Best 1530 quotes in «guitar quotes» category

Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.

The one thing I do have is good ears. I don't mean perfect pitch, but ears for picking things up. I developed my ear through piano theory, but I never had a guitar lesson in my life, except from Eric Clapton off of records.

The only thing I ever really wanted was a Strat .. I started playing guitar after seeing Jimi Hendrix on TV the day he died...then I got Deep Purples' Fireball album which was also a big influence .. I have a collection of more than 200 of them that includes Strats from every year since March 1954 - the first month the Strat was made

The only two things in life that make it worth livin' / Is guitars that tune good and firm feelin' women

The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric's vocals. There's never any real problem fitting guitar and organ together.

The only time I made money was when I licensed my own solo guitar record, which sold maybe seven copies.

There are a lot of people who can do it on the guitar and sing at the same time, but I think what is harder is bass players that can play the bass and sing.

The real lost souls don't wear their hair long and play guitars. They have crew cuts and trained minds, sign on for research in biological warfare, and don't give their parents a moment's worry.

There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.

There are many excellent guitar players but I have to say Jimi Hendrix and Eric Clapton are still at the top! There are many imitators but very few genuine articles. There is so much more to playing than a fast blur of notes, like feeling and emotion from the soul. It's like punctuating a sentence and knowing when to lay back and not fill up all the space. Those are the things I tried to teach my son Tim when he began playing.

There are some people who do great stuff singing and playing fiddle at the same time and doing that kind of arrangement. But I think [I don't do that] partially because I'm still a loner on the guitar and banjo.

There are other tracks that are more reliant upon the beat. Like nobody's going to sit there and play "Harlem Shake" on the guitar!

There are so many good guitarists out there, I am by no means a very good guitar player.

There are no rules or certain methods. I usually start with the guitar or piano and sing melodies over the chords. The lyrics seem to be born out of that, and the fact that it's still a mystery to me is my favorite part.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

There are times where I would keep three typewriters on a table, and I'd have three complete thoughts going. With computers, you make folders, files - I don't know about those things. I have sheaves of paper polluted with words and paragraphs. I found it a good tool for me. And it keeps your hands strong for guitar playing.

There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart.

There comes a point with any collaboration like that where you start having other interests creatively. I was moving in one direction musically, and as a guitar player, Mark wanted to move in another direction. That was essentially the reason we broke up.

There once was a girl who found herself dead. She peered over the ledge of heaven and saw that back on earth her sister missed her too much, was way too sad, so she crossed some paths that would not have crossed, took some moments in her hand shook them up and spilled them like dice over the living world. It worked. The boy with the guitar collided with her sister. "There you go, Len," she whispered. "The rest is up to you.

There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.

There is no finer sonic-producing weapon for a guitar slayer than a hand crafter Gibson masterpiece.

There is something about guitars—maybe something magical—when played right, which evokes past, mysterious, barely-conscious sentiments, both individual and universal.

There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.

There seemed to be a sense about Sarah [Harmer] even back then.She was obviously a quick study. I remember going to the Harmer farmhouse and sitting around the pool, and Sarah had a guitar. Maybe I knew four chords, but she already knew five. After doing 600 gigs that week, I would sing with her in a ragged voice, and she had the voice of a bird.

There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.

There's just no stopping those girls with guitars.

There's a weird period of learning how to play guitar where your fingers are constantly messed up a handful.

There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.

There's just not a lot of guys around playing like that these days; a lot of steel players are plugging into stomp boxes, trying to sound like Jeff Beck on a steel guitar.

There's one piece of advice my dad gave me when he dropped me off at college. He said, "You've got the talent. You can sing and play guitar. That doesn't make you any better than anyone else.".

There's only one Sabbath guitarist and he is the architect for everything, Tony Iommi.

There' something about universal truths with the simplicity of the acoustic guitar. You can take it anywhere and it helps me reach listeners of all ages and walks of life.

There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.

There's something about guitars, they're just so big, you know what I mean? You're just like, 'Ugh!' It just seems so overwhelming. And the ukulele is, like, the opposite of overwhelming.

There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.

There's so much to be said for making your guitar sound like a synthesizer and try to make your drummer sound like a drum machine.

There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.

There's such a wealth of arts and styles within the guitar... flamenco, jazz, rock, blues... you name it, it's there. In the early days my dream was to fuse all those styles. Now composing has become just as important.

There's the whole significance of Krishna as the flute player who awakens our consciousness. It doesn't necessarily have to be a flute because for me it was a sitar or a guitar or even Elvis Presley doing "Heartbreak Hotel." It was like Krishna's flute calling me somewhere. It's just really simple when we can remember.

There was so much good and different music back then and you'd just keep moving through it and discovering more new stuff. I went through my Black Sabbath phase before I even started playing guitar.

There was a period when I'd just come out of college where I'd been playing classical guitar and I suddenly realised that it wasn't what I wanted to do with the rest of my life.

There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.

There were some initial instruments I had when I was young and made some trade-offs. Maybe a guitar I bought in a flea market. They weren't the greatest guitar but they would be cool to still have them. Other than that, not as a professional.

There were no rules. There's no guide to follow. I would just trust my instincts for some unknown reason. Something inside me would say, "This guitar is not loud enough," and I wouldn't know why. You never know how to reach that point until you've reached it.

There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.

There was a lot of camaraderie among the bands. I remember a lot of times when I'd be driving up Laurel Canyon and pass by the house where Frank Zappa was living and I'd just see people out on the porch playing guitars.

There were basically three themes. One was the sun theme which is the guitar when he'd get sun on his leg and it comes again in the end. And there's of course the lullaby which Dido sang, "If I Rise." And then there's this driving guitar which is the motivation theme.

There were some older guitarists on my side of town, and I got to know many of them

There were drinks and food in full force, and some Moroi guy had a guitar out and was trying to impress girls with his musical skills—which were nonexistent. In fact, his music was so awful that he might have discovered a new way to kill Strigoi.

The street's alive as secret debts are paid, Contacts made, they vanished unseen. Kids flash guitars just like switch-blades Hustling for the record machine. The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street, down in Jungleland.