Best 15702 quotes in «ideas quotes» category

When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.

When I was 15, I decided I wanted to be a lawyer. No one thought this was a good idea

When I was 17 until, I don't know, 20, I had this massive, baseless confidence. This very clear idea of myself and how I would achieve success, which involved making decisions. I saw myself picking up the phone and saying 'Absolutely not' or 'Definitely yes.' Having control. Except you have to figure out whether the way you think at 19 or 20 has any value. And eventually I understood, with all that control, which was probably illusory, I wasn't progressing. So now I'm relinquishing a bit. I'll be a tiny bit naked.

When I was 16, I was in Boston and some friends said, 'You want to go to New York?,' I went with my roommate... These guys said, 'We're going to this club. Just don't go in the washroom.' It was CBGB. I had no idea what it was or the history of all the music. All I knew was this was my first 21-and-over club and I managed to get in!

When I was 7, I came up with the idea of 'charm socks.' My mom would take me to buy bags of plastic charms, we would sew them on frilly white socks, and I sold them at school.

When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.

When I was a kid I was very interested in the idea of the will, finding out what you're capable of. I liked those kind of challenges.

When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do.

When I was a kid, the bigger boys would pick on me. So I got an idea that I would make alliances with older boys, like just one or two, who would be my protectors.

When I was a kid, we said that we were precluded from going to certain neighborhoods because of the color of our skin Now the neighborhoods are the neighborhoods of ideas, youre not supposed to be there because of the color of your skin.

When I was a kid, I had this idea that I would have a beard when I got older. I thought it'd be nice to rub my chin.

When I was a kid, I was obsessed with this idea of opening a restaurant back in Indiana on a little pond. The guests would order their dinner and then take a little boat out with a colored flag on the front of it. When the matching color of the flag on their boat went up on a flag pole, their dinner was ready!

When I was born, there was a very isolated idea of what it meant to be a man or a woman, and you belonged to one gender or the other.

When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.

When I was done with high school, I knew that music was really important to me and I knew I didn't want to be a cellist, but I wasn't really sure if I wanted to be a composer, or think about - I was just interested in the ideas behind music, I was interested in mathematics.

When I was growing up, I had no idea that I could possibly become a writer. I wrote endlessly in journals - a practice I maintained for a long time, well into the writing life I had no idea I could ever have.

When I was heavier, I danced and I jumped out of planes. I've always rejected the idea that there's a certain look or size that makes it acceptable to live life.

When I was in college, I was the editor of the literary magazine and insisted neither the editors nor the writers be specifically identified-only our student numbers appeared on the title page. I love that idea and still do.

When I was growing up, my idea of Led Zeppelin was all epic lasers, castles, and ten-minute drum solos - that sort of thing.

When I was in my early 20s, I had my hair permed. Bad Idea! It turned into total frizz. My advice to women is: if you have nice hair already, don't get a perm, leave your hair alone.

When I was in the eighth grade, I wrote this huge long paper about how I had no idea what I was gonna do with my life, but that I wanted to make a difference and touch even if it was like one person's life... inspire them.

When I was living on the street I would be standing out in front of Grauman's Chinese Theater, leaning against my car and signing autographs and nobody had any idea that I was living in it.

When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.

When I was kid, they always used to tell me to keep notebooks. I look at my shelves now and it's just nothing but notebooks. And if I haven't gotten an idea but I have time to work, I'll pull one out and I bet there will be five or six sentences that will kick me off.

When I was younger, I did self-mutilate. I'd be upset, so I'd do it, & it would calm me down. It's a horrible way to feel better. But there are two parts of your brain - one that really wants to destroy the other. & sometimes the idea of self-destruction is very romantic. I got over that.

When I was young, I flirted with the idea of a career in journalism on one hand and politics on the other.

When I was working on 'Drown' - this was way back in the mid-'90s - I had this idea that I wanted to do another collected stories. I wanted to do another book like 'Drown' that focused specifically on infidelity.

When I was young, I would sit in the bath and ideas would come to me. But I'm not young any more, so now I just sit in the bath.

