Best 24578 quotes in «children quotes» category

I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?

I determined to spend the Remainder of my Days in privacy and Retirement with my Children, from whose Society alone I cou'd expect Comfort.

I'd got to that age when I was out on a date with a guy and I would be thinking: Don't mention your age, don't mention that you want a child - because they would just run out the door.

I'd finished the first two [books] and they were going to to be published, and [editor] said, "We need you to write a summary that will drive people to these books." And it took forever. I couldn't think of a thing to say. I looked at the back of other children's books that were full of giddy praise and corny rhetorical questions, you know, "Will she have a better time at summer camp than she thinks?" "How will she escape from the troll's dungeon?" All these terrible, terrible summaries of books, and I just couldn't.

I desperately want children. I want like four of them. But I will never have them, I mean at least with the current circumstances, living with my boyfriend.

I developed friends in the community that were in walking distance or a bicycle ride away, so that I socialized and did a lot of things that children do in their early years.

I'd give all the wealth that years have piled, the slow result of life's decay, To be once more a little child for one bright summer day.

Id have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didnt have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.

I'd hope that the story A Dog's Purpose helps everyone reflect on how many different "lives" we all live - from children to teenager to adults to seniors - and how each phase of life presents new situations along the way to discovering our ultimate purpose.

I did a 'Children of the Corn' remake for Sci Fi Channel. I play the Peter Horton role from the original, and Candace McClure from 'Battlestar Galactica' is my Linda Hamilton.

I did a series of classes in psychology (at the institute), .. The students that came to that class had children. And over a period of a few years, they decided they wanted a nursery school, a play group (to watch over their children while they were studying). So in one of the garages that was near where we were having the classes, we established a play group area and the students volunteered to supervise. That eventually led to building a state-licensed nursery school, which was approved by the California department of social welfare.

I did a show in New Jersey in the auditorium of a technical high school ... Technical high school, that's where dreams are narrowed down. We tell our children, "You can do anything you want." Their whole lives. "You can do anything!" But this place, we take kids - they're 15, they're young - and we tell them, "You can do eight things. We got it down to eight for you.

I did have a Huggy Beardoll. One of his legs fell off. That empty leg became a place where, when we were doing a lot of drugs on tour at one point, we would store the drugs in his empty leg. That's where the term 'dancing with the one-legged man' on Smells Like Children came from, because whenever anyone was doing drugs we called it the 'dance of the one-legged man.' That became a ritualistic thing that was funny for awhile.

I did a series for teenagers and kids called S-Club 7 in LA for Fox Family Channel. And I did it because the children, everybody's children, they don't know who I am. They know I'm the-lady-in-the-movie-they-can't-see. And I was actually offended by that because I think I've done a lot of wonderful work.

I did a study of soldiers returning from Iraq, and their levels of PTSD were much higher if they had had to shoot a woman or child, even if they knew the person was a suicide bomber.

I did not always know I would be a writer. Until I had a room of my own, I did not write much at all - no more than any other child who read a lot of books. I began to write fiction and poetry when I first had a room that was truly my own with a door that shut and some measure, however fragile, of privacy.

I did children's theater when I was younger, and then when I was about 14 I started doing theater in New York City.

I did 'Narnia' because it was a good opportunity and all that, but really? I wanted to play Mr. Tumnus because he's my favourite children's character. That was awesome.

I did not know that children think the hard questions they ask are easy and thus expect easy answers to them, and that they are disappointed when they get cautious, complex answers.

I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people's dream died there. It was a beautiful dream.

I did not, like my children and people today, grow up with television as part of my life.

I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.

I did not know the woman I would be nor that blood would bloom in me each month like an exotic flower, nor that children, two monuments, would break from between my legs.

I didn't even dream it would be so good. But I would never let my children come close to the thing.

I did not feel very patriotic. I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.

I did not have a chance to write novels until my youngest child started school fulltime

I did not give Xanax or anything else to my child.

I did not set out to be a poster child for anything. I saw a mountain. I wanted to climb it.

