Best 533 quotes in «paris quotes» category

  • By Anonym

    I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'.

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    I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.

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    I know the consequences, Manon,” Ilyse conceded. “I know the fate you endured might one day be my own. But I refuse to be a prisoner for the rest of my life.

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    Il était tard; ainsi qu'une médaille neuve La pleine lune s'étalait, Et la solennité de la nuit, comme un fleuve Sur Paris dormant ruisselait.

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    Il existait à Paris des zones intermédiaires, des no man's land où l'on était à la lisière de tout, en transit, ou même en suspens.

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    I like to wake up after a night of drinking, and amazing dreams, and for a second not know where I am. I love that feeling. It means you are still moving, still alive. And then you go, “Oh yeah, that’s right.” “Shit, I’m in England, or shit I’m in Germany.” Or it can be warm, like, “Oh yeah, I’m in Paris. I live in Paris. How the hell did you pull that one off?” Those first few seconds, when you first wake up, they are key.

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    I'll keep you here.' He taps his temple. 'Where you can't get lost.

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    I'll pretty much try any cheese, but I have found that I prefer young goats and old cows. I don't like gray areas.

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    Lonely. My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.

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    I love to watch cities wake up, and Paris wakes up more abruptly, more startlingly, than any place I know.

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    Majestatis naturæ by ingenium (Genius equal to the majesty of nature.) [Inscribed ordered by King Louis XV for the base of a statue of Buffon placed at Muséum National d’Histoire Naturelle de Paris.]

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    I miss the flowers; more than anything else I miss the flowers,’ she mused. And sought after them even in the paintings which we brought from the shops and the galleries, magnificent canvases such as I'd never seen in New Orleans-from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like to those states when I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Paris flowed into these rooms.

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    I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free. Help! I can't break free! I open my mouth to scream.

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    In Paris, choosing a dress is a monumental decision. In Milan, it’s a kick.

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    In a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.

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    Indulgence comes in all varieties: a mouthful of gourmet chocolate, a hot stone massage, a week in Paris or 20 uninterrupted minutes to get lost in a book.

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    In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.

  • By Anonym

    In pre-air conditioning days, even a little cooling breeze felt good. On this particular evening the dining room was filled to capacity, as the French Hotel was still one of the best places to eat in Monrovia. The overflow extended out under the cover of the verandah and was also filled with people. With so few places to dine in Monrovia, eating here under the corrugated fiberglass roof was a treat for the expats. I had already eaten aboard ship and was hoping that some of my friends would come around and join me for a few drinks but that evening it didn't happen and I didn’t recognize many people. It did however give me the opportunity to talk to Monique. After some two hours of talking to her between drinks I learned that she came from the Left Bank of Paris. Her parents lived above an antique shop on the Rue de las Halles and were adamantly against her coming to Africa. Because of an argument she had left her boyfriend behind, and now I think was sorry for that, although she wouldn’t admit it. It was obvious that she was homesick and I believe that she thinking about him. Monique couldn’t believe what she got herself into, and now was stuck with a two year contract in this hell hole. She mentioned that although the constant advances from the men was flattering, it was beginning to become wearing. She said that some of the people in Monrovia scared her and I understood exactly what she meant. Just being in Liberia was a challenge…. Was it my imagination, or was I making headway with this dark-haired, French beauty? With each drink I became more convinced of this, and at the same time was feeling less pain. The night was still young and I was in no rush to leave. Surely there was some hope and I was trying my best…. Then, suddenly without warning Monique told me that she had to go. “Je dois y aller maintenant.” What… She’s leaving? I’ve been told that it’s a thing the French do… but leaving me at the bar for no apparent reason? Monique however assured me that her partner, Claudine, would continue serving me and perhaps, “Who knows?” Monique said with a twinkle in her eyes... I shouldn’t have been surprised that she knew what it was that I was angling for. Hell, I thought that I was one of the good guys, besides whom was she sleeping with? A white girl in Liberia would never go it alone…. there had to be someone! What happened that Monique suddenly had to leave? Poof and she was gone! In her stead now was Claudine who was rough around the edges and knew her way around. It never occurred to me that Monique’s shift would be over before the closing hour!

