Best 2148 quotes in «horror quotes» category

FRANK ... so, many things happen in the 70s to transform the horror genre. Present end premodern fears mix, birthing scary movies which are more seedy, grim, but also more artistic and religious. Criminal evil escapes the prison of murder-mystery and revenge plots, making us see trough the eyes of killer and victim. Supernatural evil is freed from the gothic frame, making viewers believe again in the reality of the devil and other medieval superstitions. If the 60s were about love, the spirit of the 70s is fear. Which means they are more horribly real, more perversely in touch with the dark mystery.

Franz said 'Your picture, Viki, suggests that sense of breaking-up we feel in the modern world. Families, nations, classes, other loyalty groups falling apart. Things changing before you get to know them. Death on the installment plan – or decay by jumps. Instantaneous birth. Something out of nothing. Reality replacing science fiction so fast that you can't tell which is which. Constant sense of deja-vu - 'I was here before, but when, how?' Even the possibility that there's no real continuity between events, just inexplicable gaps. And of course every gap – every crack – means a new perching place for horror.

Fred Ruskin barreled through the rain down Buchanan Street in his battered Pacer, the jar his dead wife had directed him to retrieve from his nephew’s coffin bouncing in the seat beside him.

Four months to the day he first encountered the boy at Walmart, the last of Phil Pendleton's teeth fell out.

Fourth Cosmic Seal: (Terrestrial Seal 1330 - Seal of Ba-Vara) One who has received this Cosmic Seal (Living Grand Master of the Order of Astral and Terrestrial Hierachy) is empowered to control not less than 100,000,000 spirits and 33,000,000 demi-gods.

Franklin Fletcher dreamed of luxury in the form of tiger-skins and beautiful women. He was prepared, at a pinch, to forgo the tiger-skins. Unfortunately the beautiful women seemed equally rare and inaccessible. At his office and at his boarding-house the girls were mere mice, or cattish, or kittenish, or had insufficiently read the advertisements.

Fred said, “Man, I think he’s gonna make a fuckin’ suit of human skin, using the best parts from each of us.” “Holy crap,” said John. “He’ll be gorgeous.

Fresh is best.

Friendship and sex were really all she wanted from men these days.

From "Lunchtime At The Justice Cafe" : The waitress snarled a grin that lasted just long enough to show a mouthful of stained yellowed teeth, then turned suddenly serious. “‘Course I’m not the one to talk about these folks, I ‘spose. You see, I used to do a bit of eavesdroppin’ in my day before the sheriff put a stop to that.” 

She lifted the stringy blond hair from the side of her face, the opposite side from where she had hidden her pencil. There was a small hole about the size of a quarter where her ear should have been. “As you can see, Mr. McAllister, Sheriff Sweet puts a fairly high price on mindin’ your own business in Justice,” she added, refilling his cup. “You want some pie?”

From Bralloc’s mounted position he could see over the heads of most of his men, but the thickening darkness of evening coupled with the storm made it impossible to see more than a few yards. He jerked at the reins and swung his horse around, pushing into the crowd. The large grey charger was nearly as mean-spirited as her owner; she snorted and bucked her head, then nipped, stomped and shoved her way through, giving every indication that she was enjoying herself. His men drew to either side, and the crawling excitement in Bralloc’s belly became an angry swarm of insects. The scout – the ballsy woman whose name he could never remember - stood several paces away. Bralloc paid her no heed, however, and the mixture of nervousness, relief and fear on her face didn’t even register in his mind: his eyes were locked on the captive at her side. His lips twitched into a smile and he licked them, like a ghoul eyeing a fresh corpse. He forced himself to move slowly, deliberately – sucking each individual drop of marrow from the bones of his anticipation..." -From 'Feral

From "Lady In Waiting" in the anthology The Morgue : Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin’ one up ‘stead of engagin’ myself in any small talk that’s goin’ to be so one-sided anyways. But Cindy Flowers’ corpse weren’t no ordinary body when it walked upright, and it sure weren’t ordinary just because it was lyin’ before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed ‘cause Pa had already sewed her lids shut.

