Best 30 quotes in «poe quotes» category

And thus when by Poetry, or when by Music, the most entrancing of the poetic moods, we find ourselves melted into tears, we weep then, not... through excess of pleasure, but through a certain petulant, impatient sorrow at our inability to grasp now, wholly, here on earth, at once and forever, those divine and raptorous joys of which through the poem, or through the music, we attain to but brief and indeterminate glimpses.

And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.

And thus, as a closer and still closer intimacy admitted me more unreservedly into recesses if his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe in one unceasing radiation of gloom.

[Cat] found a complete set of the works of Edgar Allan Poe, with little tabs of paper sticking out. The were scrawled over with the witch's comments to herself, "Fun!" "Try this, but with exploding feathers!" and "Gotta love him -- deeply sick.

...but in the next moment I cursed myself for being so great a fool as to dream of hope at all.

I have graven it within the hills, and my vengeance upon the dust within the rock.

He tried to get drunk, “to forget about life for awhile,” as that old Billy Joel song once said, but the scotch couldn't anesthetize his pain and provide a retreat from the reality of his latest failures.

I have been happy, tho’ in a dream. I have been happy—and I love the theme: Dreams! in their vivid colouring of life As in that fleeting, shadowy, misty strife Of semblance with reality which brings To the delirious eye, more lovely things Of Paradise and Love—and all our own! Than young Hope in his sunniest hour hath known.

Do you...want to grab a slice of pizza or something?” I blurted out. He hesitated. “You want to be seen in public with...” a microsecond pause, “...your face looking like that?” I cocked my head to the side. “The real question is, do you want to be seen in public with a face like this?” “I’d consider it.” He stood, his expression still wary.

Hey," said Shadow. "Huginn or Muninn, or whoever you are." The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes. "Say 'Nevermore,'" said Shadow. "Fuck you," said the raven.

I blush, I burn, I shudder, while I pen the damnable atrocity.

I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.

I tell you, he had stolen the body of Edgar Allan Poe—and as he shrieked aloud in his final madness, did not this indeed make him the greatest collector of Poe?

Poe —ho deia ell mateix— era artificial per naturalesa. La majoria de nosaltres, pobres!, intentem ser, o aparèixer, naturals a força d'artifici.

It illuminated a vision Dante could not have imagined in his wildest nightmares, nor Poe in the grasp of an uncontrollable delirium.

Men have called me mad; but the question is not settled whether madness is or is not the loftiest intelligence -- whether much that is glorious -- whether all that is profound -- does not spring from disease of thought -- from moods of mind exalted at the expense of the general intellect. They who dream by day are cognizant of many things which escape those who only dream by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which is of good, and more of the mere knowledge which is of evil. They penetrate, however rudderless or compassless, into the vast ocean of the ‘light ineffable’.

. . . never seen him inspired by any more dangerous stimulant than strong coffee, of which he was very fond & of which [he] drank freely. MacIntosh says that the measure of a man's brain is the amount of coffee he can drink with impunity. SARAH HELEN WHITMAN (POE'S FIANCÉE) TO JOHN INGRAM DECEMBER 13, 1874

Pero los bancos no son individuos, sino sociedades, y las sociedades carecen de cuerpos donde se puedan aplicar puntapiés y de almas que mandar al demonio

P—Jamie!” I called. He waded back toward me. “I’m starting to think my name is Pajamie.” “Your name should be Pajerky. You said it wasn’t deep.” “Pajerky?” He gave me a skeptical look. “That’s Pathetic.” “We’ll see how smug you are once I’m on dry land.

Soze shook his head. “If someone checks our Internet search records, don’t you think it will look suspicious that before we called the police, we checked up on the evidence?” Poe laughed mirthlessly. “We’re Rose & Grave, junior. Everything we do looks suspicious.

Sing a song of suspense in which the players die. Four and twenty ravens in an Edgar Allan Pie. When the pie was broken, the ravens couldn't sing. Their throats had been sliced open by Stephen, the new King. The King was in his writing house, stifling a laugh While his queen was in a tizzy of her bloody Lovecraft. When the dead maid got the garden for her rank as royal whore, King's shovel made it double and he married nevermore.

