Best 646 quotes in «metaphor quotes» category

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R.

Fighting is found everywhere in the animal kingdom and nowhere so much as among human animals. Animals fight to get what they want--food, sex, territory, control, etc.--because there are other animals who want the same thing or who want to stop them from getting it. The same is true of human animals, except that we have developed more sophisticated techniques for getting our way. Being "rational animals," we have institutionalized our fighting in a number of ways, one of them being war. Even though we have over the ages institutionalized physical conflict and have employed many of our finest minds to develop more effective means of carrying it out, its basic structure remains essentially unchanged. In fights between brute animals, scientists have observed the practices of issuing challenges for the sake of intimidation, of establishing and defending territory, attacking, defending, counterattacking, retreating, and surrendering. Human fighting involves the same practices. Part of being a rational animal, however, involves getting what you want without subjecting yourself to the dangers of actual physical conflict. As a result, we humans have evolved the social institution of verbal argument. We have arguments all the time in order to try to get what we want, and sometimes these "degenerate" into physical violence.

For innocence lost The same is the cost The ride of your life But you can never get off

For the first time, I understood the ancients' need to find explanations for why things happen. It's a quintessential human imperative. Random is not emotionally satisfying. Therefore, lightning was the bolt from an angry god. Crop failure was punishment for failing to honor the gods with a fatted calf. The plague happened because you took the Lord's name in vain or coveted your neighbor's wife. Going to church regularly and praying could forestall illness. And on and on.

For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!

For the people of my country," Renato said, "water is everything: love, life, religion... even God." "It is like that for me too," I said. "In English we call that a metaphor." "Of course," said Renato, "and water is the most abundant metaphor on earth.

For with each bite he tasted not just the irresistible sweetness of the dessert, but the deliciously agonizing negative flavor of all the imagined foodstuffs that he could have bought with that nickel instead—a turkey leg the size of his forearm, or a milkshake with a pair of deep red strawberries floating on its surface. The single relinquished nickel sat in the custard seller's till, its gold transmuted back to lead.

Fracture lines etch the surface of the glass box as if a body fell from the sky and landed on it. He doesn't hear the impact, can't smell the blood.

[Francesca] 'You really are a few biscuits short of breakfast.' His eyebrows furrowed in confusion. 'You're a few colors shy of a rainbow?' she offered. 'Not pulling a full wagon? Knitting with only one needle? All foam and no beer? Your cheese slid off the cracker? You couldn't pour water out of a boot with instructions on the heel?' [Nicodemus] 'All right. I get it.

Friends are like sugar. When you have them, you'll feel happiness. When you have too many of them, you will suffer.

Grandmother was like an opal. You could never be sure which colors were really there and which were just tricks of the light.

Hatred is as easy as slipping on a well-worn woolen cloak. If only it provided the comfort of one.

GUIL (quietly): Where we went wrong was getting on a boat. We can move, of course, change direction, rattle about, but our movement is contained within a larger one that carries us along as inexorably as the wind and current…

Guilt is the toothache of the soul.

He didn't really care if they felt that way or not: he just needed them to say it, he needed to feel that something lay beneath their imperturbable calm, that somewhere within them ran a thin stream of quick, cool water, teeming with delicate lives, minnows and grasses and tiny white flowers, all tender and easily wounded and so vulnerable you couldn't see them without aching for them.

He danced with the sky instead, and the sky dropped him like a rotten plum.

He had been bruised, so to speak, so badly that the eyes of strangers lacerated him like salt.

He finds himself entering a minefield of dietary choices." My Dark Experiences With Gluten

Her eyes narrowed until they were a faint greenish glitter, like a forest pool far back in the shadow of trees.

He has a vision of his life as a sliver of soap, worn and used and smoothed into a slender, blunt-edged arrow-head, a little more of it disintegrating with every day.

He realized that when he had been afraid to change he had been holding on to the illusion of Old Cheese that was no longer there

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.

He is like light and wisdom is his Gabriel.

Her voice was a hushed whisper against my ear. An audible smile.

He spoke slowly, his voice deeper and louder, every word tacked nine-inches deep into the beams of our minds.

He sips his drink and it leaves his handlebar mustache dripping like a cattle dog come outta a river.

He suffers terribly all the time. He lives in fire.

He turned his steel eyes at me. They hurt me, paralysed me, like the advancing lights of a car. I saw that his body was taut, all of it: also made of steel; that it only worked because it was at an intolerable tension, and that it was our sensation of that tension which had exhausted us, which could no longer be borne. He was the wrong spring which had been put into our machine, that had made Claude ill, George foolish, Boris an anxiety.

He wanted terribly, to say, Stop, to say Bern’s name, to stroke her soft cheek where it was bitten by the light. But, in the end, he didn’t do anything at all.

He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot.

