Best 24578 quotes in «children quotes» category

I guess what I know now that I definitely didn't know as a child, is that being truest to yourself is the greatest weapon in the war to achieve. That sounds really negative, but in conquering or achieving something. I think, as a child, I thought I had to be somebody else.

I had a bad time in school in the first grade. Because I had been a rather lonely child on a farm, but I was free and wild and to be shut up in a classroom - there were 40 children on those days in the classroom, and it was quite a shock.

I had a hard time at school because I worked, so I was quite often out of school, which meant that I didn't make many friends. It can happen to child actors, because you're not in the school environment. And I did miss that school environment and being around people.

I had a lot of self-loathing, .. I've been self-sustained since I was 11. I've always been the one making the money, and to be flat on my back and .. so vulnerable and then be completely loved. To have my wife be there, 110% supportive. To have my children say, 'It's OK, Mom.' To have the people that I work for say, 'It's OK.' To have my fans go, 'It's all right.' It's like, what was I afraid of? I'm going to get healthy now, and I'm not going to carry that baggage anymore.

I had always been scrupulously careful to avoid the smallest suggestion of infant indoctrination, which I think is ultimately responsible for much of the evil in the world. Others, less close to her, showed no such scruples, which upset me, as I very much wanted her, as I want all children, to make up her own mind freely when she became old enough to do so. I would encourage her to think, without telling her what to think.

I had a great deal of trouble focusing. My two - I had three children, and the two that survived - boys - were very badly injured. I did my job. I didn't miss the votes. I showed up. But I just could hardly wait to get home.

I had a great dislike to the annoyances entailed by baggage; and it was always with some feeling of elation that I cut myself free from everything but what I could carry about me. Like children, portmanteaus and trunks are hostages to fortune.

I had always imagined myself hitching up on to my elbows on the delivery table after it was all over - dead white, of course, with no makeup and from the awful ordeal, but smiling and radiant, with my hair down to my waist, and reaching out for my first little squirmy child and saying its name, whatever it was.

I had a happy, dramafree youth, growing up in an upper-middle-class neighborhood in Dallas, Texas. The only thing that was slightly unusual compared to most of my friends was that I was an only child... I don't think that's why my parents gave me a dummy, at least they've never copped to it.

I had a lovely, feral, free childhood - out and then come back when you're hungry or it gets too dark. I feel slightly cruel that I'm not offering my children the same.

I had always wanted to have children, so it caused me a lot of grief when I was younger, and I had supposed that gay people could not be parents.

I had a messy signature as a child, and my grandmother said this suggested I had no regard for other people. She was right.

I had always been interested in screenwriting, ever since I could write things down as a child. Obviously, I started as an actor, professionally, but screenwriting was always something that I had a great interest in.

I had an indefatigable curiosity about everything. But why should my fate have depended upon that? Why does the curiosity of a child born into the lowest classes have to overcome everything put in his or her way to mute that curiosity, when a child born to parents with access to the advantages of life will have his meager curiosity kindled and nurtured? The unfairness is horrifying when it is properly understood as an unfairness meted out on children, on infants, on babies.

I had a mother who walked to the library with me, and you can't walk to a lot of libraries in San Antonio because - guess what? - there are no sidewalks, except in the neighborhoods. And they're across big boulevards, and it's so hot, you can't even walk to the corner. So things like that affect how children can get to libraries. So there are a lot of things involved.

I had arranged a birthday party for him and my children, who are all Aquarians. Instead, we got married. I ran out of excuses. It was just us and my children.

I had, as I told you, a great passion while still almost a child. When it was over, I divided myself in two, placing on one side the soul I kept for Art, and on the other, my body, which would have to fend for itself.

I had a teacher in Paris, who said that if an actor forgot what it's like to play as a child he shouldn't be an actor. I've always loved being with children. It's marvellous to see the fresh ways they see the world. Watching them look at a tree or a river helps you to understand something that's very important.

I had a prodigious life, living in a grown-up world when I was a child. But I think my abilities were about perceptiveness, and they were about examining psychology and examining people and relationships.

I had a second trimester abortion. I was pregnant with a much-wanted child who was diagnosed with a genetic abnormality. I made a choice to terminate the pregnancy. It was my third pregnancy, and I was very obviously showing. More important, I could feel the baby move.

I had a tremendous upbringing and foundation but as others like me have experienced, when you go to college, mom and dad are no longer there to help guide. There were some moments in college that really cemented my own convictions and beliefs. It was a real period of growth and maturity in my sanctifying process. I got married in college. That was a tremendous blessing. Four years later, we started having children and that gives you a deeper understanding of the Father's love.

