Best 1530 quotes in «guitar quotes» category

I actually love woodworking. I'm just getting into it. And I love playing guitar, I'm a big movie aficionado, and I like hiking.

I actually write more on guitar than I do on piano.

I also generally play slide guitar in standard tuning, which enables me to switch back and forth between using the slide and fretting notes and chords conventionally without having to relearn the fretboard, as one must do when playing in an open tuning.

I always feel like the less I think of stage presence, the better, because then I have to face the fact that I have really complicated guitar parts, I'm singing almost all the time, and I have like six pedals I've got to keep on top of

I always had wished somebody else would sing my songs, but there wasn't anybody who knew them, so I sang them myself and eventually became a better singer and guitar player.

I always hated jazz guitar. I loved jazz saxophone but I hated jazz guitar. If I would buy an organ trio record I would make sure I'd buy one that did not have a guitar player on it. The sound was awful!

I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.

I always liked the idea of the guitar - because cowboys played the guitar.

I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.

I always thought Kurt Cobain was the perfect embodiment of the great alternative guitar player.

I always thought if a guy could play the guitar, he must be something really special.

I always travel with my guitar. I take it myself - with me in my hand. I don't like to send it by cargo because it's dangerous. There is no way I would do that.

I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.

I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.

I always write from rhythm first, so if I need a song fast, I have to start there. Then I just threw some electric guitar at it.

I am, by nature, a guitar player... I learned all of these other instruments around that, and around the theory that I built learning the guitar.

I am definitely still the same kid that I was picking up the guitar at 15. But, I have definitely learned to be more flexible and roll with the punches. It's such an unpredictable business to be in and it's insane how things change so last minute.

I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?" They throw it away and keep on playing.

I am up there onstage alone with that guitar. I don't have to consider no one else and whether they are comfortable. I need very little.

I am the Great White Buffalo and I play an American-made Gibson guitar that can blow your head clean off at 100 paces.

I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.

I began to learn a lot of chords and rhythms. It was a bit boring at the time but came in very handy later on.

I bought all my friends guitars and I had a good time with my money. But then one day the IRS came knocking.

I believe I love my guitar more than the others love theirs. For John and Paul, songwriting is pretty important and guitar playing is a means to an end. While they're making up new tunes I can thoroughly enjoy myself just doodling around with a guitar for a whole evening. I'm fascinated by new sounds I can get from different instruments I try out. I'm not sure that makes me particularly musical. Just call me a guitar fanatic instead, and I'll be satisfied.

I borrowed a guitar at age 16 and taught myself to play because I wanted to write songs.

I bought me a guitar about a year ago, learned how to play in a day or so.

I call myself a blues singer, but you ain't never heard me call myself a blues guitar man.

I came from the last couple of years in a generation where we didn't have a computer around so we didn't waste as much time on the internet as we do now so I had large chuncks of time which to devote to doing something.

I bet a chef could get more pussy than a guitar player right now.

I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.

I called Leo Fender, the dead guy, a dork. Now I'll never get an endorsement.

I can go for a week without a guitar, but it's not even funny if I don't get to surf for a month.

I can communicate far better on a guitar than I can through my mouth.

I can plunk out enough chords to write a song, but I'm completely afraid to play guitar in front of other people. It's a fear of failure, I guess.

I can sing fine and I can play guitar fine, but put 'em together and it becomes a thoughtful effort.

I can stay on my boat for a few weeks if I have a guitar and a girl and a Bob Marley CD. After that, I've got to move around.

I can play the guitar, the dulcimer, the piano, and the drums. However, I am not a "performance quality" musician. Rather, I am a composer and a producer.

I can safely say that any band with a sentence for a name, 6 members or more and carefully combed to the side hairdos are not metal no matter what distortion pedal they have for their guitars.

I can sustain the impetus over the long tours we do is by feeding off the energy that we get back from an audience. That's my fuel. All i've got is this burning energy, especially when i've got a guitar in my hands.

I can't even read notes. But I can teach someone how to make a guitar smoke.

I can't play guitar, but I can sure make it howl.

I can't say I feel influenced by today's guitar players.

I can't stand loud guitars that make me deaf.

I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to.

I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...

I change guitars as they come and go. I have one I played for almost a decade, but I've put it away. It was the first McCarty. Now, I'm playing one I grabbed off the line. I've been playing it ever since.

I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.

I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.

I couldn't even have a guitar. But I got a three-track recorder that was so small that I could take it with me. Then I started recording and writing properly. I recorded lots of voices, not just my own. I was interested in people speaking and singing English and trying out words.

I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit.