Best 5099 quotes in «literature quotes» category

Truth is hard-hearted and unrelenting, too clear, precise; a lie is much more imaginative.

Truth that is naked is the most beautiful.

Trying to live up to yourself is the most trying thing.

Tutto questo mentre stavano imparando l'unica lezione della vita: che nella vita di un individuo accadono più incidenti di quanto un uomo possa ammettere, se non vuole correre il rischio di impazzire.

Tutto questo” pensava “non dovrebbe poter durare; però durerà, sempre; il sempre umano, beninteso, un secolo, due secoli...; e dopo sarà diverso, ma peggiore. Noi fummo i Gattopardi, i Leoni; quelli che ci sostituiranno saranno gli sciacalletti, le iene; e tutti quanti Gattopardi, sciacalli e pecore, continueremo a crederci il sale della terra”.

Turn those deep feelings and obsessions of your heart into captivating pieces of literature.

Unborn eternity does not die; existence is dying and falls asleep in the eternity beyond existence.

Understand something people, we will be hated by many in the name of Christ, ridiculed, mocked, stoned, slaughtered. We will be fined, jailed and killed for our love for Christ. You are supposed to see better with your eyes today, how close this is happening, just prepare your heart and soul to be braver than Peter and not deny Christ in the moment your life might be in jeopardy for Him and what you believe. Apostle Pauls says to live is Christ to die is gain.

Une œuvre où il y a des théories est comme un objet sur lequel on laisse la marque du prix.

Universe is the Sun watching its own self.

Unjustified ambition kills value, Kills someone else's desire to fly, Cuts their wings, sucks their air. If there is nothing else, it eats its own life.

Until modern times, we focused a great deal of the best of our thought upon rituals of return to the human condition. Seeking enlightenment or the Promised Land or the way home, a man would go or be forced to go into the wilderness, measure himself against the Creation, recognize finally his true place within it, and thus be saved both from pride and from despair. Seeing himself as a tiny member of a world he cannot comprehend or master or in any final sense possess, he cannot possibly think of himself as a god. And by the same token, since he shares in, depends upon, and is graced by all of which he is a part, neither can he become a fiend; he cannot descend into the final despair of destructiveness. Returning from the wilderness, he becomes a restorer of order, a preserver. He sees the truth, recognizes his true heir, honors his forebears and his heritage, and gives his blessing to his successors. He embodies the passing of human time, living and dying within the human limits of grief and joy. (pg.95, "The Body and the Earth")

Upon reading, great stories by Great Spirits, the glorious inspiration penetrated our soul; we can’t help but to shed tears. It was a soul soothing and a deep spiritual awaken.

Utopia retains throughout its long history the basic form of the narrative of a journey... First comes the picture of a happy people in a beautiful and well-ordered setting; then comes the lecture on how it all came about, how it works, and, by implication, how it might be made to work in the traveller's own society.

Utopia retains throughout its long history the basic form of the narrative of a journey. The traveler in space or time is an explorer who happens upon utopia. He (or, more recently, she) meets its people, usually at first its ordinary people, observes them at work and play, sees their dwellings and their cities... The traveler is, as are we, the more prepared to accept the validity and desirability of the general principles for having seen with his own eyes its effects in the daily life of its inhabitants.

Va a sonar muy cliché o muy bobo, pero las cosas no suceden sólo porque sí, o tal vez sí lo hacen, y nosotros sólo le damos ese sentido al decir esa frase tonta que usamos para justificar lo que nos sucede, pero no sé. Tal vez ésa sí sea una de las pocas cosas que pasaron por algo y no sólo porque sí. Pero cuando unos hombres abrieron mi puerta y me jalaron mientras yo comenzaba a gritar, supe que nada podía mejorar y en ningún momento se me cruzó por la mente ese: Tal vez esto está pasando por algo.

Very early on, near the beginning of my writing life, I came to believe that I had to seize on some object outside of literature. Writing as a sylistic exercise seemed barren to me. Poetry as the art of the word made me yawn. I also understood that I couldn't sustain myself very long on the poems of others. I had to go out from myself and literature, look around in the world and lay hold of other spheres of reality.

Very early on, the Hungryalists had announced, rather brashly, their lack of faith and what they thought of god. To them religion was an utter waste of time, and they made no bones about this. In fact, in one of their bulletins, they had openly denounced god and called organized religion nonsense. Many of the Hungryalists, with their sharp knowledge of Hindu scriptures, had been challenging temple elders on the different rituals and modes of worship. This came as a shock to many, in a country where religion was very much a part of everyday life—a matter of pride and culture even. On the other hand, Ginsberg was evidently quite taken with religion in India and sought out sadhus and holy men wherever he went in the country. While this might have been because he was in search of a guru, he seemed to be fascinated, in equal measure, by the sheer variety that religion opened for him in India—from Kali worship to Buddhism. But like the Beats, the Hungryalists came together in denouncing the politics of war, which merged with their larger world view.

Você descobre tudo que precisa saber sobre uma pessoa com a resposta desta pergunta: qual é o seu livro preferido?