From the first, Istanbul had given him the impression of a town where, with the night, horror creeps out of the stones. It seemed to him a town the centuries had so drenched in blood and violence that, when daylight went out, the ghosts of its dead were its only population.

From the beginning, look, what thou desires to see, it shall be shew thee.

From the short story (and anthology containing it) DONNY DOESN'T LIVE HERE ANYMORE : Donny acted like he didn’t hear me. “You can’t send your mom off into eternity looking like that, Artie. She wouldn’t like it.” He reached into my mother’s casket, shoved his fingers into her mouth like it was the most logical thing in the world. 
“Donny, you can’t --!” 
“I’m just making her look right, Artie. It’s what she would want.” He tugged hard at my mom’s lips. I knew they were cold because I had kissed them a few moments earlier, and for a moment I felt convinced my friend had completely lost his mind. But when I looked inside Mom’s casket I knew Donny had done something only a best friend would think to do. My mother was smiling again. And she looked just the way I remembered her, the way I would always want to remember her. I got so choked up I couldn’t talk for a few minutes. 
Finally I managed, “My mother always told me you could make her smile.

From within their hearts, a ghostly horseman rode forth, to plant a tree which fed upon their want to die.

From the very core of each of them, their ancestors seemed to cry out in inarticulate voices. right then, they screamed in alarm from times before symbols and language could depict such things that hunted and meant murder.

From this moment on, nothing is what it seems. You're not a human being, you're a character- and filmmakers are doing everything in their power to kill you even now. Supernatural powers and curses are real, and numbers like 666 and 237 can kill you just as easily as a butch knife. Log cabins are slaughterhouses, cornstalks are antennas for evil, and aliens never, ever come in peace.

Fuck that. Fuck that idea like the fucking captain of the Thai Fuck Team fucking at the fucking Tour de Fuck.

f you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut.

Further, deeper still, those whose true names are for ever hidden from the world picked up the pattern of vibrations in the ether, and something akin to joy stirred in their fathomless minds. Perhaps soon they would be called upon to feed.

Gambling wasn't even about the money, was it? Not the action, not the bells, not the adrenaline, those were just add-ons. It was about the luck . . . the jouissance of gambling, it was pure, goddamned luck. The high holiest of holies.

Gather around me, Oh! ye death-defiant, and the earth itself shall be thine, to have and to hold! Compton

Gerard turned away and ignored the cruelty of the meerkats, tore it from his mind. Lucretia needed a heart.

Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don't you see - each with their peculiar propensities, necessities and structure.

God isn't here. God doesn't even know about this place

Good horror offers a sense of an upended, lawless world and that’s appealing to anyone who grew up feeling like an outsider.

Good children do taste better, but there are so few of them. If you can be satisfied with naughty children, you will always have food on the table. They are never in short supply.

Good and evil exist in all of us. a moment’s temptation takes us on a wrong path. On that path may lurk foul fiends, inhuman, yet feeding, needing all our weaknesses: vanity, indolence and envy, Easy fruits for evil appetites, our flesh, a tasty afterthought, our bones flung asunder.

Good horror is written by people who understand that fear is one of the cardinal passageways into the core of humanity. Good horror is generally written by folks who grew up on horror; books, movies, etc. You can’t simply decide to write—in any genre—if you don’t first have an understanding of the topic and a strong mental backlog of reference.

Gosnell turned almost no one away from the Women’s Medical Society clinic. This is not meant as a compliment. Repentant Gosnell employee Adrienne Moton testified he would perform abortions on any girls or women with no concern about the age of their babies. The only times she could recall Gosnell refusing to perform an abortion was when somebody’s Social Security number couldn’t be verified. In those cases, Gosnell was worried that the “patient” was an undercover cop.

Goodreads.com is actually about fiction not dreading goo. But I have a profile there, anyway...

Go thy way, weigh me the weight of the fire, or measure me the blast of the wind, or call me again the day that is past.