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    Increasingly, a new generation of artists were finding the creative projects which so excited them systematically rebuffed by the official art bodies. It was exasperating. Did the jury of the Salon, that ‘great event’ of the artistic world, never tire of the tedious repertoire of historical events and myths that had formed the mainstay of Salon paintings for so long? Did they not feel ridiculed being sold the blatant lie of highly finished paint surfaces, of bodies without a blemish, of landscapes stripped of all signs of modernity? Was contemporary life, the sweat and odour of real men and women, not deserving of a place on the Salon walls? Young artists huddled around tables in Montmartre’s cafés, sharing their deepest frustrations, breathing life into their most keenly held ideas. Just a few streets away from the Cimetière de Montmartre, Édouard Manet, the enfant terrible of the contemporary art world, could be found at his regular table in the Café Guerbois surrounded by reverent confrères, who would in time become famous in their own right. When Manet spoke, his blue eyes sparkled, his body leant forwards persuasively, and an artistic revolution felt achievable. The atmosphere was electric, the conversation passionate – often heated, but always exciting. The discussions ‘kept our wits sharpened,’ Claude Monet later recalled, ‘they encouraged us with stores of enthusiasm that for weeks and weeks kept us up.’ And though the war caused many of the artists to leave the capital, it proved merely a temporary migration. At the time Madeleine and her daughters arrived in Montmartre, the artists had firmly marked their patch.

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    In French culture, the best way of buying time or getting off the hook entirely in a thorny personal situation is to claim that it’s complicated. The French did not invent love, but they did invent romance, so they’ve had more time than any other culture on earth to refine the nuances of its language.

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    In Paris, the dance was everything. The dance of romance was what a man could remember in his old age. Didn’t all young Americans come to Europe in search of that kind of romance?

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    In Paris, women were not considered interesting until they were middle-aged. The Mist of Montmartre

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    In Rome the statues, in Paris the paintings, and in Prague the buildings suggest that pleasure can be an education.

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    In the City of Light, the stars are blind. Our constellations do not reside in the skies.

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    In the waltz of the leaves in the air In the features of the playful clouds In the nostalgia carried by the wind In Paris alone, I save your love (fragment from Your presence “partout”, chapter Hope)

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    It wasn’t playing both sides of the fence – it was betting against yourself but still playing to win – and it encapsulated everything absurd and paradoxical that I loved about the French.

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    I stared at absurd Paris, which was as cluttered now, under the scalding sun, as the landscape of my heart.

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    Is that how you’re supposed to find your soulmate and fall in love these days? By flirting in 140 character tweets and stalking each other’s social media pages?

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    Its history is an especially rich and intriguing one for women: the great salons of the seventeenth and eighteenth centuries gave women an intellectual influence and freedom; in the nineteenth century, for the bohemian and the flâneuse pleasure and revolution were a seductive mix; in the mid-twentieth century, Paris spelled freedom for Simone de Beauvoir who set the standard for contemporary feminism in her exhilarating The Second Sex.

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    It was time to take what he wanted. And what he wanted was her.

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    I used to ask myself, ‘Sergei, would you rather spend your money on drink or women?’ and thanks to the club, I spend it on both and am called a patron of the arts.

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    I've never understood people who just go out for one drink. Once I have one drink, I want all the drinks.

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    I remember the way his eyes pinned my body against the backdrop of Paris as if I was some rare butterfly pinned to an exhibit box.

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    I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.

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    I thought of the fifteen years I lived 'sans papiers' in France and how Paris had belonged to me. I was like a king in France. And now that suddenly I was French, Paris was gone for me. I had abdicated the throne the French people had given to me. All those people were gone. The whole city had changed. I left for five years: three spent wandering in Europe, while two years I spent living in Muslim Morocco; and now Paris had changed and there was no going back.

