Best 646 quotes in «metaphor quotes» category

Don't stir all the warmth out of your coffee; drink it.

Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control.

Do you always talk in driving metaphors?" "I'm a hitchhiking ghost. It was this, or talk in Disney metaphors.

Dragons aren't good at metaphor.

Each life is formed by its unique image, an image that is the essence of that life and calls it to a destiny. As the force of fate, this image acts as a personal daimon, an accompanying guide who remembers your calling. The daimon motivates. It protects. It invents and persists with stubborn fidelity. It resists compromising reasonableness and often forces deviance and oddity upon its keeper, especially when neglected or opposed. It offers comfort and can pull you into its shell, but it cannot abide innocence. It can make the body ill. It is out of step with time, finding all sorts of faults, gaps, and knots in the flow of life - and it prefers them. It has affinities with myth, since it is itself a mythical being and thinks in mythical patterns. It has much to do with feelings of uniqueness, of grandeur and with the restlessness of the heart, its impatience, its dissatisfaction, its yearning. It needs its share of beauty. It wants to be seen, witnessed, accorded recognition, particularly by the person who is its caretaker. Metaphoric images are its first unlearned language, which provides the poetic basis of mind, making possible communication between all people and all things by means of metaphors

Either way, he was always staring into a bottomless pit, or into a whirlpool that forever sucked him inexorably inward to its vortex.

Everything in the world could be found in the points of contact between them: all the ins and outs of the tides, the pulsations of stars in the sky, and the running of wolves across the cold north—all part of the same rhythm. This one. Theirs.

Every book was a door; every page a new place to hide.

Every few minutes or so I would remember the look from the man who had wanted fifty cents, and I'd look at that framed memory hanging in myself and it meant I was here, back in this sick city, but in other ways I was not here at all and anyone who looked closely could see that I had nothing to give, that I was a junk drawer, a collection of things that may or may not have had a use.

Every human is a school subject. This is rather a metaphorical way of saying it, to put it straight, those you love are few, and the ones you detest are many.

Everything's always changing, Charlie. We become who we are. The mask melts into the face.

Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. When all things lasted so short a time and nothing mattered very much, it seemed pitiful that men, attaching an absurd importance to trivial objects, should make themselves and one another so unhappy.

Everything was a metaphor; all things were something other than themselves. The pain, for example, was an ocean, and he was adrift on it. His body was a city and his mind a citadel. All communications between the two seemed to have been cut, but within the keep that was his mind he still had power. The part of his consciousness that was telling him the pain did not hurt, and that all things were like other things, was like...like...he found it hard to think of a comparison. A magic mirror, maybe.

...explaining men still assume I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge.

Exhaustion is a thin blanket tattered with bullet holes.

Famous revolutionary,' you say, and the laughter pumps out of your chest like blood, great almost painful spurts of it splashing up the building faces toward the marquee moon.

Fighting is found everywhere in the animal kingdom and nowhere so much as among human animals. Animals fight to get what they want--food, sex, territory, control, etc.--because there are other animals who want the same thing or who want to stop them from getting it. The same is true of human animals, except that we have developed more sophisticated techniques for getting our way. Being "rational animals," we have institutionalized our fighting in a number of ways, one of them being war. Even though we have over the ages institutionalized physical conflict and have employed many of our finest minds to develop more effective means of carrying it out, its basic structure remains essentially unchanged. In fights between brute animals, scientists have observed the practices of issuing challenges for the sake of intimidation, of establishing and defending territory, attacking, defending, counterattacking, retreating, and surrendering. Human fighting involves the same practices. Part of being a rational animal, however, involves getting what you want without subjecting yourself to the dangers of actual physical conflict. As a result, we humans have evolved the social institution of verbal argument. We have arguments all the time in order to try to get what we want, and sometimes these "degenerate" into physical violence.

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R.

For the people of my country," Renato said, "water is everything: love, life, religion... even God." "It is like that for me too," I said. "In English we call that a metaphor." "Of course," said Renato, "and water is the most abundant metaphor on earth.

For innocence lost The same is the cost The ride of your life But you can never get off

For the first time, I understood the ancients' need to find explanations for why things happen. It's a quintessential human imperative. Random is not emotionally satisfying. Therefore, lightning was the bolt from an angry god. Crop failure was punishment for failing to honor the gods with a fatted calf. The plague happened because you took the Lord's name in vain or coveted your neighbor's wife. Going to church regularly and praying could forestall illness. And on and on.

For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!

For with each bite he tasted not just the irresistible sweetness of the dessert, but the deliciously agonizing negative flavor of all the imagined foodstuffs that he could have bought with that nickel instead—a turkey leg the size of his forearm, or a milkshake with a pair of deep red strawberries floating on its surface. The single relinquished nickel sat in the custard seller's till, its gold transmuted back to lead.