Go thy way, and tell my people, the people of thy Lord God what manner of things, and how great wonders of the Lord thy God, thou hast seen.

Go thy way to a woman with child, and ask of her when she had fulfilled her nine months, if her womb may keep the birth any longer within her.

Grayson figured the Aliens R Us crew would want to spend the majority of their time near the open field because rumor had it, if you stayed the night at the fire pit and glanced over, you'd see a beam of light touch the ground.

Gregory writes of Armageddon as if the Devil is getting off on using him literally to write that iniquitous beast into existence, into the flesh. I believe both Gregory and Jamie Stillingsworth are being used as vessels to bring about the end of days.

GreenHollyWood asked me "How I sleep?", after all, after this horror and terror. The truth is that I close the one eye 1-2 seconds go and then the other... and I sleep. To to don't forget, if we will be friends I enjoy the horror..., I like to see myself scared!?

Grief is personal. It isn't something you can share like a box of chocolates. It's yours and yours alone, a spiked steel ball chained to your ankle, a coat of nails around your shoulders, a crown of thorns. No one else can feely your pain. They cannot walk in your shoes because your shoes are full with broken glass and every time you take a step forward, it rips your soles to bloody shreds. Grief is the worst kind of torture and it never ends. You have dibs on that dungeon for the rest of your life.

Great revelations of nature, of course, never fail to impress in one way or another, and I was no stranger to moods of the kind. Mountains overawe and oceans terrify, while the mystery of great forests exercises a spell peculiarly its own. But all these, at one point or another, somewhere link on intimately with human life and human experience. They stir comprehensible, even if alarming, emotions. They tend on the whole to exalt.

Greg was very interested in cameras. He had an inexpensive automatic camera, which took okay snapshots. But he was saving his allowance in hopes of buying a really good camera with a lot of lenses. He loved looking at camera magazines, studying the different models, picking out the ones he wanted to buy.

Gretchen VanTreese (from The Crimson Corset) is easily the most heartless character I’ve ever written. Ruthless, self-obsessed, and ambitious beyond her means, she is the epitome of greed and overindulgence. This is woman who keeps handsome young men as pets, a staff of venom-addicted employees to do her daytime bidding, and a basement full of bound human delicacies.

Ha!’ cackled the fiend, ‘I expect you’d like revenge on that husband of yours. Murder shouldn’t go unpunished, and no creature enjoys delivering chastisement as much as I. What about giving him a taste of his own medicine? If you’d be so kind as to lend me your body, I’ll set him dancing to my tune.’ The wife’s spectre grimaced and nodded, at which the wicked Likho stripped off the nightgown, then the dead woman’s pliant skin, peeling back the flaccid folds. These it left in a slack heap. It gobbled her flesh and sucked the bones clean. These it hid behind the stove, before inserting itself inside the empty, wrinkled carcass, taking the former position of the corpse. Its fat tongue swiped the last juices from around its lips. When the husband returned home, all was as it had been; there was not a speck of blood to be seen, although the strangest smell of rotten eggs lingered

Han reste sig, lämnade toaletten. Lät blodfläcken på golvet vara. Låt någon se den, låt någon undra. Tro att någon blivit dödad här, eftersom någon hade blivit dödad här. För hundrade gången i ordningen.

Gut ist der Schlaf, der Tod ist besser

Hanging from every corner, above every window, standing on every shelf and tabletop, were dozens of handmade birdcages. Nomi had crafted them all, mostly out of old fishing twine, scraps of nets, and chicken wire. Woven in between the bars of the cages were bits of seashells, crab shells, pebbles, and driftwood she had scavenged along the beach. In a pinch she had made a few out of old clothes hangers she had scissored apart and woven together with strips of a negligee or shirt. Each one was personal, each one was unique, each one was a story

Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –

Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!

Has he finally had his full of my acquired taste? Has he decided that I am too wicked to live with after all? The idea clenches at my lungs, smothering them to uselessness.

Harley's eyes widened in horror, and a low moan of fear escaped his mouth. The back alley was filled with a vision from Hell.