Best 228 quotes of Martin Amis on MyQuotes

Einstein's Monsters," by the way, refers to nuclear weapons, but also to ourselves. We are Einstein's monsters, not fully human, not for now.

Fiction is the only way to redeem the formlessness of life

He thought, Yeah. Yeah, non-smokers live seven years longer. Which seven will be subtracted by the god called Time? It won't be that convulsive, heart-bursting spell between twenty-eight and thirty-five. No. It'll be that really cool bit between eighty-six and ninety-three.

Impartially, shrewdly, I considered suicide, though not in my worst moments. The bottle of pills. The note: 'No hard feelings, everyone, but I've thought about it and it's just not on, is it? It's nearly on, but not quite. No? Anyway, all the best, C.

I peer through the spectral, polluted, nicotine-sodden windows of my sock at these old lollopers in their kiddie gear. Go home, I say. Go home, lie down, and eat lots of potatoes. I had three handjobs yesterday. None was easy. Sometimes you really have to buckle down to it, as you do with all forms of exercise. It's simply a question of willpower. Anyone who's got the balls to stand there and tell me that a handjob isn't exercise just doesn't know what he's talking about. I almost had a heart-attack during number three. I take all kinds of other exercise too. I walk up and down the stairs. I climb into cabs and restaurant booths. I hike to the Butcher's Arms and the London Apprentice. I cough a lot. I throw up pretty frequently, which really takes it out of you. I sneeze, and hit the tub and the can. I get in and out of bed, often several times a day.

It takes three or four years before the present day sinks in to you as a novelist. It has not just to be accepted in the mind but travel down your spine and fill your body and you can’t respond immediately to immediate events, there is this incubation period. Source: http://www.euronews.com/2013/06/25/ma...

I've got two backs, me - and I'm glad! Tits can be . . . mwa, I know, but they're always in the bloody road. Even in bed.

Making lots of money--it's not that hard, you know. It's overestimated. Making lots of money is a breeze. You watch. ch. 1, p. 23 in Penguin paperback

Marriage is always something of a compromise, as I'm sure you're now aware. Any long-term relationship is - and one does have to see it in the long term, Charles. No, I expect your mother and myself will never divorce. It's uneconomic and, at my age, usually unnecessary.

Novelists don't normally write about what's going on; they write about what's not going on.

Now I have to lie on the bed for a few minutes and let the solitude gather round me once more.

Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were. The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.

Only parents and torturers and the janitors of holocausts are asked to stand the sound of so much human grief.

Perché piangono gli uomini? Per colpa delle lotte e delle gesta e della maratona delle promozioni, perché vogliono la mamma, perché restano ciechi anche col passar del tempo, per colpa di tutte le erezioni che debbono inventarsi sul più bello dal nulla, per colpa di tutto ciò che hanno fatto. Perché non possono più essere felici o tristi – solo sbronzi o pazzi. E perché non sanno che pesci pigliare quando sono svegli. E poi c'è l'informazione, che arriva di notte.

Points of a journey do not matter when the journey has no destination, only an end.

Poverty said the same thing, century after century, but in different kinds of sentences.

She didn't use the misery of others to cultivate her own smugness, true, but at least I didn't go about eating all their food.

Suicide is the night train, speeding your way to darkness.

The deal with multiculturalism is that the only culture you're allowed to disapprove of is your own.

There are many accounts of prison floors strewn with genitals, breasts, tongues, eyes and ears. Arma virumque cano, and Hitler-Stalin tells us this, among other things: given total power over another, the human being will find that his thoughts turn to torture.

These little hurts were like little pets or potted plants you were abruptly given the care of, needing to be fed or walked or watered. As you pass the half-century, the flesh, the coating on the person, begins to attenuate. And the world is full of blades and spikes. For a year or two your hands are nicked and scraped as a schoolboy's knee. Then you learn to protect yourself. This is what you'll go on doing until, near the end, you are doing nothing else--just protecting yourself. And while you are learning how to do that, a doorkey is a doornail, and the flap of the letterbox is a meat-slicer, and the very air is full of spikes and blades.

The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.

They claim there's a rationale for the children, don't they, sir?" "Yes. Those babes in arms will grow up and want revenge on the Nazis in about 1963. I suppose the rationale for the women under forty-five is that they might be pregnant. And the rationale for the older women is while we're at it.

This had seemed a safe choice, since to be against the Beatles (late-middle period) is to be against life.

What is the only provocation that could bring about the use of nuclear weapons? Nuclear weapons. What is the priority target for nuclear weapons? Nuclear weapons. What is the only established defense against nuclear weapons? Nuclear weapons. How do we prevent the use of nuclear weapons? By threatening the use of nuclear weapons. And we can't get rid of nuclear weapons, because of nuclear weapons. The intransigence, it seems, is a function of the weapons themselves.

When we wake up in the morning (he thought), it's the first task that lies ahead of us: the separation of the true from the false. We have to dismiss, to erase the mocking kingdoms made by sleep. But at the close of day it was the other way round, and we sought the untrue and the fictitious, sometimes snapping ourselves awake in our hunger for nonsensical connections.

Whereas I would argue that style is morality: morality detailed, configured, intensified. It’s not in the mere narrative arrangement of good and bad that morality makes itself felt. It can be there in every sentence

Why couldn't Rachel be a little more specific about the type of person she was? Goodness knew; if she were a hippie I'd talk to her about her drug experiences, the zodiac, tarot cards. If she were left-wing I'd look miserable, hate Greece, and eat baked beans straight from the tin. If she were the sporty type I'd play her at... chess and backgammon and things.