I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.

I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.

I had come to realize the importance of the Nation, and of shared, communal, social responsibility, to be held as equally important as individual concerns. The elderly, the widowed, newly married couples, the poor, the unemployed, disbanded soldiers and children, who would be required to attend school, must be provided for from state funds. And all this support is not the nature of charity, but of a right.

I had been writing comic books for years and I was doing them to please a publisher, who felt that comics are only read by very young children or stupid adults. And therefore, we have to keep the stories very simplistic... And those were all things I hated.

I had come to discover that "safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust.

I had done the child acting thing, which is pretty much learning your lines, standing there looking natural, and having fun.

I had given up ( around 1950, fh) any ambition of making a career as an artist…..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.

I had four children. And my youngest when we started was like, oh, gosh, 2 or a little less. And sometimes my kids would say to me, you know, how come you don't scream at those kids on television like you do us?

I had learned to respect the intelligence, integrity, creativity and capacity for deep thought and hard work latent somewhere in every child. they had learned that I differed from them only in years and experience, and that as I, an ordinary human being, loved and respected them, I expected payment in kind.

I had many reasons for writing this book but among them was the hope that every Latino child and adult would find something familiar in it. And my hope is that when they finish reading the book, that they will come away with a renewed sense of pride in our culture and in who we are. We get a lot of strength from that [culture and identity] and we should be proud of it.

I had massive anxiety as a child. I was in therapy. From 8 to 10, I was borderline agora-phobic. I could not leave my mom's side. There was a lot of fear, but it was also very exciting.

I had my children after eight years of marriage. It was a dream come true. I still pinch myself.

I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.

I had met Michael Stipe, and he was such a kind person, and extremely understanding, so I asked him if he knew a photographer who would come to Detroit, where I lived, who would be child friendly and who would respect my home. Michael suggested Steven [ Sebring]. One day a knock came at my door, and when I opened it, there was Steven. He's been like a brother ever since.

I had great parents, and they trained me well and instilled great values in me. They also taught me common sense about money and that I couldn't count on the good fortune of doing a show forever. Therefore, I never spent money I didn't have and didn't end up destitute like other child actors.

I had many reasons for writing memoir but among them was the hope that every Latino child and adult would find something familiar in it.

I had never had any experience of autism before and I would come home and look at my son, Billy, who is now two, and be absolutely paranoid, particularly because he loves Thomas the Tank Engine, and lots of autys love Thomas. But he is not very good at pointing, and autistic children absolutely love pointing.

I had never read in public, never given an interview. I was doing it all and trying to produce the next book and raise three young kids and had another child on the way.

I had no idea what they were saying in Italian as a child, they spoke too quickly on the radio. But I realized that language was very funny.

I hadn't been onstage in a while. The last time was pre-children. And before I went on [at Roseland], my kids were backstage, and I thought, This isn't how I usually do it. I've got kids, and I'm thinking, This is weird. It's weird juggling children on your knee while you're in your rhinestone outfit. And I'm thinking, Okay, I'm gonna go out and do a show and I'm gonna be Superwoman! But I'm not really, `cause I'm a mom. It's all very strange.

I hadn't thought about the fact that I was a foster child but, did notice that (in films) I'm often without a mother or father or both.

I had never really pictured myself working in children's ministries. I always figured I would be more comfortable with maybe teens or adult ministries.

I had nixed the idea of having children when I was myself a child, having learned in the 1960s that human overpopulation was literally crowding other species off the planet. Why create another mouth to gnaw at the overburdened earth?

I had no idea that mothering my own child would be so healing to my own sadness from my childhood.

I had piano lessons when I was a kid, like most people. And hated them, like most people. And quit, like most people.

I had seen the ballet of Swan Lake as a child but it was as an adult, when I saw a production featuring Erik Bruhn, that I first noticed how significant a part the ever-present threat of violence played. This juxtaposition of great beauty and grace with a backdrop of pure evil stayed with me for years.

I had real plans for my next decade and felt I'd worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read - if not indeed write - the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger?

I had received Christ as my savior when I was a child, but I didn't know anything. I didn't have any knowledge. I didn't go to church. And I had a lot of problems, and I needed somebody to kind of help me along. And I think sometimes even people who want to serve God, if they have got so many problems that they don't think right and they don't act right and they don't behave right, they almost need somebody to take them by the hand and help lead them through the early years. And that's really what discipleship is. It's helping people.

I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy's and her sister Lee Radziwill's families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship.