Best 2148 quotes in «horror quotes» category

Oh my God," Mrs. McIntire screamed. She'd dropped to her knees, the dark sand and water soaking into her jeans. "Neely!" Mr. McIntire held his wife while she screeched her daughter's name over and over. "She's going to be fine, sweetie," he kept saying. I really wanted to believe him. "Is she on the other side?" I paced the shore. I couldn't see anything except a piece of driftwood lying at the water's edge. "I don't see her." Mr. McIntire didn't answer, only pointed across the rolling water. A log had washed up on the shore. It looked like maybe the water had rubbed all the bark off and left a naked, saturated trunk behind. "Tell me where she is." Aggravated, I stared until my eyes blurred with stress. "All I see is a damn log." "Son," Sheriff Mills said from behind me. "That ain't a log.

....Oh, what???.... Can you repeat... okay... I will say I'm against every your though (What can yo do about that?) (Oh, oh you poor little kid, oh, oh you poor little man you can't do anything here is the story)...Once upon a time there was two women and one man,... they weren't let to go outside... they both were married to the same man... it was said to them "If They go outside they won't come back", but the truth was who goes outside he will be slaughtered, every finger one by one will be cutted, then little pushing inside a knife in the body, a lot of blood goes outside in the same time the other woman also get punished if the one get's. She is punished to drink the other woman blood, when this process is going again and again the man removes the clothes and he start jerk off on their faces..., (Yeah I know you will try to kill him, but you can't), you are bound with metal and rope handcuffs your legs and your arms. On your head you have a mask, if you move it detectes and it explodes when it explodes your face goes ugly from ugly you goes disable you are dead because this mask kills the brain... The other woman is next to a trap which detectes if she goes out of one zone, it goes like this if there is so much pressure it won't happen this, but if there isn't it goes very bad... The man is above few meters and he jerkoff on their faces and he does what he wants... and so on and so on... YOu can't change it, once you are the killer (Very bad for you, ...man), once you are the victim wow that's very bad I few awful if I was a victim somebody will jerk off on my face and I'm not a gay....! If this happen remind me to kill my self, I can't live with the thought that I'm a gay...

O Lord that bear rule, even we all are full of impiety. And for our sakes peradventure it is that the floors of the righteous are not filled, because of the sins of them that dwell upon the earth.

O Lord that bear rule, who may know these things, but he that had not his dwelling with men?

Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were. The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.

Once the frontiers of horror have been crossed, one will pass from form to form beyond the human and from metamorphosis to metamorphosis to accomplish, in the anguish of an impossible return, the most terrible journey to the depths of darkness.

Once they're in...they stay in. And that little bitch invited that evil into herself like a hard dick on prom night.

One can only see what one observes, one observes only things which are already in the mind.

One evening, after a particularly terrible row, the prince smashed his princess over the head with an old wooden clock and she tumbled to the floor, dead.

One day you see a man walking down the road, the next day you come to his yard and find him dead... Why is it that he cannot do what the living do? It is because the thing that gave power to these parts is no longer there. That is the duppy, and that is the most powerful part of any man. Everybody has evil in them, and when a man is alive... he will not abandon himself to many evil things. But when the duppy leaves the body, it no longer has anything to restrain it and it will do more terrible things than any man ever dreamed of. - From 'Tell My Horse: Voodoo and Life in Haiti and Jamaica', Zora Neale Hurston, 1938

One evening coming in with a candle I was startled to hear him say a little tremulously, "I am lying here in the dark waiting for death." The light was within a foot of his eyes. I forced myself to murmur, "Oh, nonsense!" and stood over him as if transfixed. Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror - of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision - he cried out twice, a cry that was no more than a breath - "The horror! The horror!" I blew the candle out and left the cabin. The pilgrims were dining in the mess-room, and I took my place opposite the manager, who lifted his eyes to give me a questioning glance, which I successfully ignored. He leaned back, serene, with that peculiar smile of his sealing the unexpressed depths of his meanness. A continuous shower of small flies streamed upon the lamp, upon the cloth, upon our hands and faces. Suddenly the manager's boy put his insolent black head in the doorway, and said in a tone of scathing contempt - "Mistah Kurtz - he dead.

One land also shall ask another, and say, ‘Is righteousness that makes a man righteous gone through thee?’ And it shall say, ‘No.

One man carries salvation and damnation from the desert.