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    It’s a great city, Paris, a beautiful city––and––it was very good for me.

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    I’ve always had a thing for men with large hadron colliders.

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    I will follow anyone And ask everyone To stand together as one nation Against the killing of innocent citizens

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    I was living "every girl's" dream. But I had yet to find my own passion, my personal project, the thing that would help make Paris mine.

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    I was supposed to stay for 3 months. But I think I always knew I would stay a little longer, despite the crazy Frenchies. Or maybe because of them.

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    I wish I could go to Paris right now.

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    My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.

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    London may have more money and Vienna more culture; Rome may have more history and Paris more style. But Glasgow has the biggest heart.

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    Maybe I shouldn't scare off my date so quickly by shooting guns and telling stories about vomit, but, hey, the sooner he knows the real me, the better.

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    Ndege ya Kolonia Santita, Grumman Gulfstream III, tofauti na ndege alizokuwa akitumia Panthera Tigrisi na makompade wake wa karibu, ilifanya kazi kubwa katika mgogoro wa Kolonia Santita na Tume ya Dunia. Dar es Salaam Grumman ilipomchukua kachero Giovanna Garcia wa Kolonia Santita, baada ya ndege hiyo kutumwa na makamanda wa Kolonia Santita wa Copenhagen, ilimpeleka Paris nchini Ufaransa kuhudhuria kikao cha siri cha CS-Paris. Katika kikao hicho yeye na wenzake wakapanga mauaji ya Kamanda John Murphy Ambilikile, kwa kusuka mbinu kamambe za kumteketeza, kabla ndege yake haijafika Copenhagen. Giovanna akashiriki pia kupeleka taarifa za Murphy duniani kote katika matawi yote ya Kolonia Santita, Urusi ikiwemo, ambapo Murphy alitekwa nyara na CS-Moscow. Baada ya 'mauaji' ya Murphy, Grumman iliwapeleka baadhi ya maadui waliohusika na mauaji hayo Mexico City katika makao makuu ya Kolonia Santita; kisha ikarudi Copenhagen kumchukua kiongozi wa CS-Copenhagen, Regner Steiner Valkendorff, na Kachero wa Kolonia Santita Delfina Moore.

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    Ne cherche jamais l'amour, laisse que celui-ci te cherche. Rappelle toi qu'on est 7 milliards

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    Morning" SUN That awakens Paris The highest poplar on the bank On The Eiffel Tower A tricolored cock Sings to the flapping of his wings and several feathers fall As it resumes its course The Seine looks between the bridges For her old route And the Obelisk That has forgotten the Egyptian words Has not blossomed this year SUN

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    My Illusionist, will you take me into a world filled with timeless magic?

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    Nell looks at the label and comes to. "Oh, I'd never wear it. I like to buy things on a cost-per-wear basis. This dress would probably work out at like...thirty pounds a wear. No. I couldn't." "You don't ever do something just because it makes you feel good?" The assistant shrugs. "Mademoiselle, you need to spend more time in Paris.

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    Nell walks what feels like the length of Paris. She walks through the numbered arrondissements, meandering through a food market, gazing at the glossy produce, both familiar and not at the same time, accepting a plum at a stallholder's urging and then buying a small bag in lieu of breakfast and lunch. She sits on a bench by the Seine, watching the tourist boats go by, and eats three of the plums, thinking of how it felt to hold the tiller, to gaze onto the moonlit waters. She tucks the bag under her arm as if she does this all the time and takes the Metro to a brocante recommended in one of her guidebooks, allowing herself an hour to float among the stalls, picking up little objects that someone once loved, mentally calculating the English prices, and putting them down again. And as she walks, in a city of strangers, her nostrils filled with the scent of street food, her ears filled with an unfamiliar language, she feels something unexpected wash through her. She feels connected, alive.