Von allen Abenteuern ist Selbstmord das literarischste, mehr noch als Mord.

Vossignoria pertanto creda a me e, come le ho detto già prima, legga di questi libri e vedrà come le bandiscono la malinconia che caso mai avesse e le fanno migliore il carattere se mai l'abbia guasto. Per parte mia le so dire che da quando sono cavaliere errante sono valoroso, garbato, liberale, bennato, magnanimo, cortese, mite, paziente, tollerante di fatiche, di prigionie, d'incantagioni.

Watson is a cheap, efficient little sod of a literary device. Holmes doesn't need him to solve crimes any more than he needs a ten-stone ankle weight. The audience, Arthur. The audience needs Watson as an intermediary, so that Holmes's thoughts might be forever kept just out of reach. If you told stories from Holmes's perspective, everyone would know what the bleeding genius was thinking the whole time. They'd have the culprit fingered on page one.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.

We all have a book in us. The first step is recognising this. Writing it is a whole new journey.

We all R failures that's why V need #CHILDREN to fulfill D needs of #Society,#Nation,#Worlds , so that we can live the same old selfish way

We are all one. Everything is meaningless, and yet at the same time meaningful. Everything matters and doesn’t matter just as much," Wisdom said and looked beyond time.(Nakoma, by Gala.J)

We are absurdly accustomed to the miracle of a few written signs being able to contain immortal imagery, involutions of thought, new worlds with live people, speaking, weeping, laughing. We take it for granted so simply that in a sense, by the very act of brutish routine acceptance, we undo the work of the ages, the history of the gradual elaboration of poetical description and construction, from the treeman to Browning, from the caveman to Keats. What if we awake one day, all of us, and find ourselves utterly unable to read? I wish you to gasp not only at what you read but at the miracle of its being readable.

We are all travelers crossing from this bank to that bank, from this world to nirvana. But the waters are rough. We must rely on something in order to make it over. That something could be the art or literature that you aspire to create. You will think that the thing you choose will serve as your boat or raft to carry you to that other bank. But if you think deeply about it, you may find that it does not carry you but rather you carry it. Perhaps only the student who truly savors this paradox will make it safely across. Literature and art are not simply what will carry you; they are also what you must lay down your life for, what you must labor over and shoulder for the rest of your life.

We are destroying all esthetic standards in the name of social justice.

We are all born as storytellers. Our inner voice tells the first story we ever hear.

We are liable to miss the best of life if we do not know how to tingle, if we do not learn to hoist ourselves just a little higher than we generally are in order to sample the rarest and ripest fruit of art which human thought has to offer.

We are all orbits of some sort, circling around the world we call our own, and literature... Literature is a compass;

We are so much distracted nowadays. There is so much distractions in the world today call it internet, media, football matches etc. but don't let it consume you.

WE ARE the PULSE of the TIMES!

We do not claim that the portrait we are making is the whole truth, only that it is a resemblance.

We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous.

We can imagine the books we'd like to read, even if they have not yet been written, and we can imagine libraries full of books we would like to possess, even if they are well beyond our reach, because we enjoy dreaming up a library that reflects every one of our interests and every one of our foibles--a library that, in its variety and complexity, fully reflects the reader we are.

We encounter great souls, who lived in historical times, in ancient books.

We forget old stories, but those stories remain the same.

We dreamt of a crappy apartment somewhere Making love while we let the midnight air Flow through the open window, into our closed hearts Left bitter from heartbreak and too much time apart

We like to admit to only that which already glows, although it is nobler to support brightness before it glows, not afterwards.

We knock upon silence for an answering music.

We live in a world where there is such a clear definition of what a girl should be that it takes almost no effort at all to completely hate ourselves.

Well, they each seem to do one thing well enough, but fail to realize that literature depends on doing several things well at the same time.

We must be satisfied with the soup that is set before us, and not desire to see the bones of the ox out of which it has been boiled.

we must bring our own light to the darkness.

We may now briefly enumerate the elements of style.  We have, peculiar to the prose writer, the task of keeping his phrases large, rhythmical, and pleasing to the ear, without ever allowing them to fall into the strictly metrical: peculiar to the versifier, the task of combining and contrasting his double, treble, and quadruple pattern, feet and groups, logic and metre—harmonious in diversity: common to both, the task of artfully combining the prime elements of language into phrases that shall be musical in the mouth; the task of weaving their argument into a texture of committed phrases and of rounded periods—but this particularly binding in the case of prose: and, again common to both, the task of choosing apt, explicit, and communicative words.  We begin to see now what an intricate affair is any perfect passage; how many faculties, whether of taste or pure reason, must be held upon the stretch to make it; and why, when it is made, it should afford us so complete a pleasure.  From the arrangement of according letters, which is altogether arabesque and sensual, up to the architecture of the elegant and pregnant sentence, which is a vigorous act of the pure intellect, there is scarce a faculty in man but has been exercised.  We need not wonder, then, if perfect sentences are rare, and perfect pages rarer. -ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE

We men of this age are rotten with book-lore and with a yearning for the past.

We need knew knights, but without swords.

We ought to know the history of our ancient ancestors.