One sometimes kills for the love of it.

Only a few can survive and face reality without a vice.

Only God is the Giver and Master of Creativity and imagination because they are gifts that can only come from Him Alone!

Only I was capable of saving her now, and that, as far as anyone could argue, may have made me worse than all the devils and the demons, but it also, more accurately, made me better than all the angels and gods.

On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!--but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle!

On Sunday, a lambent crevice opened up in the street outside my house, By Tuesday birds were flying into it. "I probably won't miss you," my mother said, "I'm only interested in the end of the world," I replied. Many find it difficult to breath without the atmosphere but we knew how. We just stopped breathing. We're at the Moonlite All-Nite Dinner and they're serving up fruit from the plants growing out of the waitress. The CLOSED sign whispers, "Please, don't touch me." We watch bodies fall to the ground outside like deep-sea creatures surfacing. You turn to me and ask, "Do you ever think about suicide?" I look away from you and close my eyes, eat the raspberries to confuse the blood in my mouth. Now you're in the only car in the parking lot at midnight and you're watching me throw stones at the moon, which hangs low in the sky so he can look into your house. Your sister tried to touch him from her bedroom window once, and he flinched; now he and the oceans watch her with a quiet concern. The lilac sky is trying to rest her head on his shoulder, all trees gradually growing through her. A hummingbird whispers to you, "Be careful, under her dress is her skin," and then builds his nest in the middle of the highway, I look back at you, and you close your eyes.

On that day they will be submissive...

On the outside, I 'm a husband and a father to three sons. I end to keep quiet and stay to myself. That way I stay out of trouble as much as possible. Some people say I'm almost too quiet but it's like that saying goes, it's the quiet ones you have to watch out for...

On the morning of the exorcism, I stayed home from school.

Open your eyes that you may see, Oh men of mildewed minds, and listen to me ye bewildered millions! Compton

On this planet, even now, there are children who die without ever knowing the taste of chocolate. There are young women who die without ever getting to dress up nicely. But, Kayako did not know this. She had never even imagined it. That's the gist of it. The smaller the world one lives in, the deeper and stronger their hatred can grow. It is like water poured into a dish. If the bowl is small, the water will overflow. In the same way, if a person is of a small caliber, the hatred poured into them will overflow and spill back into the world in which they live.

Onu hiç görmemişti;görmesine gerek yoktu.Öğle vakti mısırlar arasından geçen gölge,soğuk bir hava dalgasıydı.Sesi,onu korkutmuş olan bütün seslere bürünerek ona doğru geliyordu...yumuşakça konuştuğunda merdiven altındaki tosvuranböceğinin bir sevilenin öleceğini haber veren tıkırtısı; yükseldiğinde kıyamet gibi batıdan çıkıp gelen fırtınayla yıldırımlar oluşuyordu.Bazen de mısırlar arasında esen yalnız gece rüzgarının hışırtısından başka hiç ses olmaz ama adamın orada olduğunu bilirdi ve en kötüsü de buydu, çünkü yüzü olmayan adam Tanrı'dan sadece birazcık eksik gibiydi; o anlarda Mısır üzerinden sessizce uçmuş,kapının kanla işaretlenmediği bütün evlerdeki ilk evlatları öldürmüş kara meleğe dokunabilecek kadar yakın olduğunu hissediyordu.Onu en çok bu korkutuyordu.Korkusu onu yine küçük bir çocuğa çeviriyor,diğerlerinin onu gördüğünü,ondan korktuğunu ama korkunç gücünü sadece kendisinin görebildiğini biliyordu.

Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale")

Other folk thought the Rage was simple bloodlust, a berserk savagery that neither knew nor cared what its target was, and so it was when it struck without warning. But when a hradani gave himself to it knowingly, it was as cold as it was hot, as rational as it was lethal. To embrace the Rage was to embrace a splendor, a glory, a denial of all restraint but not of reason. It was pure, elemental purpose, unencumbered by compassion or horror or pity, yet it was far more than mere frenzy.

Our lives are defined by fear from the very time we are born to the time we bid adieu to this material world.

Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys

Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.

Para los niños ha llegado el momento de acostarse. Es hora de que los bebes sean arropados en sus cunitas, mientras los padres sonríen ante las protestas con que piden que los dejen levantados un rato más, que les dejen la luz encendida. Bondadosamente, abren las puertas de los roperos para que vean que no hay nada escondido allí dentro. En torno de todos ellos, la bestialidad de la noche alza el vuelo con sus alas tenebrosas. Ha llegado la hora de los vampiros.

