Best 5099 quotes in «literature quotes» category

The French have a penchant for absolutism, for thinking that things are all one way or all another, which is why their politics are marked by a general inability to compromise and why they tend to hold their personal opinions until the bitter end, even after they have clearly lost an argument.

The game itself is bigger than the winning.

The gift of literature is the grace of knowledge.

the glory of the protagonist is always paid for by a lot of secondary characters

The greatest literature is the Biblical stories.

The great writings interact with one another. They cannot be read in isolation..

The growth of the imagination demands windows-windows through which we can look out at the world and windows through which we can look into ourselves. The old stories were windows in just this way.

The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black—abandoned and derelict—and Chris knew he had to keep running, ahead, into the unknown.

The history of time is captured by poet, artist, writer, photographer…!

The highest form of morality is not to feel at home in ones own home." Most great works of the imagination were meant to make you feel like a stranger in your own home. The best fiction always forced us to question what we took for granted. It questioned traditions and expectations when they seemed too immutable. I told my students I wanted them in their readings to consider in what ways these works unsettled them, made them a little uneasy, made them look around and consider the world, like Alice in Wonderland, through different eyes.

The house was the color of baby vomit.

The Hunter has been turned into a butterfly. Do not laugh.

[T]he imagination, like certain wild animals, will not breed in captivity.

The life of the spirit is enfold in great literature.

The literary text seems like "a fortified medieval town –foreigners and outsiders are repelled, or allowed in only after rigorous checks, but within all is bustling life; exchange, mutual interdependence and influence are the rule.

The light teaches you to convert life into a festive promenade.

The longer the wondering, the longer the writing.

The literature hardly helps. You remember it only when you are well, healthy, and in a positive state of mind. And you tend to blame your circumstances and people around you for the outcome of the follies you commit.

The longest piece of literature I've read lately was a tattoo on this biker I picked up last night. It said, If you're this close, you've gotta suck it.

The love for literature is the key to knowledge.

The madness of an autumn prairie cold front coming through...ringing throughout the house was an alarm bell that no one but Alfred and Enid could hear directly.

The love I knew was from books..

The main danger is that of supposing that the thing to do is get a mind on the scale of Thomas (Aquinas)’s into your head, a task of compression that will be achieved only at your head’s peril. The only safe thing to do is to find a way of getting your mind into his, wherein yours has room to expand and grow, and explore the worlds his contains.

The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers.

The man is in his work,read it if you want to know about him.

The manner in which the exclusionary nature of the English language is used in knowledge prodution separates us as humans.

The money you are looking for is not in any country, phd or your designer outlook, it is in wisdom. Solomon never prayed for wealth but he asked for wisdom.

The metaphysicians of Tlön are not looking for truth, nor even for an approximation of it; they are after a kind of amazement.

The morality of art consists, for everyone, in the side that flatters its own interests. People do not like literature.

The more I loved you the more I found me

The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need. Literature is common ground. It is ground not managed wholly by commercial interests, nor can it be strip-mined like popular culture—exploit the new thing then move on. There’s a lot of talk about the tame world versus the wild world. It is not only a wild nature that we need as human beings; it is the untamed open space of our imaginations. Reading is where the wild things are.

The Moth and Its Beloved Ask the moth the beauty of the candle And it will burn without a confession There is a secret to its longing For it feels no fear or hesitation The moth is too much in love with the flame Yet it does not appear under the sun For the moon’s light is far too feeble, and It gave up on its pursuit of the sun Just a sight of a candle is enough To remind it of its real beloved So it settles for that candle in reach, Revels in its heat, and asks to be burned

The most uninspired form of criticism simply tells the story of a work in different words. Some students imagine they are writing criticism when for the most part they are simply paraphrasing a text, occasionally throwing in the odd comment of their own.

The most beautiful hara do not have to be cruel or mean or jealous. It is in them to be courteous and kind. Why be otherwise when the world has been so kind to them?

The notion of "cause and effect" is sometimes useful in real life, and it can even be interesting in art, but I'm more interested in "cause and cause" or "effect and effect" or "and and and".

The mythic voice rising from literature and art allows us to be humane. We are not humane because of political power, or education, or even religion. We are humane because we recognize the humanity of others. The writer and the artist appeal to that humanity. For that reason, literature and art are the bones of civilization.

The night is still waiting.

The oldest books are still only just out to those who have not read them.

Thence it is possible to arrive by easy stages at the happy notion, not uncommon among 'intellectuals', that taste consists of distaste, and that the loftiest of pleasures is that of feeling displeased; and thus to end by enjoying almost nothing in literature but one's own opinions, while oneself incapable of writing a living sentence.

The novelist’s happy discovery was to think of substituting for those opaque sections, impenetrable by the human spirit, their equivalent in immaterial sections, things, that is, which the spirit can assimilate to itself. After which it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, while we turn over, feverishly, the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those which come to us in sleep; why, then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which, only, we should have to spend years of our actual life in getting to know, and the keenest, the most intense of which would never have been revealed to us because the slow course of their development stops our perception of them.

Then you look at her and smile a smile your dissembling face will remember until the day you die. Baby, you say, baby, this is part of my novel. This is how you lose her.

The one thing is fiction in a novel and the other thing is reality. With fiction you don't make a fuss - you can 'beat it' and there's never enough. At least in my opinion - cause there are people, who complain about style intensity in literature: they prefer cereals with milk than abyssinian bitches roasted alive on bringhausers and watered with ya-yoo juice.

The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions. If this is agreed between us, then I feel at liberty to put forward a few ideas and suggestions because you will not allow them to fetter that independence which is the most important quality that a reader can possess. After all, what laws can be laid down about books? The battle of Waterloo was certainly fought on a certain day; but is Hamlet a better play than Lear? Nobody can say. Each must decide that question for himself. To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions-there we have none.

The only friends I have are the dead who have bequeathed their writings to me--I have no others.

[T]he only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of.

The only way that you can identify and then fulfill your life’s purpose is for you to love yourself, charge up your life and serve the world.

The past is not another country; it is another life. The texture of daily living is different now than in the past, more different the further back we look, until we find people whose experiences created a psychology we might find baffling or rude. Many details that once made up the daily round are lost to us because people considered them too trivial to write down. Knowing the past means knowing what people carried in their pockets, what they did with their sewage, where their dogs slept. Those details may seem unimportant, but what they convey is not.

The passion to teach, to share deeply experienced “lessons from life,” is embedded in all literature.

The past gathered out of the darkness where it stayed, and the dead raised themselves to live before him; and the past and the dead flowed into the present among the alive, so that he had for an intense instant a vision of denseness into which he was compacted and from which he could not escape, and had no wish to escape. Tristan, Iseult the fair, walked before him; Paolo and Francesca whirled in the glowing dark; Helen and bright Paris, their faces bitter with consequence, rose from the gloom. And he was with them in a way that he could never be with his fellows who went from class to class.

...the pleasures of literary fiction are the pleasures of orientation; the pleasures of literature are the pleasures of bewilderment.