Best 1530 quotes in «guitar quotes» category

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    Kurt Cobain was Nirvana. He named the band, hired its members, played guitar, wrote the songs, fronted the band onstage and in interviews, and took responsibility for the band's business decisions.

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    Kurt [Cobain], from the moment he could hold a paintbrush in his hand, was painting. And from the moment he could hold a guitar, he was playing

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    Leadbelly's guitar is in the Rock n' Roll Hall of Fame.

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    Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart.

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    Lenny Breau dazzled me with his extraordinary guitar playing... I wish the world had the opportunity to experience his artistry.

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    Lenny Breau was a genius - inspired and really loose. I loved how he used the guitar as an extension of his inner freedom, because, obviously, on the outside there were a lot of trainwrecks going on. But when you listen to him play, you hear what kind of guy he really is

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    Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.

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    Let me live my life the way I want to.

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    Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it . . . The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.

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    Life is like playing a violin solo in public and learning the instrument as one goes on.

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    Life is too short to play bad music

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    Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'

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    Like Paul Kraston said, all I ask in life is a water bed, a TV and a typewriter. Well, I'll just have an ordinary bed, a TV and a guitar.

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    Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

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    Listening is the key to everything good in music.

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    Link Wray and Gene Vincent.... two of the greatest unknowns of rock 'n' roll.

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    Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.

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    Link Wray... He was the beginning of Grunge, way before anybody you know.

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    Looks like my baby dont live here no more...thats alright, ive still got my guitar..I might as well go back over yonder, way back across the hills, if my baby dont love me no more....i know her...sister will

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    Little things like making clothes, baking bread, cooking, even useless things like bird-watching, sketching flowers, playing guitar in the home - that sort of time is gone. And the time we have? We're so exhausted, we want to let ourselves get sucked in to the escape world of TV. I'm speaking from experience; I'm not above all this.

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    Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

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    Looping isn't an effect: it's your playing, only more of it and, if you hang with it, it'll uncover previously hidden facets from the body of your music. Remember: the original source of any loop is whatever your sound is, at the moment of input.

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    Lots of people can have girlfriends. But I can throw around guitars onstage! That'll be my epitaph: 'He never had a girlfriend, but you should've seen him smash a Les Paul!'

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    Lots of people who complained about us receiving the MBE received theirs for heroism in the war -for killing people. We received ours for entertaining other people. I'd say we deserve ours more.

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    Lots of kids when they get their first instrument hammer away at it but they don't realise there are so many levels of dynamics with a guitar. You can play one note on a guitar and it really gets to people if it is the right note in the right place played by the right person.

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    Making music is a lifestyle; go to the studio and sit in front of your computer, drum machine or guitar for 10 hours a day. The good stuff will come.

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    Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.

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    Many people in the neighborhood liked hip-hop and house music, and I couldn't play that. You can't perform that on guitar or drums, which was what I was playing, at the time. But, I got so much from mariachi bands that were constantly playing in the neighborhood.

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    Many were starting to use computerized synthesizers & drum machines to produce an entirely new style of music. It was being punted by the critics that the guitar was old hat; I was reminded of the way my father & his clarinets were written off in the late Fifties.

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    Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.

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    Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.

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    Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.

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    May was so great to work with, he even took me over to Japan for some dates. It blew me away when he let me play his guitar on stage with him.

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    Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.

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    Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before. And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.

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    Maybe I feel like I'm writing songs that don't need to be saved or made more interesting by endless overdubs and studio tricks...maybe - remember, where I am with songwriting I have never been before - sparkly guitars and overdubs I've done (and will do again - see instrumental record in above answer)

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    Most things in my life I had before leaving home. Values, support, great family. I was shaped at an early age. A musician playing guitar, I wanted to be a folk singer.

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    Money don't rule me, record companies don't rule me.

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    Most of the time I sit down with my guitar or at the piano, and I play for awhile until I get a new riff or groove that I like a lot. Then I'll concentrate on building around that line of thought by adding words and textures. At first I'm only trying to please myself, and hopefully what I like will appeal to others.

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    Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.

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    More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.

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    Most of my guitars have been instruments that look cool. I'm not picky. I never think, 'Oh, this neck isn't made of ebony,' or, 'These strings don't feel correct.' It doesn't matter too much.

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    Most of our songs were written on acoustic guitar before they made it to the practice stage.

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    Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.

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    Music is trying to tell a story, and I love the rock vibe. Hearing that finished product is almost the same high as having a killer wrestling match, you're just doing it with a guitar instead of a partner in the ring.

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    Music to me is spontaneous, writing is spontaneous and it's all based on not trying to do it. From beginning to end, whether it's writing a song, or playing guitar, or a particular chord sequence, or blowing a horn, it's based on improvisation and spontaneity.

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    Music is a spiritual expression of what's in your heart. Music as a way of getting rich is a pretty new thing, and I often wonder if the mega-bucks glitzy atmosphere is making the quality of music suffer. You have to work really hard to get around that and remember why you're in it in the first place: because you have to be. It's like an addiction. You can't go a day without picking up your guitar. To me, the only commercial goals that are really valid are, 'Boy, I wish I didn't have to go to work. I wish I could do this all the time.'

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    My 10 year old son likes it. He's trying to play guitar and everything. He likes that kind of music.

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    My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.

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    My brother is an excellent songwriter, and I play guitar and drums.