I did not want to raise a genetically compromised child. I did not want my children to have to contend with the massive diversion of parental attention, and the consequences of being compelled to care for their brother after I died. I wanted a genetically perfect baby, and because that was something I could control, I chose to end his life.

I didn't grow up as child actor.

I didn't have a good childhood because I never could get along with other kids. I was the child that sat in the corner eating lunch by herself.

I didn't feel very attractive as a child and actually I wasn't.

I didn't grow up with [Buckminster Fuller]. I never met him. I was once close to meeting him as a child at a ski resort one summer. He died in 1983. Only in 1999 or so, 2000, when I was working as an editor at San Francisco Magazine, did I really come back around to that name because Stanford University had just acquired the archive.

I didn't have familiarity with children. I'm learning day after day, with her [daughter]. And what impresses me the most is that she, Deva, is an individual person. But in miniature, she seems to be a special effect.

I didn't just grow up in one environment, so it was easy for me, as a child, just to imitate and just be all these different people.

I didn't just start with ...local city officials because I knew that they would understand the problem. I started with them because I knew that our cities, towns and counties would be a key part of the solution to this issue. ...there is no one-size-fits all policy or program that can solve this problem. And Washington certainly does not have all the answers. Instead, many of the best, most innovative, most effective solutions start in our city halls and our towns and our county councils.

I didn't fight this fight for the blacks, the whites or the Spanish, I fought th fight for the people. We're all God's children. I don't see color. I'm not a racist When I look at Gerry Cooney, I just see a man trying to take my head off.

I didn't intend to become a short-story writer. I became one because I finished a couple of short stories and realized that's what I wanted to do and could do with children and with all the other things in my life.

I didn't go to normal children school. I went to sports school when I was 8. So I studied martial arts.

I didn't go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.

I didn't have a clue. I grew up Protestant in Connecticut at the Saugatuck Congregational Church. We didn't talk about the devil. That's Catholicism. And so, that was my safety net. And I always say, it's probably a good thing they didn't hire a Catholic child, who may have heard about the devil, the things that were in the closet. And no one wanted to discuss them.

I didn't intend to work on the issue of child marriage, but I felt like it was a topic that is related to a lot of the other issues, like acid attacks, self-immolation, and female genital mutilation. I wanted to continue to drive the conversation, but my overall goal is to protect girls. Photography has a way of addressing the viewer whether they want to deal with it or not, and that's why photography is such a good medium for documenting the issues that girls face.

I didn't hesitate to kiss my father in public. And that's how I tried to raise my children. We're physical.

I didn't like the way I looked, the way I dressed and moved, what I achieved and what I felt I was worth. But there was so much energy in me, such belief that one day I'd be handsome and clever and superior and admired, such anticipation when I met new people and new situations. Is that what makes me sad? The eagerness and belief that filled me then and exacted a pledge from life that life could never fulfill? Sometimes I see the same eagerness and belief in the faces of children and teenagers and the sight brings back the same sadness I feel in remembering myself.

I didn't like what was on TV in terms of sitcoms—it had nothing to do with the color of them—I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.

I didn't quite understand the DVD thing and why my husband was mailing it back. I couldn't quite wrap my head around it. But now that I'm deeply in, as a watcher of content, what a brilliant business model. As a consumer, it's empowering to choose what I want to watch and when I want to watch it. I have three small children, so I need that flexibility, in order to really get into a show. And being on a Netflix show, it's perfect timing. I feel so grateful.

I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.

I didn’t mean now,” he protested. “I’m not going to raise the child. I’m having enough trouble with Rachel.

I didn't know what I wanted to do when I was a child. I did want to be a cartographer but that was partly because I liked Ordnance Survey maps and when I used to go to my grandparents' house from Southampton Station one went past the headquarters of the Ordnance Survey.

I didn't leave home until 27. I was an only child raised in Philadelphia by my mother and grandmother. My grandmother controlled the stove. She made a lot of potato meals - mashed potato, potato souffle, potato pancakes. When we didn't have electricity we ate romantically, by candlelight.