' 'Indeed; then you love the terrible and fantastic?' 'I do,' said Henry. ("The Dead Man's Story

he night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.

He put the car in gear and went, feeling again how easy it had been to slip through an unexpected fissure in what he had considered a solid life- how easy it was to get over onto the dark side, to sail out of the blue and into the black.

He paused in the hallway, sniffing the air. He scowled, sniffed some more. He pressed an intercom button on the wall. "Betty, I distinctly smell sewage. Could you get a plumber out here ASAP?" Several curly hairs fluttered in the air after he was gone. I clutched at the arm of the dentist chair. "This isn't a joke, Tub! I'm in trouble. We're all in trouble, the whole town, the whole world! You have no clue. You have no idea what kind of things we're dealing with here. There's a whole land of --

He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me. I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve. As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'. When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened. But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both. (describing childhood rape)

Her blood. Gushing out, it darkens her lovely hair until each strand is as heavy as the shadows of my mind.

He realised he was in a chair. The world was white and blurry in half his vision, and it took him a few moments to realise a sheet of paper was stuck to his face.

Here are the stories written on the Book of Blood. They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it, most will go on peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, a chosen few, the horrors will come, skipping to fetch them off to the highway of the damned...

Here is the final truth of horror movies: The do not love death, as some have suggested; they love life. They do not celebrate deformity but by dwelling on deformity, they sing of health and energy. By showing us the miseries of the damned, they help us to rediscover the smaller (but never petty) joys of our own lives. They are the barber’s leeches of the psyche, drawing not bad blood but bad anxiety . . . for a little while, anyway.

He reached the ground floor and flung the door open, fleeing into the street. He glanced back and saw that she wasn't following, so he slowed to a halt. His pulse raced. The entranceway was dark, the door swinging slowly closed. Movement to his left caught his attention: the camera on the corner of the building that covered the resident's parking. It swivelled to point directly at him, and he stared at it for a moment, suddenly doubtful it was a closed-circuit system after all. He ran for his car, and the camera followed.

Here, at the edges, Whispering to you, And we’re not alone; not alone Here, in the dark. We are behind the door, in the corners, In the room where you’ve just extinguished the light. We flicker in the shadow you cast on the wall. We are the prickle on the back of your neck. Curled, in words unspoken, We are the shiver on your uneasy flesh, The creep of the unknown on your skin. Can you feel us? Here, at the edges. From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant

Here’s a fun fact for you. Flies are necrophageous. That means they feed on the flesh of the dead. Yes, just like zombies. Actually, many insects are necrophageous. Will I become necrophageous? I won’t lie. It’s a pretty cool word. Necrophageous.

Here is Belladonna, the Lady of the Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water.

Her face was a grimace of surprised pain as she slid unconscious down the back of the tub and under the water. I held her under for several minutes after the blow, watching as the water went pink, then red, and finally crimson with blood.

Here’s what's breaking into my imagination and whatever is in there; that you are not afraid you’ve seen, is yours to take.