Our town carves up and spits out a few seeds each year. We all approach autumn with dread because nobody wants to be a seed.

Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –

Outside the window, there slides past that unimaginable and deserted vastness where night is coming on, the sun declining in ghastly blood-streaked splendour like a public execution across, it would seem, half a continent, where live only bears and shooting stars and the wolves who lap congealing ice from water that holds within it the entire sky. All white with snow as if under dustsheets, as if laid away eternally as soon as brought back from the shop, never to be used or touched. Horrors! And, as on a cyclorama, this unnatural spectacle rolls past at twenty-odd miles an hour in a tidy frame of lace curtains only a little the worse for soot and drapes of a heavy velvet of dark, dusty blue.

O you who believe, fight those of the disbelievers who are near to you and let them find firmness in you. And know that Allah is with those who keep their duty.

Pack up all my care and woe, blackbird, bye-bye

Passando pelas galerias do esgoto de cabeça pra baixo, de trás pra frente, ao contrário, ao inverso, mas não; ao avesso, a entidade improcessável só podia ser convertida em enlouqueço, esqueço de mim e abandono a realidade do plausível, cordões umbilicais balançavam do teto e ao tocá-los agarraram a pobre criatura que me prometia dores incomensuráveis, drenando-a até restar apenas um saco seco de pele esturricada já sem sangue e com os órgãos semi-digeridos e já succionados para sabe demônios quais outros horrores ainda maiores.

Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes.

Paradis: «Sì, questa è la guerra», ripete con voce remota, distante. «Nient’altro che questo». Capisco benissimo il senso delle sue parole. «Più delle cariche che sembrano parate, più delle battaglie visibili dispiegate come stendardi, più ancora dei corpo a corpo dove ci si dibatte e si grida, questa guerra è spaventosa e sovrumana fatica, è acqua fino al ventre, è fango, escrementi e infame sporcizia. È facce ammuffite e carni a brandelli, è cadaveri che non sembrano più nemmeno cadaveri, mentre galleggiano sulla terra famelica. È tutto questo, è questa miserabile monotonia interrotta da momenti drammatici; è questa, e non la baionetta scintillante come fosse d’argento, né il chicchirichì della tromba al sorgere del sole!»

People are often wary of reading or watching anything in the horror genre because in their minds, it's just senseless gore, death and violence. Well, I can tell you from avid experience, that's not what horror is about. The horror genre teaches us that sometimes really bad things happen to really good people, but that hope always prevails in even the darkest of situations. That's a very important lesson, no matter how frightening you think the teacher is, and to be in the top of her class, all you need to do is to go in with an open mind.

People don’t always take us seriously,” she continued. “People come to HorrorLand and think it’s all a big joke. People laugh at the signs around the park. They laugh at the rides and attractions.

People fail to realize that horror isn’t just monsters and death. Sometimes, it’s learning to accept the darkness of human nature.

People tend to see what they want when they see video footage and it is not always the whole truth.

People says it gets easier. People are stupid." -Vlad

People talk about survival. What they mean is killing the other guy.

People who fell in love at first sight, rushed home to their parents to tell them the good news and subsequently married were, [Patricia Highsmith] thought, retarded. Rather, a more honest appraisal of the nature of love positions it nearer to the horrors of mental illness. How else could you explain the fact that so many people were prepared to sacrifice the safety and cosiness of their lives for the thrill of a new romance?

People never think of a child as being a monster, because if they did, they would never be able to sleep at night. Children are where lies peoples hopes, dreams, innocence... Not where lies murder.

People which deserv support are people like Vsauce (A guy who I don't know how to describe... but as overall awesome character.) Rob Dyke (How he won't deserv one support or many?)... what he is doing is blowing mind it's about Anatomy of Murder and Serial KIllers files... that's crazy. And the best of all you can find a lot of information about many prisoners.

People thought up the idea that animals don't have the same capability of suffering as humans, because otherwise they couldn't bear the knowledge that they are surrounded by a world of nature that is horror, and nothing but horror.

Person 1: "Stay back....I have a demon inside of me." Person 2: "Let me get closer...I have a hell inside me where your demons can live." (from Dark Winter, #2 - out Halloween 2014)