Fracture lines etch the surface of the glass box as if a body fell from the sky and landed on it. He doesn't hear the impact, can't smell the blood.

[Francesca] 'You really are a few biscuits short of breakfast.' His eyebrows furrowed in confusion. 'You're a few colors shy of a rainbow?' she offered. 'Not pulling a full wagon? Knitting with only one needle? All foam and no beer? Your cheese slid off the cracker? You couldn't pour water out of a boot with instructions on the heel?' [Nicodemus] 'All right. I get it.

Friends are like sugar. When you have them, you'll feel happiness. When you have too many of them, you will suffer.

GUIL (quietly): Where we went wrong was getting on a boat. We can move, of course, change direction, rattle about, but our movement is contained within a larger one that carries us along as inexorably as the wind and current…

Grandmother was like an opal. You could never be sure which colors were really there and which were just tricks of the light.

Guilt is the toothache of the soul.

He didn't really care if they felt that way or not: he just needed them to say it, he needed to feel that something lay beneath their imperturbable calm, that somewhere within them ran a thin stream of quick, cool water, teeming with delicate lives, minnows and grasses and tiny white flowers, all tender and easily wounded and so vulnerable you couldn't see them without aching for them.

Hatred is as easy as slipping on a well-worn woolen cloak. If only it provided the comfort of one.

He danced with the sky instead, and the sky dropped him like a rotten plum.

He finds himself entering a minefield of dietary choices." My Dark Experiences With Gluten

He had been bruised, so to speak, so badly that the eyes of strangers lacerated him like salt.

He sips his drink and it leaves his handlebar mustache dripping like a cattle dog come outta a river.

He has a vision of his life as a sliver of soap, worn and used and smoothed into a slender, blunt-edged arrow-head, a little more of it disintegrating with every day.

He realized that when he had been afraid to change he had been holding on to the illusion of Old Cheese that was no longer there

Her eyes narrowed until they were a faint greenish glitter, like a forest pool far back in the shadow of trees.

He suffers terribly all the time. He lives in fire.

He turned his steel eyes at me. They hurt me, paralysed me, like the advancing lights of a car. I saw that his body was taut, all of it: also made of steel; that it only worked because it was at an intolerable tension, and that it was our sensation of that tension which had exhausted us, which could no longer be borne. He was the wrong spring which had been put into our machine, that had made Claude ill, George foolish, Boris an anxiety.

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.

He is like light and wisdom is his Gabriel.

Her voice was a hushed whisper against my ear. An audible smile.

He spoke slowly, his voice deeper and louder, every word tacked nine-inches deep into the beams of our minds.

He wanted terribly, to say, Stop, to say Bern’s name, to stroke her soft cheek where it was bitten by the light. But, in the end, he didn’t do anything at all.

He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot.

He would talk, and I would talk, and he would talk, and each of our words sounded out the deepest secret depths inside us. There are some forms of love that words can do no justice to. There are some scars that can't be seen. Perfection is in itself an imperfection. He had flaws. He was sick. He needed help. Is not everyone sick, at one time or another? That was part of his beauty, his sickness. If he had not been sick, he would not have been beautiful, in the way that consumptives are, burning themselves up in brilliant flashes of light . . . I don't expect you to be able to understand. Love is strong enough to resurrect the dead. I don't like the word scar, because it implies intent and blame. A soul as powerful as his had to burn. I have never known a love like this. You don't know. I would have done anything at all for him. You don't know. It feels so goddamn good to be needed, to have someone tell you that he has a gaping hole in him whose shape is made to fit you . . . I saw that he was burning a piece of art on me, a signature on my psyche because it filled the hole in his own, and he wanted to make me his.

His body had almost no hair and his naked little circumcised johnson was nearly as pale as the rest of him, white as a boy's - perhaps over time one's genitals emerge from the pots and bubbling vats of love permanently stained, like the hands of a wool dyer.

His love for me seemed to overflow my limits by its flood of wealth and service. But my necessity was more for giving than foe receiving; for love is a vagabond, who can make his flowers bloom in the wayside dust, better than in the crystal jars kept in the drawing-room.

He wouldn't tell me that I always have two options—You can choose how you feel or you you can let your feelings choose you because maybe it is true that those were the options that my husband had, but I knew I didn't have those options and I hated for someone to tell me that I had options I didn't have because I knew that my mind was a small object for sale and my feelings could pick me up and own me and maybe my husband was too expensive for feelings to choose him, to pick him up and have him rung up and scanned and bagged and taken along with those feelings, feelings of I can't really get out of bed today and Husband, would you please not talk to me for the rest of the year. I, too often, had my face smashed against concrete curbs of Ruby, memories of Ruby, the way her face had looked that afternoon as she curled in that chair by the window and the light streaming in and the dark streaming out and what happened so soon after—I went around hostage to those memories, an invisible person following me with a gun barrel to my back.