Best 1530 quotes in «guitar quotes» category

This is going to sound crazy, but I can hear music in my head. I can imagine a piano or a guitar playing, and I can sort of think out.

This isn't a mass-produced...instrument. Mike Lull Custom Guitars makes each bass right here in the NW. Over 20 years of collaborating, designing, and building basses has gone into my model.

This PRS is perfect for anyone who wants an awesome quality, versatile, rockin' guitar at an affordable price. I love it; try it out!

This year's Hippiefest tour is truly a 'Classic Rock 'n Blues Tour' - a landmark, historic, musical celebration of which my band and I are proud to be a part. It's going to be a Guitar Guru Gala of Gargantuan proportions. For me personally, it will simply be the Greatest! So, see you at one of the dates on the tour. Believe me, this is not one you want to miss. All I can say is Get Ready To Rock'n'Roll!!!

Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.

Time becomes a stutter-the space between drumbeats, splintered into fragments, and also endlessly long, as long as soaring guitar notes that melt into one another, as full as the dark mass of bodies around me. I feel like the air downstairs has gone to liquid, to sweat and smell and sound, and I have broken apart in it. I am wave: I am pulled into the everything. I am energy and noise and a heartbeat going boom, boom, boom, echoing the drums.

To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.

To be honest, I'm one of the least-technical guitar players around. I just want a guitar to feel good and sound good. That's it, period.

To be in Boston, which is a great city and which is full of many colleges and young kids, and to be around that many people that were at the same point in their lives, who played guitar or whatever instrument - it was just perfect. It was a great environment.

To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.

To get my sound in the studio, I double guitar tracks, and when it gets to the lead parts, the rhythm drops out, just like it's live. I'm very conscious of that.

To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.

To me, the producer is there to make sure the album gets done and gets done as good as possible. So if that means that you have to help write a bridge or help write a part, that's what you do. If that means you help tune the guitars, then that's what you do. If that means all you do is tell the band their takes are good and they should stop f——— with things, then that's what you do. If it means you don't do anything except make sure the band doesn't fight, then that's what you do. Sometimes it's a little more stressful than others, but for the most part, you just don't complain about it and you just get it done.

To me, the guitar is a tool for songwriting, and it's fun, too. The day that it's not fun, that's when I'm not gonna play guitar anymore.

Too bad that Paul Ryan confessed to being a fan of Rage Against The Machine. By doing so, he not only begged for a bucketing by many of their fans but actually got one from the band's guitar player, Tom Morello.

Tonight I just need my guitar.

To stay a great singer or guitar player, you've got to do it 24/7. That's what I do.

To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.

To tell you the truth, I've never been really good at learning other people's stuff. I've been playing since I was 11, and I never took lessons. I kind of learned through hit and miss. I had the patience just because I loved guitar so much.

Treat each guitar track-and each song-completely different. For example, if I'm using a certain amp and guitar on one track, I'll deliberately use something else for the next tune or overdub.

Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.

Touring with Brian May was like a dream come true that happened early in my career. He inspired me with the way he harmonized and layered his guitar sounds.

Up till now I wrote the songs on my acoustic guitar alone with the Lord. Then I would take the song and share it with my family and then we all would figure out instrumentation together.

Trust me, the only real way to understand 'Chic' is in highfalutin terms. Our chord progressions were based on European modal melodies. I made those early 'Chic' records to impress my jazz friends.

Unless you're a true prodigy, you're going to have to practice for a while being bad before you get any good. And it will seem like a waste of time. I remember that feeling well. But don't worry about wasting time, because it'll be so worth it. It's my experience that in the end, life lessons and guitar lessons begin to blur in all sorts of interesting ways.

Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.

Usually now a song starts just in my head with a melody or a lyric idea coming first.Then typically I'll go to a guitar, unless it's a instrumental then I'll usually build it on a keyboard instrument.

We dragged English guitar music out of the gutter.

Virtual reality is just air guitar writ large.

We don't play slow and we don't play fast, we play half fast

We all have idols. Play like anyone you care about but try to be yourself while you're doing so.

We don't want any vocalist messing up the music.

Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.

We had to sit in this courtroom in Reno for six weeks. It was like Disneyworld. We had no idea what a subliminal message was - it was just a combination of some weird guitar sounds, and the way I exhaled between lyrics. I had to sing 'Better by You, Better Than Me' in court, a cappella. I think that was when the judge thought, 'What am I doing here? No band goes out of its way to kill its fans'.

Well, I'm known as a guitar-rock guy, you know? You're not supposed to play with synthesizers. This is not in the rulebook.

Well I started out on guitar, so it is still the mainstay of my music. But I have recently been working very hard on my piano, and it is coming along to the point where it is taking more of the spotlight. It has been my plan to be able to make music well into my old age, and sitting down seems like a good idea. Also, I don't have to carry the piano on the road. I haven't been playing the banjo much of late because of the difficulties of travelling with so much gear. But maybe I'll bring it to Japan. It adds a different color to the musical palette.

We had a wonderful time with this kind of grunge awareness, where suddenly rock was cool again. People wanted to head loud guitars. It was a great time, and I'm glad we were there. But the gimmick part has worn off.

We have a storage close by where I live, that's very organised. My guitar tech, Matty organised it all, labeled everything.

We just got a tour bus. I didn't know tour buses could be this nice. It's just me, Brian Haner the guitar guy, the tour manager and a writer. We laugh ourselves silly. Apparently we're going to have a road dog, a miniature pincher. It's the smallest they've ever seen. How masculine am I going to look, working with dolls and a miniature dog?

Well, I have been playing electric guitar all these years and acoustic was something new to me.

Well I thought my pickin' would set them on fire, but nobody wanted to hire a guitar man.

What I used to play was rhythm guitar before I saw Jack Bruce. I said, That's what I want to do in life. He was definitely the main influence

We've got horse property and there's other stuff to do. Like, four wheel driving, we barbeque, drink beers, sit around and play guitars and have a merry 'ol time

We were just amazed we were putting out a record. We were, and are, still learning. But we've never cared much for professionalism as long as the energy was there. Like our live shows: We're out of tune and use a lot of feedback. That's not on purpose or because we don't care, we're just musically and rhythmically retarded and we play so hard that we can't tune our guitars fast enough.

We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.

What I wanted to do was play the guitar but I don't like instrumental rock. I think it is tripe.

We're just musically and rhythmically retarded. We play so hard that we can't tune our guitars fast enough. People can relate to that.

We sat around and I fed them barbecue and whiskey. And pretty soon everyone started to compete with each other on the guitars. It seemed the more everyone drank and ate, the more everyone got into it.

We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.

What an unfortunate instrument the guitar is! An instrument of such great nobility, a genuine monarch of music-- reduced to a pitiful lump of wood with six strings, constantly abused by people with no ear and no voice.