Best 533 quotes in «paris quotes» category

Hélène slowly surveyed the room. In this respectable society, amongst these apparently decent middle-class people, were there none but faithless wives? With her strict provincial morality, she was amazed at the licensed promiscuity of Parisian life.

Helen looked up at Paris, her face wet with tears and blotchy with grief, and nodded her consent. 'Together we are chained on rocks before the beast of Poseidon. Naked and bare and helpless.' 'But we are more fortunate.' 'How so?' Helen asked. 'We have each other as comfort in our misery.

Here, in a few words, you’ve said all you need to say. People stand by each other, but they don’t talk. It’s remarkable. I’ve investigated the extraordinary history of these walls. I think I’m the only person who knows that it’s the stones, the stones alone that set the tone here.

He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.

He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.

He was fine; he, that orphan that foundling that outcast; he felt himself august and strong; he looked full in the face that society from which he was banished, and into which he had so powerfully intervened; that human justice from which he had snatched its prey; all those tigers whose jaws perforce remained empty; those myrmidons, those judges, those executioners, all that royal power which he, poor, insignificant being, had foiled with the power of God.

How can you be kissing at a time like this? Have you no respect for the dead?

Hope is a most beautiful drug.

I ate and drank what I wanted in Paris. Butter, duck fat, liver fat, triple-cream brie, deep cherry-red wines, pear, clementine and lavender jelly, crème cakes, caviar, escargot in sautéed pine nuts and garlic butter. I did what the French did, I licked my fingers, didn't care if people saw, what they thought. Father would've hated it, would've told me I was uncouth. I ate everything up, ate his money, was delightful everywhere I went. I learned how to wrap my tongue around accented vowels, spoke to this stranger and that. Nobody knew me, didn't expect anything from me. I wanted to stay like that forever.

How long since you had sex?” Aeron asked his friend. Another moan. “Two—three days.” Paris wiped his mouth with the back of his wrist. Which meant Paris hadn‟t had a female since before their return. But Aeron knew Lucien had flashed the warrior into town every night they‟d spent in the desert for just that reason. Had the warrior had trouble finding a willing partner? “Let me take you into town. You can—” “No. Only want Sienna. My female. Mine.

I always thought falling in love was hard, but now I realize that was the easy bit. It’s staying in love that‘s the hard part.

I am a priest, but in this war I have been a soldier, and a soldier who has not surrendered. For I was fighting for more than a military decision between two powers, rivals for control over the same parcel of land. I was fighting for justice, and in this war, I could see only one kind of justice, a justice partaking at the same time of the human and the divine. I do not expect to find that justice or any justice, in this court. But I know that in the end, divine justice will prevail; and the verdict of God will be pronounced, not against us, but against you, who presume to judge us. - Father Christian

I am tired and drunk and still hungry. He is full of steak and Coca-Cola and, presumably, energy: enough energy to cross the road and walk up the steps inside the tower of the cathedral, which I have never entered.

I came from Paris in the Spring of 1884, and was brought in intimate contact with him [Thomas Edison]. We experimented day and night, holidays not excepted. His existence was made up of alternate periods of work and sleep in the laboratory. He had no hobby, cared for no sport or amusement of any kind and lived in utter disregard of the most elementary rules of hygiene. There can be no doubt that, if he had not married later a woman of exceptional intelligence, who made it the one object of her life to preserve him, he would have died many years ago from consequences of sheer neglect. So great and uncontrollable was his passion for work.

I cannot speak for someone I do not know, but he was looking for adoration not love and there is a big difference.

I always feel apprehensive when someone reads my work for the first time. Most writers are probably the same, with a desperate need to be liked – preferably expressed as lavish praise and uncritical admiration.

I congratulate you on your success stealing the painting.

I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp

If "Sex and the City" taught us anything, it's that Paris is the only city in the world that New Yorkers actually fantasize about.

I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall. Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can. "Hey! Wait!" he calls after me. I don't stop.

Friendships outlive marriages and family. Friendships can make a life wonderful or wasted, worth sacrificing or worth saving. In the Paris-based 7-book Apricot Tree House Mystery Series, Jamie Litton and Ben Foulof choose to save each other because they have learned that friendship is that fragile thread tethering all of us between Heaven and Earth.

I’d love to be a tabletop in Paris, where food is art and life combined in one, where people gather and talk for hours. I want lovers to meet over me. I’d want to be covered in drops of candle wax and breadcrumbs and rings from the bottom of wineglasses. I would never be lonely, and I would always serve a good purpose.

I don't think that anyone outside Paris can understand love and murder as we do. But Emile loves Paris, and loving Paris is a murderous education. ("Anthropology: What Is Lost In Rotation")

If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.

