Best 273 quotes of Hilary Mantel on MyQuotes

There is so much else in the world that is more interesting [ than monarchy].

There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

The things you think are the disasters in your life are not the disasters really. Almost anything can be turned around: out of every ditch, a path, if you can only see it.

The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.

The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.

The worship of Thomas More goes beyond Catholics.

The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.

This was an idea peculiar to Camille, Maximilien thought, that the worse things get, the better they get. No one else seems to think this way.

Though I have never thought of myself as a book collector, there are shelves in our house browsed so often, on so many rainy winter nights, that the contents have seeped into me as if by osmosis.

To me, Hillary [Clinton] looks alright. She looks like the kind of woman I admire. She doesn't seem to have distorted her essential nature.

To my astonishment, when Wolf Hall came out, people asked if I made it up - [Thomas More] burning of heretics. It was well documented. And he was proud of it! The Brits love lost causes.

Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

Watching live actors onstage, in something that changes night by night, real people picking up cues from each other, it concentrates you on the process rather than the result.

We have a number of very powerful women in the world now - Mrs. [Angela] Merkel, who the Germans call Mutti. What did we call Mrs. [Margaret] Thatcher? When she was minister of education, she stopped the children's free school milk. This may sound quaint, but after the war we were such a malnourished nation that part of the founding of the welfare state were public health initiatives. Every little schoolchild got milk. Mrs. Thatcher stopped it. They called her "Maggie Thatcher, milk snatcher.

What is it we are hating? It goes beyond politics. I suppose that my fascination with [Margaret Thatcher] is not just with her political record but with her as a phenomenon.

What [Margaret Thatcher] made a play for was the acquisitive: our greedy nature. She set aside other things like an identification with community, altruism. The only collective that she understood was: Rally around and slay the enemy.

When I began to read as an adult, I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date. When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

When I began to read as an adult, my first big enthusiasm was Evelyn Waugh. I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date.

When I came to write my Thomas Cromwell books, I moved onto the center ground of English history, but I was never there before. I didn't feel it was my history particularly, coming from Northern Britain, being of Irish extraction, being a cradle Catholic. The image of England I grew up with felt somewhere else. There was an official England in postcards, but it wasn't one I had visited. But I decided to march onto the center ground and occupy it whether it was mine or not.

When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.

When narratives fracture, when words fail, I take consolation from the part of my life that always works: the stationery order. The mail-order stationery people supply every need from royal blue Quink to a dazzling variety of portable hard drives.

When people begin to talk about "our island story" my hackles rise. It is deluded and conservative.

When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them.

When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

When you have committed enough words to paper, you feel you have a spine stiff enough to stand up in the wind. But when you stop writing, you find that's all you are - a spine, a row of rattling vertebrae, dried out like an old quill pen.

Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.

Wolf Hall attempts to duplicate not the historian's chronology but the way memory works: in leaps, loops, flashes.

You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.

You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.

You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do.

You mustn't stand about. Come home with me to dinner.’ ‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.

You think you're writing one historical novel and it turns into three, and I'm quite used to a short story turning into a novel - that's happened through my whole career.

92, '93, '94. Liberty, Equality, Fraternity or Death.

Abroad? Oh no. I went to England in ’91, and you stood in the garden at Fontenay and berated me.” He shook his head. “This is my nation. Here I stay. A man can’t carry his country on the soles of his shoes.

A lie is no less a lie because it is a thousand years old. Your undivided church has liked nothing better than persecuting its own members, burning them and hacking them apart when they stood by their own conscience, slashing their bellies open and feeding their guts to dogs.

All that evening he talked to the Candle of Arras, in a low confidential tone. When you get down to it, he thought, there's not much difference between politics and sex; it's all about power. He didn't suppose he was the first person in the world to make this observation. It's a question of seduction, and how fast and cheap you can effect it: if Camille, he thought, approximates to one of those little milliners who can't make ends meet - in other words, an absolute pushover - then Robespierre is a Carmelite, mind set on becoming Mother Superior. You can't corrupt her; you can wave your cock under her nose, and she's neither shocked nor interested: why should she be, when she hasn't the remotest idea what it's for?

A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

...and I sometimes think that the fading out of the individual personality is what one should desire, not the status of a hero—a sort of effacement of oneself from history. The entire record of the human race has been falsified, it has been made up by bad governments to suit themselves, by kings and tyrants to make them look good. This idea of history as made by great men is quite nonsensical, when you look at it from the point of view of the people. The real heroes are those who have resisted tyrants, and it is in the nature of tyranny not only to kill those who oppose it but to wipe their names out of the record, to obliterate them, so that resistance seems impossible.

And Louis is weak. Let him give an inch, and some Cromwell will appear.

A pottery outside Paris was turning out his picture on thick glazed crockery in a strident yellow and blue. This is what happens when you become a public figure; people eat their dinners off you.

As the year goes on, certain deputies—and others, high in public life—will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuke to these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats. While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker.

At the front, people die for their mistakes. Why should politicians be more gently treated? They made the war. They deserve a dozen deaths, each of them. What can we try them for, except for treason, and how can you punish treason, except by death?

At the top of the Queen’s Staircase at the Tuileries, there is a series of communicating chambers, crowded every day with clerks, secretaries, messengers, with army officers and purveyors, officials of the Commune and officers of the courts: with government couriers, booted and spurred, waiting for dispatches from the last room in the suite. Look down: outside there are cannon and files of soldiers. The room at the end was once the private office of Louis the Last. You cannot go in. That room is now the office of the Committee of Public Safety. The Committee exists to supervise the Council of Ministers and to expedite its decisions.

But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind. [Author Hilary Mantel on being told her endometriosis was imagined pain, From Oct 2009 Daily Mail interview]

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

But just as everything was going along politely, quietly and wonderfully — in poured Citizen Danton and his crew.

Camille, a few feet away, looked like a gypsy who had mislaid his violin and had been searching for it in a hedgerow; he frustrated daily the best efforts of an expensive tailor, wearing his clothes as a subtle comment on the collapsing social order.

CAMILLE DESMOULINS: For the establishment of liberty and the safety of the nation, one day of anarchy will do more than ten years of National Assemblies.

Collot is back from Lyon, did you know? He had finished his work, as he describes it. His path of righteousness is very clear and straight and broad. It’s so easy to be a good Jacobin. Collot hasn’t a doubt or scruple in his head— indeed, I doubt if he has much in it at all. Stop the Terror? He thinks we haven’t even begun.

Do you know Camille Desmoulins?” he asked. “Have you seen him? He’s one of these law-school boys. Never used anything more dangerous than a paper knife.” He shook his head wonderingly. “Where do they come from, these people? They’re virgins. They’ve never been to war. They’ve never been on the hunting field. They’ve never killed an animal, let alone a man. But they’re such enthusiasts for murder.