When I was young, my idea was to become a filmmaker.

When I watched Lifetime original movies, it took me a day or two to get over the idea that the cute boy next door is actually a serial killer.

When I went to high school in Australia, I was exposed to textbooks that outlined evolutionary ideas - such as ape-like creatures turning into people. I recognized the conflict between evolutionary ideas and a literal reading of the book of Genesis.

When I write, I love finding connections between ideas. When the connections are plentiful and strong, then I know it's a pretty good subject to write about.

When I went into Bobby's World, I had no idea it would be a success. I had been doing the Bobby voice as part of my nightclub adult act for years.

When I wrote Rick, I had the idea that I would take the plot of nearly every opera and turn it into a dark film, which is something I still may do.

When John Lennon left the Beatles and started making music with Yoko Ono, many people scoffed at the idea. How could this talented man with so many hit songs give it all up? Well, we all know it was love, but beyond that, it was a leap of faith to try something new.

When life becomes an extended picnic, with nothing of importance to do, ideas of greatness become an irritant. Such is the nature of the Europe syndrome.

When L.A.’s schizophrenia between Dreamland and Utopia was becoming socially manifest, the United States, which was always a place, went to war with America, which was always an idea.

When J.J. [Abrams] called Lisa [Joy] and myself, he pitched us this idea of, what if we turn the structure around and started with the hosts. For us, that gave us a way to play with everything that we're interested in, all at once. It's the ultimate playground for us because we deal with questions about artificial intelligence, which is something I've long been fascinated by, but also human intelligence, or the lack thereof, human behavior, and interactive, immersive storytelling.

When managers overdo micromanaging of others, they probably hired the wrong people or failed to give them a clear idea of what each one is to accomplish. I prefer to train employees to be self-managers, just as in an orchestra each performer knows his or her role without being micromanaged.

When Marvel put together Ultimate Spider-Man and someone came up with the idea of having Principal Coulson, they said, "Do you want to do the voice?" I thought, "I have to do the voice!" Because I have a daughter and we watch some cartoons, I couldn't bear the idea of tuning in and hearing somebody else's voice.

When Moses was alive, these pyramids were a thousand years old. Here began the history of architecture. Here people learned to measure time by a calendar, to plot the stars by astronomy and chart the earth by geometry. And here they developed that most awesome of all ideas - the idea of eternity.

When most people see a tree, they don't see a tree at all. They see an idea that they have developed of what a tree is.

When most people turn on their TVs, they don't expect a frank discussion of philosophical ideas in their practical context. Or any context.

When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.

When one analyzes the pre-conscious step to concepts, one always finds ideas which consist of 'symbolic images.' The first step to thinking is a painted vision of these inner pictures whose origin cannot be reduced only and firstly to the sensual perception but which are produced by an 'instinct to imagining' and which are re-produced by different individuals independently, i.e. collectively... But the archaic image is also the necessary predisposition and the source of a scientific attitude. To a total recognition belong also those images out of which have grown the rational concepts.

When one does not have what one wants, one must want what one has”: “I have had, you see, to resort more and more to very small, almost invisible pleasures, little extras. You've no idea how great one becomes with these little details, it's incredible how one grows.

When one is in office one has no idea how damnable things can feel to the ordinary rank and file of the public.

When old settlers say 'One has to understand the country,' what they mean is, 'You have to get used to our ideas about the native.' They are saying in effect, 'Learn our ideas, or otherwise get out; we don't want you.'

When once experience taught me that I could work when I chose, and within a quarter of an hour of my determining to do so, I was relieved, in a great measure, from those embarrassments and depressions which I see afflicting many an author who waits for a mood instead of summoning it, and is the sport, instead of the master, of his own impressions and ideas.

When one begins to reflect on philosophy—then philosophy seems to us to be everything, like God, and love. It is a mystical, highly potent, penetrating idea—which ceaselessly drives us inward in all directions. The decision to do philosophy—to seek philosophy is the act of self-liberation—the thrust toward ourselves.