Best 1530 quotes in «guitar quotes» category

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    I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.

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    If I could go back in time and see any band, It would be Link Wray and the Raymen.

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    If I could sing, I wouldnt be a guitarist.

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    If I could play an instrument, it would probably be a cello or an electric guitar.

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    If I don't practice one day, I know it; two days, the critics know it; three days, the public knows it.

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    If I don't channel pain into a song, I play my guitar or play the piano or play my drums, or go swimming.

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    If I had an axe on the evening at Newport when [Dylan] broke out the electric guitar, I'd have cut his cable.

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    If I learned to play guitar it was so that I would have something to sing to, if I learned to write a song it was so that I would have something to sing. So the gut feeling you're talking about comes from singing and communicating the lyrics and what it is that we feel.

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    If I'm playing with Ozzy it's just a guitar thing. But with the vocals I feel like I'm studying for the SATs.

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    If I'm going to buy a new guitar, I take it to a good 'hot' room, like a tiled bathroom, and listen to the wood. If tone comes off the neck, you can bet it's gonna sound beautiful through an amp

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    If I only have ten minutes, Sam, this is what I want to say. You're not the best of us. You're more than that. You're better than all of us. If I only have ten minutes, I would tell you to go out there and live. I'd say...please take your guitar and sing your songs to as many people as you can. Please fold a thousand more of those damn birds of yours. Please kiss that girl a million times.

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    I fingerpick a lot because I can get more of a range of feeling from the guitar than I can when I bash away with a pick.

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    I first met Jimmy Page in London in 1961, and he was listening to James Burton, Scotty Moore and Cliff Gallup with Gene Vincent, as was I ... these were the rock and roll guys who really sparked our interest in the guitar, and later we delved into other things and went different directions ... during my time with Eric Clapton, we talked about what we'd listened to early on, and he was a huge fan of Chuck Berry and Jerry Lee Lewis

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    If I see a chick playing guitar, I'm drawn to that band immediately. I want to know everything, even if it's completely electronic. But you have to really get my attention if you're male. I can't help it. It's part of my nature.

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    I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn't actually get one until my grandfather gave me one, almost by mistake. He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.

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    I first picked up the bass guitar when I was twelve years old, and fooled around with it. By the time I was thirteen I got pretty serious about it.

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    If I try to write a song, I will completely fail to write a song. But if I'm just holding my guitar and I just start humming, then I'll have a song in an hour.

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    If it works for the piece of music, I'm going to use it. I don't want to be limited any more than [Bob] Dylan wanted to be limited by not using an electric guitar.

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    If I want to be moved by the track, I don't want it to be sequenced, I want it to be somebody playing the guitar or piano or a horn arrangement where you can hear the breath. You can almost smell the studio while listening to the music. For me, that's what moves me emotionally, that's what I came from. I think that's always going to work best for me.

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    If I wasn't so lazy, or if I had a roadie, I'd have a line of guitars on stage. I'd have a lap steel and a nylon string up there, but who wants to keep up with all that?

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    If I were a 13-year-old and I wanted to create subversive art, I wouldn't go out and buy an electric guitar. I'd get myself a personal computer.

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    If I were to have my own brand of guitars, they would have to be industructable.

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    I fool around with guitar and I can fool around on piano. I don't really play either instrument although I can play a couple of songs on guitar. You don't really need to be able to play to compose. There are many composers and arrangers who work out of their heads.

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    If the wind and rain could play guitar, they would sound a lot like Doc Watson

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    If the person who can effectively sanction ill-conceived wars can play the electric guitar, which is a symbol of rebellion, then that whole worldview becomes confused.

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    If there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.

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    If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.

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    If we replaced guns with guitars, then the world would be a concert

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    If you can't play it on an acoustic guitar or a grand piano then it's not a song.

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    If you can't play guitar and sing in Nashville, you might as well just be a construction worker.

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    If you hit a wrong note, then make it right by what you play afterward.

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    If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.

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    If you guys throw one more shoe or one more coin, I'm just going to leave my guitar next to my amp and there's going to be massive feed back for an hour.

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    If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.

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    If you pick up a guitar and it says, 'take me, I'm yours,' then that's the one for you

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    If you put a Mars bar in one of Glenn Hughes’ hands and a bass in the other, he’ll choose the Mars bar.

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    If you play acoustic guitar you're the depressed, sensitive guy.

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    If you really love guitar, you're going to spend every waking hour stroking the thing.

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    If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, but you shouldn't feel that you have to own one, either.

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    If your going to learn to play lead guitar, get an electric guitar .. it doesn't have to be an expensive one .. acoustic guitars aren't good for learning lead, because you can't play up very high on the neck and they take heavier-gauge strings which makes it hard to bend notes

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    If you've got a guitar and a lot of soul, just bang something out and mean it. You're the superstar.

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    If you told me I was going to live to 240, I would take 10 years off and try and act. I don't have that kind of time, so I'd much rather stick to playing guitar.

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    If you were a performer that only had an acoustic instrument, back in the day you couldn't hide behind your guitar pedals or the production or the vibe. There was performance and then there was the song, and that was all that you had.

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    If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.

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    I get to do a lot of things I don't usually get to do with the boys. I love playing guitar and rocking out on stage, so I do a ton of that with my solo project. [Backstreet Boys] all give each other the freedom to do our own thing, which just makes the bond the five of us have stronger

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    I get a feeling, on a guitar, and I sort of mess around until something resonates with me, and then I just find that what happens is that a melody comes, and with that, words.

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    I get to play a scorching lead guitar, and there's not much that's more fun than that.

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    I get twitchy if I don't pick up a guitar or sit at the piano every now and then... I have to do it; I don't have a choice.

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    I give myself time with a guitar and PA to let my subconscious do its thing. This happens repeatedly over a period of time, and slowly, a set of songs emerge that make some sort of sense to me as a body of work that turns into an album.

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    I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.