Rodolphe Salis was a tall, red-headed bohemian with a coppery beard and boundless charisma. He had tried and failed to make a success of several different careers, including painting decorations for a building in Calcutta. But by 1881 he was listless and creatively frustrated, uncertain where his niche might lie. More pressingly, he was desperate to secure a steady income. But then he had the ingenious idea to turn the studio which he rented, a disused post office on the resolutely working-class Boulevard de Rochechouart, into a cabaret with a quirky, artistic bent. He was not the first to attempt such a venture: La Grande Pinte on the Avenue Trudaine had been uniting artists and writers to discuss and give spontaneous performances for several years. But Salis was determined that his initiative would be different – and better. A fortuitous meeting ensured that it was. Poet Émile Goudeau was the founder of the alternative literary group the Hydropathes (‘water-haters’ – meaning that they preferred wine or beer). After meeting Goudeau in the Latin Quarter and attending a few of the group’s gatherings, Salis became convinced that a more deliberate form of entertainment than had been offered at La Grande Pinte would create a venue that was truly innovative – and profitable. The Hydropathe members needed a new meeting place, and so Salis persuaded Goudeau to rally his comrades and convince them to relocate from the Latin Quarter to his new cabaret artistique. They would be able to drink, smoke, talk and showcase their talents and their wit. Targeting an established group like the Hydropathes was a stroke of genius on Salis’s part. Baptising his cabaret Le Chat Noir after the eponymous feline of Edgar Allan Poe’s story, he made certain that his ready-made clientele were not disappointed. Everything about the ambience and the decor reflected Salis’s unconventional, anti-establishment approach, an ethos which the Hydropathes shared. A seemingly elongated room with low ceilings was divided in two by a curtain. The front section was larger and housed a bar for standard customers. But the back part of the room (referred to as ‘L’Institut’) was reserved exclusively for artists. Fiercely proud of his locality, Salis was adamant that he could make Montmartre glorious. ‘What is Montmartre?’ Salis famously asked. ‘Nothing. What should it be? Everything!’ Accordingly, Salis invited artists from the area to decorate the venue. Adolphe Léon Willette painted stained-glass panels for the windows, while Théophile-Alexandre Steinlen created posters. And all around, a disorientating mishmash of antiques and bric-a-brac gave the place a higgledy-piggledy feel. There was Louis XIII furniture, tapestries and armour alongside rusty swords; there were stags’ heads and wooden statues nestled beside coats of arms. It was weird, it was wonderful and it was utterly bizarre – the customers loved it.

The esteemed Reverend Rufus Griswold is everything I aspire to be, though I fear I shall never soar so quite as high as he" -from his resignation letter to Graham's Magazine

The back of the church was raised up from the ground. Tossed in among its supports were what looked like moldering bones. My heart ached so much for these poor souls, neglected even after death, I turned away to head back, but managed only a few burdened steps. I drew up abruptly and froze. An old, worn marker, standing off by itself, grabbed at my heart. It was Edgar Alan Poe. He fit in so perfectly there. Maybe I did, too. His sorrow and pain ate through me as I stood, head lowered. Can’t even death let us step away from our darkness? It was like he was scratching a warning into the dirt with his finger, and meant it specifically for me. Don’t wait around for sermons to wash you clean, he seemed to say, for death or drugs to close your eyes. God won’t come roaring in with fresh troops to drive away the darkness we’ve walled our own souls up in. He didn’t put us there; we’ll have to dig ourselves out. I looked at my own life as I stood there, feeling buried alive, like some of his characters. But unlike his characters I had caught a flash of hope.

The catacombs where ghostly bodies lie. In the silence you hear the screams go by.

We played the game of love. She kept playing, I kept losing.

you ruptured the love lakes of my longing and scattered the continents of my heart.

What kind of dark, twisted mind preys on young women? I think it was Poe that said the death of a beautiful woman is the most poetical thing in the universe, and if that was true… I was John Milton.

While doing an enquiry on renowned horror author, “Edgar Allen Poe” I was astonished to notice how more successful his biographical books sold compared to his own books.

Why was he here? Why was he always, always, always around? Didn’t he have a life? Didn’t he have anything better to do?