If you feel joy when you do something unselfish for him, and would just as soon do it in secret as openly, then that rings of the true metal

If you give the apple to me as the worthiest, I will make an apple pie!

I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me

If you're not creating, you're disintegrating.

Il était tard; ainsi qu'une médaille neuve La pleine lune s'étalait, Et la solennité de la nuit, comme un fleuve Sur Paris dormant ruisselait.

I know the consequences, Manon,” Ilyse conceded. “I know the fate you endured might one day be my own. But I refuse to be a prisoner for the rest of my life.

I'll keep you here.' He taps his temple. 'Where you can't get lost.

I'll pretty much try any cheese, but I have found that I prefer young goats and old cows. I don't like gray areas.

I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'.

I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.

I like to wake up after a night of drinking, and amazing dreams, and for a second not know where I am. I love that feeling. It means you are still moving, still alive. And then you go, “Oh yeah, that’s right.” “Shit, I’m in England, or shit I’m in Germany.” Or it can be warm, like, “Oh yeah, I’m in Paris. I live in Paris. How the hell did you pull that one off?” Those first few seconds, when you first wake up, they are key.

Lonely. My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.

I love to watch cities wake up, and Paris wakes up more abruptly, more startlingly, than any place I know.

Majestatis naturæ by ingenium (Genius equal to the majesty of nature.) [Inscribed ordered by King Louis XV for the base of a statue of Buffon placed at Muséum National d’Histoire Naturelle de Paris.]

Il existait à Paris des zones intermédiaires, des no man's land où l'on était à la lisière de tout, en transit, ou même en suspens.

I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free. Help! I can't break free! I open my mouth to scream.

In a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.

I miss the flowers; more than anything else I miss the flowers,’ she mused. And sought after them even in the paintings which we brought from the shops and the galleries, magnificent canvases such as I'd never seen in New Orleans-from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like to those states when I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Paris flowed into these rooms.

In French culture, the best way of buying time or getting off the hook entirely in a thorny personal situation is to claim that it’s complicated. The French did not invent love, but they did invent romance, so they’ve had more time than any other culture on earth to refine the nuances of its language.

Indulgence comes in all varieties: a mouthful of gourmet chocolate, a hot stone massage, a week in Paris or 20 uninterrupted minutes to get lost in a book.

Increasingly, a new generation of artists were finding the creative projects which so excited them systematically rebuffed by the official art bodies. It was exasperating. Did the jury of the Salon, that ‘great event’ of the artistic world, never tire of the tedious repertoire of historical events and myths that had formed the mainstay of Salon paintings for so long? Did they not feel ridiculed being sold the blatant lie of highly finished paint surfaces, of bodies without a blemish, of landscapes stripped of all signs of modernity? Was contemporary life, the sweat and odour of real men and women, not deserving of a place on the Salon walls? Young artists huddled around tables in Montmartre’s cafés, sharing their deepest frustrations, breathing life into their most keenly held ideas. Just a few streets away from the Cimetière de Montmartre, Édouard Manet, the enfant terrible of the contemporary art world, could be found at his regular table in the Café Guerbois surrounded by reverent confrères, who would in time become famous in their own right. When Manet spoke, his blue eyes sparkled, his body leant forwards persuasively, and an artistic revolution felt achievable. The atmosphere was electric, the conversation passionate – often heated, but always exciting. The discussions ‘kept our wits sharpened,’ Claude Monet later recalled, ‘they encouraged us with stores of enthusiasm that for weeks and weeks kept us up.’ And though the war caused many of the artists to leave the capital, it proved merely a temporary migration. At the time Madeleine and her daughters arrived in Montmartre, the artists had firmly marked their patch.

In the City of Light, the stars are blind. Our constellations do not reside in the skies.

In Paris, choosing a dress is a monumental decision. In Milan, it’s a kick.

In Paris the cashiers sit rather than stand. They run your goods over a scanner, tally up the price, and then ask you for exact change. The story they give is that there aren't enough euros to go around. "The entire EU is short on coins." And I say, "Really?" because there are plenty of them in Germany. I'm never asked for exact change in Spain or Holland or Italy, so I think the real problem lies with the Parisian cashiers, who are, in a word, lazy. Here in Tokyo they're not just hard working but almost violently cheerful. Down at the Peacock, the change flows like tap water. The women behind the registers bow to you, and I don't mean that they lower their heads a little, the way you might if passing someone on the street. These cashiers press their hands together and bend from the waist. Then they say what sounds to me like "We, the people of this store, worship you as we might a god.

In Rome the statues, in Paris the paintings, and in Prague the buildings suggest that pleasure can be an education.

In Paris, the dance was everything. The dance of romance was what a man could remember in his old age. Didn’t all young Americans come to Europe in search of that kind of romance?