He would talk, and I would talk, and he would talk, and each of our words sounded out the deepest secret depths inside us. There are some forms of love that words can do no justice to. There are some scars that can't be seen. Perfection is in itself an imperfection. He had flaws. He was sick. He needed help. Is not everyone sick, at one time or another? That was part of his beauty, his sickness. If he had not been sick, he would not have been beautiful, in the way that consumptives are, burning themselves up in brilliant flashes of light . . . I don't expect you to be able to understand. Love is strong enough to resurrect the dead. I don't like the word scar, because it implies intent and blame. A soul as powerful as his had to burn. I have never known a love like this. You don't know. I would have done anything at all for him. You don't know. It feels so goddamn good to be needed, to have someone tell you that he has a gaping hole in him whose shape is made to fit you . . . I saw that he was burning a piece of art on me, a signature on my psyche because it filled the hole in his own, and he wanted to make me his.

He wouldn't tell me that I always have two options—You can choose how you feel or you you can let your feelings choose you because maybe it is true that those were the options that my husband had, but I knew I didn't have those options and I hated for someone to tell me that I had options I didn't have because I knew that my mind was a small object for sale and my feelings could pick me up and own me and maybe my husband was too expensive for feelings to choose him, to pick him up and have him rung up and scanned and bagged and taken along with those feelings, feelings of I can't really get out of bed today and Husband, would you please not talk to me for the rest of the year. I, too often, had my face smashed against concrete curbs of Ruby, memories of Ruby, the way her face had looked that afternoon as she curled in that chair by the window and the light streaming in and the dark streaming out and what happened so soon after—I went around hostage to those memories, an invisible person following me with a gun barrel to my back.

His body had almost no hair and his naked little circumcised johnson was nearly as pale as the rest of him, white as a boy's - perhaps over time one's genitals emerge from the pots and bubbling vats of love permanently stained, like the hands of a wool dyer.

His studies were always second to Beatrice. He would've said everything was second to Beatrice but the flowery metaphors and literary devices can only stretch so far and for so many characters.

His love for me seemed to overflow my limits by its flood of wealth and service. But my necessity was more for giving than foe receiving; for love is a vagabond, who can make his flowers bloom in the wayside dust, better than in the crystal jars kept in the drawing-room.

Human life is short, we don't exist all that much. A pale brief flicker in the dark.

Holly steps back. Being warned about a ghost and seeing him are not the same. 'What did they do to you?' Some of the Anchorites laugh. Hugo looks back at his long-ago lover. 'They'-he looks about the Chapel-'cured me. They cured me of a terrible wasting disease called mortality. There's a lot of it about. The young hold out for a time, but eventually even the hardiest patient gets reduced to a desiccated embryo, a Strudlebug...a veined, scrawny, dribbling...bone clock, whose face betrays how very, very little time they have left.

Hope is a door left unlatched in a high wind banging and banging itself to pieces.

How can I help?” I asked, as Anglicans have been taught to do—and in spite of the fact that our family have been Roman Catholics since St. Peter was a sailor.

I didn't know what to say. I knew I had a big choice to make. I could let it all go and try to love him, try to trust him, try to make something lasting and good. He obviously had strong feelings for me or about me. And he wasn't being so bad right now. We could build something sturdy, beautiful. Or I could try to make a dash for the door by crawling under the dining room table. There was a good chance that he would kill me later either way.

I allowed myself the supernatural, the transcendent, because, I told myself, our love of metaphor is pre-religious, born of our need to express what is inexpressible, our dreams of otherness, of more.

I always thought of it like you said, that all the strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships sink, or maybe we’re grass—our roots so interdependent that no one is dead as long as someone is alive. We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?

I am a shark. A shark who dreamed he was a man.

I am going to tell a story now, and though I've made a life out of writing words, this is the first time I have told a story. There are no new stories in the world anymore, and no more storytellers. There is nothing left but the fragments of phrases that signalled their telling: once upon a time; why; and then; the end. But these phrases have lost their meanings through endless repetition, like everything else in this modern, mechanical age. And this machine age has no room for stories. These days we seek our pleasures out in single moments cast in amber, as if we have no desire to connect the future to the past. Stories? We have no time for them; we have no patience.

(aside) Oh, you are well tuned now, But I’ll set down the pegs that make this music, As honest as I am.

I believe in a metaphorical reality, but not in a metaphysical one.

I cannot hope to make you understand how the world is truly made,' he told her. 'Metaphor, then: the world is a weave, like threads woven into cloth.' His hand came out of his sleeve with a strip of his red ribbon. 'If you say so.' 'Everything, stone, trees, beasts, the sky, the waters, all are a weave of fabric,' he said patiently. 'But when you think, it is different. Your thinking snarls the fabric, knots it. If you were a magician, you could use the knot of your mind to pull on other threads. That is magic, and now you see how every simple it is. I wonder everyone does not become an enchanter.

I couldn't decide what kind of person she was, whether she was one of those insects that look exactly like wasps but aren't . . . I just wanted to know if she would sting.

Idols of the injury, dug in behind the least understood motor plan information. The vile abomination temporal lobes and The four loathsome memory walls and The four reasoning, arithmetic beasts are found for all behind pain and planes. Portrayed as a house, Go in, function, cause blindness from The house's hearing spirit, judgment and The court's four bronze woes and The functioning brain lobe wings, Go in, hearing and perception, I dig under door fronts, pain and plans.

i do not give a sh*t, the toilet miss me now